There’s No Place for Her: A Letter to Sadness

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Dear Sadness,

I don’t want to write this.

And that’s exactly why I’m writing this.

I’ve fought this post with every fiber of my being—putting it off, changing its focus 10 different times, doing every household chore imaginable to avoid listening to the nagging voice inside of me that keeps insistently whispering that this will help. That you will help.

You can never just stay in your “circle of Sadness,” can you?

I’ve always felt proud when people compare me to Joy from Inside Out. For a long time, I worked hard to share positivity whenever I could, to spread sunshine everywhere I went. I wanted that to be what people remembered when they thought of me—bright yellow (or even hot pink) light, lots of smiles, memories dipped in gold. And even when other emotions took their turn at the console (especially fear, my ever-present companion for most of my life) I tried to find a way to make all those feelings positive—to share my big feelings with the world so that the people around me could feel more comfortable with theirs.

I was good with big feelings.

Or—to be more accurate—I was good with big feelings that made sense.

Anger was a way for me to respond to injustices—both personal and global. Disgust helped me hone my sense of taste—in food, clothes, media, and more. Fear kept me safe—sometimes a little too safe, but with some therapy and a little openness, we worked on that. And joy was my favorite big feeling to feel—I loved crying happy tears or laughing so loud people stared or dancing down a grocery store aisle because I just felt happy.

And even you had a place, Sadness. I was good with you when you made sense—when a TV show made me sad or when I experienced a loss and needed to grieve or when I felt lonely. I was never totally comfortable with you taking the console, but as long as you did it at a time that made sense, you could make things turn blue for a little while.

But sometimes you don’t make sense. Sometimes you don’t stay in the circle Joy made for you. Sometimes you touch the console and turn everything blue when I’m not ready or when I can’t figure out why.

And that’s when the version of Joy that’s inside of me gets desperate, just like the version of Joy inside of Riley.

When you created a blue core memory for Riley, Joy couldn’t handle it. Instead of accepting that not every foundational moment in life can be a happy one, she tried to destroy it—to erase any memory that wasn’t happy. Because Joy liked how it was in Riley’s head. It was perfect up there as it was.

There’s something about you, Sadness, that messes with ideas of perfection.

Because, let’s admit it, you’re a little messy. You come with tears and sometimes snot and a splotchy face and a cracking voice. You’re not something we like showing the world.

You’re not something I like showing the world.

I have worked so hard to keep you in your circle. I have tried to explain that other people around me are going through really hard things, so there’s no place for you right now. I have pleaded and begged for you to understand that I have a job to do—and that job is to cheer people up, to be a beacon of positivity, to brighten the days of everyone I come across.

But you didn’t listen.

You didn’t listen when Riley needed to be happy for her parents, and you didn’t listen when I needed to be happy for the people around me who are struggling.

You didn’t stay in your circle.

That’s what depression feels like for me.

It’s when you don’t stay in your circle.

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Right in the Feels: Anna Does “The Next Right Thing” in Frozen 2

I’ve seen dark before
But not like this
This is cold
This is empty
This is numb
The life I knew is over
The lights are out
Hello, darkness
I’m ready to succumb…

This moment in Frozen 2—as Anna finds herself trapped in a cave and totally alone after watching Olaf disintegrate and realizing that meant something horrible had happened to Elsa—isn’t for kids. In fact, when I saw Frozen 2 in theaters on its opening night back in 2019, I remember hearing lots of tiny sniffles as Olaf turned to snowflakes and thinking that this was going to traumatize a heck of a lot of children for years to come.

Luckily, the trauma is short-lived—this is a Disney movie, after all (and not Bambi). But as with all emotionally compelling media, the point isn’t that we know Elsa and Olaf are most likely going to be fine because we know how these movies work. The point is that Anna doesn’t know this. And she’s written so well—and her moment of grief is written so well—that we’re able to suspend our disbelief as if we’re right in that cave with her, trying to figure out how to survive in a world that’s suddenly changed beyond recognition.

Trying to figure out if we want to survive in a world that’s suddenly changed beyond recognition.

It doesn’t seem like a moment Anna should have. She’s the perky princess who sees the good in everyone. She’s the ray of sunshine to her sister’s ice and snow. She always has a smile, always tries to find the bright side, and always seems to make the best of a bad situation (see her entire childhood and adolescence kept locked away in a castle without even her sister to talk to). She’s a woman of action, never giving up—even in the craziest of circumstances.

But that’s exactly why it matters.

Because grief and depression are things that can affect anyone. And the idea that “happy” people can’t be depressed, extroverted people can’t be lonely, and take-charge people can’t be immobilized by grief does so much damage to people who are suffering but feel they have to do so in silence because struggling doesn’t fit their personality—that no one would believe them if they said they feel like they can’t keep going because they’ve always kept going through whatever else life has thrown at them.

Anna—one of the most popular Disney princesses in the most popular Disney animated franchise—is so consumed by her grief that she can’t see a reason to keep going. If she stays in that dark and isolated cave—the physical representation of depression—she’s going to die in there. And for a moment, things seem so bad and she feels so hopeless that she seriously considers it.

It’s an important moment for kids to witness—even if they’re hopefully too young to understand what she’s describing. Because they’re going to internalize the message that sometimes even the brightest people feel the darkness pressing in, that there’s no shame in struggling with loss or sadness—no matter who you are or what your life looks like on the outside—and that they’re not alone if they ever start to feel that way as they grow up. Because even Princess Anna felt hopeless and lost once too.

And they’re also going to internalize the message that there’s a way out of that darkness if they ever feel stuck in it.

Do the next right thing.

They may be 5 small words, but they’ve left a big impact on so many people.

People like me.

Do the next right thing.

Late at night last week, I had a panic attack in the shower. It was exhausting and awful, and one of the few things I remember from those moments of shaking and crying and feeling like I was drowning was saying out loud in between sobs, “I just don’t know what to do.”

I have a tendency to spiral when I’m left alone with my own thoughts for too long. That’s always been true. My thoughts race ahead faster than an Olympic track star, and they tend to go in circles like one too. I’m someone who likes to always have the right answer, but lately I’ve been grappling with some big questions that don’t seem to have one. I’m someone who believes in listening to her gut, but lately I’ve been having a hard time hearing it—or maybe it’s more that I’ve been having a hard time accepting and acting on what it’s been telling me.

But in that moment—when I was at my lowest—I could hear it loud and clear:

Do the next right thing.

There it was—the answer to maybe the biggest question.

What do I do?

Do the next right thing.

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Fangirl Thursday: Feel the Magic

Henry’s speech about the power of belief and the necessity of magic in the Season Five finale of Once Upon a Time will always be one of my favorite moments in the history of one of my favorite shows. And that is because it touched on something I believe with all my heart: Magic is real. You just have to be open to it in order to experience it.

Kids find magic everywhere—the stars in the night sky, the waves in the ocean, the worlds they create in their own imaginations. But as we get older, we tend to stop looking for magic. We get cynical, and then we start looking for reasons to roll our eyes at others who still see magic around them. We learn facts about the world, and we think that means we need to throw away our sense of wonder because we know how things work now. We become busy, and we put our heads down to get where we think we need to be—losing sight of the places where magic lives.

But that magic is still there. It’s just waiting for us to find it again. And those places where we find it—where we reconnect with what it means to believe—are special. They are places where we are reminded of one beautiful fact: Sometimes even grownups can still be believers.

Belief creates magic. There’s something profoundly magical about a room full of adults who put aside their cynicism and even their logic in order to allow themselves to experience they joy and excitement that can come from the willing suspension of disbelief. I’ve seen it in movie theaters, during plays, and at TV screenings at conventions: the way a group of adults all cheer when something great happens, cry when something emotional happens, or gasp when something surprising happens. Logically, we all know we’re watching actors performing words and actions from a script. But something special happens when you find yourself surrounded by people who let themselves believe the emotional truth of what they’re watching and experiencing: You start to believe, too. And that is the strongest kind of magic there is—the magic that comes from a group of people believing together, even just for a moment. Communal belief. Communal participation in magic.

Everyone has their own special place where that sense of communal belief is at its strongest. For some, it’s a darkened theater the night the latest Harry Potter or Star Wars or Marvel movie premieres, where you get to watch and react with other fans who find the same magic on the big screen. For others, it’s a stadium or an arena, where sitting in your seat just the right way or cheering at just the right time or saying a prayer right before overtime actually feels like it might make a difference.

For me, it’s Walt Disney World.

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“That Perfect Girl Is Gone”: A Letter to Elsa

This is the latest in my series of letters to inspirational female characters that will be compiled in a book alongside letters from my fellow fangirls and fanboys. If you are interested in being part of The Fan Mail Project, I’m still taking submissions on a case-by-case basis, and you can check out all the information here

elsa

Source: frozen.disney.com

Dear Elsa,

You weren’t around when I was growing up. Instead, I had a plethora of Disney princess role models who were all strong and kind and incredible in their own ways. I grew up with Belle teaching me to love books, Jasmine teaching me that I wasn’t a prize to be won, Pocahontas teaching me to follow my heart, and Mulan teaching me that I was just as capable and powerful as any man. I will always be thankful for the lessons they taught me, but a part of me will always wish that I could have grown up with you.

Those princesses were smart and fierce and courageous and…pretty close to perfect. And while it’s wonderful for little girls to grow up with an ideal image of all they can be, it’s also important for them to see that it’s okay to have moments when they’re not perfect princesses, even moments when they hurt people—not because they mean to, but because they are struggling with things that feel beyond their control. It’s important for them to know that every princess (or queen, in your case) is flawed, and that’s okay. It doesn’t make them unlovable or unforgivable; it makes them human.

So thank you for giving a new generation of girls something I didn’t have when I was little—a Disney princess who struggled with something internal rather than external, a Disney princess who lived out the conflict women often struggle with between the perfect image we feel we need to project and the messy reality of who we really are. The biggest fight many of these girls will face in their lives won’t be with some terrible villain; it will be with the darkest parts of themselves. And in you, those girls will see a champion, a symbol of their own ability to accept the parts of themselves they feel they’re supposed to hide and hate—and their ability to turn that acceptance into power.

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Live Your Dream: A Letter to Rapunzel

This is the latest addition to my collection of letters to female fictional characters who’ve inspired me throughout my years as a fangirl. If you have a letter of your own you’d like to share, check out this post to learn more about the book of letters I’m compiling (tentatively titled Fan Mail), and send your letter(s) to nerdygirlnotes@gmail.com!

tangled

Dear Rapunzel,

You came into my life when I was well past the age when girls typically want to be Disney princesses. I was 22 years old, a recent college graduate, and a member of the “working world” of adults. I thought I didn’t have any use for fairytales anymore. Sure, I’d be entertained by the them, but I tried to tell myself that I couldn’t be inspired in any profound way by them now that I was “all grown up.”

Thank you for showing me I was wrong.

Thank you for bringing magic back into my life. The moment I saw you and Flynn Rider on that boat, surrounded by floating lanterns, something changed in me—or, more accurately, something changed back. I’d spent too long trying to push down the part of me that looked at the world with wonder and wanted to believe in dreams coming true—because I thought that would make me look immature to the rest of the “adult” world. But in that magical cinematic moment, I let myself feel like a little kid again. I felt my heart open up in that moment to the idea that this kind of story might still have the power to change my life for the better—not just by connecting me to my past, but by giving me hope for my future.

Fairytales aren’t just for little kids or even little-kids-at-heart. They’re for all of us. They teach all of us, but only if we’re open to it. And with my heart newly opened to the possibility of learning from your journey, I discovered you had so much to teach me. And the things you taught me I could never have understood as a little girl. I might have liked your hair and sang your songs, but I wouldn’t have needed you as a child. I needed you as I became an adult—and I still need you now.

We’re all stuck in towers. Sometimes other people put us there, sheltering us from the world and keeping us from experiencing life for any number of reasons. But there are also many times when we keep ourselves locked in our own tower. Sometimes we’re our own Mother Gothel, and we need to find the courage to be you instead.

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Find a Happy Place

First and foremost, I wanted to once again thank the lovely and talented Heather for steering the good ship NGN while I was away. The posts she wrote while I was gone were fantastic, and if you haven’t read them yet, I suggest you do so ASAP.

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About a week ago, I returned home from another fabulous trip to Walt Disney World. I’ve said many times that I see WDW as my personal “happy place”—the place where I am the best, brightest, and happiest version of myself. Every time I visit WDW, I feel encouraged to be unashamedly enthusiastic about the things I love, and if that’s not balm for a fangirl’s soul, then what is?

I’ve written about Star Wars Weekends at WDW before (and I’m sure I’ll do so again at some point this summer), so I’ll try to keep this brief, but I think there’s no better representation of the way WDW fosters a true sense of community and joy among nerds of all kinds than this annual celebration of all things Star Wars. From the impassioned cheers when the movies’ theme begins playing before the park opens to the thunderous applause after the fireworks end at the conclusion of the day’s festivities, my Star Wars Weekends experience this year was once again filled with a sense of shared excitement and fun unlike anything else I’ve ever felt as a fangirl.

This year more than any other, though, I was reminded that all of WDW—not just Hollywood Studios during Star Wars Weekends—is a place where people come together to experience what I feel is the very essence of fandom: celebrating what makes you happy and sharing that happiness with those around you.

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My Disney Side

First of all, I just want to take another chance to thank Heather for the brilliant job she did over here while I was enjoying my little hiatus. Everything she wrote was excellent, so if you didn’t check out her posts, stop what you’re doing and do it now!

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As many of you know, I recently returned from a blissful Walt Disney World vacation. Last year, I wrote about how a trip to WDW always brings out my best self. It’s my “happy place,” the place where I find myself acting closest to the person I always want to be.

This years theme around the Disney Parks is “Show Your Disney Side.” For some people (including many who rocked their Disney sides with my sister and I at the 24-Hour Disney Day last Friday), their Disney side is represented by a specific Disney character: Mickey’s joy, the Evil Queen’s poise, Elsa’s strength, Rapunzel’s enthusiasm.

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What’s my Disney side? That’s a question I’ve been thinking a lot about lately. I think my Disney side is the side of me that is at its strongest when I’m within the confines of Disney World. It’s my happy side, my positive side, and my enthusiastic side. In short, it’s the side that I also try to bring to everything I do here at Nerdy Girl Notes.

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The Magic of Music: My Favorite Disney Songs

Is "The Circle of Life" one of your favorite Disney songs?

Is “Circle of Life” one of your favorite Disney songs?

Music has a way of moving us like little else on Earth. The right song—heck, the right note of the right song—can instantly bring tears to our eyes and goose bumps to our skin. Music has a magic that’s all its own.

Combining the magic of music with the magic of Disney only seems to amplify that ability to move people. The greatest Disney movies are made great by their soundtracks, and great Disney songs live on in pop culture forever. Hearing a specific song from a Disney film can transport you back to the movie theater where you had your first movie-going experience, or it can remind you of a time when you first watched a child fall in love with the magic of Disney. Disney music calls to mind Disney memories, and those are magical experiences for all of us.

While I’m enjoying my own magical experience in Disney World, I wanted to start a conversation here about your favorite classic and contemporary Disney tunes. Here are my 10 favorite songs from Disney films, and I hope you share yours in the comments!

1. Circle of Life (The Lion King)
The best Disney songs resonate on a level deeper than just their relevance to the film they’re in, and that’s certainly true of this song. Its poignant lyrics are matched by a sweeping score, which builds to a soaring crescendo that is guaranteed to give you the best kind of chills. There has never been a better song for introducing the spirit of a Disney film. The stirringly unique beginning of this song, coupled with the image of that rising red sun, created a truly iconic Disney moment.

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Nerdy Girl Goes to the Movies: Frozen

frozen poster

Title: Frozen

Rating: PG

Cast: Kristen Bell (Anna), Idina Menzel (Elsa), Jonathan Groff (Kristoff), Josh Gad (Olaf), Santino Fontana (Hans)

Director: Jennifer Lee and Chris Buck

The Basics: Frozen, Disney’s latest animated feature, is an adaptation of Hans Christian Andersen’s “The Snow Queen.” Sisters Anna and Elsa are separated from a young age after Elsa’s ability to magically create snow and ice put Anna’s safety in jeopardy. While Anna craves companionship and romance, Elsa’s powers and her fear of them being exposed make her crave solitude instead. After a disastrous Coronation Day for Elsa in which her powers are revealed, Anna goes in search of her sister to stop the eternal winter Elsa has wrought upon their kingdom. Along the way, Anna meets Olaf, a snowman who longs for summertime, and Kristoff, a young ice salesman who challenges her naïve beliefs about falling in love. Frozen has all the makings of a classic Disney film: great songs, stunning animation, a surprisingly strong sense of humor, and a heart worn firmly on its sleeve. But what makes this film special is the way it adds something new to the tradition of great Disney princess films. Frozen is a story about true love, but this true love is not the stuff of princes and princesses and love at first sight. Rather, it’s the love between sisters that drives this film. Frozen is an empowering film that celebrates all kinds of love—familial love, romantic love, and love for ourselves.

M.V.P. (Most Valuable Performer): Frozen is the first Disney film to focus on two princesses, and both Idina Menzel and Kristen Bell carry this film equally with their unique vocal skills. Menzel’s voice is peerless, and she gives Elsa a power and edge unlike any other Disney princess. Her control over her voice perfectly suits Elsa’s journey through the film—from the quiet tension in her part of “For the First Time in Forever” through her complete unleashing of her power in “Let It Go.” No other actress could have given this character the kind of depth Menzel gives her. Elsa is unlike any other Disney princess who came before her, and it seems fitting that she was given life by a woman whose voice is unlike any other.

The same can be said for Anna—she’s certainly not your stereotypical, poised and perfect princess. She’s awkward, naïve, and overly eager for companionship at times, but she’s also fiercely loving, brave, and warm. Bell brings a vivacity to this princess that jumps off the screen, but she’s also able to communicate a very real vulnerability in her voice. Bell’s pure, gorgeous singing voice was a huge surprise to me.

Menzel and Bell have very different but equally beautiful voices, and listening to them sing—alone and especially together—was a feast for the ears to rival the best Broadway performances.

Scene Stealer: Olaf the snowman is a character who could have gone extremely wrong, but instead turned out to be one of the highlights of the film. A lot of credit for that should go to the fact that he was used just enough to be entertaining and consistently funny but not so much that he became obnoxious. Also, a lot of credit should go to Josh Gad for the way he’s able to make Olaf silly enough for kids to love him and sweet enough to feel important to the story beyond just comedic relief. (“Some people are worth melting for” was one of my favorite lines.) His big music number, “In Summer,” is a highlight of the film and a fantastic moment of musical comedy. Gad makes the silly and the smart facets of the number work perfectly, and I found myself surprisingly charmed by this addition to the list of great Disney sidekicks.

Bring the Tissues? Frozen worked my heartstrings with a dexterity usually reserved for Pixar movies. It hits you with a sucker punch of heartbreak at the start (“Do You Want to Build a Snowman?” somehow manages to be both a cute and devastating musical number.), and the rest of the film has moments of real emotion that sneak up on you with their power. The climax of the film put more than a few tears in my eyes, and I have to imagine I wasn’t the only one moved by the film’s message of love and acceptance.

Most Memorable Scene: Every Disney princess movie has a moment where the heroine sings about what she really wants and who she really is, and those are often my favorite moments in the film. “Let It Go” is another one of those moments, where Elsa embraces her power and vows to leave behind a lifetime of repression and fear of letting her true self be seen by the world. Sung with Menzel’s characteristic power, this song is sure to become an instant Disney classic. This is a love song a princess sings about herself, and it’s one of the best songs a Disney movie has featured in a long time.

The animation in this scene is just as incredible as the vocal talent on display. As the song builds, so does Elsa’s ice castle, and the combination of stunning visuals and inspiring music combine to make this scene a moment worthy of its place among others that defined their respective Disney films: Ariel singing as the waves crash behind her; Belle and Beast in the ballroom; and Rapunzel and Flynn Rider watching the lanterns.

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The Force Was With Me

How can you make a Disney World vacation even more wonderful than usual? By adding Star Wars characters, of course!

Jango Fett did not seem impressed by my winning smile.

Jango Fett did not seem impressed by my winning smile.

If you love Star Wars, you have to get yourself to one of the Star Wars Weekends held at Hollywood Studios every May and June. It was an experience I’ll never forget and probably one of my favorite days spent in a Walt Disney World theme park (and that is high praise coming from me!).

Our Star Wars Weekends experience began before the park gates officially opened. A fantastic preshow to the day’s festivities happened along Hollywood Boulevard, with two Stormtroopers standing guard over the guests waiting to be let into the rest of the park. One of the best parts of Star Wars Weekends is the cheeky personality given to each Stormtrooper, and this preshow introduced them in a great way.

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Before entering the rest of the park, we had to pass by this guy.

At the end of Hollywood Boulevard—in front of the iconic Sorcerer Mickey Hat—there was a giant stage that was the center of the action during Star Wars Weekends. As the day began, the classic Star Wars theme music blared from the park’s speaker system and a narrator gave an overview of the day’s events—from the afternoon parade featuring beloved Star Wars characters to special interview shows with celebrities held throughout the day.

My family and I attended one of those interview shows—Stars of the Saga—which featured guest emcee James Arnold Taylor (the voice of Obi-Wan Kenobi on Star Wars: The Clone Wars) interviewing two giants of the original trilogy: Peter Mayhew (Chewbacca) and Billy Dee Williams (Lando Calrissian). Held in a special theater near the Streets of America, this is one Star Wars Weekends event I would recommend to everyone. Even if you only have a passing knowledge of Star Wars, it’s pretty cool to tell people you were in a room with Chewbacca.

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