There has been an embarrassment of riches this year for anyone who is a fan of phenomenal acting on television. 2013 gave us more memorable, complex, and layered characters than ever before. And they were brought to life by men and women with a wide range of talents—actors who didn’t just make us think about these characters as we were watching them; they made us care about them long after the episode was over.
For my next installment of NGN’s “Best of 2013” series, I want to take a look at the actors who brought something special to their respective television shows this year. In a year of standout performances, these—separated into male and female, comedic and dramatic—were the best of the best from my seat on the couch.
Top Five Female Dramatic Performances:
1. Tatiana Maslany (Orphan Black)
This might be cheating a little bit because I’m just over halfway through the first season of Orphan Black, but I highly doubt the final four episodes I have left to watch will affect my opinion of Maslany beyond making me respect her even more. Not only does she impressively give each clone her own unique posture, accent, and mannerisms, she gives each one her own soul. I was expecting to marvel at Maslany’s talent when I started this show, but I wasn’t expecting to feel so deeply for so many of the characters she’s created. Yes, it’s amazing how she’s able to not only play clones but also clones pretending to be other clones. But what’s really amazing is the emotional commitment she gives to each character and each scene.
Best Episode of 2013 (that I’ve seen so far): “Variations Under Domestication”
2. Jennifer Morrison (Once Upon a Time)
Emma Swan is not an easy character to play. She suppresses her emotions after a lifetime of loneliness, only showing them in the subtlest change of expression until they all come out in bursts of vulnerability that surprise even her. Emma is strong, but she’s also incredibly broken. And it takes an actress of considerable talent and also considerable love for this kind of character in order to bring her to life successfully. Morrison is so adept at showing every complicated facet of Emma’s character—her awkwardness and her innate ability to lead; her fear of opening up and her intense vulnerability; her ability to love and her inability to fully accept love from others. Emma grounds this fantasy show in real, human drama, and Morrison grounds Emma with real, human emotions.
Best Episode of 2013: “Lost Girl”
3. Michelle Fairley (Game of Thrones)
There’s a reason the Red Wedding was one of the most heartbreaking television moments of 2013. Yes, it was horrifying to watch Robb Stark, his young wife, and his direwolf be brutally slaughtered. But the true pathos of that scene came not from Robb but from his mother. Fairley was fearless in her depiction of a mother’s desperation and grief. Her scream when Robb was murdered still haunts me, and her catatonic expression in the moments before her own death said it all: Catelyn Stark died the moment her son did. Only a truly great actress could communicate such depth without dialogue, and Fairley is as good as they come on a show filled with talent.
Best Episode of 2013: “The Rains of Castamere”
4. Bellamy Young (Scandal)
Mellie Grant could be an easy character to hate—and I suppose, for some people, she is. But I love Mellie—I love her ambition, her ruthless edge, the steel in her spine, and the ferocity behind her first-lady façade. In Young’s capable hands, Mellie developed this year into a tragic figure beyond just a woman scorned. Drunk Mellie was brilliant, but it was Young’s work in the horrifying episode where Mellie was raped that floored me with just how talented she is at making us care about this woman beyond her role in Scandal’s screwed-up love story. More than any other actress on my list, Young is the one I wish more critics and award committees were taking notice of this year.
Best Episode of 2013: “Everything’s Coming Up Mellie”
5. Hayden Panettiere (Nashville)
Juliette Barnes is a complicated woman—she’s a woman from a trailer park who rose to country music stardom; she’s a woman who surrounds herself with men and yet has never really been in love; she’s a woman who’s been used and who uses others; and she’s a woman who acts every bit the diva but also has moments of astounding empathy and kindness. Panettiere has managed to give just the right amount of hard edges and soft spots to this character to keep audiences guessing about exactly who Juliette is. Whether she’s ranting about the way women are used in the music industry, befriending a young girl whose mother is in a coma, or breaking down after a confession of love goes awry, Panettiere has made Juliette feel like a real, complicated woman who it is impossible not to care for—no matter how selfish she may seem on the outside.
Best Episode of 2013: “I Fall to Pieces”









