The Best Thing I Saw on TV This Week (1/12 – 1/19)

This week in television got off to a strong start on Sunday night with a Golden Globe Awards ceremony that featured plenty of laughs, more than a few surprise winners, and plenty of fun courtesy of hosts Amy Poehler and Tina Fey. On Monday, Castle’s father made a reappearance and and a wedding date was finally set on Castle. Tuesday’s FOX comedies were all strong, as Peralta and Santiago went on the best “worst date ever” on Brooklyn Nine-Nine, Jess tried to bond with Coach over basketball on New Girl, and the gang from The Mindy Project traveled to LA. Nashville returned from its winter hiatus on Wednesday with new drama for all its characters, and Thursday’s Parks and Recreation opened the door to many new beginnings. Finally, the week ended on Saturday with a SAG Awards ceremony that gave us three of my favorite award-show speeches in recent memory: Jared Leto’s eloquent tribute to his mother, Lupita Nyong’o’s articulate expression of gratitude, and Rita Moreno’s reminder that there’s no one in Hollywood—past or present—who has her sense of style and class.

Overall, this was an excellent week in television. But it was hard for anything that aired this week to top the way it began. Amy Poehler and Tina Fey’s monologue at this year’s Golden Globe ceremony might have been even funnier than last year, and their hits just kept coming as the night went on. And as a fan of Poehler’s work for years, nothing was better than watching her finally get rewarded for her work as Leslie Knope. Poehler’s warmth came through in her genuinely surprised speech, and it proved what I’ve always believed to be true of her: She’s a living example of the fact that you can be nice and still be successful; you can be kind and still be strong and respected in your field of work. To see her finally get recognized for playing a character defined by her ability to be both unfailingly sweet and uncompromisingly strong was very inspiring for me as a young woman who looks up to both Leslie Knope and the woman who brings her to life.

What was the best thing you saw on TV this week?

Nerdy Girl Predicts: The 2014 SAG Awards

AMERICAN-HUSTLE-poster2

Will American Hustle take home the SAG award for best ensemble?

Award season continues tonight with the Screen Actors Guild Awards, which air at 8 p.m. on TNT and TBS. I love actors—I love the way just the smallest change in their expression, just the slightest shift in their body language, or just the hint of a tremor in their voice can make us feel things that go beyond the pages of script.

Actors bring life to words, and as someone who lives in a world of words, I have always admired the courage and dedication it takes to make sentences on a page become a physical reality. So I love the fact that there’s an award ceremony every year where actors gather together to honor one another, to give the most deserving among them awards that mean so much because they were given by a group of respected peers.

However, I will admit that this year’s crop of nominees has left me less excited than usual about the ceremony. No love for Amy Adams, Christian Bale, or Joaquin Phoenix? Why do I have to suffer another year of Parks and Recreation being snubbed for even a nomination for best comedic TV ensemble? And where the heck is Amy Poehler’s name on the list of nominees?

I have a prior family commitment that will be keeping me from watching/live tweeting the red carpet and start of the ceremony, but I’ll join the party on Twitter as soon as I can tonight. Until then, here are my predictions for tonight’s big winners. Let me know in the comments who you think will be victorious this evening!

FILM

Outstanding Performance by a Male Actor in a Leading Role:
Bruce Dern (Nebraska)
Chiwetel Ejiofor (12 Years a Slave)
Tom Hanks (Captain Phillips)
Matthew McConaughey (Dallas Buyers Club)
Forest Whitaker (Lee Daniels’ The Butler)
My Pick: Matthew McConaughey. Dern could be honored for his storied career, but I think McConaughey’s fellow actors will appreciate his physical transformation and emotional commitment to this role. Does this mean we’ll be hearing “All right, all right, all right…” on Oscar night?

Outstanding Performance by a Female Actor in a Leading Role:
Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Meryl Streep (August: Osage County)
Emma Thompson (Saving Mr. Banks)
My Pick: Cate Blanchett. Another award ceremony, another victory on Blanchett’s road to the Oscars.

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TV Time: Parks and Recreation 6.11

New Beginnings

Title New Beginnings

Two-Sentence Summary Leslie returns to the Parks Department and Ben begins his new job as city manager, and they both experience some difficulties adjusting to their roles. Meanwhile, Ann and Chris contemplate how well marriage would fit into their very nontraditional relationship.

Favorite Line “I cannot sit idly by and watch this terrible thing happen. I mean, I can barely sit idly by and watch good things happen!” (Leslie)

My Thoughts Well that was…okay, I guess? Don’t get me wrong; I laughed out loud more than a few times during “New Beginnings” (mainly thanks to Ron and Ben), and I even had my heart sufficiently warmed in the surprising way only Parks and Recreation can (once again, thanks to Ron). However, there was just something off about this episode. “New Beginnings” really felt like the beginning of the end for Parks and Rec, and I was not emotionally prepared to deal with these feelings after a mid-January episode.

When I say “the beginning of the end for Parks and Rec,” I don’t mean in terms of the quality of the show. Did I adore this episode with my usual fervor? Not really. But it was still more entertaining than most of what I see on television, especially comedic television. What I mean is that these last two episodes—this one in particular—seem to be setting the stage for the kinds of huge changes in Leslie’s life that would only work at the end of this show’s run. I know nothing has been announced in terms of the show’s future, but from the time it was stated that Rashida Jones and Rob Lowe were leaving, I couldn’t stop wondering if this would be Parks and Rec’s last season. This new emphasis on Leslie needing to move on to bigger and better things has only intensified that wondering.

“New Beginnings” was an episode all about feeling uncomfortable and the things we do to try to ease that feeling. For Ben, that feeling of discomfort in his new role as city manager made him want to try to fit in with April, Andy, and Donna. For Leslie, feeling uncomfortable and unnecessary back in her old job made her resort to her steamroller, control-freak tendencies. For Chris and Ann, feeling uncomfortable with the idea of marriage (but also with the idea of being unmarried parents) led them to numerous purchases and returns of the same ring. And Jerry tried to ease discomfort caused by choking on a cracker by simply eating another cracker.

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TV Time: New Girl 3.12

I apologize for being a little late posting this—darn you, “real job,” for keeping me from talking about New Girl‘s best episode of the season

Title Basketball

Two-Sentence Summary Jess tries to befriend Coach by feigning interest in the Detroit Pistons, much to the dismay of Bulls-fan Nick. Meanwhile, Schmidt faces new competition at work and Winston entertains the possibility of a new career path.

Favorite Line “Once your screen breaks, your information is in the twitterverse, man. And it’s all out there for everyone to see. All these little monkey elves, man—all these kids.” (Nick)

Episode M.V.P. “Basketball” felt like a Season Two episode of New Girl, and I mean that in the best possible way. It was genuinely funny, surprisingly sexy, and capitalized on the chemistry between Zooey Deschanel and Jake Johnson better than any other episode so far this season. And, just like in Season Two’s best episodes, “Basketball” knew exactly what to do with Nick. This was Johnson’s best episode of Season Three. He was equal parts gumpy old man (with his disposable camera full of sexy pictures and paranoia about cell phones) and devoted boyfriend (his conversation with Coach about being friends with Jess showed a fantastic understanding of her). He was also equal parts hilariously awkward (his seduction techniques that did nothing but turn him on and waste a bottle of water) and improbably hot (another wonderful reminder of Nick Miller’s expert kissing skills, complete with picking Jess up). Johnson had the episode’s funniest lines (his cell phone rant), but he also carried a lot of the episode’s heart, too. He made me believe how much the Bulls meant to Nick when he told Jess about sharing the passion for that team with his dad. For much of Season Three, I’ve been waiting for this balance between Nick’s more broadly comedic aspects and his role as a genuine romantic lead, and I think it was finally achieved in this episode.

Favorite Scene There were more strong choices for the best scene of the episode than in any other episode so far this season: Nick’s rant against technology (kudos to the editing team for brilliantly cutting from Schmidt talking about old people to Nick sitting down at the table), Nick’s first seduction attempt (Why does he think squats are sexy?), Nick and Jess’s excellent final kiss (which reignited their Season Two passion spectacularly), and Coach bearing his soul to Jess while she was in bed with Nick.

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TV Time: Castle 6.12

Castle_6x12-Deep_Cover

Title Deep Cover

Two-Sentence Summary The murder of a young man with a history as a high-level hacker unexpectedly brings Castle back into contact with his father, whose identity is finally revealed to Beckett when he becomes a leading suspect in the murder investigation. Meanwhile, Castle and Beckett’s search for the ideal wedding date keeps hitting roadblocks.

Favorite Lines
Beckett: I just—I want to be flexible.
Castle: Oh, you are flexible…You see what I did there?

My Thoughts “Deep Cover” was as perfect a thematic follow-up as you could imagine to last week’s incredible “Under Fire.” Both episodes brought into sharp focus the concept that gives Castle its beating heart: family—the family we’re born into and the family we choose. In the world of Castle, a family isn’t defined by biology; it’s defined by selfless, unconditional love and support. The families that exist on the show are sources of strength and happiness. But the absence of family is also a topic that Castle has touched on over the years with great emotional resonance. Both Castle and Beckett are defined in many ways by the absence of a family member—his father and her mother. And while we’ve watched Beckett struggle with that absence, we’ve been given relatively little development concerning Castle’s feelings about living his whole life without a father. “Deep Cover” finally examined that aspect of Castle’s character, and it did so with the show’s characteristic warmth and sense of surprise.

Last season’s spectacular two-part episode “Target/Hunt” introduced us to Jackson Hunt, Castle’s father, but the suspenseful nature of the episode didn’t allow for much father/son bonding time. However, what we got was fascinating—an adult son trying to understand a father who was both completely absent from his life and also the force behind his entire life’s inciting incident (giving him Casino Royale, the book that made him want to be a writer). James Brolin and Nathan Fillion were such spectacular scene partners (and such believable father/son lookalikes) that I remember hoping that Hunt would make an appearance again. And I’m so happy to say his reappearance lived up to my expectations.

The actual spy plot of this episode wasn’t the show’s strongest case, but it didn’t have to be to drive the emotional arc forward. I found Hunt’s repeated disappearances and betrayals a bit overly predictable, but what felt trite in terms of the plot actually worked quite well on a thematic level. Jackson Hunt is a man who’s good at disappearing—it’s literally part of his job, but it’s also the defining aspect of his relationship with Castle and Martha.

The same could be said of his insistence on Castle keeping his identity secret from Beckett. At first, I was annoyed by another secret coming between them (but I did love that Beckett knew something was wrong as soon as Castle seemed indifferent to coming up with a crazy theory). However, it served as an excellent reminder of why Hunt could never really be family to Castle—he demands too much secrecy. Castle has shown time and again the price of keeping secrets—no matter the good intention. So for Hunt to ask Castle to keep such a huge secret from the woman he loves is asking him to violate something that family is built on in this show—trust.

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The Best Thing I Saw on TV This Week (1/5 – 1/12)

After taking a couple of weeks off as I waited for holiday hiatuses to end, it’s time once again to take a look at the best of the past week in the television world. Sunday gave us a hilarious and entertaining look at the last five years of Late Night with Jimmy Fallon. Castle returned on Monday with one of its most emotional hours ever. Tuesday’s New Girl presented a charming look at the careers we choose, and The Mindy Project continued to enable my Danny Castellano obsession. Finally, Thursday’s 100th episode of Parks and Recreation served as a reminder of everything that makes that show so special—it encourages us to dream big and love big.

There were a plethora of excellent moments on TV this week—from Danny’s pop culture inspirations for Mindy’s workouts to Leslie and Ben’s trip to Paris. But my favorite moment of the week came from Monday’s episode of Castle. The episode’s final scene, with Ryan and Esposito reuniting with their loved ones, including Ryan’s new daughter Sarah Grace, was filled with a warmth that went straight to my heart. There was something incredibly moving and beautiful about the image of Lanie and Esposito, Ryan and Jenny (and Sarah Grace), and Castle and Beckett so happy together. It reinforced the idea that Castle is a show about the family we create and the people we choose to love far more than it’s a show about mysteries and murders.

What was the best thing you saw on TV this week?

Nerdy Girl Predicts: The 2014 Golden Globes

golden globes

The Golden Globes are my favorite award show. Yes, I love seeing television get its day in the sun with the Emmys; I love the way the SAG Awards honor my favorite thing about most films (the performances); and you can’t beat the Oscars when it comes to glamour and style. But the Golden Globes are different—the Hollywood Foreign Press Association (HFPA) brings the worlds of television and film together, and it does so with a genuine sense of humor.

There’s something uniquely fun about the Golden Globes. The celebrities are a little more relaxed. The nominees (and winners) are often a little more random and harder to predict than other award shows. And you can’t mention “fun” and “Golden Globes” in the same sentence without mentioning this year’s returning pair of hilarious hosts: Amy Poehler and Tina Fey.

I’m so excited to watch one of my favorite times of year—award season—kick off tonight. I’m excited to see all of the gorgeous (and maybe not-so-gorgeous) looks on the red carpet. I’m excited to see what smart and memorable material Poehler and Fey have in store for us this year. I’m excited to watch many of my favorites from this year in film and television have their names read along with all the other great nominees. And I’m excited to celebrate film and television, two mediums that I love differently but equally and continue to love more each year.

Before tonight’s ceremony, (which begins at 8 p.m. on NBC), I wanted to share my predictions, which should always be taken with a grain of salt because I often pick with my heart instead of my head when it comes to these things. Let me know in the comments who you think will win, who you think should win, and who you’re most excited to see tonight. And join me on Twitter around 6 p.m. when I kick off my annual Golden Globes live-tweeting coverage!

FILM NOMINEES

Best Motion Picture: Drama
12 Years A Slave
Captain Phillips
Gravity
Philomena
Rush
My Pick: 12 Years A Slave. While Gravity’s technical brilliance is hard to ignore, I think the emotional impact and sheer nerve of 12 Years A Slave is even harder to overlook.

Best Motion Picture: Comedy Or Musical
American Hustle
Her
Inside Llewyn Davis
Nebraska
The Wolf of Wall Street
My Pick: American Hustle. With a cast full of talented stars used to their fullest potential in a smart, entertaining period piece (which feels weird to say since the 1970s weren’t that long ago), I think American Hustle is the kind of film the HFPA often gravitates towards.

Best Performance by an Actor in a Motion Picture: Drama
Chiwetel Ejifor (12 Years A Slave)
Idris Elba (Mandela: Long Walk to Freedom)
Tom Hanks (Captain Phillips)
Matthew McConaughey (Dallas Buyers Club)
Robert Redford (All is Lost)
My Pick: Chiwetel Ejifor. While Redford could take home the award because of his pedigree (and brilliant work), I still think Ejifor’s work as the heart and soul of the year’s most brutally emotional film will take precedence over the HFPA’s usual bias towards bigger names.

Best Performance by an Actress in a Motion Picture: Drama
Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Emma Thompson (Saving Mr. Banks)
Kate Winslet (Labor Day)
My Pick: Cate Blanchett. While I would give this award to Bullock, I have heard nothing but ecstatic raves for Blanchett’s work, and she seems like a lock in this category filled with great actresses who gave great performances this year.

Best Performance by an Actress in a Motion Picture: Comedy Or Musical
Amy Adams (American Hustle)
Julie Delpy (Before Midnight)
Greta Gerwig (Frances Ha)
Julia Louis-Dreyfus (Enough Said)
Meryl Streep (August: Osage County)
My Pick: Amy Adams. Meryl or Amy? In the battle of Hollywood royalty versus the next generation of great actresses, I think Adams is going to come out on top for her standout performance in an ensemble filled with today’s most compelling actors. It’s about time her chameleon-like ability to play nearly every kind of role was rewarded.

Best Performance by an Actor in a Motion Picture: Comedy Or Musical
Christian Bale (American Hustle)
Bruce Dern (Nebraska)
Leonardo DiCaprio (The Wolf of Wall Street)
Oscar Isaac (Inside Llewyn Davis)
Joaquin Phoenix (Her)
My Pick: Leonardo DiCaprio. As a DiCaprio fangirl since the age of 9, nothing makes me happier than the critical acclaim his work in Wolf of Wall Street is getting, and if anyone deserves some award-season love after so many years of being overlooked, it’s him.

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TV Time: Parks and Recreation 6.10

Second Chunce

Title Second Chunce

Two-Sentence Summary Leslie’s desire to run for city council again is met with opposition from Ben and her friends, and Ben’s gift for her last day as a city councilwoman helps her see that maybe there are bigger, more fulfilling dreams waiting for her. Tom is also chasing new business dreams with the help of April, Ron, and a very jet-lagged Andy; and Ann and Chris learn the sex of their baby.

Favorite Line “In times of stress or moments of transition, sometimes it can feel like the whole world is closing in on you. When that happens, you should close your eyes, take a deep breath, listen to the people who love you when they give you advice, and remember what really matters.” (Leslie)

My Thoughts Parks and Recreation has aged very gracefully. In 100 episodes, it’s grown from a show about a woman and her job to a show about a woman and the things that are so much more important than her job. It’s grown from a show that felt like the weird kid sister of The Office into a show with its own clear mission statement: Dream big; love bigger. And the way its 100th episode reflected that mission statement as it honored the show’s past and opened up new futures for the characters we love was nothing short of beautiful.

I’ll admit: I haven’t loved this season of Parks and Rec the way I’ve loved other seasons. After the brilliant season premiere, I found most of the other episodes so far to be lacking the warmth and optimism that have come to define this show for me. And I was worried that “Second Chunce” was going to follow that same path until Ben’s gift for Leslie showed up.

My problem with this season so far has been that we’ve had to watch Leslie suffer. We’ve had to watch this character deal with incompetence, ungratefulness, and a whole host of Pawnee citizens who don’t love her the way we all know she deserves to be loved. My favorite season of Parks and Rec—Season Four—was so successful because we were right alongside Leslie in the campaign trenches, rooting for her to win her city council seat not just because we liked her but because we believed she deserved it. But then this season and its recall plot came along, taking away Leslie’s dream job, the dream job we all invested in, too.

However, “Second Chunce” put this whole season into perspective for me in a way I had never considered before: I was supposed to see this recall not as a failure of Leslie’s but as a failure of a group of people who don’t know a good thing when they have it. I was supposed to be mad at the people of Pawnee. I was supposed to believe that Leslie is too good for them. I was supposed to see this eating away at Leslie’s optimism and understand that she deserves more than what she was getting as a city council member. I was supposed to be on Ben’s side when he advised Leslie not to run again because I, as a member of the audience, love Leslie as much as Ben does.

“Second Chunce” was an episode about love, which should surprise no one. It was fitting that the 100th episode of a show that features three unique, solid marriages and one couple blissfully heading into parenthood together would be centered around love—love for your dreams, love for your friends, love for your spouse/partner, and even love for yourself. It took a while to get there, but once this episode hit its stride, it filled my heart with the kind of a joy only Parks and Rec can create.

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TV Time: New Girl 3.11

Title Clavado En Un Bar

Two-Sentence Summary At the bar, Jess asks the guys and Cece for advice about keeping her job as a teacher at a struggling school or taking a new job at a museum. This prompts each of Jess’s roommates to share their stories about how they ended up in their current professions.

Favorite Line “This moment is so chill and lacking drama that I want to call it Tim Duncan.” (Nick)

Episode M.V.P. Each actor in New Girl’s ensemble had at least one moment to shine in this week’s episode. And I do mean each actor—even Hannah Simone had some great lines about Cece’s struggling career as a model (who is now relegated to playing the desperate party in a phone sex ad). Fat Schmidt made a triumphant return to our TV screens, but my favorite Max Greenfield moment of the night was Schmidt once again messing up a pop culture reference (like he did previously with Indiana Jones) when he referred to the “late, great Sir Billy Joel” and then proceeded to misquote “Only the Good Die Young” (“The good, they do die young.”). Damon Wayans Jr. cracked me up when he yelled at Jess’s potential new boss for calling her too early. Jake Johnson reminded me once again that no one can do surprising sincerity like he can—it’s not often that you think of a bartender as a job people really choose, but I completely bought that Nick genuinely finds joy in that job after seeing it through Johnson’s eyes this week. And Zooey Deschanel very convincingly played the panic inherent in making a major life decision with no clear-cut right answer.

All of the ensemble turned in great performances, but Lamorne Morris proved once again that no one can get me laughing while watching New Girl like he can. Winston’s dawning realization that he’s never made a real decision in his life was hilarious. And once he made the decision to quit his job, Morris was at his offbeat best in describing how “things got racial” and he couldn’t go back. Winston has become one of those characters where I laugh every time he opens his mouth, and so much of that comes from Morris’s offhand delivery of the show’s strangest lines.

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TV Time: Castle 6.11

KATIC, NATHAN FILLION, SEAMUS DEVER

Title Under Fire

Two-Sentence Summary When the team at the 12th precinct investigates a murder tied to a string of arsons, Ryan and Esposito find themselves trapped in a burning building. Struggling to stay alive and to make contact with the people looking for them outside the crime scene, Ryan has additional motivation: His wife Jenny is about to have their first child.

Favorite Lines
Esposito: You’re gonna name a white, Irish kid Javier?
Ryan: What? You’re gonna bust on me now for being sentimental?
Esposito: I figure it’s my last chance.

My Thoughts It’s often said that what makes Castle different from others in its genre isn’t just its sense of humor or unique protagonist; it’s the fact that it is admittedly a love story first and a procedural second. “Under Fire” served as a brilliant reminder that Castle isn’t just telling one love story; it’s telling a bunch of love stories. Friends, partners, lovers; captains and detectives, husbands and wives, parents and children—these relationships are the heart and soul of Castle; they’re the reason we keep watching, the reason we keep caring.

Castle and Beckett’s love story may be what gives the show its spark, but it’s all the other little love stories highlighted in “Under Fire”—Gates and her team, Beckett and her boys, Ryan and Esposito, Lanie and Esposito, Ryan and Jenny, Castle and his “brothers”—that keep the fire burning throughout each episode. A show cannot live on one relationship alone, and, thankfully, Castle is a show built around a plethora of diverse, well-developed, and well-acted relationships.

As is the case with most Castle episodes, the actual procedural elements of this episode took a backseat to the emotional elements. I didn’t care very much about who set the fires or why, but that’s not why I watch Castle. I watch for the characters, and this episode was as good an ensemble piece as I can remember, giving each member of the 12th precinct team an emotional arc to rival any they’d been given before. Of course we knew Ryan and Esposito would make it out alive, but what was important was that the actors never played that like it was a certainty. It made each scene come alive with a kind of desperation that felt necessarily raw and painfully real.

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