The Best Thing I Saw on TV This Week (10/11 – 10/18)

I apologize for the fact that this post was missing last week; I was busy recovering from my amazing New York Comic Con trip, which you can read all about here

This week in television kicked off with another emotional hour of Once Upon a Time, which featured twist after twist and revelation after revelation. Also on Sunday, Brooklyn Nine-Nine highlighted Jake and Boyle’s friendship, and The Good Wife introduced a new man in Alicia’s life, played by the ever-charming Jeffrey Dean Morgan. On Monday, Dancing with the Stars switched up the partnerships with mixed results; Jane the Virgin premiered with so much humor and heart; and Castle continued to explore Kate and Rick’s new dynamic, as well as how it affects Ryan and Esposito (and Martha, too). Tuesday gave us a karaoke-filled episode of The Muppets; another look into modern parenthood on The Mindy Project; and the introduction of two great new characters on The Flash. On Wednesday, Nashville continued to break our hearts with even more depressing drama. And Friday and Saturday gave us the first two parts of Girl Meets World‘s Texas adventure, which highlighted just how talented the young actors on that show are.

It’s no secret that this has been a pretty heavy start to the season for many of the dramas I watch: Emma is the Dark One on Once Upon a Time, Castle and Beckett are in the middle of an unnecessary (in my opinion, at least) separation, and literally everyone is struggling to find happiness on Nashville. So lately, I’ve been incredibly appreciative of the shows I watch that are designed to do nothing but make me smile.

That’s why I loved the season premiere of Jane the Virgin so much: It had its moments of tears, but they were quickly followed by moments of pure joy and warmth. And that’s why I still smile when I think about Brooklyn Nine-Nine and Jake and Boyle’s “My Hunch” dance. And more than any other week so far, this week I found myself truly appreciating all the moments of silly fun The Muppets gave me.

Was the karaoke scene on The Muppets the deepest or most interesting thing on TV this week? No, but it wasn’t supposed to be. It was simply supposed to be fun, and that’s exactly what it was. It made me laugh from start to finish, and with so many TV shows breaking my heart lately, I love knowing that I can put on The Muppets and find so many reasons to feel nothing but joy.

What was the best thing you saw on TV this week?

The Best Thing I Saw on TV This Week (9/27 – 10/4)

This week in television brought us more returns of beloved shows, which started on Sunday night, with Once Upon a Time‘s season premiere jumping right into the quest to save Emma from the darkness; Brooklyn Nine-Nine‘s season premiere giving us a look at Jake and Amy’s new dynamic after their game-changing kiss; and Quantico‘s pilot providing us with plenty of questions to keep us coming back next week. Monday’s Dancing with the Stars honored classic TV theme songs, and it was followed by a controversial episode of Castle that shook things up for the show’s central marriage. On Tuesday, The Muppets introduced a new love interest for Miss Piggy (Josh Groban), and The Mindy Project tackled the topic of new parenthood. Wednesday’s Nashville was filled with heartbreaking drama—from Juliette’s deteriorating mental state and Luke’s decision to cut Will from his label to its fatal final moments. Finally, Saturday gave us the return of Saturday Night Live, which will be remembered for Hillary Clinton’s impression of Donald Trump and her sing-along with Kate McKinnon.

In a week filled with captivating moments, none made me hold my breath like the climactic scene in Once Upon a Time‘s season premiere in which Emma’s loved ones reached her just as she was about to crush Merida’s heart. There were plenty of reasons to love that scene: Jennifer Morrison’s brilliant performance, Colin O’Donoghue’s ability to emotionally destroy us all with his sincerity, the way the scene made Emma’s inner darkness feel visceral and exhausting and real rather than some overly dramatic struggle against evil…

But the thing I loved most about this scene was that it was all about Emma’s ability to save herself. As Hook said, fighting the darkness has to be Emma’s choice. Only she can save herself, but that doesn’t mean she has to do it alone. Watching Hook get through to Emma and support her ability to choose to overcome the darkness in her was beautiful, and it seemed like a great piece of foreshadowing for how this whole arc could play out. Hook didn’t force Emma to do anything; he simply reminded her that everyone has demons that can be overcome, and she’s strong enough to overcome hers. The decision to put Merida’s heart back was Emma’s; she saved herself in that moment, with the support of someone who loves her helping her find the strength to save herself. That’s something I hope we see play out as this arc reaches what we all hope will be a happy conclusion. That scene (including the fact that the darkness seemed to disappear when Emma hugged Hook and Henry) gave me so much hope for the rest of the season, and that’s exactly what I needed in what was a very heavy and sad week for a lot of the other shows I watch.

What was the best thing you saw on TV this week?

The Best Thing I Saw on TV This Week (9/20 – 9/27)

This was the week Fall TV really kicked into high gear, and it was as fun and exciting as I’d hoped it would be. I already covered Sunday’s Emmys in last week’s Best Thing on TV post, but I’ll say that I’m still re-watching Viola Davis’s speech a week later. On Monday, Dancing with the Stars showcased the hometowns of its celebrities, and that was followed by a bold season premiere of Castle. Tuesday gave us a charming series premiere of The Muppets, a hilarious return for Fresh Off the Boat, and another strong episode of Dancing with the Stars—this time focusing on the stories behind its professional dancers. Tuesday also featured an episode of The Mindy Project that introduced an adorable new character and made me fall in love with Danny all over again. On Wednesday, Black-ish tackled a controversial topic in a great way, and Nashville balanced hope (Rayna and Deacon’s continuing love story) and heartbreak (all things Juliette) in its season premiere.

There were so many great moments on the scripted shows I watched this week—from Danny helping Mindy through her contractions to the introduction of the “three men and a baby” story on Nashville. However, my favorite moment of the week came from the world of reality television, and that was Nick Carter and Sharna Burgess’s foxtrot on Dancing with the Stars.

I love nothing more on television than good partnerships, and that’s what this dance was all about. During what was clearly an emotional dance for Sharna (She was dancing for her father and grandmother, who can’t ever travel to see her dance because of health concerns.), Nick was there for her every step of the way. From Nick’s little nod at the beginning to the solid, strong way he partnered Sharna throughout the routine, it was clear he was dancing this for her, and it elevated his dancing to new heights. It’s not often that a dance on this show genuinely moves me this early into the competition, but that’s exactly what this one did.

https://www.youtube.com/watch?v=auTDgtVicwY

What was the best thing you saw on TV this week?

The Best Thing I Saw on TV This Week (9/13 – 9/20)

As television shows are slowly awakening from their summer-long slumber, we were treated to the first taste of this new TV season over the past week. On Monday night, Dancing with the Stars returned with a very promising new crop of celebrities. And on Tuesday, The Mindy Project started the next chapter of its life after its move to Hulu.

I was all set to write about the ending to the season premiere of The Mindy Project for this post. I had a lot to say about Chris Messina’s ability to say so much with so little and the beauty of Mindy Kaling’s smile. I also wanted to talk about how important it was for Danny to tell Mindy he’d like to be wrong about marriages never working out. Because that’s what mature love is—it’s a leap of faith that you choose to take instead of something you blindly fall into. It’s knowing that there’s a chance this could end in disaster but choosing to believe there’s also a chance it might not. Love is belief—belief that the person you love is worth the risk and belief that your own happiness is worth fighting for. All those themes were wrapped up in one moment—in one line, really. And it gave me so much hope for the future of this show.

I had all that planned, and then last night’s Emmy Awards happened. Viola Davis happened. And now I don’t want to write about anything else.

Viola Davis is class, elegance, and power personified. When she talks, you listen. And when she talks about the struggle for African American women to find their voice and their own place on television, you don’t just listen; you cry.

You cannot win an Emmy for roles that are simply not there.

What an honest and deeply moving statement. There’s still so far to go for women—and especially women of color—in television, but progress and change are happening. And it’s happening because of a community of writers, creators, and actors who believe in what they’re doing and believe in each other. As Taraji P. Henson embraced Davis with such emotion on her way up to the stage, as Kerry Washington cried her way through Davis’s speech, and as Davis mentioned so many of her peers who are making their mark on the television landscape, I was moved to tears by the power and beauty of women supporting other women.

The Emmys weren’t perfect, but they gave us this moment. And for that, I am so grateful.

https://www.youtube.com/watch?v=685jYZGcFh8

What was the best thing you saw on TV this week? And let’s use this post as a post-Emmys discussion group, too! What were your thoughts on the night’s winners, snubs, and overall entertainment value?

The Best Thing I Saw on TV This Week (9/6 – 9/13)

As summer changes to fall and favorite TV shows begin to return from hiatus, it seemed like the right time to bring back this weekly celebration of the best TV has to offer.

What inspired the early return of this feature? Believe it or not, it was Bachelor in Paradise—a silly little reality show that somehow managed to feel very real and anything but silly by the time it ended with a two-part finale on Sunday and Monday.

On a show about rejects from The Bachelor and The Bachelorette finding summer love in Mexico, it turned out that the most profound relationship we were shown wasn’t a romantic one; it was actually the friendship between some of the women on the show that moved me to tears.

Female friendship is a powerful force, but it’s still a force we don’t see very often in the media. Healthy depictions of women supporting, defending, and protecting other women are still rare sights on television—although thankfully they’re becoming less rare. So imagine my surprise when Carly Waddell was dumped by her Paradise beau, Kirk DeWindt, and we were suddenly shown Jade Roper and Tenley Molzahn literally running to comfort their friend. What could have been a moment of solitary sadness was suddenly a moment of shared sorrow—something incredibly relatable for any of us who’ve helped a friend through a breakup (or had friends help us through one).

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The Best Thing I Saw on TV This Week (6/7-6/14)

Hello again, this is Heather taking the reigns on the best of the TV this week. 

This week on television started with a heartbreaking sacrifice and a ride on a dragon on Game of Thrones and ended with a shocking reveal on Orphan Black. Along the way, we also saw the ceiling rain blood on Penny Dreadful, learned Jesus is alive and off to boarding school on the season three opener of The Fosters, watched Liv give up her chance of curing herself on the first season finale of iZombie, saw Evan and Paige experience their first setback on their quest to become parents on Royal Pains, and had nightmares after one of the more horrifying images Hannibal has served up for us.

There were two serious contenders for my pick for this week and they could not have been more different. One was quiet and chilling, the other made my jaw drop out of shock. While I loved the reveal that Mrs. S’s mom was both the Castor and the Leda original (though it was almost too much connection for me), I had to go with the quieter moment for my pick.

By now, it’s no secret that Hannibal is as beautiful as it is horrifying. It is capable of creating stunning visual images and accompanies them with a gorgeously operatic soundtrack. When that is combined with what is perhaps one of the most twisted, destructive and intimate friendships I’ve seen on TV, the end result is nothing short of spectacular.

The shot of Will wandering through the catacombs forced the viewer into his mental state. It was dizzying and disorienting with a sense of foreboding as we watched Hannibal silently follow him. It was an immersive moment of television that left the viewer unable to look away.

But what made this moment my pick were the three words Will spoke and how they get at the heart of what makes Hannibal such compelling television for me, even in the midst of all the gore and darkness. “I forgive you”. Not words often uttered to the man who killed the girl you considered as a daughter and who nearly killed you. Yet Will Graham is incapable of doing anything else when it comes to Hannibal Lecter.

Their exchange in the beginning of the episode was the best summation of their relationship. They have changed each other. Not necessarily for better or worse, but these two men are who they are at the start of season three because of each other. No matter what he does, a piece of Will belongs to Hannibal just as a piece of Hannibal is Will’s. So he offers forgiveness. Because as Inspector Pazzi recognized, there is power that comes from knowing. Hannibal and Will are inseparable and Will knows that, as much as he knows that the body in the chapel was left for him and as much as he knows that Hannibal is there, unseen, in the catacombs with him.

What was the best thing you saw on television this week?

The Best Thing I Saw on TV This Week (5/24 – 5/31)

Sorry for the delay in posting this, friends! I had a lot of emotions to work through first. (Warning: This post centers around an episode that dealt with rape and torture, so if those topics upset you, it’s probably best to stop reading now.)

This week in television included the first week of dates on The Bachelorette, the start of The CW’s excellent plan to re-air its most popular new shows this summer (I loved the pilot of The Flash!), and a typically tense and exciting episode of Orphan Black that featured the wonderful first meeting of Mrs. S. and Helena, as well as plenty of fun new twists and turns for Allison.

However, the best thing I saw on TV this week didn’t come from any of those shows. In fact, it came from an hour of television that left audiences very divided: the Outlander season finale.

While there is no denying that this finale (which featured incredibly graphic sequences of rape and physical/emotional torture) was the most disturbing hour of television I’ve ever watched, I find myself firmly in the camp of viewers who were impressed with the way this episode handled the trauma of rape and the emotional/psychological ramifications of it,  beyond using it as a mere plot device. This wasn’t darkness for the sake of darkness or horror for the sake of shock value; it was a harrowing exploration of the effects of brutal sadism on a human being and the impact of rape and torture both on the survivor and those who care for them. This was an episode that cared about what the victim was going through on an emotional and psychological level, and, as such, it brought out the kind of intensely haunting and raw performance in Sam Heughan that I really hope earns him consideration when it’s time to announce Emmy nominations.

In an episode so dark and disturbing, it was important to have something to balance out the sense of despair that could have dominated the hour. And in order for that balance to be achieved against scenes as horrible as the flashbacks to Jamie being repeatedly raped and psychologically tormented, we needed to feel the depth of Claire’s love for Jamie more strongly than ever before. Thankfully, Caitriona Balfe was more than up to the task, turning in a stunningly vulnerable performance of her own.

While some might name the episode’s ending as its most beautiful scene because of its pure sense of hope and light after so much time spent in darkness, my favorite scene came before it, when Claire got through to Jamie by reminding him that—no matter what happened to him or how damaged or shamed he feels—he is her husband, and she has chosen to love him always. I’ve watched a lot of television shows with married couples in them, but I’ve never seen a moment that got to the heart of the vows to love each other “for better or worse, in sickness and in health” like this moment did. This moment was what a strong marriage is all about: two people who made a promise to choose to love each other—even when it’s not easy—and honor that promise always, because they believe what they have together is worth fighting for.

Sometimes it’s not easy to believe you’re worth fighting for, which is exactly what Jamie went through in that scene. He couldn’t believe Claire would still want him after what happened to him. But Claire doesn’t see Jamie as someone to be ashamed of or someone to pity; she never has. She sees him as someone to love. She sees a survivor rather than a victim, and that’s so important in a story about trauma. There are few fictional characters I know of who need healing more than Jamie Fraser, so I have always appreciated the beauty in the fact that he fell in love with and married a healer who is just as good at healing his physical wounds as she is at helping him begin to mend his emotional ones. Claire was right in this scene when she said everything worked out as it did in order for them to be together, and that’s the stuff of epic love stories that don’t come around every day.

Love can’t erase the scars of traumatic experiences. But it can be enough to help that same person learn to live with their own scars. Love can be a flicker of strength and hope where there once was only darkness, and the love between Jamie and Claire—and the way it was shown through the performances by Heughan and Balfe—provided moments of true beauty in an episode that could have been unwatchable in its bleakness.

What was the best thing you saw on TV this week?

The Best Thing I Saw on TV This Week (5/17 – 5/24)

This week in television kicked off on Sunday with a fantastic season finale of Brooklyn Nine-Nine and quite possibly the most controversial episode yet of Game of Thrones. Monday and Tuesday featured a pair of ABC reality shows, as Dancing with the Stars crowned its champion (the very deserving Rumer Willis) and The Bachelorette aired a two-night season premiere. Wednesday night saw the end of David Letterman’s reign on The Late Show. And Saturday gave us one of the most emotional and shocking episodes of Orphan Black in the show’s three-year history.

While nothing on TV this week made me happier than Jake and Amy finally sharing a great kiss on Brooklyn Nine-Nine, there was nothing better than Paul’s final minutes on Orphan Black—even if they did break my heart in the process. After multiple seasons spent wondering where Paul’s allegiance lies and what’s behind his stoic facade, we learned the truth, and what a beautiful truth it was: Paul is a protector, and once he fell in love with Sarah she was always the one he tried the hardest to protect. He spent so long trying to help the Castor clones, but once he realized the truth of what was going on (and what a terrifying truth it was—planning to use their sexually-transmitted defect as a weapon and testing it on Sarah), he turned his fierce protective instinct toward the women who were harmed, especially Sarah. He was willing to die to destroy the science behind those experiments and protect Sarah and all the other women who could have been sterilized by the Castor clones.

Paul died a hero, and it was the most honorable death scene I’ve seen for a character in a long time. He died with love in his heart and a brave purpose filling his soul. All of his interactions with Sarah in this episode reminded me why I was once so captivated by their dynamic—because, in a world where Paul’s loyalties always seemed to be a mystery, his love for Sarah (which was never supposed to happen) became his primary motivating factor. It shouldn’t have surprised me to hear Paul tell Sarah that it wasn’t Beth he loved, but I was floored by his honesty in that moment. It was the most beautiful way imaginable for Paul to go out, and it was the perfect way for us to say goodbye to Dylan Bruce as an actor. His little smile after saying that line just about killed me.

This episode of Orphan Black showed us Paul’s heart, and it also showed us Mark’s. I loved the comparisons drawn between them in this episode. Mark’s honest confession that he loved Gracie perfectly paralleled Paul finally admitting to Sarah he loved her. And Mark’s desire to defy orders to avenge the pain he never meant to bring to Gracie humanized him in such a beautiful way. Both Mark and Paul were motivated by their love for women treated as pawns in Dr. Cody’s experiments, and I loved the way that connection was shown, especially in the final scene between them. Ari Millen absolutely destroyed me when Mark told Paul to make things right. The tears started then, and they didn’t stop until long after the final credits rolled. I was so sad to see Paul die, but his death scene honored his character and the actor who brought him to life with deep respect and understanding. But, of course, I wouldn’t expect anything less from Orphan Black.

https://www.youtube.com/watch?v=fqer1kOsnYk

What was the best thing you saw on TV this week?

The Best Thing I Saw on TV This Week (5/10 – 5/17)

This was a truly fantastic week of television, which is usually what happens when May sweeps time is in full swing and finales are airing all over the place. On Sunday, Brooklyn Nine-Nine set up its season finale with a great cliffhanger, and Game of Thrones aired another strong hour. However, it was a pair of season finales which made Sunday truly memorable. On The Good Wife, Kalinda said her final farewell and a surprise visitor showed up at Alicia’s door in the closing seconds. Also on on Sunday, Once Upon a Time‘s season finale gave us a fun trip into an alternate reality, but it also gave us a heart-wrenching sacrifice made out of hope, love, and true bravery. Monday continued the trend of strong season finales, with an episode of Castle so good it could have served as the perfect ending to the whole series. And Wednesday’s season finale of Nashville was as emotional as it gets, with moments of pain and pride that moved me deeply. Finally, Saturday’s episode of Orphan Black was a breathless thrill ride, and Outlander aired an episode that shook all of its fans to their core (an episode I still can’t think about without my hands starting to shake). In a week filled with some episodes that might end up as all-time favorites of mine in their respective series, choosing the best moment felt like a nearly impossible task. Was it Emma’s incredible moment of bravery or the emotional sacrifices in the alternate reality which inspired her sacrifice on Once Upon a Time (or even the very sexy sword fighting lesson between Emma and Hook)? Was it Mrs. S. welcoming Gracie as her guest on Orphan Black? Or was it Will finally learning to love himself and love someone else openly and proudly on Nashville? All of those were great moments, but only one moment I saw on television this week has made me cry happy tears every time I’ve re-watched it, and that’s the ending of Monday’s Castle finale. There was such love in that scene—between the characters, the actors, and the writers. Every word of Castle’s speech was beautiful. And the sight of the entire cast together in one room for the first time was incredibly moving, highlighting the sense of family this show has built over the last seven years. Nothing I saw on television this week made me happier than those final minutes of this season of Castle. They were a true gift to fans of this show, and I will treasure them. Always.

What was the best thing you saw on TV this week?

The Best Thing I Saw on TV This Week (5/3 – 5/10)

This was a week filled with penultimate episodes, as season finale time is right around the corner. On Sunday, motherhood was the central focus on Once Upon a Time, and that focus produced one of the strongest episodes of the season. Also on Sunday, The Good Wife took a big step toward big changes at the end of its season; Game of Thrones continued to deviate from the books in shocking ways; and Brooklyn Nine-Nine reminded us all why Jake and Amy would be perfect together (before putting another roadblock between them, of course). Monday’s Castle was a light pre-finale bit of fun with a healthy dose of Martha feelings, while Wednesday’s Nashville was one of its most emotionally devastating hours of the season. And Saturday featured an episode of Orphan Black that brought the Leda and Castor clones closer than ever, as well as an episode of Outlander that took Claire on a long quest to find Jamie.

With the stress of season finales looming on nearly every television show I watched this week, I appreciated the moments that showed the calm before the storm even more than usual. This was especially true on Once Upon a Time. With huge plot twists and major revelations paving the way for what looks to be a game-changing finale, it was nice to have a moment in the penultimate episode where Emma and Hook were allowed to breathe, share a drink and a view of the horizon, and talk through things like a real couple. I loved the scene between them at the docks because it felt like a moment of grounded realism in the middle of crazy fairytale action, which has always been one of my favorite things about them as a couple.

The strongest relationships are ones in which both parties feel secure enough in the stability of their love to be honest with one another, and it makes me so happy to see that Emma has found that in Hook. While he never pushes her or makes her feel bad for her emotions, he isn’t afraid to tell her when she’s not being her best self. That’s the sign of a great partnership—one in which both parties help the other to be better. Hook knew Emma was hurting herself by continuing to shut out her parents, and his gentle but pointed advice helped her make the decision to finally move beyond her anger and arrive at a place of healing with the family she loves. That kind of support is wonderful to watch, and it was a nice reminder—before the insanity I’m sure will come with this finale—that Hook and Emma’s relationship has helped both of them grow into the best versions of themselves, which is the basis of True Love on Once Upon a Time.

https://www.youtube.com/watch?v=mGrWvH5nBlA

What was the best thing you saw on TV this week?