There are times it feels like you really have to reach to find happiness. There are times it feels like everything around you is angry, dark, and heavy. There are times when it seems like the entire media landscape—from the news to the fiction you turn to when you need to escape the news—is conspiring against your valiant attempt to find reasons to smile and laugh every day.
This seems like one of those times, doesn’t it?
Looking back on posts from previous years, it seems that around this time every year, television decides to get really dark, and this year is certainly no exception. From Jane the Virgin and Nashville to This Is Us, there’s been no shortage of tears shed over fictional characters lately. And even in the world of cinema, this has been a rough patch if you’re looking for some escapist fun and unabashed joy; Oscar season isn’t known for its happy films, but this was a particularly heavy year, where even the film being praised most ardently for its joyful spirit (La La Land) ended on a bittersweet note.
What are we to do when things look dark? We celebrate the light. We appreciate moments of pure good where we find them. And we hold on to happiness like the precious treasure it is.
I watched a lot of Fuller House in the days around the presidential inauguration this year. It’s a show that exists for no other reason than to make people happy, and it does its job well. It’s not Breaking Bad or Orange Is the New Black, and not every show needs to be or should be. Sometimes you just want to watch a silly, simple show where storylines are wrapped up in 30 minutes with a group hug. It’s a throwback to a more innocent, less cynical time, and if you’re looking for some warm, fluffy feelings in your media-consuming life, I highly recommend it.
Another show that has become my antidote to all the death and cynicism on television in recent weeks is Timeless. It’s certainly not on the same level of fluffiness as Fuller House, but it’s about three fundamentally good people working together and becoming a family through trust, respect, and empathy, which is even better than fluff. Plus, it’s a time-traveling adventure with great costumes, impeccable guest stars (Fellow Once Upon a Time fans should check it out if only for Sean Maguire’s almost inhumanly charming turn as James Bond creator Ian Fleming.), and characters you feel good about rooting for—characters who have grown more in one season than some shows allow their characters to grow during an entire run, characters who fight for each other, characters who have big hearts and are big nerds. It also has my favorite developing romance on television right now between Wyatt Logan and Lucy Preston, and there is no happier feeling than watching a fictional relationship progress from initial skepticism to respect to fake engagements to real hugs to “I cannot lose you again!” to opening hearts and taking chances—all in the course of one season.