TV Time: The Americans 6.07

After a little hiatus, I’m back and ready (but also completely NOT READY) to discuss this final run of episodes with all of you! And because I feel these last episodes of such a deep and complex show deserve a little more attention, the format for these posts will be changing slightly to accommodate even more analysis. I’ll be taking one major theme/discussion point each week and developing it into an essay, but please feel free to bring up other discussion points, too. I hope you all find the change to be a welcome one, and I also hope to see your thoughts, hopes, fears, and favorite moments in the comments section!

the-americans-episode-607-harvest-promotional-photos

Source: spoilertv.com

Title: Harvest

This Week’s Discussion Topic: Epiphanies, Emotional Connections, and the Truths We Try to Bury
“Harvest” was an episode that lived up to its name. So many moments in the episode harkened back to similar moments in the pilot, and it was both thrilling and gut-wrenching to watch those seeds planted so many years ago—in both the show’s timeline and our own—begin to finally sprout into something fruitful for the plot. But where this episode truly excelled was in using the time that’s passed and the emotional connections that have developed between these characters to turn those parallels to the pilot into explorations of how far these characters have come and how much higher the stakes are because of those emotional connections.

This episode was anchored by three key epiphanies for its three major players—Stan, Elizabeth, and Philip. But, in typical The Americans fashion, these moments didn’t lead to huge shifts in plot momentum or dramatic “Aha!” scenes. Instead, they were quiet moments of shifting understanding, handled with no dialogue or in the spaces between words where so much of the emotional weight of this show has always existed. These moments were less about propelling the plot forward into the final stretch of episodes than they were about reminding us what this show has always been and will always be about: the connections between people. While this episode certainly moved the characters closer to the endgame, it did so in a way that prioritized the interpersonal consequences of those moves and, in doing so, ensured that absolutely no one (including those of us watching) will be able to escape the coming carnage unscathed.

The first pivotal moment in the episode happened before the opening credits. If this season of The Americans has a defining characteristic, it’s been its ability to set the tone, move the plot forward, and create total emotional devastation before the 10-minute mark. In this week’s case, all of that happened in one conversation between Philip and Stan that made me feel sicker than anything else that happened in this episode (which is saying something in an episode that featured a dead body having its head and hands chopped off in a parking garage).

There are times when the idea that a successful FBI agent like Stan wouldn’t know he lives across the street from the very same deep-cover KGB operatives he’s been hunting for years has seemed like a lot to swallow, but this episode did two things to put that point of view in perspective: It reminded us that if Philip and Elizabeth weren’t as good at their jobs as they have been, Stan would have most likely figured something out long ago, and it also hinted that maybe some part of Stan has had it all figured out from the start—but his emotional attachment to Philip has kept that instinctive sense of something being wrong buried for years. A theme in this episode—and in the show as a whole—is that our need to connect with other people often overrides any other driving force in our lives, and that certainly seems to be the case when it comes to Stan and his suspicions about his neighbors.

Watching the wheels turn for Stan throughout the episode’s opening scene reminded me just how good Noah Emmerich is in this role. So much of Stan’s character exists below a stoic surface, and Emmerich has always brilliantly allowed us to see just enough under that surface to allow the humanity to come through a character who could have been written off as a one-dimensional G-man.

It all started when Stan watched Philip say goodbye to Henry, and Philip let his guard down just enough for Stan to see that something deeper was going on. Just as Elizabeth’s phone call to Henry said too much for Henry not to notice that something was wrong, Philip’s talk with his son also let perhaps a little too much truth out. Philip and Elizabeth are both far from the top of their game (him because he’s rusty; her because she’s being asked to do too much), and this provided an opening for Stan’s long-buried concerns to rise out from whatever mental floorboard he shoved them under for years.

The tension in the conversation between Philip and Stan was almost unbearable, and that’s when this show is at its best—when it’s raising emotional stakes perhaps even higher than plot ones. In any situation, watching an FBI agent try to casually but determinedly dig for the truth from a spy would be tense, but making those two opposing forces genuine friends turned a stressful scene into a downright nauseating one. Stan wasn’t lying when he said he and Philip are best friends. On a show about fake relationships turning into real ones, this is perhaps the most tragic example of all. And because there is such a blurred line between reality and artifice in this dynamic, it makes perfect sense that Philip mixes the two so expertly in his response to Stan’s increasingly pointed questions. (Did anyone else’s stomach drop when Stan asked Philip if he was involved in something because of the weird hours they’ve always kept?)

By telling a truth—the travel agency could go under—but not the truth—Elizabeth (and now Philip, by virtue of him joining her)—could die or at least be discovered, Philip masterfully shifted Stan’s focus. But he also finally was able to share a truth with him about his failure at the travel agency that he hasn’t really shared with anyone else—even Elizabeth. When he told Stan that “It’s terrible,” Matthew Rhys gutted me with the totally naked vulnerability in his eyes. There was so much truth in what Philip was telling Stan but also so much deception, and watching Rhys and Emmerich delicately play that mental and emotional chess match between their characters reinforced the idea that the emotional ramifications of Stan finding out the truth are going to be so much harder to watch than any potential deaths that come out of it.

Although Philip’s answer abated Stan’s suspicions in the moment, something had awakened in him that couldn’t easily be sent back to sleep. So when Henry’s complaining about his parents’ work trips and and strange answers about Aunt Helen raised more red flags (Didn’t we all know that would happen someday?), Stan found himself back where he was years before—sneaking into the Jenningses’ home on a hunch. But unlike the parallel scene in the pilot, this one felt so much more harrowing—not only because there was more of a chance of Stan finding something with the show being closer to its end, but also because of the history Stan has in that house and with that family.

So much was happening in that wordless scene of Stan searching the house—punctuated only with that pointed flashback of William giving away too much about Philip and Elizabeth. The way he was looking but not digging too deeply hinted at Stan’s emotional conflict throughout the scene: It felt more like he was trying not to find something to put his suspicions to rest than trying to find something to prove his suspicions were right. Stan loves Philip, and when we love someone, it clouds our judgment and alters our priorities. So while it seems that a part of Stan was just waiting for the right moment to realize the truth, that part of him is still at war with the part that cares for his neighbors. Once again, that scene was all about emotional development—on a plot level, nothing actually happened because nothing was actually found in the house or the car, but Stan suspecting deeply enough to betray their trust and break into their home signaled a major shift in emotional and interpersonal dynamics, even if the actual plot wasn’t changed by his break-in.

As Stan and Philip began inching farther part, Philip and Elizabeth began inching closer together. Philip’s decision to go to Chicago wasn’t taken lightly by Elizabeth, who admitted when he first showed up that she didn’t expect him to actually come. Keri Russell played Elizabeth’s dawning understanding of what it meant for both Philip and herself that he came with a softness that managed to break my heart and mend the broken pieces of it from the start of this season all at the same time. Like Stan, there seems to be a part of Elizabeth that’s always known the truth—or has at least since the pilot. Her husband will always sacrifice his own desires for her safety when the chips are down (hence the perfect callback to the “In the Air Tonight” scene in the pilot). When things are hard and she’s tired and he’s barely in the spy game anymore, it’s easier to push that part down and bury that truth—because it’s easier to stay angry and push him away, especially now that she’s literally wearing death around her neck. But “Harvest” showed us that there are things even Elizabeth Jennings can’t compartmentalize anymore, and one of those things is how much her husband loves her.

From the first minute Philip walked into the Chicago bedroom, the intimacy between Philip and Elizabeth that’s been stilted all season began to return. Right before Elizabeth sincerely tells him that he didn’t have to come, there’s a beat where she looks at him with almost tearful and downright disbelieving affection, and it’s the most honest look we’ve seen from Elizabeth this entire season. Russell’s ability to balance Elizabeth’s brutally hard edges with moments of delicate vulnerability was working overtime in “Harvest,” reminding me of Season One—when everything Philip and Elizabeth said to each other and every look they shared felt monumental because it was all being built for the first time. Now, however, it’s being rebuilt, but it’s being done with that same kind of tentative warmth amid the horrors of spy life.

Elizabeth asking Philip if he was going to stay was such a Season One callback in the best possible way. Russell imbued that one request with a kind of shyness and hesitation that’s so rare for Elizabeth, and the relief we got to see in her entire body language when he put the suitcase on the bed was the kind of hopeful moment I’ve been waiting for all season. That one small action signaled that Philip wasn’t there as tactical support; he was there as her husband. And that’s what she wanted. Elizabeth didn’t need just any extra set of hands and eyes for this mission; she needed the only person she ever truly trusted—and the only person she ever allowed herself to lean on when things got too hard.

That’s exactly what she did by telling Philip about the cyanide necklace. Although she still kept the details secret (because she’s still Elizabeth Jennings, after all), she opened up to him about this huge burden she carries, and in typical Phlip fashion, he offered to carry it—and destroy it—for her. She couldn’t give him that victory, but she could give him a different one—a look into her true self once again after closing it off to him for so long. She told him about the necklace because it’s the only thing she could give to him after her gave her himself for this mission. And the small, sad smile on Philip’s face showed that he understood the magnitude of that gesture.

The warm glow of their bedroom was soon replaced by the harsh glare of parking garage lights after their mission went awry, and yet somehow, the intimacy remained. Leave it to The Americans to turn body mutilation with a fire ax into a genuinely romantic gesture. Only Russell and Rhys could take a brutal scene (The sounds! The ax getting stuck!) and turn it into something deeply emotional with just their eye contact. No words were spoken between them, but it ended up being the most honest scene they’ve shared all season. From the moment they locked eyes before he broke the glass, I knew this was going to be a moment about their relationship as much as it was about the shock value of what was going to happen to Marilyn.

When Elizabeth looked at Philip as he was struggling with so much more than just the ax, the epiphany that had been making its way to the surface since he showed up in Chicago finally broke through. Philip didn’t want to live this life anymore; he had no real connection to the cause or the homeland pulling him back to this place where she could see him losing whatever bit of his soul he’d found again with each swing of that ax. Instead, he was doing it for her. She needed him, so he dragged himself back into this ring of hell to save her. He chopped up the body so she wouldn’t have to do it; he took on this incredibly horrifying act to take one thing off her burdened shoulders. And she could see the fear on his face that her fate might not be much different from Marilyn’s.

Sometimes it can be terrifying to think about how much someone loves us. It changes something deep inside of us to let ourselves be loved and to acknowledge that we’re important to someone else. For a long time, Elizabeth has tried to bury her understanding of Philip’s love for her and commitment to her because it would make it harder for her to do her job. But she couldn’t deny it any longer. It’s why she showed up at the travel agency, it’s why she looked at him with such sadness and love when he talked to Henry on the phone, and it’s why she touched his face and his heart with startling tenderness. Elizabeth’s epiphany in this episode was that she’s Philip’s cause and she’s not afraid of that anymore—she’s grateful for it.

Which brings us to Philip’s epiphany. This episode’s conclusion—with Philip tearfully remembering the very real wedding he shared with Elizabeth three years before (or last season for those of us watching)—could be read in many different ways. Some people might see it as Philp wondering how his marriage deteriorated to its present state after that beautiful moment. Some people might see it as Philip wondering where that version of Elizabeth has gone. But I see it as Philip remembering what was probably one of the few genuinely happy moments in his life. And that’s all because Rhys allowed the smallest smile to break across Philip’s features as they softened just enough to tell a whole story on their own.

In that moment, I think Philip realized his own truth that he tried to bury: The vows he made to Elizabeth are the only promises he really cares about keeping. She’s the only thing that truly makes him happy. And he’ll do whatever he has to do to keep those vows—whether that means chopping up bodies, going back to a line of work he hates, or even turning his back on the work he’s doing with Oleg. I’m prepared to be wrong, but I think Philip is going to come clean to Elizabeth about what he was asked to do. He’ll betray Stan, he’ll betray Oleg, he’ll betray his own ideals—but he can’t betray her. And that might seal their coffins, but it’s a truth he’s always known deep down—and it’s a price Mikhail has always been willing to pay for Nadezhda.

 

Advertisements

11 thoughts on “TV Time: The Americans 6.07

  1. Love the change in format Katie!

    This episode was a nice return to form. Ive been having a hard time getting though season 6 since the division between Philip and Elizabeth and the troubles at the travel agency have been making me cringe on an unprecedented level. But this episode had them back working together as a team and it felt like all was right again.

    I am surprised Philip didnt play the “Elizabeth has been having an affair” card to try to throw Stan off the trail. Any FBI agent will tell you that having severe money issues is one of the number one motivations for espionage. So Stan asking Philip if hes gotten into something, and Philip answering that the business is going under I think would only increase his suspicions. But Philip has at least brought up the money thing once before, so admitting to the business failing was a smart truth to sell. I really hope that Philip and Elizabeth have had the forethought to actually book themselves fights and hotels to the places they tell people where they are going even when they go somewhere else, because thats a pretty easy thing for the FBI to check up on.

    And I agree, seeing Stan find out the truth is 100% going to be the hardest thing for me to watch in the end.

    Im also having a really hard time with Elizabeth and her grooming of Paige. Elizabeth is trying to protect Paige from the darker side of the work they do, but its incredibly dangerous and emotionally abusive for Paige to constantly be left in the dark. How would Paige feel if she actually knew the truth about all the horrible things her parents have done? Some part of Elizabeth must feel guilty for all the American lives she has ruined all the name of the cause or she wouldnt be hiding it.

    I have to admit that the first thing I thought of as Philip thought back to his vows is the traditional American vow “till death do us part”. Philip looks like a man that is about to sacrifice himself. Philip has had his shot at the “American Dream” these past 3 years, and hes not happy at where its lead him. I was wondering why the show was putting us through the agony of Philip’s money troubles this year, but they have set him up as a man that doesn’t have a lot to lose at this point. Elizabeth has been distant, he doesnt have a close relationship to Paige, he feels he has let Henry down and that Henry has a closer relationship to Stan, and He wasnt able to keep the business afloat. He is a man that I think has given up on the idea that happiness is in the cards for him him, but he would still 100% do anything within his power to give Elizabeth and his kids the opportunity to be happy. So while I think this show is still 100% capable to surprising me, I am feel there is about a 1% chance of Philip making it out alive. Elizabeth I am still at 50/50. Perhaps there may even be an art career in her future? Or are all those painful charcoal faces surrounding her in the artist’s room just souls of the people she has destroyed closing in on her? I dont know where Paige’s story is going to end, but I wouldnt blame her if she ended up quite bitter and broken if she ever learned the full truth. I hope for Henry’s sake he remains blissfully ignorant for the rest of his life.

    • Does Philip really think Henry’s closer to Stan? I think he feels separate from them–although let’s face it, he feels separate from most people. Ironically where Henry’s sensors went up at Elizabeth’s sad phone call with his father he seemed to buy his demeanor as part of his general stress and depression.

      It just seemed important to me that in this ep where Henry’s left with Stan etc. and we can feel that Philip won’t be around much longer Stan’s interrogating Henry without his knowledge.

      I guess for me especially Henry’s line about being there for your family when the chips are down reminded me that the family Stan was hunting was Henry’s and not his, even if Stan is “like family.” Henry couldn’t even really bring himself to complain too much about Philip in the car.

      • I agree, closer was a weird word choice. But I do think Philip would look at the relationship between Henry and Stan and feel like Stan could provide Henry with that parental support if Philip (and Elizabeth) were no longer around. We missed 3 years, and it does seem like Philip has really worked on creating a stronger bond with Henry over these past years, so who knows how close Henry and Stan really are anymore, but they definitely have a close relationship. Over the course of the show we have seen Henry spend more time with Stan than we have with Philip.

        I always thought Henry was going to be the family’s ultimate downfall since Philip and Elizabeth largely ignored him (at least in seasons 1-5) and I think underestimated how observant kids can be. Paige was always very confrontational about her parent’s behavior. Henry might not confront his parents or talk about it, but that doesnt mean he is not paying attention to what is happening around him. The conversation between Henry and Stan in the car was an inevitable one, and if this wasnt TV where they can plan dramatic timing, is a conversation I thought would have happened between the two of them years ago. Regardless, I really love the dynamic between Henry and Stan, especially now that they are the two people closest to the lies yet still dont know the truth. Individually they might not have figured things out, but when each side puts their pieces together, the full picture becomes clearer.

    • Thanks, Shauna!

      I totally agree with you about this episode feeling like things were back to the way they should be with Philip and Elizabeth working side by side again. It’s so weird to say but this really brutal episode made me feel so much more hopeful than any other to air so far this season. I think part of that is because I have no doubt that terrible fates are going to befall most (or more likely, all) of these characters, and all I wanted before the end was for Philip and Elizabeth to find their way back to each other, which seems to be happening.

      We talked a lot about this already, but I definitely agree that the wedding flashbacks had a “til death do us part” feel to them, and I immediately was struck with near certainty that Philip isn’t making it out of this thing alive. However it happens, I’ve never been more sure that he’s not surviving, and coupled with my prediction from the start that Elizabeth is going to die, I see quite the tragic ending for those two characters—but as this show has always shown us, sometimes the best ending you can hope for is dying knowing you did the best you could for the people you love.

      Speaking of people these characters care about, I’m with you on all things Elizabeth and Paige. Now that Paige is in the thick of things, not telling her all the details is dangerous and manipulative, and it could get her killed because she doesn’t understand the reality of what she’s signing up for. Elizabeth trying to give her a greater sense of that world in the last scene was important because I saw it as her trying to give Paige an out, but she should have been telling her the truth for years. Not being fully honest with people can be a matter of life and death in this world, and I’m definitely still worried about Paige, too.

  2. Oh yeah, I definitely thought he was going to tell her. Of course, then the question becomes how much she would betray him in response? They’re back to working out their different views on things and she’s learned in the past that she isn’t always right.

  3. love The Americans, I am so happy for found this blog, excuse my english but i speak spanish, i agree that Phillip change in this episode and he did it for love, but why?? last week he refuses to go to Greece and reproach Elizabeth for Gennadi and Sofìa, and know he’s back in the game, but what trigger that??? thanks

    • First of all, your English is great!

      And that is a fantastic question. I think what it all comes down to is the realization that Elizabeth was in danger. No matter how mad they get at each other or how much he disagrees with her, when Elizabeth is in trouble, Philip can’t leave her. Fights happen and disagreements can drive wedges between people, but Philip loves Elizabeth enough that all those things fall away when she’s faced with a real chance of not making it out alive.

  4. I believe you are right about Philip. The synopsis for next episode says that Philip gives Elizabeth a shocking revelation. I think that revelation is Philip’s work with Oleg. I worry what Elizabeth may do in response. Will she understand her husband’s motives or cast him aside as a traitor?

    • I’m worried about that too! Part of me thinks the more creative storytelling option would be to have her understand him and that her character development has been leading to that point, but maybe that’s just wishful thinking on my part.

  5. Pingback: TV Time: The Americans 6.08 | Nerdy Girl Notes

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

w

Connecting to %s