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About Katie

I'm a writer and editor; a dancer and choreographer; and a passionate fan of more things than is probably healthy. I love film, literature, television, sports, fashion, and music. I'm proud to be a Nerdy Girl.

TV Time: Parks and Recreation 6.12

Sorry for the delay, fellow Parks and Recreation fans. I hope all of you had an excellent weekend that didn’t involve chard shots! 

Parks-and-Recreation-Farmers-Market

Title Farmers Market

Two-Sentence Summary Leslie oversteps her bounds as she tries to use Ben’s position as city manager to remove a chard vendor with questionable advertising techniques from the Pawnee farmers market. Meanwhile, Ann needs an outlet for her frustrations about what pregnancy is doing to her body, and Andy finds a potential new career as a children’s party performer.

Favorite Line “Tom put all my records into this rectangle…The songs just play one right after the other! This is an excellent rectangle!” (Ron)

My Thoughts I spent a lot of time this weekend watching old episodes of Parks and Recreation as I rested a bum shoulder on my couch. I laughed and cried as I made my way through my favorites—“Flu Season,” “The Debate,” “Win, Lose, or Draw,” and “Leslie and Ben”—and I spent a lot of time thinking, too. Something has been missing in recent Parks and Recreation episodes, including this week’s “Farmers Market,” and I finally figured out what it is: a likeable protagonist. Don’t get me wrong; Leslie’s overzealous personality and steamroller tendencies aren’t out-of-character traits. But after too many episodes this season of Leslie being the antagonist in a storyline, I’ve missed those lovely days of Parks and Rec past when I could root for Leslie Knope on a weekly basis.

I know that too many episodes spent celebrating Leslie would make the show feel too sappy, but I feel like this season has spent a lot of time highlighting Leslie’s worst traits without enough time spent on her best traits to create a strong balance. And while people may argue that another episode of Leslie and her friends rallying around each other would feel repetitive, I would say that these storylines, with Leslie overreacting towards one of her friends (or in this case her husband) because she can’t get her way, are even more repetitive.

For example, we’ve already seen Leslie and Ben at odds like they are in “Farmers Market” in this season’s “The Pawnee-Eagleton Tip Off Classic.” So while this storyline had some funny moments (Ben running away from Leslie to avoid conflict, Ben’s fear of dying in the fountain, and especially anything involving the actual farmers market—from the Chard Bodies to the cabbage saleswoman unbuttoning her blouse), it ultimately felt like a rehash of something we’ve already seen: Leslie overreacts, Ben gets her to see reason (because he’s literally the perfect husband for her), and they come to a conclusion that works for all involved. Yes, the laughs in this part of the episode felt original, but the emotional component—the thing that separates Parks and Rec from all other comedies—felt stale.

I’m tired of watching the warmest character on television be outlandishly petulant. Yes, Leslie can be overly forceful and ambitious in every aspect of her life, but she used to somehow manage to be those things without ever coming across as selfish. In fact, Leslie used to be defined by her selflessness, her desire to do everything she could to make the people around her happy. In “Farmers Market,” though, Leslie came across as selfish—plain and simple. And this wasn’t a kind of selfishness that could be attributed to a broken heart like in “Smallest Park” or even a sense of feeling left out like her story with Tom in “New Beginnings.” Instead, it was just another episode of Leslie being forceful without any of the warmth and kindness that used to be able to balance out her character. I may be guilty of an overreaction of Knope proportions here, but I think Leslie’s character has regressed this season; she’s lost some of the subtlety that the writers used to let Amy Poehler so brilliantly weave into her characterization.

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TV Time: New Girl 3.13

tumblr_mzkak57j991s4hq1ko1_500

Title Birthday

Two-Sentence Summary Jess’s high expectations for her birthday lead Nick to plan the ultimate surprise evening for her, but first he has to get through the morning and afternoon without any birthday plans. Coach and Winston work through their competitiveness in their efforts to make the birthday surprise run smoothly, and Schmidt helps Cece with her bartending skills.

Favorite Line “A lot people never graduated high school: Einstein, Bill Gates, Anne Frank…I’m going to take back that last one.” (Schmidt)

My Thoughts Earlier this year, I tweaked my New Girl reviewing format because my dislike of “The Box” called for more space than my usual style allowed. This week, I’m tweaking the format again, but for the opposite reason—“Birthday” was so good that it can’t be confined by my more limited New Girl review setup.

Instead, here are 10 reasons why “Birthday” was the best episode of New Girl’s third season (so far).

1.) It balanced the characters’ more broadly comedic aspects with grounded emotions.
The worst episodes of New Girl reduce its characters to caricatures. Yes, their more over-the-top traits are parts of their personalities, but they’re much more than those things, too. What “Birthday” did so well was it gave us just enough of each character’s quirks to make us laugh while also reminding us that, at their best, these characters should be written to feel relatable. So while Jess’s sobbing over Nick not making plans for her birthday may have been a tad bit ridiculous, it was a comedic look at people (myself included) who still care a lot about their birthdays even as adults. There’s a difference between over-the-top and out-of-character, and this episode did an excellent job of remembering that.

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TV Time: Castle 6.13

KELLY MCCREARY, SEAMUS DEVER, NATHAN FILLION, STANA KATIC, ALEXANDRA CHANDO, LOLA GLAUDINI

Title Limelight

Two-Sentence Summary After a troubled young celebrity is believed to have been murdered, the team at the 12th precinct discovers that the dead body actually belonged to her body double. As they’re dealing with the twists in this murder investigation, Castle and Beckett discover that the press is starting rumors about him rekindling his romance with Gina (his ex-wife and publisher) and Alexis comes to a disheartening realization about her relationship with Pi.

Favorite Quote “There’s no one I’d rather share a headline with. But just in the interest of accuracy, does it say we’re getting married in space?” (Castle)

My Thoughts “Limelight” had all the makings of a traditional, midseason “filler” episode of Castle: the celebrity-centric case, the possibility for jealousy between Castle and Beckett, and a side plot devoted to Alexis and her romantic life. However, this episode took each of those common Castle tropes and revamped them just enough to show how much these characters and this show have grown over the years. Because of that, what could have been a boring hour of television turned into an hour that revealed character growth, allowed the audience to become emotionally invested in the case of the week, and actually moved the storylines along for multiple characters in concrete ways.

I love when a Castle case not only keeps me guessing but keeps me emotionally engaged. I thought Alexandra Chando did an excellent job balancing the snark and softness in Mandy Sutton. She made me laugh, but she also made me just want to give this young woman a hug. I had a feeling from the start that her mother was going to be behind the murder, but that didn’t make the journey any less interesting. In fact, it made me even more eager to unwrap each layer of the case to see what would drive her mother to commit murder. The fact that it was all because she wanted to keep Mandy from finding personal stability and happiness (in order to keep her in the spotlight) made their final scene together all the more painful. I like when Castle causes me to look at the world around me a little differently, and this episode certainly made me even more skeptical of all of those “momagers” in Hollywood.

My favorite thing about this episode’s case was the way it moved Alexis’s storyline forward and into better and brighter territory. I thought Chando and Molly Quinn played off each other really well; the scene where Alexis is ranting to Mandy while the latter is emptying the hotel mini bar’s contents into her mouth was one of my favorites in the episode. Both young women felt trapped—Mandy by her fame and Alexis by her relationship. Both were victims of situations that progressed too quickly, but, unlike Mandy, Alexis realized she still had the power to get out.

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The Best Thing I Saw on TV This Week (1/12 – 1/19)

This week in television got off to a strong start on Sunday night with a Golden Globe Awards ceremony that featured plenty of laughs, more than a few surprise winners, and plenty of fun courtesy of hosts Amy Poehler and Tina Fey. On Monday, Castle’s father made a reappearance and and a wedding date was finally set on Castle. Tuesday’s FOX comedies were all strong, as Peralta and Santiago went on the best “worst date ever” on Brooklyn Nine-Nine, Jess tried to bond with Coach over basketball on New Girl, and the gang from The Mindy Project traveled to LA. Nashville returned from its winter hiatus on Wednesday with new drama for all its characters, and Thursday’s Parks and Recreation opened the door to many new beginnings. Finally, the week ended on Saturday with a SAG Awards ceremony that gave us three of my favorite award-show speeches in recent memory: Jared Leto’s eloquent tribute to his mother, Lupita Nyong’o’s articulate expression of gratitude, and Rita Moreno’s reminder that there’s no one in Hollywood—past or present—who has her sense of style and class.

Overall, this was an excellent week in television. But it was hard for anything that aired this week to top the way it began. Amy Poehler and Tina Fey’s monologue at this year’s Golden Globe ceremony might have been even funnier than last year, and their hits just kept coming as the night went on. And as a fan of Poehler’s work for years, nothing was better than watching her finally get rewarded for her work as Leslie Knope. Poehler’s warmth came through in her genuinely surprised speech, and it proved what I’ve always believed to be true of her: She’s a living example of the fact that you can be nice and still be successful; you can be kind and still be strong and respected in your field of work. To see her finally get recognized for playing a character defined by her ability to be both unfailingly sweet and uncompromisingly strong was very inspiring for me as a young woman who looks up to both Leslie Knope and the woman who brings her to life.

What was the best thing you saw on TV this week?

Nerdy Girl Predicts: The 2014 SAG Awards

AMERICAN-HUSTLE-poster2

Will American Hustle take home the SAG award for best ensemble?

Award season continues tonight with the Screen Actors Guild Awards, which air at 8 p.m. on TNT and TBS. I love actors—I love the way just the smallest change in their expression, just the slightest shift in their body language, or just the hint of a tremor in their voice can make us feel things that go beyond the pages of script.

Actors bring life to words, and as someone who lives in a world of words, I have always admired the courage and dedication it takes to make sentences on a page become a physical reality. So I love the fact that there’s an award ceremony every year where actors gather together to honor one another, to give the most deserving among them awards that mean so much because they were given by a group of respected peers.

However, I will admit that this year’s crop of nominees has left me less excited than usual about the ceremony. No love for Amy Adams, Christian Bale, or Joaquin Phoenix? Why do I have to suffer another year of Parks and Recreation being snubbed for even a nomination for best comedic TV ensemble? And where the heck is Amy Poehler’s name on the list of nominees?

I have a prior family commitment that will be keeping me from watching/live tweeting the red carpet and start of the ceremony, but I’ll join the party on Twitter as soon as I can tonight. Until then, here are my predictions for tonight’s big winners. Let me know in the comments who you think will be victorious this evening!

FILM

Outstanding Performance by a Male Actor in a Leading Role:
Bruce Dern (Nebraska)
Chiwetel Ejiofor (12 Years a Slave)
Tom Hanks (Captain Phillips)
Matthew McConaughey (Dallas Buyers Club)
Forest Whitaker (Lee Daniels’ The Butler)
My Pick: Matthew McConaughey. Dern could be honored for his storied career, but I think McConaughey’s fellow actors will appreciate his physical transformation and emotional commitment to this role. Does this mean we’ll be hearing “All right, all right, all right…” on Oscar night?

Outstanding Performance by a Female Actor in a Leading Role:
Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Meryl Streep (August: Osage County)
Emma Thompson (Saving Mr. Banks)
My Pick: Cate Blanchett. Another award ceremony, another victory on Blanchett’s road to the Oscars.

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TV Time: Parks and Recreation 6.11

New Beginnings

Title New Beginnings

Two-Sentence Summary Leslie returns to the Parks Department and Ben begins his new job as city manager, and they both experience some difficulties adjusting to their roles. Meanwhile, Ann and Chris contemplate how well marriage would fit into their very nontraditional relationship.

Favorite Line “I cannot sit idly by and watch this terrible thing happen. I mean, I can barely sit idly by and watch good things happen!” (Leslie)

My Thoughts Well that was…okay, I guess? Don’t get me wrong; I laughed out loud more than a few times during “New Beginnings” (mainly thanks to Ron and Ben), and I even had my heart sufficiently warmed in the surprising way only Parks and Recreation can (once again, thanks to Ron). However, there was just something off about this episode. “New Beginnings” really felt like the beginning of the end for Parks and Rec, and I was not emotionally prepared to deal with these feelings after a mid-January episode.

When I say “the beginning of the end for Parks and Rec,” I don’t mean in terms of the quality of the show. Did I adore this episode with my usual fervor? Not really. But it was still more entertaining than most of what I see on television, especially comedic television. What I mean is that these last two episodes—this one in particular—seem to be setting the stage for the kinds of huge changes in Leslie’s life that would only work at the end of this show’s run. I know nothing has been announced in terms of the show’s future, but from the time it was stated that Rashida Jones and Rob Lowe were leaving, I couldn’t stop wondering if this would be Parks and Rec’s last season. This new emphasis on Leslie needing to move on to bigger and better things has only intensified that wondering.

“New Beginnings” was an episode all about feeling uncomfortable and the things we do to try to ease that feeling. For Ben, that feeling of discomfort in his new role as city manager made him want to try to fit in with April, Andy, and Donna. For Leslie, feeling uncomfortable and unnecessary back in her old job made her resort to her steamroller, control-freak tendencies. For Chris and Ann, feeling uncomfortable with the idea of marriage (but also with the idea of being unmarried parents) led them to numerous purchases and returns of the same ring. And Jerry tried to ease discomfort caused by choking on a cracker by simply eating another cracker.

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TV Time: New Girl 3.12

I apologize for being a little late posting this—darn you, “real job,” for keeping me from talking about New Girl‘s best episode of the season

Title Basketball

Two-Sentence Summary Jess tries to befriend Coach by feigning interest in the Detroit Pistons, much to the dismay of Bulls-fan Nick. Meanwhile, Schmidt faces new competition at work and Winston entertains the possibility of a new career path.

Favorite Line “Once your screen breaks, your information is in the twitterverse, man. And it’s all out there for everyone to see. All these little monkey elves, man—all these kids.” (Nick)

Episode M.V.P. “Basketball” felt like a Season Two episode of New Girl, and I mean that in the best possible way. It was genuinely funny, surprisingly sexy, and capitalized on the chemistry between Zooey Deschanel and Jake Johnson better than any other episode so far this season. And, just like in Season Two’s best episodes, “Basketball” knew exactly what to do with Nick. This was Johnson’s best episode of Season Three. He was equal parts gumpy old man (with his disposable camera full of sexy pictures and paranoia about cell phones) and devoted boyfriend (his conversation with Coach about being friends with Jess showed a fantastic understanding of her). He was also equal parts hilariously awkward (his seduction techniques that did nothing but turn him on and waste a bottle of water) and improbably hot (another wonderful reminder of Nick Miller’s expert kissing skills, complete with picking Jess up). Johnson had the episode’s funniest lines (his cell phone rant), but he also carried a lot of the episode’s heart, too. He made me believe how much the Bulls meant to Nick when he told Jess about sharing the passion for that team with his dad. For much of Season Three, I’ve been waiting for this balance between Nick’s more broadly comedic aspects and his role as a genuine romantic lead, and I think it was finally achieved in this episode.

Favorite Scene There were more strong choices for the best scene of the episode than in any other episode so far this season: Nick’s rant against technology (kudos to the editing team for brilliantly cutting from Schmidt talking about old people to Nick sitting down at the table), Nick’s first seduction attempt (Why does he think squats are sexy?), Nick and Jess’s excellent final kiss (which reignited their Season Two passion spectacularly), and Coach bearing his soul to Jess while she was in bed with Nick.

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TV Time: Castle 6.12

Castle_6x12-Deep_Cover

Title Deep Cover

Two-Sentence Summary The murder of a young man with a history as a high-level hacker unexpectedly brings Castle back into contact with his father, whose identity is finally revealed to Beckett when he becomes a leading suspect in the murder investigation. Meanwhile, Castle and Beckett’s search for the ideal wedding date keeps hitting roadblocks.

Favorite Lines
Beckett: I just—I want to be flexible.
Castle: Oh, you are flexible…You see what I did there?

My Thoughts “Deep Cover” was as perfect a thematic follow-up as you could imagine to last week’s incredible “Under Fire.” Both episodes brought into sharp focus the concept that gives Castle its beating heart: family—the family we’re born into and the family we choose. In the world of Castle, a family isn’t defined by biology; it’s defined by selfless, unconditional love and support. The families that exist on the show are sources of strength and happiness. But the absence of family is also a topic that Castle has touched on over the years with great emotional resonance. Both Castle and Beckett are defined in many ways by the absence of a family member—his father and her mother. And while we’ve watched Beckett struggle with that absence, we’ve been given relatively little development concerning Castle’s feelings about living his whole life without a father. “Deep Cover” finally examined that aspect of Castle’s character, and it did so with the show’s characteristic warmth and sense of surprise.

Last season’s spectacular two-part episode “Target/Hunt” introduced us to Jackson Hunt, Castle’s father, but the suspenseful nature of the episode didn’t allow for much father/son bonding time. However, what we got was fascinating—an adult son trying to understand a father who was both completely absent from his life and also the force behind his entire life’s inciting incident (giving him Casino Royale, the book that made him want to be a writer). James Brolin and Nathan Fillion were such spectacular scene partners (and such believable father/son lookalikes) that I remember hoping that Hunt would make an appearance again. And I’m so happy to say his reappearance lived up to my expectations.

The actual spy plot of this episode wasn’t the show’s strongest case, but it didn’t have to be to drive the emotional arc forward. I found Hunt’s repeated disappearances and betrayals a bit overly predictable, but what felt trite in terms of the plot actually worked quite well on a thematic level. Jackson Hunt is a man who’s good at disappearing—it’s literally part of his job, but it’s also the defining aspect of his relationship with Castle and Martha.

The same could be said of his insistence on Castle keeping his identity secret from Beckett. At first, I was annoyed by another secret coming between them (but I did love that Beckett knew something was wrong as soon as Castle seemed indifferent to coming up with a crazy theory). However, it served as an excellent reminder of why Hunt could never really be family to Castle—he demands too much secrecy. Castle has shown time and again the price of keeping secrets—no matter the good intention. So for Hunt to ask Castle to keep such a huge secret from the woman he loves is asking him to violate something that family is built on in this show—trust.

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The Best Thing I Saw on TV This Week (1/5 – 1/12)

After taking a couple of weeks off as I waited for holiday hiatuses to end, it’s time once again to take a look at the best of the past week in the television world. Sunday gave us a hilarious and entertaining look at the last five years of Late Night with Jimmy Fallon. Castle returned on Monday with one of its most emotional hours ever. Tuesday’s New Girl presented a charming look at the careers we choose, and The Mindy Project continued to enable my Danny Castellano obsession. Finally, Thursday’s 100th episode of Parks and Recreation served as a reminder of everything that makes that show so special—it encourages us to dream big and love big.

There were a plethora of excellent moments on TV this week—from Danny’s pop culture inspirations for Mindy’s workouts to Leslie and Ben’s trip to Paris. But my favorite moment of the week came from Monday’s episode of Castle. The episode’s final scene, with Ryan and Esposito reuniting with their loved ones, including Ryan’s new daughter Sarah Grace, was filled with a warmth that went straight to my heart. There was something incredibly moving and beautiful about the image of Lanie and Esposito, Ryan and Jenny (and Sarah Grace), and Castle and Beckett so happy together. It reinforced the idea that Castle is a show about the family we create and the people we choose to love far more than it’s a show about mysteries and murders.

What was the best thing you saw on TV this week?

Nerdy Girl Predicts: The 2014 Golden Globes

golden globes

The Golden Globes are my favorite award show. Yes, I love seeing television get its day in the sun with the Emmys; I love the way the SAG Awards honor my favorite thing about most films (the performances); and you can’t beat the Oscars when it comes to glamour and style. But the Golden Globes are different—the Hollywood Foreign Press Association (HFPA) brings the worlds of television and film together, and it does so with a genuine sense of humor.

There’s something uniquely fun about the Golden Globes. The celebrities are a little more relaxed. The nominees (and winners) are often a little more random and harder to predict than other award shows. And you can’t mention “fun” and “Golden Globes” in the same sentence without mentioning this year’s returning pair of hilarious hosts: Amy Poehler and Tina Fey.

I’m so excited to watch one of my favorite times of year—award season—kick off tonight. I’m excited to see all of the gorgeous (and maybe not-so-gorgeous) looks on the red carpet. I’m excited to see what smart and memorable material Poehler and Fey have in store for us this year. I’m excited to watch many of my favorites from this year in film and television have their names read along with all the other great nominees. And I’m excited to celebrate film and television, two mediums that I love differently but equally and continue to love more each year.

Before tonight’s ceremony, (which begins at 8 p.m. on NBC), I wanted to share my predictions, which should always be taken with a grain of salt because I often pick with my heart instead of my head when it comes to these things. Let me know in the comments who you think will win, who you think should win, and who you’re most excited to see tonight. And join me on Twitter around 6 p.m. when I kick off my annual Golden Globes live-tweeting coverage!

FILM NOMINEES

Best Motion Picture: Drama
12 Years A Slave
Captain Phillips
Gravity
Philomena
Rush
My Pick: 12 Years A Slave. While Gravity’s technical brilliance is hard to ignore, I think the emotional impact and sheer nerve of 12 Years A Slave is even harder to overlook.

Best Motion Picture: Comedy Or Musical
American Hustle
Her
Inside Llewyn Davis
Nebraska
The Wolf of Wall Street
My Pick: American Hustle. With a cast full of talented stars used to their fullest potential in a smart, entertaining period piece (which feels weird to say since the 1970s weren’t that long ago), I think American Hustle is the kind of film the HFPA often gravitates towards.

Best Performance by an Actor in a Motion Picture: Drama
Chiwetel Ejifor (12 Years A Slave)
Idris Elba (Mandela: Long Walk to Freedom)
Tom Hanks (Captain Phillips)
Matthew McConaughey (Dallas Buyers Club)
Robert Redford (All is Lost)
My Pick: Chiwetel Ejifor. While Redford could take home the award because of his pedigree (and brilliant work), I still think Ejifor’s work as the heart and soul of the year’s most brutally emotional film will take precedence over the HFPA’s usual bias towards bigger names.

Best Performance by an Actress in a Motion Picture: Drama
Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Emma Thompson (Saving Mr. Banks)
Kate Winslet (Labor Day)
My Pick: Cate Blanchett. While I would give this award to Bullock, I have heard nothing but ecstatic raves for Blanchett’s work, and she seems like a lock in this category filled with great actresses who gave great performances this year.

Best Performance by an Actress in a Motion Picture: Comedy Or Musical
Amy Adams (American Hustle)
Julie Delpy (Before Midnight)
Greta Gerwig (Frances Ha)
Julia Louis-Dreyfus (Enough Said)
Meryl Streep (August: Osage County)
My Pick: Amy Adams. Meryl or Amy? In the battle of Hollywood royalty versus the next generation of great actresses, I think Adams is going to come out on top for her standout performance in an ensemble filled with today’s most compelling actors. It’s about time her chameleon-like ability to play nearly every kind of role was rewarded.

Best Performance by an Actor in a Motion Picture: Comedy Or Musical
Christian Bale (American Hustle)
Bruce Dern (Nebraska)
Leonardo DiCaprio (The Wolf of Wall Street)
Oscar Isaac (Inside Llewyn Davis)
Joaquin Phoenix (Her)
My Pick: Leonardo DiCaprio. As a DiCaprio fangirl since the age of 9, nothing makes me happier than the critical acclaim his work in Wolf of Wall Street is getting, and if anyone deserves some award-season love after so many years of being overlooked, it’s him.

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