NGN’s Best of 2013: TV Episodes and Shows

2013 was the year The Good Wife reminded us how good network dramas could be.

2013 was the year The Good Wife reminded us how good network dramas could be.

It’s time for the conclusion to my look at the best of the television world in 2013. There were plenty of memorable episodes that aired this year that people will be talking about for a long time—episodes that made us laugh, sob, and stay up way too late thinking about them. And whether you’re a one-episode-a-week viewer or a binge-watcher, there’s no denying that 2013 was a year where many great shows hit new heights of excellence.

Top Five Dramatic Episodes:

1. “Hitting the Fan” (The Good Wife)
It’s not often that a show manages to reinvent itself in its fifth season, but that’s exactly what The Good Wife did with this incredible episode. Tensions that had been building for five seasons found release in explosive scenes (Will and Alicia’s confrontation) as well as more controlled moments (Peter and Will’s phone call). Each member of this great cast brought their A-game to this episode, and their excellent performances were heightened by the expert pacing of this episode. “Hitting the Fan” was a bold move and a brave one, and it paid off tremendously for all involved, especially the audience.

2. “The Rains of Castamere” (Game of Thrones)
This episode will always be known by its more colorful moniker, the Red Wedding. The entire hour was a masterpiece of tension and foreboding, keeping audiences on the edges of their seats until the bloodbath began (which was when they moved from the edges of their seats to hiding behind their fingers). The brutal carnage still managed to surprise even those of us who read the books, but my lasting impression of this scene was not one of surprise; it was one of despair. Michelle Fairley made me physically feel Catelyn’s grief and desperation with a ferocity I’ve never experienced as a TV viewer before. This episode was raw and ruthless in its assault on my senses and emotions, and that’s exactly what it was supposed to be.

3. “Ariel” (Once Upon a Time)
“Ariel” represents what Once Upon a Time is at its best. It featured a faithful spin on a beloved fairytale (in this case, The Little Mermaid) with some fun twists (aka Lana Parrilla getting to channel Ursula); some delicious banter between Parrilla and Robert Carlyle; and some very human drama in the middle of a world of fairytales. Colin O’Donoghue, Ginnifer Goodwin, Josh Dallas, and Jennifer Morrison were at their very best as their characters shared their darkest secrets with one another in the Echo Cave. Each secret’s emotional impact was earned—from the beautiful (Hook’s admission that Emma gave him the hope that he could move on from his past) to the bittersweet (Snow wanting a new baby because her relationship with Emma isn’t what she wanted) to the painful (Emma telling Neal that she wished he was dead so she could finally move on). “Ariel” was a shining example of the emotional power of a television show that’s never been afraid to wear its heart on its sleeve.

4. “The Quarterback” (Glee)
This episode was a respectful, beautiful, and honest way to tell a story no cast should ever have to tell: the death of a friend who left this world far too soon. The emotions ran raw and real—almost intrusively so at times—but “The Quarterback” allowed Glee fans and the cast to mourn together. From the brutally sad moment when Finn’s mother broke down while cleaning out his room to Lea Michele’s devastating rendition of “Make You Feel My Love,” this episode allowed the people who knew Cory Monteith best to share their grief with the fans who loved him, too.

5. “Variations Under Domestication” (Orphan Black)
Great television is all about pacing—finding a balance between tension and release, drama and comedy, emotion and action. “Variations Under Domestication” struck a genius balance between all of those facets as well as between all of the increasingly complicated roles Tatiana Maslany was asked to play. Between all of the twists and turns in this episode (and there were plenty of great ones), I found myself invested in the emotional lives of Cosima and Alison more than ever before. I would have paid to watch a film-length version of this episode in a movie theater—that’s how entertaining it was.

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NGN’s Best of 2013: TV Performances

There has been an embarrassment of riches this year for anyone who is a fan of phenomenal acting on television. 2013 gave us more memorable, complex, and layered characters than ever before. And they were brought to life by men and women with a wide range of talents—actors who didn’t just make us think about these characters as we were watching them; they made us care about them long after the episode was over.

For my next installment of NGN’s “Best of 2013” series, I want to take a look at the actors who brought something special to their respective television shows this year. In a year of standout performances, these—separated into male and female, comedic and dramatic—were the best of the best from my seat on the couch.

Top Five Female Dramatic Performances:

ORPHAN BLACK : GALLERY

1. Tatiana Maslany (Orphan Black)
This might be cheating a little bit because I’m just over halfway through the first season of Orphan Black, but I highly doubt the final four episodes I have left to watch will affect my opinion of Maslany beyond making me respect her even more. Not only does she impressively give each clone her own unique posture, accent, and mannerisms, she gives each one her own soul. I was expecting to marvel at Maslany’s talent when I started this show, but I wasn’t expecting to feel so deeply for so many of the characters she’s created. Yes, it’s amazing how she’s able to not only play clones but also clones pretending to be other clones. But what’s really amazing is the emotional commitment she gives to each character and each scene.
Best Episode of 2013 (that I’ve seen so far): “Variations Under Domestication”

2. Jennifer Morrison (Once Upon a Time)
Emma Swan is not an easy character to play. She suppresses her emotions after a lifetime of loneliness, only showing them in the subtlest change of expression until they all come out in bursts of vulnerability that surprise even her. Emma is strong, but she’s also incredibly broken. And it takes an actress of considerable talent and also considerable love for this kind of character in order to bring her to life successfully. Morrison is so adept at showing every complicated facet of Emma’s character—her awkwardness and her innate ability to lead; her fear of opening up and her intense vulnerability; her ability to love and her inability to fully accept love from others. Emma grounds this fantasy show in real, human drama, and Morrison grounds Emma with real, human emotions.
Best Episode of 2013: “Lost Girl”

3. Michelle Fairley (Game of Thrones)
There’s a reason the Red Wedding was one of the most heartbreaking television moments of 2013. Yes, it was horrifying to watch Robb Stark, his young wife, and his direwolf be brutally slaughtered. But the true pathos of that scene came not from Robb but from his mother. Fairley was fearless in her depiction of a mother’s desperation and grief. Her scream when Robb was murdered still haunts me, and her catatonic expression in the moments before her own death said it all: Catelyn Stark died the moment her son did. Only a truly great actress could communicate such depth without dialogue, and Fairley is as good as they come on a show filled with talent.
Best Episode of 2013: “The Rains of Castamere”

4. Bellamy Young (Scandal)
Mellie Grant could be an easy character to hate—and I suppose, for some people, she is. But I love Mellie—I love her ambition, her ruthless edge, the steel in her spine, and the ferocity behind her first-lady façade. In Young’s capable hands, Mellie developed this year into a tragic figure beyond just a woman scorned. Drunk Mellie was brilliant, but it was Young’s work in the horrifying episode where Mellie was raped that floored me with just how talented she is at making us care about this woman beyond her role in Scandal’s screwed-up love story. More than any other actress on my list, Young is the one I wish more critics and award committees were taking notice of this year.
Best Episode of 2013: “Everything’s Coming Up Mellie”

5. Hayden Panettiere (Nashville)
Juliette Barnes is a complicated woman—she’s a woman from a trailer park who rose to country music stardom; she’s a woman who surrounds herself with men and yet has never really been in love; she’s a woman who’s been used and who uses others; and she’s a woman who acts every bit the diva but also has moments of astounding empathy and kindness. Panettiere has managed to give just the right amount of hard edges and soft spots to this character to keep audiences guessing about exactly who Juliette is. Whether she’s ranting about the way women are used in the music industry, befriending a young girl whose mother is in a coma, or breaking down after a confession of love goes awry, Panettiere has made Juliette feel like a real, complicated woman who it is impossible not to care for—no matter how selfish she may seem on the outside.
Best Episode of 2013: “I Fall to Pieces”

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NGN’s Best of 2013: TV Relationships

nick jess kiss cooler

New Girl’s Nick and Jess were one of 2013’s most talked-about TV relationships.

This was a great year to be a fan of smart, complex, and emotionally-engaging relationships on television. In terms of romantic relationships, there were plenty of engagements, weddings, and first kisses to keep even the most rabid “shippers” happy. And there were plenty of other meaningful relationships that blossomed on our TV screens this year, too—between parents and children, friends, coworkers, and traveling companions.

Today at NGN, it’s time to take a look at the 10 best relationships that graced our TV screens this year. From lovers to family members to mentors, here are my favorite TV relationships of 2013.

1. Leslie and Ben (Parks and Recreation)
In a year that featured the development of many strong romantic relationships, there was still no other duo who could come close to the hold these two have over my heart. Through successes and failures, good days and bad, these two are each other’s ultimate teammate—always having each other’s back and helping them be their best self. Their perfect wedding was my favorite TV moment of the year. Not only are they the best couple on television; they’re the most inspiring for all us Leslies (and Bens) out there looking for someone to love and to like.

2. Nick and Jess (New Girl)
The best television surprise in 2013 for me was how this relationship was handled at the end of New Girl’s second season. With a deft mixture of silliness and sincerity, Nick and Jess moved from roommates to roomfriends to romance in what was quite possibly the most satisfying string of episodes of any show to air this year. Has the progression of their relationship faltered a bit in Season Three? Yes. But that doesn’t take away from what this relationship is at its best—a surprisingly honest (and surprisingly hot) look at what happens when two messy, imperfect people fall in love. And let’s not forget about the kissing. (But really, how could anyone forget about the kissing?)

3. Jaime and Brienne (Game of Thrones)
On a show filled with backstabbing, power plays, and relationships built on deceit, Season Three of Game of Thrones gave us the dynamic duo of Jaime and Brienne, whose relationship is built instead on a slowly developing sense of mutual understanding and trust. Theirs is a story of learning to look beyond first impressions and reputations to see the real person. All Jaime wants is someone to see him as Jaime instead of the Kingslayer, and Brienne finally gave him that gift when she called him “Ser Jaime.” In a world where relationships between men and women are either outlets for lust or political power (or both), Jaime and Brienne represent something very rare: genuine respect.

4. Charming and Emma (Once Upon a Time)
Once Upon a Time began with the ultimate act of paternal love—a father willing to give up his own life to save his daughter. But for over two seasons after that brilliant moment, it felt like Charming and Emma’s relationship would never come close to that level of importance on the show again. Thankfully, Season Three has featured a growing number of moments between father and daughter, and it’s been enough for audiences to see just how special this relationship is. Charming’s concern for Emma’s happiness never feels forced or tied up with any emotions other than deep, unconditional love. From lame dad jokes to sweet forehead kisses, their relationship always feels genuine and uncomplicated, which is the kind of love Emma needs from her parents. Josh Dallas radiates a kind of warm, paternal energy, and he is often at his best when sharing a scene with Jennifer Morrison, including even the smallest background moments.

5. Castle and Beckett (Castle)
Confidence is a beautiful thing, and that’s been the key to Castle and Beckett’s relationship ever since Castle proposed at the end of Season Five. By moving the characters into this next stage of their relationship, the writers seem to have freed themselves of any unnecessary angst and are instead weaving this warm, supportive, and sexy relationship into the fabric of the show rather than leaving it in its own box. From a first “I love you” to wedding planning and talk of future babies, this couple has taken huge strides in the last year, and I can’t wait to see what 2014 brings for them and for us as fans.

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NGN’s Best of 2013: TV Moments

I hope all of you who celebrate it had a wonderful Christmas and are now looking forward to plenty of great New Year’s festivities. This is one of my favorites times of the year because it gives us a chance to look back on the year that was and remember all of the great things that happened during the last 365 days.

Here at NGN, that means looking back on the last year in the world of film and television, so in the days leading up to January 1, I will be posting some lists of what I consider the best of the TV shows and movies I watched in 2013. I hope you chime in with your own picks in the comments, and, for even more “Best of 2013” fun, go check out frequent NGN Contributor Heather’s lists, too.

Today’s “Best of” post features the 10 most memorable moments that leapt off my TV screen and into my heart this year. Some made me unbelievably happy, some broke my heart, and others made me feel awestruck by the incredible writing or performances that brought them to life.

Source: eonline.com

Source: eonline.com

1. Leslie and Ben Get Married (Parks and Recreation: “Leslie and Ben”)
Everyone loves a wedding, and the people at Parks and Recreation do weddings like no one else on television. Leslie and Ben are my favorite couple on television right now, so I was going to love their wedding no matter what. But the fact that their wedding was filled with so many little nods to their relationship and the show’s history made it even more special. Nothing I saw on TV in 2013 made me happier than this wedding, and it definitely wins my award for most-replayed moment of 2013, too. Oh Parks and Rec, I love you and I like you.

2. Nick and Jess Kiss (New Girl: “Cooler”)
It was the kiss heard ‘round the television world—and for good reason. It’s rare that a moment that was telegraphed for basically an entire episode still manages to surprise me, but that’s exactly what happened with this kiss. I was surprised that it happened after the moment seemed to have passed, but what really surprised me was just how incredible the kiss turned out to be. It was passionate, it was romantic, and, above all else, it was HOT. It was a kiss Jess could never forget, and I think the same could be said for all of us who watched it happen.

3. Dracarys (Game of Thrones: “And Now His Watch Is Ended”)
On a show that prides itself on its cinematic moments, Daenerys freeing the Unsullied stands heads and shoulders above the rest. This moment was one of pure triumph. After watching this young woman who has grown so much claim her full power as the Mother of Dragons, you couldn’t help but cheer for her. Everything about this moment was designed to give audiences the best kind of chills: from Emilia Clarke speaking Valyrian to the pounding of the Unsullied’s spears.

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The Best Thing I Saw on TV This Week (12/15 – 12/22)

I apologize for the slight delay in getting this post finished. I hope all of you had a happy weekend of pre-Christmas festivities! 

With Christmas fast approaching and many shows on short or painfully long hiatuses already, this was a relatively uneventful week in the world of television—with a few major exceptions, of course. Sunday’s midseason finale of Once Upon a Time was every bit as compelling and emotional as a series finale, with only its final moments serving as a reminder that there’s plenty of fun in store for us once March 9 rolls around. The rest of the week was filled with Christmas specials and classic films (from It’s a Wonderful Life to The Sound of Music), and it concluded with the hilarious hosting performance Jimmy Fallon provided on Saturday Night Live, proving that his beautiful bromance with Justin Timberlake is creative comedy gold.

I don’t think it should come as a surprise that my favorite television moment of the week came from Once Upon a Time. “Going Home” was one of the show’s most powerful hours to date—from Rumplestiltskin’s climactic showdown with Pan to Regina’s gorgeous character growth; from the Charming Family’s final hug to Hook’s last promise to Emma. But in an hour of incredible emotional highs and lows, nothing was better than the sequence of Emma and Henry driving away from Storybrooke as the town disappeared under the purple cloud of Regina’s magic. Everything about this scene was perfect—the music, the lighting, the editing, and the subtle but effective acting by Jennifer Morrison with just her eyes in the rearview mirror.

I got choked up when the new curse engulfed Henry’s storybook—that symbol of hope and connection between mother, son, and the world of fairytales they were leaving behind. But I completely lost it when Emma chose to hold baby Henry in her new memories. Although it’s not real, whenever Emma gets her old memories back, she will still have the belief that this new memory represents—the belief in the possibility of her having a happy ending as a mother. To see Emma’s entire character arc reflected in this change from the inability to believe in her role as a mother to her acceptance of this role was truly touching. And the way Morrison showed—just in the slight crinkle around her eyes—Emma’s new sense of peace and happiness as the new memories took hold was wonderful.

The final scene of the episode was worth all of the emotional exhaustion that came before it. Hook’s arrival in Emma and Henry’s world was a most welcome surprise for me as a viewer, and it gave me such hope for the second half of this season. I’m hopeful that Emma will get back her old memories while still getting to keep the ones of her happy life with her son. I’m hopeful that she’ll have someone by her side who crossed realms to find her after she was supposed to be gone forever. And I’m hopeful that Emma will be able to accept and be with people who accept all that she is—the savior, the mother, the princess, the lost girl, and all of the other facets that make her the kind of character such great episodes are based around.

What was the best thing you saw on TV this week?

TV Time: Once Upon a Time 3.11

Once-3-11

Title Going Home

Two-Sentence Summary Pan’s plan to once again cast the Dark Curse (this time with fatal consequences) on the residents of Storybrooke has powerful ramifications for every character, especially Rumplestiltskin, who must finally decide if the price of destroying his father is one he is willing to pay. Regina finds a way to destroy the curse, but it comes with its own price: The inhabitants of Storybrooke will all go back to the land they came from, except for Emma, who is allowed to stay with Henry, but both are left without any memories of their time in Storybrooke—a fate Hook plans to change upon arriving at Emma’s New York City apartment one year later.

Favorite Line “You’re not a villain; you’re my mom.” (Henry, to Regina)

My Thoughts Well I certainly didn’t see that coming. Rumplestiltskin dying (or “dying”—we can only hope), Emma and Henry losing their memories of Storybrooke, fake memories of a world where Emma never gave Henry up, Hook crossing realms to help Emma remember who she really is, the intensity of the emotional trauma I felt while watching— I didn’t see any of it coming. And I loved it.

Yes, the plot surprised me, but what really shocked me was just how visceral my emotional reaction was to what was happening onscreen. This episode had the feeling of a series finale, and that was for a reason. “Going Home” changed the game, and it did so in a brutally emotional fashion. When I say it reminded me at times of “Through the Looking Glass”—the finale of LOST’s third season—I mean that with the highest respect. It appears that Adam Horowitz and Edward Kitsis learned a lot from their time as LOST writers, not the least of which being how to craft a finale (even just a midseason one).

Perhaps the biggest thing I learned from LOST (and Alias before it) was that I’m not a person who needs all the answers when it comes to the TV shows I watch. I can deal with unanswered questions, confusing plot threads, and even the occasional inconsistency or plot hole if I’m emotionally engaged in an episode. I don’t need to feel 100% intellectually satisfied by an episode, but I do need to feel 100% emotionally invested. I care about a show’s characters infinitely more than any plot twists or big mysteries it can throw at me. That’s why I watch Once Upon a Time. I don’t care all that much about the rules of magic or the finer points of curses. I care about Emma, Henry, Snow, Charming, Regina, Rumplestiltskin, Neal, Hook, Belle, Tinker Bell, and all of the other characters I’ve come to love over the last two and a half seasons. I care about the people far more than the intricacies of the plot.

For as much as this episode will be defined by the emotions it evoked, there was a lot of plot packed in there, too—probably more than there needed to be. The flashbacks especially felt unnecessary for the most part: Charming and Snow’s was only really useful in dropping a hint that the Blue Fairy was somehow behind Henry’s storybook; Hook and Tink’s reinforced the idea that he’s become a changed man through loving Emma (and once again proved that Colin O’Donoghue is a walking chemistry experiment with every actor he shares a scene with); Henry and Mary Margaret’s brought the attention back to the storybook; Belle and Rumplestitlskin’s just made me sad in hindsight (and felt odd because it seemed to contradict “Skin Deep” in terms of Belle’s knowledge of Bae); and Emma’s was just a way to draw a parallel to the episode’s conclusion. They worked on an emotional level throughout, but I feel like one or more of them could have been cut to make things like the Charming Family farewell or Blue’s resurrection a little longer.

However, the multiple flashbacks led me to believe that this could have been the show’s way of saying goodbye to this method of storytelling. I think we’re going to get flashbacks to fill in the time jump, but I’m not sure we’re going to go back to pre-cursed times again.

The beginning of this episode felt a little bit like a checklist: Reveal the thing Pan loves most? Check. Explain how to stop the curse? Check. Destroy Pan’s shadow? Check. Find out what happened to Blue? Check. Get Tink her wings back? Check. Switch Henry and Pan back into their own bodies? Check and check.

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The Best Thing I Saw on TV This Week (12/8 – 12/15)

This was a slower week than usual in the world of television, as many shows had already begun their winter hiatuses. However, there are still some shows that are getting into the home stretch for this first half of the season, and they’re approaching these last few weeks with great dramatic flair. For example, Sunday’s Once Upon a Time set up a winter finale that is sure to be emotionally gripping and filled with intriguing twists. Wednesday’s Nashville put tears in my eyes with a beautiful but heartbreaking near-confession of love from Juliette to Avery, and it made me gasp in its final moments. Thursday featured two excellent winter finales: Once Upon a Time in Wonderland ended with a twist I never saw coming, and Scandal was an intense as ever, allowing the most seasoned acting veterans among its cast to do what they do best.

The incredible acting talent on display in this week’s episode of Scandal made that winter finale the best thing I saw on television this week. From Kate Burton’s incredible work in the episode’s horrifyingly tense opening scene to Jeff Perry’s tortured performance throughout, this episode showcased the way great actors can make even the craziest stories feel compelling. But the MVP of this episode has to go to Joe Morton. Rowan’s complete and total verbal smackdown of Fitz was the most satisfying thing I’ve seen on television in a long time. The writing was perfect (“You disappoint me as a suitor for my daughter’s hand.”), but Morton’s delivery made those excellent lines feel even more pointed. (Every time he called Fitz a boy, it was like you could feel the condemnation dripping from his mouth.) Never has brutal honesty been so brilliant.

What was the best thing you saw on TV this week?

TV Time: Once Upon a Time 3.10

ouat-new-neverland

Title The New Neverland

Two-Sentence Summary In flashbacks, Snow nearly destroys her own happiness when a quest to find Medusa in order to destroy Regina turns her honeymoon with Charming into a potentially fatal mission. Snow’s appreciation for small moments of happiness in the past is contrasted by her daughter’s inability to appreciate or even have such moments in the present, as Emma gets thrown into the center of another crisis when she’s the first to realize that something is wrong with “Henry” upon returning to Storybrooke.

Favorite Lines
Emma: You sure you don’t have other reasons for pushing me towards Neal?
Charming: Like what?
Emma: I don’t know—keeping me away from Hook?
Charming: You think I’m interested in Hook? Emma, I’m a married man!

My Thoughts This episode still has my head spinning. It was an interesting setup to next week’s midseason finale because it asked way more questions than it answered, but that doesn’t always make for easy analyzing/reviewing. Therefore, I’m going to set this week’s episode up as a series of 20 questions I was left with following “The New Neverland.” Some are meant to spark debate and discussion; others are meant to get us speculating for next week’s big midseason finale.

So read on and then share your answers to some (or all!) of my queries. But just try to keep the spoilers out of the comments, if you would be so kind. I’m aware of most of the spoilers floating around now, but I know some people like to be surprised. If you want to talk spoilers, feel free to leave me a Tweet or an email, and I’ll be happy to indulge to your heart’s content!

1. Who else was impressed with Jared Gilmore in this episode?
Gilmore seemed to relish getting to play the villain for once, and he made the most of it. There were more than a few times where I was truly unsettled by his presence in a scene (especially when he was walking around Henry’s room), and I thought his physical performance was better than I could have hoped for.

2. Is Pan the most evil villain this show has ever had?
After all of this, I’m inclined to say yes. Cora was a close second, but she got that way by taking out her own heart because she still had a capability to love (which she saw—until her final moments—as an ultimate weakness). Pan, however, doesn’t need to have his heart removed to feel nothing but enjoyment at ruining (and ending) the lives of others for his own twisted power trips. The thing that stuck with me the most about Pan in this episode was the way he was still able to play his mind games away from his home turf and out of his own body. I’d been waiting to see him play on Regina’s MANY issues from the beginning of the Neverland arc, so it was sad but also perfectly executed to watch Pan prey on her desperation for love, especially love from her son. To be able to play the Evil Queen like a fiddle by using her emotions against her is about as evil as it gets. And to think of it as one parent preying on the love another parent has for their child makes the whole thing even more disturbing.

3. What is the thing Pan loves most?
In order for Pan to enact the Dark Curse, won’t he have to kill the thing he loves most? But what does he love, apart from himself and his youth? At first, I thought the final scene between Pan and Felix was going to end with Pan killing his most trusted Lost Boy to enact the curse. But does Pan love Felix? Does he love Rumplestiltskin? I think it would create an interesting conflict in the midseason finale with Pan trying to kill his son, but I don’t think he loves his son enough (or even at all) for it to work. Is it the Shadow? But how does one kill a Shadow?

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The Best Thing I Saw on TV This Week (12/1 – 12/8)

This week in television began on Sunday with an episode of Once Upon a Time that answered some important questions (How did Regina come to adopt Henry?) and raised some even more important ones (What kind of havoc will Peter Pan wreak upon Storybrooke in Henry’s body?). That was followed by an episode of The Good Wife that featured one storytelling and emotional highpoint after another. Tuesday may have been without a new episode of New Girl, but a great new episode of The Mindy Project (with special appearances from wine bras, a gingerbread Monticello, and dancing Danny Castellano) more than made up for it. Wednesday’s Nashville featured a father/daughter duet that made me weepy, and Thursday’s Scandal had so many twists that I think my head is still spinning. Thursday also featured NBC’s live TV production of The Sound of Music, which I actually thoroughly enjoyed, for the record.

There were some amazing TV moments this week: Will preparing to question Alicia on The Good Wife, Maddie and Deacon singing together on Nashvillethe last 10 minutes of Scandal…But nothing I saw on television this week—heck, maybe nothing I’ve seen on television this year—was better than Chris Messina showing off his dance skills on The Mindy Project. A lot of shows threw a lot of twists our way this week, but was any twist more entertaining than Danny’s Secret Santa gift to Mindy being a perfectly executed dance routine to Aaliyah’s “Try Again”?

It was such a great twist that I had to deviate from my regular posting schedule to talk about it with a fervor that scared even me. 

What was the best thing you saw on TV this week?

Danny Castellano Has All the Right Moves

On last night’s Christmas episode of The Mindy Project, Mindy threw a holiday party to attract the attention of Cliff, the cute lawyer from her office building, but a bunch of other stuff happened too. Jeremy ate Danny’s gingerbread replica of Monticello. Peter flirted with Maria Menounos. Wine bras were worn, “Santa Baby” was sung, and Christmas trees were carried on subways and thrown over balconies.

Oh yeah—and this happened.

That’s right, friends, Danny Castellano showed off a set of moves that would make the best boy band members jealous as he gave Mindy her Secret Santa gift: a choreographed routine to the song she played on a loop when Danny first met her, Aaliyah’s “Try Again.”

I don’t know what’s more perfect—the dance itself, Chris Messina in general, or the fact that Danny remembered Mindy’s affection for the song from so many years ago. What I do know is that the bar for gift-giving on television has now been raised, and I’m not sure anyone can ever reach this level of perfection again.

The details of Danny’s character get handed out to us like Christmas gifts with every new episode. He’s a little grumpy, but he has smile that can light up a room (I’m talking about the one he gives her after his little “brush the shoulders off” move). He’ll try to smack you if you talk smack about Derek Jeter. He bakes gingerbread houses (and apparently also gingerbread estates). He hates scary stories, he smokes when he’s stressed, and he doesn’t know what a browser history is.

Danny may appear gruff and jaded, but he has a soft spot for Mindy. He knows what her vending machine food preferences are. He’ll clean the schmutz off her glasses when they’re dirty. He holds her hand when their plane hits a patch of turbulence. He writes her letters when she’s lonely in Haiti. And he dances like he’s in a music video for her because she deserves a Secret Santa gift as crazy, thoughtful, weird, and wonderful as she is.

This wasn’t just a regular, run-of-the-mill TV scene. This wasn’t just a good TV scene. This was a moment. This was one of those “I’ve fallen in love with a fictional man and I don’t even regret it” moments. This was Jim saying he’d save the receptionist. This was Ben giving Leslie waffles and chicken soup to help cure her flu. This was Nick yelling “Not like this!” when Jess wanted him to kiss her and Castle bringing Beckett every kind of takeout food known to man. This was a moment that deserves to be talked about, to be watched 500 times in a row, and to be written/Tweeted about until everyone on the planet has seen it. It surprised me, and I love being pleasantly surprised by people—real or fictional.

No, Mindy and Danny didn’t kiss last night. But do we really need them to do that yet? I’m content with where they are right now, even if in the moment I was screaming at Danny to follow Mindy outside when she told him she was getting fresh air. I love their tension, their slow awakening to their own feelings, and, most importantly their friendship. I don’t need anything more right now.

Except more dance numbers, of course.