The Best Thing I Saw on TV This Week (5/25 – 6/1)

After a couple of weeks away from my regular television viewing schedule while I was in Disney World, I came back to a TV week that didn’t feature a whole lot of new material (in no small way because last Sunday was without a new Game of Thrones episode), but what it did feature was fabulous. Monday nights in the summer are nights I spend with The Bachelorette, and last Monday featured a sweet date between Andi and Eric, which was ultimately heartbreaking with the knowledge of his tragic death after he finished filming the show. On Wednesday, So You Think You Can Dance returned with its first series of audition episodes. (For any of you wondering, I’ll be starting my SYTYCD recaps when they pick the Top 20.) And on Saturday, Orphan Black featured one big twist after another, ending on a shocking note that I don’t think anyone saw coming.

There’s nothing like Orphan Black to shake up a relatively slow TV week. Saturday’s episode will probably be most remembered for how it ended, but that wasn’t my favorite thing about it. Instead, I was drawn to the relationship between two characters who are now intrinsically linked though they have never actually met: Cosima and Kira. Cosima’s disgust and anger at finding out that Kira’s stem cells were put into her body without her knowledge and consent powered the episode’s most emotional confrontation. To see the way this woman cares for and wants to protect this little girl she never met was incredible, and it made me love Cosima even more. And then when Kira overheard Sarah and Cal talking about Cosima’s need for another of Kira’s teeth, that brave little girl pulled out her own tooth to help her sick “aunt.” Kira is a special little girl (and one of my favorite children on television), but she’s not just special because she’s the child of a clone with special healing abilities. She’s special because she can understand things far beyond her years and can act with empathy and level-headedness that even the adults around her don’t seem to possess. More than ever, I need Kira to meet Cosima, but I just hope it’s not because Dyad gets their hands on that incredible little girl.

What was the best thing you saw on TV this week?

The Best Thing I Saw on TV This Week (5/18-5/25)

Once again, this is Heather filling in as Katie catches up on TV after a well-earned vacation. Thanks for reading!

Wow, what a week of TV. While many shows have already finished for the season, those that remain had a particularly strong week. On Sunday, we said goodbye to The Good Wife, which left us wondering if Diane will join Florrick-Agos and if Alicia will run for State’s Attorney. We also saw Tyrion find a champion in Oberyn Martell and Lysa Arryn was pushed out the Moon Door, courtesy of Littlefinger. On Monday, Bones ended their season with a conspiracy at the FBI that left both Booth and Brennan in federal custody. On Tuesday, fish fell from the sky and Lester started embracing his darker side as Gus and Molly continue to struggle with his connection to Marvo on Fargo. Wednesday, The Americans wrapped up a fantastic second season with the reveal that the Centre wants Paige to join the KGB and only one parent is considering it. On Friday, we also said goodbye to Hannibal with a stunningly shot fight scene and the fate of 4 characters currently unknown. Finally, Saturday brought us an episode of Orphan Black in which Sarah gets answers about the past from Duncan and finds out Leekie is more involved than she previously believed.

You know it’s been a good week of television when there are so many choices for the best thing of the week. Even in one show, it can be difficult to narrow down which moment I felt was the best. After much consideration, I have finally chosen the ending scene to the season finale of The Americans.

Unfortunately, I haven’t had any luck finding a clip of the moment and my skills at search Tumblr for gifs are not nearly as good as Katie’s so I will just have to describe the scene for you.

Earlier in the episode, Philip and Elizabeth found out that the KGB wanted them to recuit their daughter to be a “second generation illegal”. They are angered by the order and made it very clear that they were not to go near Paige without their consent. However, they are torn on the merit of the idea. Philip doesn’t want his daughter anywhere near the KGB. Elizabeth, on the other hand, sees herself in Paige and wants to give her something to channel her passion into that they can bond over, rather than be driven apart.

This season has largely focused on Philip and Elizabeth as a team. They are closer than they’ve ever been as they protect their family from external threats. This issue threatens that stability. It sets up a very promising plot point for season 3 and I am sure it will bring out more fantastic acting from Matthew Rhys and Keri Russell.

What was the best thing you saw on TV this week?

Game of Thrones Moment of the Week: “Mockingbird”

Once again, this is Heather filling in. Let me know what you all thought of the episode this week and how you think the season in general is going!

The Moment: Oberyn visits Tyrion

Setting the Scene: Oberyn goes to visit Tyrion in his cell. He tells the story of meeting Tyrion as a baby then volunteers to be his champion.

Why It’s Awesome: Tyrion’s three visits in his jail cell all highlighted various relationships in his life. First was his relationship with his brother and his shared dislike of their father’s pressures. Then came Bronn, a loyal friend but not one stupid enough to die for him. Finally came someone who is most certainly not a friend to the Lannisters, but like Jaime and Bronn, capable of seeing Tyrion as a human rather than a monster.

Pedro Pascal and Peter Dinkledge are fantastic scene partners. Throughout the season, Pascal has shown himself to be a compelling presence on-screen and Dinkledge has always been celebrated for his work on the show, so putting them together in such a simple manner really allowed them to shine.

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Small Screen Style: Who’s Your Fictional Fashion Inspiration?

When I was 15, I bought myself a black pantsuit and a pinstripe skirt suit. No, I didn’t have ambitions of running for political office. I just wanted to dress like Sydney Bristow, the hero of ABC’s espionage thriller, Alias. Sydney wore a lot of suits and a lot of turtlenecks, so I guess it shouldn’t surprise me to look at my wardrobe from my sophomore year in high school and see it filled with blazers, black dress pants, and fitted turtlenecks. Even today, whenever I wear an off-the-shoulder sweatshirt, I feel like I’m harkening back to Sydney’s climactic last scene in the Season Two finale, “The Telling.”

What started with Sydney has grown to include fashion inspirations from all corners of the television landscape in the 10 years since I bought that first pantsuit. We all have those TV characters whose styles we envy and ultimately try to emulate, with varying degrees of success.

When we dress like our favorite characters, we channel a little bit of their personalities into our daily lives, too. Wearing a red leather jacket might make you feel like you’re giving yourself a dose of Emma Swan’s strength. Putting on a killer pair of shoes could give you the feeling of being as fashion-forward as Carrie Bradshaw. Investing in a new pair of thick-framed black glasses might allow you to believe you can be as smart as Orphan Black’s Cosima.

My closet is filled with wardrobe pieces inspired by TV characters I love, but there are four whose styles I most often imitate when I want a boost of confidence.

1. Jess Day (New Girl)

jess day dress

Jess’s style leans more towards the “cute” side of her “cute and quirky” personality. It’s defined by flirty dresses and skirts, polka dots and stripes, vintage-inspired pajamas, and plenty of pairs of flats.
My Favorite “Jess-Inspired” Look: A fit and flare dress with a cardigan and ballet flats. If the weather is too cold for dresses, substitute with jeans and a polka-dotted sweater.

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The Best Thing I Saw on TV This Week (5/11 – 5/18)

Hi everyone, this is Heather and I’ll be filling in while Katie is away. I hope you all had a satisfying week of TV and I’m excited to give you a few thoughts of my own.  

It was a week of finales on network TV this week. On Sunday, Once Upon a Time wrapped up it’s season with Emma finding out that her home is in Storybrooke with her family. Also on Sunday, Alan Cumming reminded us all why is such a great actor and Eli Gold is such an interesting character on The Good Wife and Tyrion’s trial began on Game of Thrones. On Monday, Castle ended their season with a case of blackmail, mobsters and Beckett’s husband that concluded with more heartbreak for Beckett when Castle went missing on the way to their wedding. On Wednesday, Nashville finished their season with 2 proposals, a break-up that I hope doesn’t stick, what may be the rekindling of Gunnar and Scarlett’s professional partnership, a coming out, and a truly great performance by Hayden Panetierre. Finally, on Saturday, Sarah discovered that Rachel’s father may still be alive and is working with Helena and Leekie to free Felix and Cal discovered that Kira is very good at lying to people to protect her family on Orphan Black.

In my other shows of the week, Monday also brought us the series finale of Star-Crossed which ended on a cliff-hanger with at least one character’s life at risk and the promise of more Atrians coming to Earth. Tuesday brought us the series finale of Trophy Wife, which may not have been its strongest episode but the final scene captured exactly what the show is about, as well as the season finale of Chicago Fire and all of the tears that seem to come with this show weekly. On Wednesday, we said goodbye to Chatswin as Suburgatory aired its final episode.

For me, there wasn’t really any competition for the Best Thing I Saw this week. I loved Once Upon a Time’s season finale and the scene where Emma gets her magic back in particular.

I regularly have a lot of emotions about the fictional characters I watch every week. I am frustrated with them when they make bad decisions, I am sad when bad things happen to them, I am happy when something works out for them, and sometimes I am unbelievably proud of their growth as a character. This moment was one of those that made me incredibly proud of the journey Emma Swan has been on in the first three seasons of Once Upon a Time. She finally feels like she has a home. She doesn’t have to be a lost girl any more.

Grading the Season Finales 2014: Castle

I just wanted to say thank you to all of you who’ve read and commented on my Castle posts this season. It’s been a fun ride, and I can’t wait to discuss Season Seven with all of you in the fall!

Source: tvline.com

Source: tvline.com

Title For Better or Worse (6.23)

Written By Andrew Marlowe and Terri Miller

What Happens? Three days before their wedding, a wrench gets thrown into Castle and Beckett’s plans when it’s revealed that Beckett is actually a married woman—and not married to Castle. I turns out that a drunken visit to a Vegas wedding chapel when she was at Stanford ended in a marriage that she thought wasn’t legally binding to Rogan O’Leary, a con artist and criminal.

As Castle stays behind to continue with wedding preparations, Beckett heads to a small town in New York to get Rogan to sign the divorce papers. He won’t do it until she helps him break into his ex-girlfriend’s car to help him get his belongings back after their breakup. After Beckett fulfills her part of the deal, she goes back to O’Leary’s place, only to watch him get kidnapped. After Beckett relays the story to Castle, he agrees to join her to wrap up this problem as soon as possible.

It’s not only the kidnapping of O’Leary that throws a wrench into Castle and Beckett’s wedding plans. Ryan’s tuxedo doesn’t fit, their rooftop venue was destroyed in a fire, and Beckett’s dress was ruined when a pipe burst in her apartment building. Beckett worries that these are all signs that this wedding isn’t meant to happen, but Castle reassures her that all great love stories face obstacles. In order to get the fairytale ending, you have to keep pushing through the bad times.

As Castle and Beckett investigate O’Leary’s disappearance, they come into contact with a biker gang, a stripper, and a reverend who are all connected to Beckett’s newly-discovered husband. It turns out that O’Leary has photos of the stripper with the reverend but also with a mafia hit man who has been on the run from law enforcement for years. The hit man is behind the kidnapping, and he seems intent on wiping out O’Leary as well as Castle and Beckett, until they run into the biker gang again. After learning of the reward on the hit man and knowing they have strength in numbers, the gang removes the hit man from the situation, leaving O’Leary free to sign the divorce papers, which leaves Beckett free to marry Castle.

Despite all of complications, Martha and Alexis move the ceremony to their Hamptons house, and Lanie gets Beckett an even better dress to wear: her mother’s. But as Castle drives to the house after getting their paperwork filed, he’s followed by a dangerous-looking SUV. After he fails to show up when he was supposed to, Beckett gets a call and races to an unknown location in her wedding dress. After she gets out of her car, she sees Castle’s car, which has gone over a cliff and has burst into flames.

Game-Changing Moment For much of this season, it seemed Castle was leading up to a wedding that wasn’t exactly like the one that was planned but was still a happy and hopeful occasion. And while I had some doubts about whether or not the wedding would actually happen in this episode (I thought the lack of huge promotion and the lack of snippets of the wedding ceremony itself in promos was a bad sign), I certainly did not expect such a dramatic way to end the season. It doesn’t get much more game-changing than appearing to kill of your show’s title character. And while we know that won’t be the case, this is going to impact the show in a huge way—no matter who was in that SUV. (My guess: 3XK or someone connected to him.) It added another obstacle to Castle and Beckett’s love story, it prolonged the lead-up to the wedding (presumably so there would be viewers tuning in for the wedding this week and then tuning in again when it actually happens—I’m guessing around the midpoint of next season), and it gave us a moment that we’ll be talking about all summer. Whether or not that talk will be all positive is a different story, but if the job of that plot twist was to shake things up after a season of happy wedding planning, then its mission was accomplished.

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Grading the Season Finales 2014: Once Upon a Time

Since this is the end of this season of Once Upon a Time, I just wanted to thank all of you for reading these reviews every week and for sharing your thoughts so enthusiastically in the comments. It’s been a true pleasure reviewing this show this season, and no small part of that has come from those of you who read and comment on these posts.
COLIN O'DONOGHUE, JENNIFER MORRISON

Title Snow Drifts/There’s No Place Like Home (3.21/3.22)

Written By David H. Goodman & Robert Hull/Edward Kitsis & Adam Horowitz

What Happens? After Hook inadvertently hints to Henry (and Regina by proxy) that Emma is thinking of going back to New York, Emma tells Hook that she runs away because she believes that home is a place you miss, and she’ll keep running until she finds a place she misses. She believes she can’t relate to her parents or to life in Storybrooke because, to her, they’re still fairytale characters, and she’ll never feel like the princess she was supposed to be.

As Emma and Hook talk, they notice a light coming from Zelena’s time portal, which was activated by her death, a death Rumplestiltskin fixes to look like a suicide. When Emma is sucked into the portal, Hook dives in after her. They land in the Enchanted Forest, and a wanted poster for Snow White (and a close encounter with the Evil Queen) reveals to them exactly where in the past they landed.

When Emma breaks a twig and accidentally disrupts her parents’ first meeting, she and Hook seek out Rumplestiltskin’s help to set things right. After a tense first meeting with the Dark One (since he and Hook were still mortal enemies at this point), he agrees to help them because Emma tells him they need to survive so he can get back to his son.

Emma and Hook realize that they need to get Snow to still steal Charming’s ring, since that was the key to their love story. To do that, Hook offers Snow passage on his ship in exchange for the ring (as Emma occupies Hook from the past). Snow decides to steal the ring during Charming and Abigail’s engagement party, which Hook and Emma crash in magical disguises (courtesy of Rumplestiltskin). As “Prince Charles and Princess Leia” dance, Snow breaks into the castle, only to be caught by Charming in a similar way to their original first meeting.

When it’s discovered that Snow lost the ring in her escape, things look bleak for Emma and Hook, but they look bleaker when Regina captures Emma for helping Snow White. As Emma bonds with a woman in her cell, Hook and Charming (with some help from his patented net trap) enlist Snow’s help to break into the castle to find her. Emma escapes by picking the locks as Neal taught her (which we’re shown through flashbacks), and she takes the unnamed woman with her. But as Hook and Charming reach them, the realize Snow left them to try to kill Regina, which she’s unable to do. Instead, they watch from afar in horror as Regina appears to burn Snow at the stake.

However, Emma’s existence proves Snow to still be alive, and they discover she used her dark fairy dust to turn herself into a bug and escape. Emma is elated to see her mother alive, but Snow seems unmoved by Emma’s reaction, since she’s simply Princess Leia to her mother. As Snow and Charming move on to other parts of their adventures, Emma is able to watch her parents fall in love.

When Emma and Hook return to Rumplestiltskin looking for a way home, they find he doesn’t have one for them; he only has a forgetting potion for himself. Instead, he locks them in his vault with a wand that can open the portal only with Emma’s magic, which she no longer has. But Emma’s encounter with her mother helped open her eyes to the fact that she misses her parents; she misses them in a way that she knows can only come from knowing they’re her home. Her desire to go home to Storybrooke reawakens her magic, allowing her to open the portal, which Hook takes the woman they saved through first. Rumplestilstkin won’t let Emma leave before she tells him what happens to Bae, and she’s forced to tell him of his death. But he chooses to let her go after she begs him to let his death not be in vain, and he takes the potion.

Back in Storyrbooke, Emma reunites with her parents, telling them she’s finally home (and calling them mom and dad). Later, she goes out to find Hook, ready to thank him for bringing her back from New York. When he reveals that he gave up the Jolly Roger for a way to get back to her, she finally lets herself believe in his love, and they kiss.

Happy endings seem to be prevalent in the episode’s final moments, with Rumplestiltskin marrying Belle (despite her not knowing what he really did to Zelena) and Regina happily kissing Robin. But the woman Emma and Hook brought back turns out to be Robin’s wife, Marian, leaving Regina heartbroken. As Regina tells Emma she hopes she didn’t bring anything else back, a look at the portal reveals that a stowaway from Rumplestiltskin’s vault made the journey too: Princess (or Queen) Elsa has arrived with her freezing powers at the ready.

Game-Changing Moment Emma had no idea how much she changed the game by deciding to do the honorable thing—the Charming Family thing—in bringing back the woman she shared a cell with in Regina’s dungeon. By bringing Marian back to Storybrooke, Emma unknowingly gave Regina a whole new set of conflicts—both internal and external—to be worked through next season. Regina was understandably angry in the moment, but how will she deal with her emotions going forward? It’s that question that will really keep me thinking all summer.

But of course, Emma also brought back someone else, and that’s the real game-changer on a plot level. Will Elsa freeze Storyrbooke? Will the group have to travel to Arendelle? Is she going to be a villain or something closer to her role in Frozen? No matter the answers to these questions, what’s certain is that the show is heading in a new direction once again, and that new direction is going to generate plenty of hiatus buzz.

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The Best Thing I Saw on TV This Week (5/4 – 5/11)

Penultimate episodes and season finales were all over the TV landscape this week, leading to what was one of the most high-quality weeks I’ve seen as a television viewer in quite some time. Once Upon a Time aired its penultimate episode on Sunday, bringing Regina’s arc to its peak as Emma’s arc hit its pre-finale low point. Also on Sunday, The Good Wife reminded me that there may be no greater group of female characters on one show, and Game of Thrones continued to add more depth to Cersei’s character as her second son was crowned king. On Monday, Castle gave us the conclusion to an arc six seasons in the making as Beckett put the man behind her mother’s death behind bars. And Tuesday presented us with a pair of finales: New Girl‘s cruise ship adventure and The Mindy Project’s ode to romantic comedies. Finally, Saturday’s Orphan Black might have featured Tatiana Maslany’s greatest work yet, and Charlize Theron proved that she really can do everything (except sing) when she hosted Saturday Night Live.

When picking this week’s greatest moment, I was torn between dramatic perfection and pure happiness. The former was found in Saturday’s climactic Orphan Black reunion between Sarah and Helena. It was almost too tense to watch, but I couldn’t look away. And to think that both parties in that scene were played by the same woman made it even more impressive.

But in the end, I chose to reward the moment that brought me the most joy, and that was the conclusion of Tuesday’s finale of The Mindy Project. Watching Danny and Mindy create their own romantic comedy moment was a thing of perfectly imperfect beauty. The references to everything from An Affair to Remember to When Harry Met Sally made me smile, but this was also a story that stood on its own as perhaps the most satisfying romantic comedy to be written in the last few years. It was such a nice feeling to watch the final minutes of a season finale and feel nothing but happiness, knowing that the rug wasn’t going to get pulled out from under me; this was going to end on a good note. The chemistry between Mindy Kaling and Chris Messina was put to such perfect use in this scene, and it was impossible to keep from smiling at Danny’s sincerity when he told Mindy that he loved her and they started talking about how many kids they’re going to have. The road for these two characters isn’t going to be perfect, but if what’s coming next season is anything like this finale, it’s going to be a road I will happily travel every week.

If you want to relive this wonderful moment again, click this (because Tumblr is the best, especially when networks want to hide an episode’s best scenes). 

What was the best thing you saw on TV this week?

Game of Thrones Moment of the Week: “First of His Name”

The Moment: Cersei and Oberyn talk about their daughters

Setting the Scene: Cersei visits Oberyn to talk about her daughter Myrcella, who has been sent to Dorne. As they talk, she learns about his eight daughters, and they discuss the way neither of them could save the ones they loved, despite all the power they’re believed to possess.

Why It’s Awesome: “First of His Name” was quite possibly my favorite episode of this Game of Thrones season so far. And I think much of my love for this episode comes from the performances we were treated to throughout. This was especially true in the scenes in King’s Landing, where little plot movement happened (beyond Tommen being crowned king), but I was reminded that this part of the cast is so talented that I would watch most of them talk to each other about nothing of plot importance for a whole episode because they would still manage to give it weight.

In an episode anchored by great acting, no one was better than Lena Headey. From her opening scene with Natalie Dormer to her conversation with Charles Dance, I found her to be the perfect scene partner in “First of His Name.” But my favorite moment of Headey’s came opposite another actor who seems to be an excellent partner for anyone he shares a scene with: Pedro Pascal. Both Headey and Pascal bring so much weight to even the most seemingly innocuous pieces of dialogue. In this scene, there is such understated tension between both of them but also an odd but beautiful kind of understanding that comes from both of their roles as parents to daughters in a world that is often too cruel to little girls—a fact both of them know very well.

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Grading the Season Finales 2014: New Girl

new girl cruise

Title Cruise (3.23)

Written By Luvh Rakhe & Rob Rosell

What Happens? When Nick and Jess can’t get a refund on the couples’ cruise they booked back when they were dating, they decide to bring all of their roommates along to keep things from being awkward. That plan falls apart when a day spent taking part in activities that were part of their “Grand Romance Package” leads to Nick trying to kiss Jess.

As Nick and Jess make the decision to abandon hopes of a friendship, Coach struggles with his fear of boats and water, and Cece keeps trying to get a signal to talk to her boyfriend. Schmidt initially plans to give Cece a class ring to celebrate her getting her GED (and to try to win her back), but Winston knows this is a bad idea and “accidentally” causes the ring to go overboard. With his grand gesture ruined, Schmidt takes a moment to see that Cece is really happy in her new relationship and decides not to pursue her now.

Winston and the rest of the group plan an intervention in their stateroom to help Nick and Jess accept that can still be friends. Although the intervention proves to be a success, the aftermath is not pretty; the group gets themselves locked in their stateroom for three days. When the cruise is over, Nick and Jess decide that they can still be friends, but one of them has to move out of their room. Schmidt comes up with a plan to solve everything: He and Nick can have bunk beds in his room like they did in their college days.

Game-Changing Moment Ever since Nick and Jess broke up, the loft and the show itself has felt stifled by the awkward situation of two people living in the same room after their relationship ended. By ending this finale with Nick deciding to move into Schmidt’s room, the show seemed to be setting up a fourth season that isn’t as heavy with awkwardness and angst as these last few episodes have been. The comedic potential of Nick and Schmidt sharing a room has already been shown in flashbacks to their college days, so this move will almost assuredly shake up the loft dynamics in a fun way next season. Also, the move seemed slightly meta to me, acknowledging the strange writing choice to keep them in the same room and admitting that it’s not working. By moving Nick out of the room, I’m hopeful that the writers will be moving away from having Nick and Jess’s storylines revolve only around each other. Was this game-changing moment a huge one? No, but does seem like an important step on the road to fixing the show after it got off the rails this season.

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