TV Time: Parks and Recreation 6.13

leslie-ann-goodbye

Title Ann and Chris

Two-Sentence Summary As Ann and Chris prepare to leave Pawnee, their friends try to find the perfect way say goodbye. For Ben, that means getting Chris a gift that’s as thoughtful as his goodbye gifts to all his friends, and for Leslie, that means trying to finally break ground on Pawnee Commons and make good on a pinky promise she made Ann at the very beginning of their friendship.

Favorite Line “Oh Ann Perkins, you perfect sunflower. You totally changed me, you know?” (Leslie)

My Thoughts This season of Parks and Recreation has been about big changes: Leslie got recalled, Ben became city manager, Ron got married, Tom took on a new role as business liaison, Andy spent time working in Europe, and even Pawnee itself underwent a huge change by merging with Eagleton. And then there were Chris and Ann—starting a family, getting engaged (and un-engaged), and deciding to move to Michigan.

Many of those big changes didn’t amount to much in terms of emotional impact for the audience, which is strange considering Parks and Rec’s ability to shoot for the heart unlike any other show on television. But I should have known better than to doubt this show—even after a weak episode like “Farmers Market.” When Parks and Rec swings for the fences in terms of emotional impact, the result is never a strikeout. In fact, it’s usually a homerun. And in some cases, like “Ann and Chris,” it’s a walk-off grand slam.

(Sorry about all the baseball references. Sometimes I just really like extended sports metaphors.)

“Ann and Chris” was—like the best episodes of Parks and Rec—an episode about love. But what made it so unique was that it focused on the kind of love that the media ignores way too often: the life-altering, soul-bonding love between friends. There is a special kind of joy in finding a best friend, and there is a special kind of grief in losing one (even if you do plan to call each other whenever you have thoughts on Jennifer Aniston’s future). For as much focus as the media places on romantic relationships, it shouldn’t be forgotten that our first soul mates in life are often our best friends. Before we find “the one,” our best friends are the people who help us to change for the better, to see the best in ourselves and to harness it, to balance our desires for personal happiness with our desire to make someone else happy, and to never settle for less than what we deserve.

Parks and Rec has never forgotten that. Even though Leslie and Ann (and even Ben and Chris) didn’t share a lot of screen time this season, it all culminated in this beautiful little love letter to power of friendship. When it really mattered, Parks and Rec delivered, and, as a fan, that’s all I can ask for.

The episode’s plot was really just a way to get all of the important characters (both regular and recurring) to say goodbye to Ann and Chris. Like “Leslie and Ben” did so successfully last season, “Ann and Chris” let the characters drive the plot rather than vice versa. The result was an episode that featured emotional highpoint after emotional highpoint, until I was left sobbing on my couch long after the final credits rolled.

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TV Time: Parks and Recreation 6.12

Sorry for the delay, fellow Parks and Recreation fans. I hope all of you had an excellent weekend that didn’t involve chard shots! 

Parks-and-Recreation-Farmers-Market

Title Farmers Market

Two-Sentence Summary Leslie oversteps her bounds as she tries to use Ben’s position as city manager to remove a chard vendor with questionable advertising techniques from the Pawnee farmers market. Meanwhile, Ann needs an outlet for her frustrations about what pregnancy is doing to her body, and Andy finds a potential new career as a children’s party performer.

Favorite Line “Tom put all my records into this rectangle…The songs just play one right after the other! This is an excellent rectangle!” (Ron)

My Thoughts I spent a lot of time this weekend watching old episodes of Parks and Recreation as I rested a bum shoulder on my couch. I laughed and cried as I made my way through my favorites—“Flu Season,” “The Debate,” “Win, Lose, or Draw,” and “Leslie and Ben”—and I spent a lot of time thinking, too. Something has been missing in recent Parks and Recreation episodes, including this week’s “Farmers Market,” and I finally figured out what it is: a likeable protagonist. Don’t get me wrong; Leslie’s overzealous personality and steamroller tendencies aren’t out-of-character traits. But after too many episodes this season of Leslie being the antagonist in a storyline, I’ve missed those lovely days of Parks and Rec past when I could root for Leslie Knope on a weekly basis.

I know that too many episodes spent celebrating Leslie would make the show feel too sappy, but I feel like this season has spent a lot of time highlighting Leslie’s worst traits without enough time spent on her best traits to create a strong balance. And while people may argue that another episode of Leslie and her friends rallying around each other would feel repetitive, I would say that these storylines, with Leslie overreacting towards one of her friends (or in this case her husband) because she can’t get her way, are even more repetitive.

For example, we’ve already seen Leslie and Ben at odds like they are in “Farmers Market” in this season’s “The Pawnee-Eagleton Tip Off Classic.” So while this storyline had some funny moments (Ben running away from Leslie to avoid conflict, Ben’s fear of dying in the fountain, and especially anything involving the actual farmers market—from the Chard Bodies to the cabbage saleswoman unbuttoning her blouse), it ultimately felt like a rehash of something we’ve already seen: Leslie overreacts, Ben gets her to see reason (because he’s literally the perfect husband for her), and they come to a conclusion that works for all involved. Yes, the laughs in this part of the episode felt original, but the emotional component—the thing that separates Parks and Rec from all other comedies—felt stale.

I’m tired of watching the warmest character on television be outlandishly petulant. Yes, Leslie can be overly forceful and ambitious in every aspect of her life, but she used to somehow manage to be those things without ever coming across as selfish. In fact, Leslie used to be defined by her selflessness, her desire to do everything she could to make the people around her happy. In “Farmers Market,” though, Leslie came across as selfish—plain and simple. And this wasn’t a kind of selfishness that could be attributed to a broken heart like in “Smallest Park” or even a sense of feeling left out like her story with Tom in “New Beginnings.” Instead, it was just another episode of Leslie being forceful without any of the warmth and kindness that used to be able to balance out her character. I may be guilty of an overreaction of Knope proportions here, but I think Leslie’s character has regressed this season; she’s lost some of the subtlety that the writers used to let Amy Poehler so brilliantly weave into her characterization.

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TV Time: New Girl 3.13

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Title Birthday

Two-Sentence Summary Jess’s high expectations for her birthday lead Nick to plan the ultimate surprise evening for her, but first he has to get through the morning and afternoon without any birthday plans. Coach and Winston work through their competitiveness in their efforts to make the birthday surprise run smoothly, and Schmidt helps Cece with her bartending skills.

Favorite Line “A lot people never graduated high school: Einstein, Bill Gates, Anne Frank…I’m going to take back that last one.” (Schmidt)

My Thoughts Earlier this year, I tweaked my New Girl reviewing format because my dislike of “The Box” called for more space than my usual style allowed. This week, I’m tweaking the format again, but for the opposite reason—“Birthday” was so good that it can’t be confined by my more limited New Girl review setup.

Instead, here are 10 reasons why “Birthday” was the best episode of New Girl’s third season (so far).

1.) It balanced the characters’ more broadly comedic aspects with grounded emotions.
The worst episodes of New Girl reduce its characters to caricatures. Yes, their more over-the-top traits are parts of their personalities, but they’re much more than those things, too. What “Birthday” did so well was it gave us just enough of each character’s quirks to make us laugh while also reminding us that, at their best, these characters should be written to feel relatable. So while Jess’s sobbing over Nick not making plans for her birthday may have been a tad bit ridiculous, it was a comedic look at people (myself included) who still care a lot about their birthdays even as adults. There’s a difference between over-the-top and out-of-character, and this episode did an excellent job of remembering that.

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TV Time: Castle 6.13

KELLY MCCREARY, SEAMUS DEVER, NATHAN FILLION, STANA KATIC, ALEXANDRA CHANDO, LOLA GLAUDINI

Title Limelight

Two-Sentence Summary After a troubled young celebrity is believed to have been murdered, the team at the 12th precinct discovers that the dead body actually belonged to her body double. As they’re dealing with the twists in this murder investigation, Castle and Beckett discover that the press is starting rumors about him rekindling his romance with Gina (his ex-wife and publisher) and Alexis comes to a disheartening realization about her relationship with Pi.

Favorite Quote “There’s no one I’d rather share a headline with. But just in the interest of accuracy, does it say we’re getting married in space?” (Castle)

My Thoughts “Limelight” had all the makings of a traditional, midseason “filler” episode of Castle: the celebrity-centric case, the possibility for jealousy between Castle and Beckett, and a side plot devoted to Alexis and her romantic life. However, this episode took each of those common Castle tropes and revamped them just enough to show how much these characters and this show have grown over the years. Because of that, what could have been a boring hour of television turned into an hour that revealed character growth, allowed the audience to become emotionally invested in the case of the week, and actually moved the storylines along for multiple characters in concrete ways.

I love when a Castle case not only keeps me guessing but keeps me emotionally engaged. I thought Alexandra Chando did an excellent job balancing the snark and softness in Mandy Sutton. She made me laugh, but she also made me just want to give this young woman a hug. I had a feeling from the start that her mother was going to be behind the murder, but that didn’t make the journey any less interesting. In fact, it made me even more eager to unwrap each layer of the case to see what would drive her mother to commit murder. The fact that it was all because she wanted to keep Mandy from finding personal stability and happiness (in order to keep her in the spotlight) made their final scene together all the more painful. I like when Castle causes me to look at the world around me a little differently, and this episode certainly made me even more skeptical of all of those “momagers” in Hollywood.

My favorite thing about this episode’s case was the way it moved Alexis’s storyline forward and into better and brighter territory. I thought Chando and Molly Quinn played off each other really well; the scene where Alexis is ranting to Mandy while the latter is emptying the hotel mini bar’s contents into her mouth was one of my favorites in the episode. Both young women felt trapped—Mandy by her fame and Alexis by her relationship. Both were victims of situations that progressed too quickly, but, unlike Mandy, Alexis realized she still had the power to get out.

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TV Time: Parks and Recreation 6.11

New Beginnings

Title New Beginnings

Two-Sentence Summary Leslie returns to the Parks Department and Ben begins his new job as city manager, and they both experience some difficulties adjusting to their roles. Meanwhile, Ann and Chris contemplate how well marriage would fit into their very nontraditional relationship.

Favorite Line “I cannot sit idly by and watch this terrible thing happen. I mean, I can barely sit idly by and watch good things happen!” (Leslie)

My Thoughts Well that was…okay, I guess? Don’t get me wrong; I laughed out loud more than a few times during “New Beginnings” (mainly thanks to Ron and Ben), and I even had my heart sufficiently warmed in the surprising way only Parks and Recreation can (once again, thanks to Ron). However, there was just something off about this episode. “New Beginnings” really felt like the beginning of the end for Parks and Rec, and I was not emotionally prepared to deal with these feelings after a mid-January episode.

When I say “the beginning of the end for Parks and Rec,” I don’t mean in terms of the quality of the show. Did I adore this episode with my usual fervor? Not really. But it was still more entertaining than most of what I see on television, especially comedic television. What I mean is that these last two episodes—this one in particular—seem to be setting the stage for the kinds of huge changes in Leslie’s life that would only work at the end of this show’s run. I know nothing has been announced in terms of the show’s future, but from the time it was stated that Rashida Jones and Rob Lowe were leaving, I couldn’t stop wondering if this would be Parks and Rec’s last season. This new emphasis on Leslie needing to move on to bigger and better things has only intensified that wondering.

“New Beginnings” was an episode all about feeling uncomfortable and the things we do to try to ease that feeling. For Ben, that feeling of discomfort in his new role as city manager made him want to try to fit in with April, Andy, and Donna. For Leslie, feeling uncomfortable and unnecessary back in her old job made her resort to her steamroller, control-freak tendencies. For Chris and Ann, feeling uncomfortable with the idea of marriage (but also with the idea of being unmarried parents) led them to numerous purchases and returns of the same ring. And Jerry tried to ease discomfort caused by choking on a cracker by simply eating another cracker.

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TV Time: New Girl 3.12

I apologize for being a little late posting this—darn you, “real job,” for keeping me from talking about New Girl‘s best episode of the season

Title Basketball

Two-Sentence Summary Jess tries to befriend Coach by feigning interest in the Detroit Pistons, much to the dismay of Bulls-fan Nick. Meanwhile, Schmidt faces new competition at work and Winston entertains the possibility of a new career path.

Favorite Line “Once your screen breaks, your information is in the twitterverse, man. And it’s all out there for everyone to see. All these little monkey elves, man—all these kids.” (Nick)

Episode M.V.P. “Basketball” felt like a Season Two episode of New Girl, and I mean that in the best possible way. It was genuinely funny, surprisingly sexy, and capitalized on the chemistry between Zooey Deschanel and Jake Johnson better than any other episode so far this season. And, just like in Season Two’s best episodes, “Basketball” knew exactly what to do with Nick. This was Johnson’s best episode of Season Three. He was equal parts gumpy old man (with his disposable camera full of sexy pictures and paranoia about cell phones) and devoted boyfriend (his conversation with Coach about being friends with Jess showed a fantastic understanding of her). He was also equal parts hilariously awkward (his seduction techniques that did nothing but turn him on and waste a bottle of water) and improbably hot (another wonderful reminder of Nick Miller’s expert kissing skills, complete with picking Jess up). Johnson had the episode’s funniest lines (his cell phone rant), but he also carried a lot of the episode’s heart, too. He made me believe how much the Bulls meant to Nick when he told Jess about sharing the passion for that team with his dad. For much of Season Three, I’ve been waiting for this balance between Nick’s more broadly comedic aspects and his role as a genuine romantic lead, and I think it was finally achieved in this episode.

Favorite Scene There were more strong choices for the best scene of the episode than in any other episode so far this season: Nick’s rant against technology (kudos to the editing team for brilliantly cutting from Schmidt talking about old people to Nick sitting down at the table), Nick’s first seduction attempt (Why does he think squats are sexy?), Nick and Jess’s excellent final kiss (which reignited their Season Two passion spectacularly), and Coach bearing his soul to Jess while she was in bed with Nick.

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TV Time: Castle 6.12

Castle_6x12-Deep_Cover

Title Deep Cover

Two-Sentence Summary The murder of a young man with a history as a high-level hacker unexpectedly brings Castle back into contact with his father, whose identity is finally revealed to Beckett when he becomes a leading suspect in the murder investigation. Meanwhile, Castle and Beckett’s search for the ideal wedding date keeps hitting roadblocks.

Favorite Lines
Beckett: I just—I want to be flexible.
Castle: Oh, you are flexible…You see what I did there?

My Thoughts “Deep Cover” was as perfect a thematic follow-up as you could imagine to last week’s incredible “Under Fire.” Both episodes brought into sharp focus the concept that gives Castle its beating heart: family—the family we’re born into and the family we choose. In the world of Castle, a family isn’t defined by biology; it’s defined by selfless, unconditional love and support. The families that exist on the show are sources of strength and happiness. But the absence of family is also a topic that Castle has touched on over the years with great emotional resonance. Both Castle and Beckett are defined in many ways by the absence of a family member—his father and her mother. And while we’ve watched Beckett struggle with that absence, we’ve been given relatively little development concerning Castle’s feelings about living his whole life without a father. “Deep Cover” finally examined that aspect of Castle’s character, and it did so with the show’s characteristic warmth and sense of surprise.

Last season’s spectacular two-part episode “Target/Hunt” introduced us to Jackson Hunt, Castle’s father, but the suspenseful nature of the episode didn’t allow for much father/son bonding time. However, what we got was fascinating—an adult son trying to understand a father who was both completely absent from his life and also the force behind his entire life’s inciting incident (giving him Casino Royale, the book that made him want to be a writer). James Brolin and Nathan Fillion were such spectacular scene partners (and such believable father/son lookalikes) that I remember hoping that Hunt would make an appearance again. And I’m so happy to say his reappearance lived up to my expectations.

The actual spy plot of this episode wasn’t the show’s strongest case, but it didn’t have to be to drive the emotional arc forward. I found Hunt’s repeated disappearances and betrayals a bit overly predictable, but what felt trite in terms of the plot actually worked quite well on a thematic level. Jackson Hunt is a man who’s good at disappearing—it’s literally part of his job, but it’s also the defining aspect of his relationship with Castle and Martha.

The same could be said of his insistence on Castle keeping his identity secret from Beckett. At first, I was annoyed by another secret coming between them (but I did love that Beckett knew something was wrong as soon as Castle seemed indifferent to coming up with a crazy theory). However, it served as an excellent reminder of why Hunt could never really be family to Castle—he demands too much secrecy. Castle has shown time and again the price of keeping secrets—no matter the good intention. So for Hunt to ask Castle to keep such a huge secret from the woman he loves is asking him to violate something that family is built on in this show—trust.

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TV Time: Parks and Recreation 6.10

Second Chunce

Title Second Chunce

Two-Sentence Summary Leslie’s desire to run for city council again is met with opposition from Ben and her friends, and Ben’s gift for her last day as a city councilwoman helps her see that maybe there are bigger, more fulfilling dreams waiting for her. Tom is also chasing new business dreams with the help of April, Ron, and a very jet-lagged Andy; and Ann and Chris learn the sex of their baby.

Favorite Line “In times of stress or moments of transition, sometimes it can feel like the whole world is closing in on you. When that happens, you should close your eyes, take a deep breath, listen to the people who love you when they give you advice, and remember what really matters.” (Leslie)

My Thoughts Parks and Recreation has aged very gracefully. In 100 episodes, it’s grown from a show about a woman and her job to a show about a woman and the things that are so much more important than her job. It’s grown from a show that felt like the weird kid sister of The Office into a show with its own clear mission statement: Dream big; love bigger. And the way its 100th episode reflected that mission statement as it honored the show’s past and opened up new futures for the characters we love was nothing short of beautiful.

I’ll admit: I haven’t loved this season of Parks and Rec the way I’ve loved other seasons. After the brilliant season premiere, I found most of the other episodes so far to be lacking the warmth and optimism that have come to define this show for me. And I was worried that “Second Chunce” was going to follow that same path until Ben’s gift for Leslie showed up.

My problem with this season so far has been that we’ve had to watch Leslie suffer. We’ve had to watch this character deal with incompetence, ungratefulness, and a whole host of Pawnee citizens who don’t love her the way we all know she deserves to be loved. My favorite season of Parks and Rec—Season Four—was so successful because we were right alongside Leslie in the campaign trenches, rooting for her to win her city council seat not just because we liked her but because we believed she deserved it. But then this season and its recall plot came along, taking away Leslie’s dream job, the dream job we all invested in, too.

However, “Second Chunce” put this whole season into perspective for me in a way I had never considered before: I was supposed to see this recall not as a failure of Leslie’s but as a failure of a group of people who don’t know a good thing when they have it. I was supposed to be mad at the people of Pawnee. I was supposed to believe that Leslie is too good for them. I was supposed to see this eating away at Leslie’s optimism and understand that she deserves more than what she was getting as a city council member. I was supposed to be on Ben’s side when he advised Leslie not to run again because I, as a member of the audience, love Leslie as much as Ben does.

“Second Chunce” was an episode about love, which should surprise no one. It was fitting that the 100th episode of a show that features three unique, solid marriages and one couple blissfully heading into parenthood together would be centered around love—love for your dreams, love for your friends, love for your spouse/partner, and even love for yourself. It took a while to get there, but once this episode hit its stride, it filled my heart with the kind of a joy only Parks and Rec can create.

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TV Time: New Girl 3.11

Title Clavado En Un Bar

Two-Sentence Summary At the bar, Jess asks the guys and Cece for advice about keeping her job as a teacher at a struggling school or taking a new job at a museum. This prompts each of Jess’s roommates to share their stories about how they ended up in their current professions.

Favorite Line “This moment is so chill and lacking drama that I want to call it Tim Duncan.” (Nick)

Episode M.V.P. Each actor in New Girl’s ensemble had at least one moment to shine in this week’s episode. And I do mean each actor—even Hannah Simone had some great lines about Cece’s struggling career as a model (who is now relegated to playing the desperate party in a phone sex ad). Fat Schmidt made a triumphant return to our TV screens, but my favorite Max Greenfield moment of the night was Schmidt once again messing up a pop culture reference (like he did previously with Indiana Jones) when he referred to the “late, great Sir Billy Joel” and then proceeded to misquote “Only the Good Die Young” (“The good, they do die young.”). Damon Wayans Jr. cracked me up when he yelled at Jess’s potential new boss for calling her too early. Jake Johnson reminded me once again that no one can do surprising sincerity like he can—it’s not often that you think of a bartender as a job people really choose, but I completely bought that Nick genuinely finds joy in that job after seeing it through Johnson’s eyes this week. And Zooey Deschanel very convincingly played the panic inherent in making a major life decision with no clear-cut right answer.

All of the ensemble turned in great performances, but Lamorne Morris proved once again that no one can get me laughing while watching New Girl like he can. Winston’s dawning realization that he’s never made a real decision in his life was hilarious. And once he made the decision to quit his job, Morris was at his offbeat best in describing how “things got racial” and he couldn’t go back. Winston has become one of those characters where I laugh every time he opens his mouth, and so much of that comes from Morris’s offhand delivery of the show’s strangest lines.

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TV Time: Castle 6.11

KATIC, NATHAN FILLION, SEAMUS DEVER

Title Under Fire

Two-Sentence Summary When the team at the 12th precinct investigates a murder tied to a string of arsons, Ryan and Esposito find themselves trapped in a burning building. Struggling to stay alive and to make contact with the people looking for them outside the crime scene, Ryan has additional motivation: His wife Jenny is about to have their first child.

Favorite Lines
Esposito: You’re gonna name a white, Irish kid Javier?
Ryan: What? You’re gonna bust on me now for being sentimental?
Esposito: I figure it’s my last chance.

My Thoughts It’s often said that what makes Castle different from others in its genre isn’t just its sense of humor or unique protagonist; it’s the fact that it is admittedly a love story first and a procedural second. “Under Fire” served as a brilliant reminder that Castle isn’t just telling one love story; it’s telling a bunch of love stories. Friends, partners, lovers; captains and detectives, husbands and wives, parents and children—these relationships are the heart and soul of Castle; they’re the reason we keep watching, the reason we keep caring.

Castle and Beckett’s love story may be what gives the show its spark, but it’s all the other little love stories highlighted in “Under Fire”—Gates and her team, Beckett and her boys, Ryan and Esposito, Lanie and Esposito, Ryan and Jenny, Castle and his “brothers”—that keep the fire burning throughout each episode. A show cannot live on one relationship alone, and, thankfully, Castle is a show built around a plethora of diverse, well-developed, and well-acted relationships.

As is the case with most Castle episodes, the actual procedural elements of this episode took a backseat to the emotional elements. I didn’t care very much about who set the fires or why, but that’s not why I watch Castle. I watch for the characters, and this episode was as good an ensemble piece as I can remember, giving each member of the 12th precinct team an emotional arc to rival any they’d been given before. Of course we knew Ryan and Esposito would make it out alive, but what was important was that the actors never played that like it was a certainty. It made each scene come alive with a kind of desperation that felt necessarily raw and painfully real.

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