TV Time: New Girl 3.04

Title The Captain

Two-Sentence Summary Schmidt deals with his newly-single status by attempting to break up the very happy Nick and Jess by preying on their differences in expressing their emotions, but his plan proves to be fruitless when it leads to Nick finally opening up about his feelings, especially his feelings for Jess. Meanwhile, Winston tries to find a female cat for Furguson to spend his last night with before he’s fixed.

Favorite Line There were so many gems this week that I have a tie between:
“I have a cat brothel going on in my room, and I’m the only normal person in this loft!” (Winston)

AND

“I’ve never, you know, felt this way or had this with anybody. It’s like there’s been this fog around my life, and with you, all of a sudden, it’s gone.” (Nick)

Episode M.V.P. Each of the Core Four characters had standout moments this week. Schmidt’s explanation of what exactly “The Captain” was while strategically using the blender was some of the funniest material Max Greenfield’s been given in a long time, and he ran with it. Lamorne Morris got to be both the craziest (cat brothel, anyone?) and sanest (“You’re having sex, not inventing it.”) person in the episode. And Zooey Deschanel’s delivery was on fire this week—from her horrified reactions after The Captain was over to her explanation of her sexual awakening to her adorable admission that her month with Nick has been the best month of her life.

For me, though, the real stars of the episode were the people who brought Nick Miller to life in it—writer J. J. Philbin and Jake Johnson. Philbin is my favorite New Girl writer, and I love how much her episodes explore both Nick’s hilarious side (“Fancyman Part 1”) and his deeper layers, especially in terms of how they relate to Jess (“Injured” and “Fluffer”). This episode was written in a way that allowed us to see just how far Nick has come without being overly sentimental or sappy. And the reason the writing came off so well was because of Johnson. His gift for juggling silliness and sincerity was used to its full effect in this episode. There were moments when he had me crying with laughter, moments when he had me crying from happiness, and moments when he made both happen at the same time. Nick’s outpouring of feelings about everything from cellos and rap music to baby zebras and Jess was delivered with such genuine happiness by Johnson and created a real turning point for Nick Miller as a character without making it melodramatic. That scene and the last scene between Nick and Jess in his bedroom were perfect examples of how great writing and truly natural acting can combine to create moments of emotional honesty that still manage to make us laugh—and that’s when New Girl is at its best.

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TV Time: New Girl 3.03

I apologize for being so late to post this review; I’ve been battling a wicked case of laryngitis, so my body decided to recharge (aka fall asleep) before I had time to finish writing this yesterday.

Title Double Date

Two-Sentence Summary Nick and Jess’s plan for a double date with Cece and Schmidt goes horribly awry when Schmidt’s relationships with both Cece and Elizabeth are revealed. After losing both women, Schmidt then vows to destroy Nick and Jess’s relationship.

Favorite Line “I’m not convinced I know how to read. I’ve just memorized a lot of words.” (Nick)

Episode M.V.P. While I thought Lamorne Morris was typically hilarious in depicting just how insane Winston can be (eating the glass pebble was my personal favorite moment of his), this episode was more serious than most New Girl outings, and it belonged to the actors who so expertly made the episode’s gravitas feel believable.

Zooey Deschanel has perfected the art of showing Jess’s quiet strength, and that was on full display in her desire to do what was right for her best friend. Her acting wasn’t overdramatic or attention-grabbing; it was just the right kind of concern and righteous anger on behalf of the friend she’s known a hell of a lot longer than Schmidt. Also proving she’s truly adept at quiet moments of emotion was Hannah Simone. She absolutely broke my heart in the scene where she found out about Schmidt’s infidelity.

Although both of those women were excellent in this episode, their male counterparts stole the show. Jake Johnson and Max Greenfield are both such sincere actors, and that sincerity was a big part of what made this episode so devastating for fans of Schmidt and Cece’s relationship and also so uplifting for fans of Nick and Jess’s romance. Johnson once again showed his skill at balancing broad comedy (his ridiculous dance in the loft while looking like another member of Daft Punk) with honest emotion (the way he kissed Jess in their bathroom scene). Nick is growing as a character with each episode, and I love that Johnson’s performance makes it feel believable that this man who thinks the moon landing is fake is the same man who can so sincerely tell Jess that he’s there for her and wants to be with her (especially when he knows they’ve both just dealt with a situation involving a man who couldn’t decide who he wanted to be with).

And then there’s Greenfield. How is it possible to feel sad for someone who was trying to date two women at once? It goes against everything I stand for, but somehow Greenfield made me believe that Schmidt genuinely didn’t want to hurt anyone. His performance in the restaurant scene was the best acting we’ve seen from him yet. I hated what Schmidt did, but I can’t hate Schmidt—and that’s a credit to the vulnerability Greenfield projected in such a dramatic moment.

Favorite Moment In the middle of so much heartbreaking drama, it was nice to see Nick and Jess stronger than ever as a couple. The scene between them as they drove to the restaurant was such a great way of showing the dynamic between these two characters in a way that was both funny and disarmingly sweet. First of all, of course Nick would drive absurdly slowly because he’s basically legally blind. Those little character quirks that keep popping up around this character never fail to make me laugh because they always feel right for who we know Nick Miller to be. Also, did anybody else love the way they argued as they were driving because it feels like a thing real couples always seem to do?

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TV Time: New Girl 3.02

Title Nerd

Two-Sentence Summary After seeing Jess struggling to make friends among the teachers at her new school, Nick gives her some well-meaning but misguided advice about how to act cool. Meanwhile, Schmidt faces a problem when both Cece and Elizabeth show up at his office party, and Winston dreams of taking his frustrations with his relationship with Daisy out on her cat.

Favorite Line “I would have noticed you.” (Nick)

Episode M.V.P. “Nerd”was a great showcase for the men of New Girl. While Zooey Deschanel had plenty of comedy to work with (my personal favorite being her rendition of “What’s Up” by 4 Non Blondes while standing in a toilet), I didn’t really care for most of Jess’s storyline. I love Jess because she seems proud of who she is even when the rest of the world doesn’t seem to understand her quirks, and that confidence was completely missing from her character in this episode. Her characterization felt uneven, which I guess was kind of the point—but that doesn’t mean it appealed to my tastes (I hate “secondhand embarrassment” kind of comedy).

One of my problems with Jess’s characterization in this episode was that the comedy in her storyline was too broad and too cliché. We’ve seen it all before. The same could be said of Schmidt’s storyline—how many times have we seen the “two girlfriends, one room” situation in a sitcom? (Answer: Too many) However, Max Greenfield was able to inject a really surprising amount of genuine emotion into his reaction to the situation. The tears in his eyes at the end of the party made me actually believe that he doesn’t want to hurt either woman; he’s just going about this in a completely wrong way.

Lamorne Morris was once again a standout performer in this episode, making the craziest side plot work with his fantastic delivery. Who knew contemplating killing a cat could be so funny? My favorite moment was his ridiculous idea to let the cat decide how it wanted to die.

The real M.V.P. of this episode, though, was Nick Miller and, by extension, Jake Johnson. Nick went through a lot in this episode, and Johnson once again balanced so many facets of this character with ease. His desire to help Jess was incredibly endearing, even if it manifested itself in a disastrous way. Schmidt wasn’t wrong; Nick’s advice was awful, but it came from a genuine place of concern and care. That’s what I love about New Girl—all of these characters are messes, but their hearts are in the right place. And as soon as Schmidt opened Nick’s eyes to the fact that his advice was making Jess more like him—and not in a positive sense—Nick suddenly sprang into action in such a fantastic way. I loved seeing him try to deal with both Jess and Winston’s crises because flustered Nick is one of my favorite flavors of Nick Miller, but also because it showed how much this man has grown, letting more than a little responsible, “Chicago” Nick into the loft.

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TV Time: New Girl 3.01

It’s good to be back! To any new readers joining us for this season, welcome!

Title All In

Two-Sentence Summary After Cece’s near-wedding, Nick and Jess find themselves embarking on a new, “all in” relationship as they travel to Mexico to discover what they have with each other independent of Schmidt and Winston, who are back at the loft working through problems of their own (Schmidt’s inability to decide between Elizabeth and Cece and Winston’s difficulties with a jigsaw puzzle). However, after Nick gets arrested, he and Jess realize that they don’t need to be away from Schmidt and Winston to find out what they are; they’re all in whether they’re in Mexico or back at the loft.

Favorite Line “Hey you guys…I’ve been doing a lot of thinking…Now I know everyone’s going through a lot, but I think it’s time for me to start a puzzle.” (Winston)

Episode M.V.P. Another season, another episode of New Girl where really any one of the “core four” actors could have been named its most valuable performer. The reason why this episode worked so well as a premiere was because it didn’t tinker too much with what made last season such a joy. It focused on pairs of characters that have been incredibly successful in the past: Nick/Jess and Schmidt/Winston. The former provided the majority of the episode’s heart, and the latter provided a lot of its humor.

I could single out Jake Johnson’s incredible nonverbal acting once again because I still melt every time Nick looks at Jess. And the way he delivered the line about her being the prettiest girl on the beach was wonderful because it was so matter-of-fact. It’s a simple fact for Nick that Jess is the prettiest girl wherever they happen to be, and that kind of sincerity is what makes him such a realistically romantic leading man. I could also single out Zooey Deschanel for her incredible ability to bring sanity to this crazy group of male characters without seeming like their mom. Like Johnson, Deschanel acts with a disarming kind of sincerity that makes all of her lines feel honest, even when they’re as crazy as “Nick is my bitch!” I could watch a whole show of Johnson and Deschanel laughing together and looking at each other because they capture the joy of falling in love better than any other actors on TV.

When talking about New Girl actors, you can’t forget Max Greenfield, who was once again brilliant, whether he was screaming at Winston or genuinely getting emotional at the idea of hurting either Cece or Elizabeth. But the real star of this episode, the one who made me joyfully exclaim “New Girl is back!” has to be Lamorne Morris. Winston always gets the craziest storylines, but somehow Morris always makes them hilarious—and this was no exception. “Puzzling Winston” is right up there with “Prank Sinatra” on my list of reasons to love New Girl. From the humming and the weirdly sexual attitude toward the puzzle to his hoodie-as-sweatpants wardrobe and stubbing his toe while walking in angry circles with Schmidt, Morris had me laughing until I cried throughout the episode. The scene where Winston and Schmidt carry on an entire nonverbal conversation behind Cece’s back was something I’ve seen 100 times on TV before, but I’ve never laughed as hard as I did this time. Winston is crazy—genuinely, hilariously crazy—but he’s also a good friend. And I hope this episode starts the Year of Winston—because Morris has earned it.

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Daily Dose of Feelings #18

Sorry for the unannounced hiatus from these posts. I was all set to start writing when I suffered a bout of narcolepsy…or just couldn’t stay awake any longer after too many days of staying up too late to write.

Sometimes emotional moments catch you off guard. They’re the ones that leave you shaking your head as the tears form in your eyes, wondering how a show or an actor can manage to surprise you after you thought you’d seen it all from the world of television.

The ending of this season’s finale of New Girl caught me off guard, and that seems fitting for a show whose best moments have come when I didn’t expect them. After the way the finale had built to Nick and Jess deciding to call off their budding relationship, I expected the finale to end with tension and angst in order to create suspense going into this coming season. Much to my pleasant surprise, however, the season ended on an incredibly happy and hopeful note, with smiles, laughter, and one hell of a kiss.

While so much of New Girl works on an emotional level because of the complexity of Jake Johnson’s performance, this scene works because of Zooey Deschanel. I love her vulnerability at the start of this scene because it feels so genuine. Her eyes are red, her nose is red, and her voice sounds like she’s been crying ever since she walked away from Nick earlier in the episode. Those little details may not seem like much, but added together they make her emotional investment in this man and this potential relationship so subtly powerful. At this point in the season, we knew how much Nick loved Jess, so it was such a gorgeous moment to finally see how much Jess loved Nick when her voice broke as she asked him to “un-call it.”

The beginning of this scene may be emotional because it’s such a realistic depiction of the vulnerability that comes with loving someone, but the end of this scene gets the tears flowing for me because it’s such a realistic depiction of the happiness that comes from loving someone. The sound of Nick’s confident steps towards Jess is such a perfect touch—it makes my heart race in anticipation. And then he kisses her in that way only Nick Miller can kiss her, and the sheer happiness she feels with him causes her to laugh in one of the sweetest, most honest moments of love I’ve seen on television in a long time.

That’s what love is; it’s happiness. It’s someone who makes you smile, someone who makes you laugh. This is one of those scenes where understanding the characters and their journeys makes a scene even more emotionally resonant. Jess Day loves to be happy—she likes happy things like singing and dancing and polka dots. And Nick Miller has trouble finding and holding on to happiness—he’s grumpy and cynical and thinks people are the worst. So it’s a beautiful, surprisingly emotional thing to see these two people find each other and make each other this happy.

Love doesn’t always have to be dramatic and angst-ridden. It should be something that brings you joy. The same can be said for TV shows. New Girl brings me joy, and I’m so happy it chose to end such a great season on such a joyful note.

Five Reasons the Emmys are the Worst

Okay…The title of this post may be a little hyperbolic, but let’s call a spade a spade: The 2013 Emmy nominations (which were announced yesterday) weren’t exactly exciting. In fact, they left many (myself included) disappointed. I know I shouldn’t get my hopes up for the majority of my favorite shows and actors getting nominations, but that should be part of the fun of nomination day. But I guess “fun” and “nomination day” are two words that only go together for the Critics’ Choice Television Awards.

Over at Media Through a Mom’s Eyes, you’ll find some great reactions and analysis of the Emmy nominees, especially in the dramatic categories. Here, I just want to point out five reasons I’m convinced the Emmys are out-of-touch with what’s actually going on in the world of television.

1. I don’t love you, and I don’t like you. Once again, Parks and Recreation was left out of the running for Best Comedy, with only Amy Poehler securing a nomination in a category which I’m sure she’ll be overlooked in once again. I’ve grown sadly jaded about Parks and Rec’s chances of ever getting nominated again, but I really thought they stood a chance this season. While it wasn’t the strongest season overall, it had two of its most compelling episodes ever with “Halloween Surprise” and “Ben and Leslie.” To see such a heartfelt, well-acted, genuinely funny television show go without any recognition (beyond its fabulous leading lady) continues to break my heart and make me wonder what exactly voters are looking for. If you don’t love Parks and Rec, I don’t think you’re the kind of person I want to know—or the kind of awards show I want to watch.

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The Best Thing I Saw on TV This Week (5/12 – 5/19)

What a week this was to be a fan of great TV! Season finales often bring out the most memorable and thought-provoking moments each year, and this year was no exception. This past week gave me so many phenomenal choices for TV’s best of the best that I needed another day to finally make up my mind!

It seemed that each show I love had at least one moment that I’ve watched again and again and could talk about at length to anyone who’ll listen: Emma finally calling Snow and Charming “Mom” and “Dad” on the finale of Once Upon a Time; Brienne and Jaime sharing a heartfelt goodbye that perfectly captured the nuances of their relationship on  Game of Thrones; Castle laying all his cards on the table and proposing to Beckett on Castle‘s season finale; Danny and Mindy’s game-changing glasses-cleaning moment on The Mindy Project; Michael Scott’s return and all of the sob-inducing final talking heads on the series finale of The Office; and Stefon and Seth’s big moment on Saturday Night Live.

Each of these were incredible television moments, but no moment on TV this week made me as happy as the final scene of New Girl‘s season finale.

 

Yes, I love a good cliffhanger as much as the next girl, and sometimes a season finale needs to end with me reaching for the tissues in order for it to be a great one. But sometimes you just want to go into the summer hiatus with a smile on your face and hope in your heart—and that’s what New Girl gave its fans with that final scene. This scene was a great representation of everything that’s right about New Girl: Its emotions were honest (I think this scene was Zooey Deschanel’s best work yet), it showcased the blinding chemistry between Deschanel and Jake Johnson, and it simply felt real and earned.

Some finales are like a punch to the gut, making you feel like the wind has been knocked out of you. But this finale was like a happy sigh of relief, a warm laugh as genuine as Jess and Nick’s laughter after yet another stunning kiss.

What was the best thing you saw on TV this week? What moments are you looking forward to with the summer TV season right around the corner?

Grading the Season Finales 2013: New Girl

Title Elaine’s Big Day (2.25)

What Happens? It’s Cece’s wedding day, but Schmidt infers from an accidental look at the bride that she may not want to go through with it after all. Claiming to be working as her friend, he plans to “sabo” (aka sabotage) her wedding with the help of Nick and Winston. However, Nick is initially against this plan, not wanting to upset Jess and hoping to prove her father wrong about his immaturity. However, Nick is betrayed by his own “Cotton-Eyed Joe” CD; when it’s played during the ceremony, Jess assumes Nick is in on the plan and tells him he acts like a child. Feeling hurt, Nick decides to help Schmidt and Winston with the next phase of the sabotage operation, but things take a turn for the worse when the badger they plan to let loose escapes in the air ducts.

As Jess climbs into the ducts to try to stop the madness, Nick confronts her about her concerns about a relationship between the two of them, and Jess admits that a part of her is afraid that he’s too much of a mess to have a functional relationship with her. Their talk is interrupted, though, when they fall through the ceiling and literally crash the ceremony. The destruction seems to allow Cece to finally speak her mind: She doesn’t want to marry Shivrang because she’s in love with someone else (Schmidt). As for Shivrang, he has a secret love of his own named Elaine.

With the wedding officially called off, Nick and Jess do some calling off of their own, deciding that the one night they had together was enough, although it’s clear neither of them really wants to walk away from whatever they have. While Nick goes to drown his sorrows at the bar, Winston emerges from the air ducts with a nasty wound and some sage advice: Drinking and running away were the moves Nick’s dad always fell back on when things got hard, but they’re not the only moves. Schmidt seems to have never gotten that memo, though, as he runs from the room when faced with the choice between Cece and Elizabeth.

Unlike Schmidt, Nick doesn’t want to run away anymore. In fact, he’s ready to run to Jess, who he finds standing outside in tears over their decision to end whatever was happening between them. She asks Nick if they can un-call it, and he replies with a smile and a kiss. Laughing and bickering, the two drive off into the night towards a destination neither of them knows yet.

Game-Changing Moment While Nick and Jess’s relationship has been the driving force behind most of this season, the real emotional journey has been Nick Miller’s development from a man paralyzed by anger and fear to a man who can embrace uncertainty and hope. That arc found beautiful resolution in Winston’s speech about Nick not having to use his father’s moves. For much of Season Two, we’ve seen how Nick’s father and his abandonment had such a profound impact on his life and his decisions even after his father’s death. So it was hugely important for Nick to make a stand and show that he’s not his father; he’s better than his father ever was. There are other moves—better moves—and Nick is finally ready to choose another move. That moment of deciding to run towards Jess instead of running away signified a huge leap forward for this character we’ve watched grow all season. It was the culmination of a truly wonderful arc, and it hinted at even more growth to come next season.

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TV Time: New Girl 2.24

Title Winston’s Birthday

Two-Sentence Summary The morning after Nick and Jess’s first night together (and the day before Cece’s wedding) is interrupted by the arrival of Jess’s father, who believes Nick to be unworthy of his little girl because he sees too much of himself in the younger man. Meanwhile, Cece deals with an unfortunate henna accident, Schmidt deals with the beginning (or restarting) of a relationship with Elizabeth, and Winston deals with the fact that his friends may have forgotten his birthday.

Favorite Line “You know how much I love to explore space and time!” (Winston)

Episode M.V.P. While I loved both Schmidt and Winston in this episode, I thought it belonged to Jess, Nick, and Bob. Their dynamic and the way it built from comedy to heartbreak felt incredibly natural, just like so much of this season has felt. Jess had a lot to do both physically and emotionally in this episode, and I thought Zooey Deschanel did some of her best work of the season in this half-hour. Nothing she did or said felt forced—from her easy laughter with Nick before the chaos rained down around them to her palpable panic at having to do too many things for too many people while still trying to make her own future a priority, too. While I loved everything Deschanel did in this episode, three moments in particular stood out. The first was her immediate defense of Nick when Bob told her Nick wasn’t good enough for her. I loved that she didn’t even wait a moment before telling her dad that that there’s nothing wrong with Nick. Jess’s feelings about Nick were also a huge part of her monologue to her students about life being messy, which I thought Deschanel delivered with an incredible vulnerability and emotional honesty. You could feel her come to her decision in that moment; yes, things with Nick are messy (she went so far as to call him a mess during their kissing in “Quick Hardening Caulk”), but the messy things are the best things in life—because they’re real. The final Jess moment that really got to me was her reaction to Nick’s breakfast on the roof. For so long, we’ve really watched this relationship through Nick’s eyes; we’ve seen it written all over his face how much he loves her. But this time, we got to see plainly just how much Jess loves him, too. The soft way she looked at him throughout that rooftop scene was perfect. Being in love looks great on Nick, and now we know it looks gorgeous on Jess as well.

Nick and Bob both worked so well in this episode because of Jake Johnson and Rob Reiner’s ability to so effortlessly show the way both of these imperfect men love a woman who they both feel is out of their league. Yes, they were both hysterical in their early scenes in the episode. (Any scene involving Nick screaming like a little girl will make me cry with laughter.) But what really made this episode for me was their sincerity. When Bob told Jess he’s not good enough for his little girl, my heart broke because you could feel the pain of this man who’s spent 30 years trying to be the best man he could be for his daughter but never feeling good enough. And that reflected back on Nick perfectly because you could see how much that hurt Nick—not just being rejected by a father-figure but the confirmation of what he always believed to be true, that he’s not good enough for Jess. Johnson played that moment perfectly; you could see Nick crumble under the weight of those words. I really hope Reiner comes back at least once or twice a season because he fits in with the cast (especially Johnson) like he’s a regular.

Favorite Moment I cry a lot when I watch TV. A LOT. But New Girl had yet to make me actually cry…until the end of this episode. When Jess got Nick’s text, I could feel my heart start beating faster in anticipation because I’d honestly thought they were just going to leave the relationship in a kind of limbo after the confrontation with Bob. But once Jess reached the roof and we saw Nick setting up the same breakfast he made her in the morning (but this time with the flower!), I started to tear up. There was just something so simple and beautiful about that gesture; it just furthered my belief that Nick is the most realistically romantic man on television right now. He may be a mess in every other area of his life, but that action showed that he loves Jess with a clarity and a simple honesty that is anything but messy. After what her father said to them, they both could have taken a step back. But he made her breakfast on the roof, she showed up, and they were both looking at each other like any doubts that could ever exist about them had no place on that rooftop.

Of course, however, this is New Girl, so the moment had to be interrupted, and it had to be by Schmidt (and later Winston). But that interruption proved to be emotional and beautiful in its own right. The last moments of the episode—with Winston, Schmidt, Elizabeth, Nick, and Jess together on the roof—were moments filled with the kind of silly, sentimental, honest, and hopeful energy that has made me love this show since Season One’s “Injured.” This is a show first and foremost about friendships, and I love that the writers and cast never seem to forget that.

A New Girl GIF* For My New Girl Feelings

winston i can't do this

Yes, New Girl is a comedy, but it’s a comedy that stands apart from the rest because it’s one of the most emotionally honest shows on television. That emotion was what made this episode so special. It made me laugh, it made my heart skip a beat (I can’t end this review without mentioning the fact that Nick kissed Jess’s shoulder!), and it made me cry. The best part about it was the fact that, despite putting me through the emotional wringer, this episode never felt emotionally manipulative. It all came from a very genuine place for each character, and that makes me even more excited for next week’s big wedding finale (even though I’m not sure my heart will be able to handle it)!

 

*I have no talent for GIF-making. Thankfully, I am highly skilled at searching Tumblr for the best GIFs. I take no credit for this beauty. 

The Best Thing I Saw on TV This Week (4/28 – 5/5)

Before this week started, I knew it was going to be one of my favorites of the year in terms of TV because all of my favorite shows were airing incredibly important episodes. And I am happy to say that my hopes were actually exceeded on so many levels. This was a week filled with major plot moments, great character development on every show, and huge leaps forward for my favorite TV relationships. 

Once Upon a Time brought some of the focus back to Emma and Henry’s relationship, providing us with some adorable scenes as Operation Cobra was resurrected as Operation Praying Mantis. Game of Thrones perfectly brought to life one of my favorite scenes from all of the A Song of Ice and Fire books when Jaime showed Brienne how much he trusts her and respects her by sharing the secret of why he became the Kingslayer. Castle gave us an emotional look at the history of Castle and Beckett’s relationship and took their relationship to a new level by having Beckett finally tell Castle she loves him. And Parks and Recreation ended its season with big changes coming for many of its characters—especially Ron. 

While most of these shows had moments that would probably have been my favorite in any other week, my pick for the best of the best comes from New Girl. After sharing hilarious stories about how they each lost their virginities, Schmidt, Winston, and Cece left Nick and Jess alone with their feelings and a whole lot of sexual tension—which was finally released when Nick opened the elevator door, literally swept Jess off her feet, and carried her to his bed. While the lead-up to their first time was epic in and of itself (Nick’s smile! That kiss!), what solidified this moment as one of my favorites of the whole TV season is the aftermath. Their smiles and laughter told us all what we could have easily guessed from their chemistry all season—it was GOOD. Seeing both Nick and Jess so happy together, simply being their silly selves with one another, was enough to make me melt. 

 

What was your favorite thing you saw on TV this week? Any predictions for what we’ll be talking about at this time next week?