How Books Got Me Through 2020

Happy Holidays, fellow nerds! This is the second in a series of posts wrapping up a different year in a different way. Between now and the start of 2021, I’ll be recapping my year in media not through traditional “Best of” lists but instead through snapshots of how my relationships with TV, books, and movies reflected my journey through 2020. If you’re looking for great “Best of 2020” content, I highly recommend heading over to Marvelous Geeks and TVexamined for their lists and listening to the 2-part podcast I recorded with the wonderful women behind those two sites, where we recapped our TV favorites from this year. And if you’re in the mood for more book discussion, Mary wrote a fabulous guest post for NGN earlier this month about her favorite books of 2020.

I read 22 books this year.

(Technically, it’s more like 21.99 books at the time I’m writing this, but let’s round up for the sake of simplicity.)

For me, that’s a huge number. It’s almost double the number of books I read in 2019.

And yet I still found myself slightly nervous about sharing it. I found myself writing long-winded explanations about why I don’t read more—defenses mostly centered on a job in publishing and a past as an English major who read so many books in college she burned herself out for the next decade.

I found myself comparing my reading habits to those of everyone around me—and coming up short.

That’s when I knew I had to write about it.

Because that’s been my experience through much of 2020. Comparing myself to everyone around me—and coming up short.

I didn’t become an expert chef (or even a particularly functional one). I didn’t learn a new language or meditate every day or take up running. I didn’t write more blog posts or start a new hobby or even spend that much more time outside appreciating nature.

I didn’t become a more voracious reader or a reader of more respectable literature.

And for most of this year, I beat myself up about all of it.

But then, I thought about those 21.99 books. And like they have for my entire life, the books guided me to the exact lesson I needed.

Your story doesn’t have to look like anyone else’s to be good enough. You should never feel bad about or downplay something that makes you happy. You should embrace it. And if you have the strength, you should share it.

And if the way I shared books with loved ones, talked about them with friends, and got excited to read them with my morning coffee was any indication, every single one of those precious 21.99 books I read this year made me happy.

And now I want to share it.

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Guest Post: A Year in Books

Today, we have a little treat in the form of a “Best of 2020” list from one of my favorite fellow Nerdy Girls, Mary! This deep dive into best books she read this year (which didn’t all come out in 2020) feels like a perfect way to introduce her to all of you, since Mary and I met working at a library back when we were baby fangirls still talking about Twilight. I trust Mary’s thoughts on books more than I trust my own, so I hope all of you enjoy this beautiful summary of a year in literature and a year in the life of an honest, open-hearted woman I’m lucky to call my friend.

There’s nothing like a global pandemic and unbridled anxiety to reignite a lost love of reading! We all know this year has been a lot, to put 2020 in the most reductive framing possible. I’ve been mostly stuck inside for month after month, feeling the walls closing in, physically and mentally. At the beginning of the pandemic, when we were mostly thinking this would be done in a few weeks while we all baked bread and became experts in the fields of big cats and true crime, I was not thriving. My spouse and several of my family members work in healthcare. I have a sister-in-law who works as a teacher, another as a social worker. Too many relatives were vulnerable. My nieces, nephews, and my friends’ children all seemed SO young and SO fragile all of a sudden. My sleepless nights turned into weeks then months. I was not doing well. I felt like I was walking around a room inside my head, and every day the walls were closing in a little bit more. My brain was thinking too much and too fast, and I needed an escape.

Confusingly, while I felt like I was losing my mind, I was also feeling really…bored. None of my usual hobbies could keep my attention. So I charged up my Kindle, installed the Kindle app on my phone, got a second library card, signed up for Kindle Unlimited, and even signed up for Audible. I was off like a shot. I was a desperately unstoppable reading force! By the time December rolled around I realized I had read a whopping (as of writing this sentence) 85 books. Friends, I have NEVER read this many books in my entire life. Even during my book-crazed youth! So what does one do, exactly, after reading 85 books in one year? They ask their friend if they can hijack their blog to write a top 10(ish) list of the books they read!

Before I begin the list, I’d like to make it clear that I can’t in all honesty say books alone saved me. But they opened the door I needed. By escaping into fictional worlds like I used to when I was young, I got to breathe. I could open a book with certain expectations, and watch them unfold. Watch the heroine win the hero’s heart. Watch a great evil crumble. See justice played out. Look back in time and be reassured things have been this bad (or worse!) before and we persevered. So then I reached out to friends and told them honestly that I was Not Okay and we’d commiserate. I talked with my boss about my struggles to have any motivation or focus. I got in touch with a therapist. I listened to folklore a lot. (A LOT). And slowly, I began to adjust. So, without any further ado, here are the books that I’ve fallen into—the books that became my flashlight in a very dark year.

10 – The Bride Test by Helen Hoang: Do you want a book that feels like a hug? That features language and cultural differences, a neurodivergent hero and immigrant heroine written by an own voice author? The Bride Test is a sequel to The Kiss Quotenet, and this was one of the books I read earlier in the pandemic. Khai and Esme are genuinely some of the sweetest characters I’ve had the pleasure to read. Esme lives in Ho Chi Man City and works as a cleaner in a hotel. When her paths cross with Co Nga, our hero’s mother, in a hotel bathroom, she is presented with an interesting offer: move to America and marry her son. And while I’m normally not much for books where one character either doesn’t realize or doesn’t acknowledge they are in love, it made so much sense within the context of this story. Khai has autism, but Esme never sees that as a negative, instead seeing him as a whole person right from the beginning. Esme is a strong woman, but her strength is never her only characteristic. She is smart, driven, loving, vulnerable, kind, scared, focused, and shy. I cannot stress enough how utterly charmed I was by this book. The next book in this series, The Heart Principle, is expected in 2021. Read this book if you like fun contemporaries, friends to lovers, POC representation, or descriptions of a really good dress.

Quotes: “It wasn’t loneliness if it could be eradicated with work or a Netflix marathon or a good book. Real loneliness would stick with you all the time. Real loneliness would hurt you nonstop.”

“In a split second, she redefined perfection for him. His standards aligned to her exact proportions and measurements. No one else would ever live up to her.”

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NGN’s Best of 2018: TV, Movies, and More

It’s the most wonderful time of the year…

As 2018 draws to a close, it’s time once again to highlight the best of pop culture from this year. In previous years, I’ve stuck to television, but one of my goals for 2018 was to expose myself to more of a variety of media, so I watched more movies and read more books than I have in the past. That, coupled with a slight dip in the amount (and, frankly, the quality) of TV I watched this year inspired me to expand my year in review post to include movies, books, and sports in addition to television. I also hope this inspires you to share all of you favorite media from 2018, because one of the best things about these posts over the years has been all the wonderful recommendations I’ve been given in the comments. (I never would have fallen in love with The Americans without my NGN Family championing it in these posts years ago.)

Looking back on this year in media, it’s no surprise that so many of my favorite things revolved around female characters. The books, movies, and TV I loved this year almost unanimously dealt with women learning to define themselves on their own terms as brave, strong, and—most importantly—kind people. The media I gravitated toward this year often celebrated a kind of radical goodness—a message of light pushing back against the darkness, of love surviving even the most painful things life can throw at us, and of hope existing in that quiet corner of our souls that allows us to keep getting up when everything around us seems determined to keep us pinned down. This year in media taught me that we all have choices to make and those choices determine who we are. And when we choose to believe in ourselves and our capacity to love—that’s when we become our best selves. That’s the message I’m taking into 2019, and what an empowering message it is.

Without further ado, let’s take a closer look at my favorite television, movies, and more in 2018!

Television

the-americans-episode-607-harvest-promotional-photos

Source: spoilertv.com

Best Show (Drama): The Americans
The Americans changed me in ways I never could have expected when I first started watching it. It changed me as a writer; it changed me as a TV viewer. It forced me to look more closely and think more deeply about the media I consumed, and it challenged me every week to find the words to talk about its brilliance with others. Although I was sad to see it end this year, I couldn’t have asked for a better final season for what I consider the best show I’ve ever watched. The Americans was always a show about marriage and family above everything else, and this final season reinforced that in the most surprising and impressive ways imaginable as it built to a finale that was all about letting your children leave you behind as they grow. From “Don’t Dream It’s Over” to “With or Without You,” this season took us on a journey of self-definition for nearly every character that ended in a way I don’t think anyone expected. Along the way, it gave us heart-stopping chase scenes, romantic axe mutilations, line dancing, and a moment that will go down in TV history simply as “the parking garage scene.” With everyone in the cast turning in top-notch performances and masterful moments of silence balanced by lines that cut like a dagger (“You’re a whore!”), The Americans turned in one of television’s most complex and unique final seasons by staying true to itself until the very end.

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Hold on to Happiness

There are times it feels like you really have to reach to find happiness. There are times it feels like everything around you is angry, dark, and heavy. There are times when it seems like the entire media landscape—from the news to the fiction you turn to when you need to escape the news—is conspiring against your valiant attempt to find reasons to smile and laugh every day.

This seems like one of those times, doesn’t it?

Looking back on posts from previous years, it seems that around this time every year, television decides to get really dark, and this year is certainly no exception. From Jane the Virgin and Nashville to This Is Us, there’s been no shortage of tears shed over fictional characters lately. And even in the world of cinema, this has been a rough patch if you’re looking for some escapist fun and unabashed joy; Oscar season isn’t known for its happy films, but this was a particularly heavy year, where even the film being praised most ardently for its joyful spirit (La La Land) ended on a bittersweet note.

What are we to do when things look dark? We celebrate the light. We appreciate moments of pure good where we find them. And we hold on to happiness like the precious treasure it is.

I watched a lot of Fuller House in the days around the presidential inauguration this year. It’s a show that exists for no other reason than to make people happy, and it does its job well. It’s not Breaking Bad or Orange Is the New Black, and not every show needs to be or should be. Sometimes you just want to watch a silly, simple show where storylines are wrapped up in 30 minutes with a group hug. It’s a throwback to a more innocent, less cynical time, and if you’re looking for some warm, fluffy feelings in your media-consuming life, I highly recommend it.

Another show that has become my antidote to all the death and cynicism on television in recent weeks is Timeless. It’s certainly not on the same level of fluffiness as Fuller House, but it’s about three fundamentally good people working together and becoming a family through trust, respect, and empathy, which is even better than fluff. Plus, it’s a time-traveling adventure with great costumes, impeccable guest stars (Fellow Once Upon a Time fans should check it out if only for Sean Maguire’s almost inhumanly charming turn as James Bond creator Ian Fleming.), and characters you feel good about rooting for—characters who have grown more in one season than some shows allow their characters to grow during an entire run, characters who fight for each other, characters who have big hearts and are big nerds. It also has my favorite developing romance on television right now between Wyatt Logan and Lucy Preston, and there is no happier feeling than watching a fictional relationship progress from initial skepticism to respect to fake engagements to real hugs to “I cannot lose you again!” to opening hearts and taking chances—all in the course of one season.

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Something Really Amazing: A Letter to the Women of The Selection Series

This is the latest in my collection of letters to female characters who’ve inspired me throughout my life as a fangirl. If you have a character you’d like to write a letter to, click here for details about The Fan Mail Project!

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Source: bookishbarrister.wordpress.com

To the women of the Selection series:

You stand out. Young Adult fiction is an ever-expanding genre, and many series have been created over the last handful of years about a brave girl who fights a corrupt government—and has to choose between two very different but very attractive male suitors as she does so. Even in stories that are about things other than fallen societies and uprisings, there seems to be a trend in many Young Adult novels: The girl stands alone. Yes, there might be female family members who are important to the main heroine or one close female friend or mentor. However, the central female character is often a loner or a girl who’s much closer to the young men around her than other young women.

Thank you for being part of a different kind of story.

I spent the summer I turned 26 reading nothing but Young Adult books in an attempt to prove that this genre isn’t something to put down, but is instead filled with beautiful works of literature to be cherished by readers of all genders and generations. That’s when I discovered The Selection, The Elite, and The One. More than any other books I read that summer, those stayed with me, and it was because of you, the women of this world. Yes, this series had sweeping romance, action, and sociopolitical commentary. But it also had something I’d never seen before in a Young Adult series: a plethora of female characters who are incredibly different but come to support, forgive, protect, and genuinely love each other.

So often women are taught to compare themselves to other women and to see themselves as competition—especially competition for male attention and affection. And, at first, that’s the world many of you were thrust into—selected to compete for the hand and heart of Prince Maxon. You were expected to see each other as enemies, to immediately judge each other and judge yourselves in comparison to each other, and to put each other down in an attempt to build yourselves up. And some of you (I’m looking at you, Celeste.) did exactly that for far too long.

But some of you immediately chose to defy expectations and become friends. Thank you, America and Marlee, for showing everyone who picks up these books that—even when put in an environment that is created to pit women against each other—friendships can blossom. You never had ulterior motives with each other or gossiped behind each other’s backs. Instead, the two of you represent the best of what female friendship can be: warm, supportive, and life-changing. America, your desperate attempt to save Marlee from being beaten was one of the most moving moments in the entire series. It was a testament to the things women will do to help one another and protect one another. And it was beautiful to see in The Heir that yours became a lifelong friendship, the kind so many women find but so few pieces of media celebrate.

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Fangirl Thursday: Worth the Wait

Source: abc.com

Source: abc.com

I’m a pretty spoiled fangirl when it comes to “ships.” From Sydney and Vaughn to Leslie and Ben, most of my favorite fictional pairs got together after only a couple of seasons of waiting.

However, we all have those fictional couples who taught us patience. Whether it was for Mulder and Scully or Luke and Lorelai, we’ve all known the pain of waiting season after season (after season) for longing looks and banter to turn into something more. We’ve all known the fear that maybe the show would end before we’d know what it’s like to see them as a couple. But we also all know the pure fun of these long-term “Will they or won’t they?” couples—the excitement that came every time they hugged after an intense moment, the hope we felt every time they smiled at each other, and the sense of certainty that each finale would be the finale when the finally got together (only to have that certainty be dashed time and again, until one finale suddenly became the finale).

The first fictional relationship that taught me the value of patience was Ron and Hermione in the Harry Potter series. I came into that fandom as a 13-year-old who had the first four books at her disposal. By the end of the second book, I knew Ron and Hermione were going to end up together. (I mean, come on; they were the Han and Leia of children’s literature.) But the wait for them to get there was torture. I started the series in eighth grade; I finished it the summer before my sophomore year in college. During that time, I had to suffer through books where they spent half the time not talking, different significant others for each of them, and the constant fear that one of them (Ron) was going to die before they got together. But also during that time, I also got to experience the little details that make those fictional relationships—the ones where we feed on every little interaction—so special: fights during the Yule Ball, names called while drifting in and out of consciousness, comforting hugs, and kisses on cheeks.

It’s those little moments that we often have the fondest memories of when we think back on a given “ship.” Because those were the moments that we analyzed for hours and hours with our friends both online and in person, building our case for how we knew they had to end up together. It’s that way with all slow-burn fictional couples. The waiting teaches us to appreciate the value of one line, one touch, and one look. Sometimes that’s enough to sustain us through even the darkest “shipper” seasons.

When it comes to television, as I said before, I’m pretty spoiled. However, I paid my dues with Castle. I spent four full seasons watching Castle and Beckett’s relationship develop from tension to respect to a love they were both finally willing to admit and accept. I knew from the end of the pilot that I was hooked; I was going to “ship” those two characters until the end. And while there was never really any doubt that Castle and Beckett were going to end up together eventually, it still wasn’t always an easy ride.

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Fangirl Thursday: Summer Love

I love the fall for many reasons—the return of football and hockey, the abundance of pumpkin-flavored treats, and new seasons of my favorite TV shows. Fall is when a sense of routine returns to my life, and the creature of habit in me loves that.

But there’s something to be said for summer and its lazy hours in air-conditioned houses, filled with time to explore the media we simply don’t have time to consume during the rest of the year. Summer is the perfect time to fall in love with a new book (or series of books) or binge-watch that TV show you keep saying you’ll “get around to eventually.”

In this strange space between summer and fall, I find myself hopelessly in love with both a television series and a book series, and I have to talk about them or else I might explode from too many unexpressed fangirl feelings.

I had a list of television shows I wanted to start this summer, but only one ended up making the cut: Masters of Sex. Thanks to Heather’s effusive praise of this show and its incredible leading lady (the fabulous Lizzy Caplan) over the past year, I bought the first season on DVD last week to tide me over until the rest of my dramas return at the end of this month. I’m not so sure I’ll be able to make it last until the end of the month, as I’ve made it to the halfway point of the first season after only two nights spent watching it. I can’t stop, and I don’t want to.

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Nerdy Girl Reads: Fosse

Fosse by Sam Wasson

Title: Fosse

Author: Sam Wasson (Fifth Avenue, 5 A.M.)

Genre: Nonfiction (Biography)

Page Count: 723

The Basics: Fosse gives readers an in-depth look at the thousands of pieces that made up both Bob Fosse the musical-theater legend and Bob Fosse the man: the dance style that has often been imitated but will never be duplicated; the pills and the cigarettes; the innumerable women; the hunger for the spotlight; the manic-depressive drive and perfectionism; the narcissism and self-loathing; and his complicated love affair with showbiz that influenced every career choice he ever made. Wasson’s comprehensive portrait of Fosse is also a comprehensive portrait of the American musical—from its roots in vaudeville, to its many revolutions on both stage and screen, through its dark days in the 1980s (when years went by without a Tony Award given for Best Choreography). Opening with Fosse’s memorial, Wasson then flashes back to his subject’s earliest years, using each chapter to bring us closer and closer to his death. This technique gives the biography the feel of a well-crafted novel, and the book’s masterful weaving of style and substance would have made its subject—the ultimate dance style icon—proud.

Strengths: Sam Wasson is my current favorite nonfiction writer because of his ability to take one subject and seamlessly show how it’s reflective of a cultural movement much larger than itself. In Fifth Avenue, Five A.M. Wasson showed how Breakfast at Tiffany’s was much more than just a film; it was a major touchstone for the feminist movement in America. And in Fosse, Wasson linked the life of Bob Fosse to the collective life of American musical theater, creating not just a definitive look at Fosse’s life and career but a definitive look at an entire medium of American art. To see the way Fosse’s beginnings in vaudeville, his rise to fame in the early days of Broadway, his growing cynicism, and his death paralleled the rise, success, and fall of the American musical through the 1980s was nothing short of revelatory. I picked up this book expecting to learn about my favorite choreographer and the director of one of my favorite films (Cabaret), and I ended up learning incredible amounts of information about a genre that has always been close to my heart. It was a pleasant surprise of the highest order, to say the least.

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Nerdy Girl Reads: Deadly Heat

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Title: Deadly Heat

Author: Richard Castle (Heat Wave, Naked Heat, Frozen Heat)

Genre: Mystery/Crime/Thriller

Page Count: 291

The Basics: After discovering the espionage conspiracy behind the murder of her mother, NYPD homicide detective Nikki Heat continues to hunt for the people responsible. Her quest for answers places her in the middle of complicated relationships with federal agents, international spies, and her partner (both professionally and romantically)—Jameson Rook. It also leads her to the uncovering of an imminent bioterrorism plot targeting New York City. While trying to stop the massive terrorist event, Nikki also has to deal with a more personal threat—a serial killer who is obsessed with her, to the point of making her his next target.

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Nerdy Girl Reads: The Revolution Was Televised

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Title: The Revolution Was Televised

Author: Alan Sepinwall

Genre: Nonfiction

Page Count: 388

The Basics: In The Revolution Was Televised, popular television critic Alan Sepinwall turns an analytical eye towards the transformation that began over a decade ago and is still going on in the world of television dramas. From the characters they focus on (often complex antiheroes) to the channels we watch them on (often cable networks), television dramas have changed remarkably in a short period of time, and Sepinwall argues that these changes have produced some of the most compelling shows in the history of the medium. Each chapter focuses on one game-changing drama and its impact on television and pop culture as a whole. The birth of cable as a major player, the importance of audience participation through the Internet, and the impact of 9/11 on the stories we want to watch are all discussed with words from the creators, writers, and network executives who helped give life to this television revolution.

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