TV Time: Castle 7.04

Due to some unforeseen circumstances, I wasn’t able to watch this week’s episode of Castle in time to write about it. Thankfully, the lovely and talented Heather was kind enough to step in and write this week’s review!

Source: fandomnesstv.com

Source: fandomnesstv.com

Title Child’s Play

Two Sentence Summary Castle goes back to second grade to help track down a potential witness to a crime. Back at home, Alexis struggles with Castle’s disappearance.

Favorite Lines
Mrs. Ruiz: I didn’t do much to deserve this.
Beckett: Are you kidding? You put up with Castle for two days.

My Thoughts There are weeks when the case on Castle really interests me, and there are weeks where I watch because I love these characters. This week was definitely one of the latter for me. The case itself felt a little bit scattered and never really came together in a way that made me feel much of anything as twists were revealed or the criminal was caught. It was overly convoluted for an hour, with a fake passport ring, the Russian mob, and a war criminal who was felled by marbles (in a very nice move from Castle).

Fortunately for the episode, the character moments were incredibly entertaining to watch. Nathan Fillion is so good at bringing a childlike joy to episodes that allow Castle to believe in the impossible (like last week’s episode), so to surround him with a bunch of actual children was a real treat to watch.

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TV Time: Castle 7.03

Source: http://castlecaskett.com

Source: castlecaskett.com

Title Clear and Present Danger

Two-Sentence Summary The murder of a pool shark and former MIT student by an unseen force leads Castle to theorize that the killer is the Invisible Man. As the team works to solve the case, Ryan tries to hide his second job as a bouncer at a male strip club and Castle and Beckett try to get romantic.

Favorite Lines
Castle: And you thought Zombie Apocalypse Survival Camp was a waste of time…What?
Beckett: You just kind of make nerdy sexy.
Castle: That’s true.

My Thoughts As much as it pains me to do this (because this was such a great episode), I’m afraid this will be a rather short review. Duty calls at the job that pays the bills, so I’m going to quickly share with you the three most important things I took away from “Clear and Present Danger.” I’ll hopefully be able to expound on these in more depth later tonight and into tomorrow as I respond to your comments, so please share all of your thoughts with me and feel free to discuss amongst yourselves this thoroughly entertaining episode.

1. This episode was smooth. “Clear and Present Danger” was a great transition episode from the darker and more mythology-heavy first two episodes of this season into the usual tone most Castle fans know and love. I know the new mystery of Castle’s disappearance is a divisive one (I happen to love it), but I think it’s safe to say that this episode did a nice job of reminding us that this new mythology exists but also allowing life to go on for us as viewers and for the characters, too. Castle’s disappearance was brought up in a surprising but realistic way (with the focus on how that disappearance has impacted their intimacy), which was a nice way to still include this new layer while opening the door for a little more lighthearted fun than the previous episodes allowed for.

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TV Time: Castle 7.02

Title Montreal

Two-Sentence Summary As Castle and Beckett attempt to return to a normal life after his disappearance, they investigate the murder of a toy company CEO who went undercover to prove his toys were being used to smuggle drugs. However, things are still far from normal for Castle, who is given some disturbing new clues about his disappearance and memory loss.

Favorite Line “It’s Canada. How risky could it be? And need I remind you, I’m a grown man. I don’t need to ask your permission. That being said—please?” (Castle)

My Thoughts After last week’s question-filled season premiere, I was concerned that Castle would want to take the focus off show’s newest overarching mystery and instead return to its typical procedural format, with just a few mentions here and there of what had happened before the inevitable sweeps week episode that pushes it to the forefront again. Thankfully, “Montreal” proved that my worries were unfounded, at least for this week. There was none of the tonal whiplash that Castle can sometimes have after “important” episodes, and I think a lot of that came from the way this show directly addressed the concept of being unable to return to normalcy after the events of “Driven.”

Was I particularly interested in the case of the week? No, but I don’t think I was supposed to be. This could become a problem if a divide between Castle and his mystery and Beckett and her job continues, but, for this episode at least, the case worked more as a symbol of normalcy than an actual case. It allowed for moments where Castle could be his playful self (the Big moment on the piano), and it allowed Castle a chance to offer his theories again after everyone voiced that they missed them. But it ultimately was a case that felt much less important than the larger mystery surrounding Castle, and it was supposed to. It represented a life that Castle wanted to embrace without hesitation before discovering that the questions about what happened to him won’t let him simply focus on trying to have a normal life. In the same way, we as viewers can’t just focus on the “normal” cases while we know there’s still a more important mystery out there.

It’s even harder to focus on anything but the mystery surrounding Castle’s lost two months when it’s allowing the actors to do such great work. Last week was Stana Katic’s turn to shine, and she had plenty of wonderful moments in “Montreal,” too. But this episode belonged to Nathan Fillion. When he’s given good dramatic material to work with, he tugs at my heartstrings like no other actor on television.

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TV Time: Castle 7.01

Welcome, fellow Castle fans, to my first episodic review of the season. I can’t wait to discuss every twist and turn along the way with all of you, because if this premiere was any indication of what’s in store for us, it’s going to be an emotional roller coaster!

SEAMUS DEVER, JON HUERTAS, STANA KATIC

Title Driven

Two-Sentence Summary As Beckett, Ryan, and Esposito embark on a two-month investigation into Castle’s wedding-day disappearance, they come across some disturbing evidence that points to him faking his own abduction. Castle’s reappearance raises more questions than answers when he wakes up with no memory of the two months he was missing.

Favorite Line “We’ll get there. We’ll find our way home.” (Castle)

My Thoughts I was in the camp of Castle fans who did not like last season’s finale at all. In fact, I disliked it so much that it made me approach this premiere with extreme caution. However, I would like to go on the record and say that I loved this premiere. It wasn’t perfect, but it genuinely captivated me. As I’ve said so many times, as long as I care about the characters, I can handle unanswered questions and even plot holes. And one thing “Driven” did remarkably well was make me feel for these characters—especially Beckett.

I can see where some might be frustrated at the plot of this episode. Like I said, it wasn’t perfect. My biggest complaint was the way everyone was so willing to believe the only explanation for Castle dropping the money in the dumpster was that he was doing this of his own free will. Did no one think he could be coerced in any way to do this stuff? You don’t need to have a gun pointed directly at your head to be threatened enough to do the things Castle did in this episode. I would have thought a group of detectives and the FBI would know enough to at least consider that possibility.

Also, Castle is a show that often likes to put its overarching plots on the backburner and balance them with “fun” episodes, which is usually okay, but won’t work in this case. This is one of those things that needs a presence in every episode until the mystery is solved. That doesn’t mean I don’t want to see lighter Castle episodes, too (although I do favor the heavier stuff), but even those lighter episodes need at least one reminder of this mystery. I have faith, though, that it’s going to happen.

If nothing else, “Driven” was something new. It genuinely left me guessing from beginning to end, and for a show to still be able to do that in its seventh season is no small feat. All of the uncertainty felt a little much at times, but in the light of day after the episode aired, I think it’s cool that the mystery writer is now part of his own mystery. And let’s just get this out of the way now—it has to be 3XK, right? Who else would mess with these characters on such a personal, emotional level? The twisted nature of everything that happened—not just to Castle but even more so to Beckett—points towards 3XK, at least in my opinion.

Although “Driven” felt like something new for Castle, as an Alias fan, the last act of the episode felt like a story I know all too well. Were any fellow Alias fans having “The Telling” flashbacks, or was it just me? From Beckett telling Castle he was missing for two months (in almost the exact tone Vaughn used when he said, “You’ve been missing for almost two years.”) to Castle’s lack of memory, I just wanted it to be revealed that his name while he was missing was “Julian Thorne.” I suppose I just need to thank my stars that Beckett didn’t get married while he was gone (forever bitter about that little Alias twist). Maybe that’s why I wasn’t so worried about all of the plot stuff in this episode: I’ve been down this road before; I’ve watched shows with more questions than answers so many times. And they’ve been some of my favorite shows ever because—like “Driven”—they made me feel things beyond just confusion about the plot.

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Fangirl Thursday: Making an Impact

parks prom

We’ve all seen those lists popping up on our Facebook feeds—“15 Movies that Changed My Life,” “10 Books that Stayed with Me,” “10 Albums that Have Defined My Life,” etc. We’ve probably even made one or more of those lists ourselves. (I’ve done both the book and movies ones.) But I haven’t seen any of these “challenges” devoted to television.

That’s about to change.

I am the woman I am in no small part due to the movies I’ve watched and the books I’ve read in my 26 years. However, I’m also the woman I am because of the TV shows I’ve watched and the television characters I’ve loved. More than any other form of media, television has given me characters and stories to grow up with, to be inspired by, and to learn from over the course of many years.

Therefore, today I’m making a list of the 10 TV shows that have had the deepest impact on me. And I’m challenging all of my fellow nerds to make their own lists and post them in the comments!

1. Sesame Street: My love for television as a medium and my respect for it as a positive force in people’s lives can be traced back to mornings spent watching Sesame Street with my mom. It was the first TV show I was ever exposed to, and I want it to be the first TV show I expose my own children to someday. I love Sesame Street not only for the things it taught me (Spanish, letters and numbers, the continents…) but also for how happy it made me as kid and still makes me as an adult every time I see Grover or Big Bird or Cookie Monster spreading joy to a new generation of kids.

2. Boy Meets World: This was the first show to teach me that a piece of media can mean different things to you at different times in your life. I grew up with these characters not only when the show first aired but also through reruns that seemed to air just when I needed them in high school, in college, and even now. Boy Meets World’s series finale is one I treasure as an adult far more than I did as a preteen watching it for the first time, and it gave me some of the most profound advice any TV show could ever hope to give: “Dream. Try. Do good.”

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Fangirl Thursday: Playlists Full of Feelings

I don’t know about you, but I have a lot of playlists on my iPod: “Workout Mix,” “Road Trip 2013,” “Yoga Time,” “Alias Songs,” “Extraordinary,” “Perhaps I Would,” “I Will Always Find You”…

Why yes, I do have multiple playlists devoted to songs that remind of my favorite fictional characters and couples. Doesn’t everyone?

Music makes us feel, so it’s always made sense to me that the right song would make me think about the characters and relationships that make me feel, too. It’s what we do as fans; we take the things we’re passionate about and make deeper connections with them than the ones we’re given during the small amount of time we spend in the movie theater, reading, or watching TV.

It all began—as so many things in my life as a fangirl did—with Alias. Season Three of Alias was a time of immense angst, so naturally, ever sad song reminded me of the time Vaughn spent thinking Sydney was dead or the time Sydney spent watching Vaughn be married to someone else. From the entire More Than You Think You Are Matchbox 20 album to Coldplay’s “The Scientist” and Garth Brooks’s “The Dance,” I spent my entire sophomore year of high school listening to angst-ridden songs—not because I was an angry teenager but because I was a fangirl.

More than 10 years later, I’m still the kind of fangirl who hears a song and immediately finds a character it relates to. And when I do, I add it to the playlist. Some of my playlists (like “Extraordinary,” aka my Castle/Beckett mix) also have songs used on the TV shows or in the movies themselves, but I love discovering new songs that unexpectedly give me all the feelings.

Today I want to share my top five songs from my three most-played fangirl playlists, ones devoted to Castle and Beckett (from Castle), as well as Snow and Charming and Emma and Hook (both from Once Upon a Time).

Extraordinary: My Castle/Beckett Playlist
1. “Shake It Out” (Florence and the Machine)
And I am done with my graceless heart, so tonight I’m gonna cut it out and then restart…
This song will always be Kate Beckett’s anthem to me. I discovered it right around the time “Kill Shot” aired back in Season Four, and its empowering theme of moving beyond the demons we carry with us seemed to be a perfect emotional companion for everything Beckett was going through in that episode.

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Small Screen Style: Who’s Your Fictional Fashion Inspiration?

When I was 15, I bought myself a black pantsuit and a pinstripe skirt suit. No, I didn’t have ambitions of running for political office. I just wanted to dress like Sydney Bristow, the hero of ABC’s espionage thriller, Alias. Sydney wore a lot of suits and a lot of turtlenecks, so I guess it shouldn’t surprise me to look at my wardrobe from my sophomore year in high school and see it filled with blazers, black dress pants, and fitted turtlenecks. Even today, whenever I wear an off-the-shoulder sweatshirt, I feel like I’m harkening back to Sydney’s climactic last scene in the Season Two finale, “The Telling.”

What started with Sydney has grown to include fashion inspirations from all corners of the television landscape in the 10 years since I bought that first pantsuit. We all have those TV characters whose styles we envy and ultimately try to emulate, with varying degrees of success.

When we dress like our favorite characters, we channel a little bit of their personalities into our daily lives, too. Wearing a red leather jacket might make you feel like you’re giving yourself a dose of Emma Swan’s strength. Putting on a killer pair of shoes could give you the feeling of being as fashion-forward as Carrie Bradshaw. Investing in a new pair of thick-framed black glasses might allow you to believe you can be as smart as Orphan Black’s Cosima.

My closet is filled with wardrobe pieces inspired by TV characters I love, but there are four whose styles I most often imitate when I want a boost of confidence.

1. Jess Day (New Girl)

jess day dress

Jess’s style leans more towards the “cute” side of her “cute and quirky” personality. It’s defined by flirty dresses and skirts, polka dots and stripes, vintage-inspired pajamas, and plenty of pairs of flats.
My Favorite “Jess-Inspired” Look: A fit and flare dress with a cardigan and ballet flats. If the weather is too cold for dresses, substitute with jeans and a polka-dotted sweater.

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Grading the Season Finales 2014: Castle

I just wanted to say thank you to all of you who’ve read and commented on my Castle posts this season. It’s been a fun ride, and I can’t wait to discuss Season Seven with all of you in the fall!

Source: tvline.com

Source: tvline.com

Title For Better or Worse (6.23)

Written By Andrew Marlowe and Terri Miller

What Happens? Three days before their wedding, a wrench gets thrown into Castle and Beckett’s plans when it’s revealed that Beckett is actually a married woman—and not married to Castle. I turns out that a drunken visit to a Vegas wedding chapel when she was at Stanford ended in a marriage that she thought wasn’t legally binding to Rogan O’Leary, a con artist and criminal.

As Castle stays behind to continue with wedding preparations, Beckett heads to a small town in New York to get Rogan to sign the divorce papers. He won’t do it until she helps him break into his ex-girlfriend’s car to help him get his belongings back after their breakup. After Beckett fulfills her part of the deal, she goes back to O’Leary’s place, only to watch him get kidnapped. After Beckett relays the story to Castle, he agrees to join her to wrap up this problem as soon as possible.

It’s not only the kidnapping of O’Leary that throws a wrench into Castle and Beckett’s wedding plans. Ryan’s tuxedo doesn’t fit, their rooftop venue was destroyed in a fire, and Beckett’s dress was ruined when a pipe burst in her apartment building. Beckett worries that these are all signs that this wedding isn’t meant to happen, but Castle reassures her that all great love stories face obstacles. In order to get the fairytale ending, you have to keep pushing through the bad times.

As Castle and Beckett investigate O’Leary’s disappearance, they come into contact with a biker gang, a stripper, and a reverend who are all connected to Beckett’s newly-discovered husband. It turns out that O’Leary has photos of the stripper with the reverend but also with a mafia hit man who has been on the run from law enforcement for years. The hit man is behind the kidnapping, and he seems intent on wiping out O’Leary as well as Castle and Beckett, until they run into the biker gang again. After learning of the reward on the hit man and knowing they have strength in numbers, the gang removes the hit man from the situation, leaving O’Leary free to sign the divorce papers, which leaves Beckett free to marry Castle.

Despite all of complications, Martha and Alexis move the ceremony to their Hamptons house, and Lanie gets Beckett an even better dress to wear: her mother’s. But as Castle drives to the house after getting their paperwork filed, he’s followed by a dangerous-looking SUV. After he fails to show up when he was supposed to, Beckett gets a call and races to an unknown location in her wedding dress. After she gets out of her car, she sees Castle’s car, which has gone over a cliff and has burst into flames.

Game-Changing Moment For much of this season, it seemed Castle was leading up to a wedding that wasn’t exactly like the one that was planned but was still a happy and hopeful occasion. And while I had some doubts about whether or not the wedding would actually happen in this episode (I thought the lack of huge promotion and the lack of snippets of the wedding ceremony itself in promos was a bad sign), I certainly did not expect such a dramatic way to end the season. It doesn’t get much more game-changing than appearing to kill of your show’s title character. And while we know that won’t be the case, this is going to impact the show in a huge way—no matter who was in that SUV. (My guess: 3XK or someone connected to him.) It added another obstacle to Castle and Beckett’s love story, it prolonged the lead-up to the wedding (presumably so there would be viewers tuning in for the wedding this week and then tuning in again when it actually happens—I’m guessing around the midpoint of next season), and it gave us a moment that we’ll be talking about all summer. Whether or not that talk will be all positive is a different story, but if the job of that plot twist was to shake things up after a season of happy wedding planning, then its mission was accomplished.

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TV Time: Castle 6.22

PENNY JOHNSON JERALD, STANA KATIC, NATHAN FILLION, TAMALA JONES

Title Veritas

Two-Sentence Summary When Beckett is framed for the murder of Vulcan Simmons, she knows the final showdown with Senator Bracken is looming. With her career and her life on the line, she finds assistance in her quest to finally bring Bracken to justice from two unlikely sources: her mother and Captain Montgomery.

Favorite Line “It’s over.” (Beckett)

My Thoughts It’s over. With two simple words, the world of Castle changed forever. For months now, I’ve been writing about how I wanted to see the end of the Bracken storyline and the culmination of the Johanna Beckett arc this season. It felt like it was time; it would give Beckett closure before marrying Castle; and the combination of that arc ending and the wedding would lead the show into a new era. I wanted it, but I don’t think I even knew how much I wanted it until I watched it happen last night. And the crazy thing is, as I watched Beckett put the man who murdered her mother in handcuffs, I wasn’t thinking about how good this was for the plot or for the show in general. I was thinking of how good this was for Kate Beckett. I wanted this moment for her. And what a moment it was.

I often write about how much I like emotional moments and character development that feel earned. It certainly doesn’t get more earned than this moment. For over six seasons, we watched Kate Beckett continue to come to terms with her mother’s murder. We saw what that murder did to her; we saw the damage firsthand. We were shown rather than just told about how it affected her to such a degree that it consumed her. We went down the rabbit hole with her every time she battled the pain of first not knowing who the killer was and then knowing but not being able to bring him to justice. We saw the scars her mother’s death left behind, and then we saw the new scars that formed as Beckett herself almost died because of that same man. We saw her battle PTSD because of this; we saw her work every day to overcome the demons brought on by both her mother’s death and her shooting. For six years, we were in the emotional trenches right alongside this character, so when the moment finally came for her to arrest the man who caused her so much pain, we completely understood how much this meant to this character.

I’m sure “Veritas” was an episode that could be enjoyed by casual Castle fans, but, really, this was an episode for the diehards. This was for those of us who first fell in love with Kate Beckett when she told Castle why she wore her mother’s ring and her father’s watch. This was for those of us who cried with her when she had to shoot Dick Coonan and lose another lead in her mom’s case. This was for those of us who sat with open mouths and broken hearts after she was shot. And this was for those of us who cried again when she finally decided that her own life and her own happiness was worth more than vengeance.

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TV Time: Castle 6.21

STANA KATIC, NATHAN FILLION, YANI GELLMAN

Title Law and Boarder

Two-Sentence Summary The murder of an extreme sports athlete leads Castle and Beckett to a cold case and a cover-up concerning the death of a young boy. As the investigation goes on, Ryan and Esposito fight over who should be Castle’s best man, and Castle and Beckett squabble over her beating him in Scrabble.

Favorite Lines
Beckett: I think catching killers is pretty extreme. And then there’s marrying you.
Castle: Ah yes, I admit I am extreme—extremely handsome.
Beckett: With a high degree of difficulty.

My Thoughts This was another fun, relatively light episode of Castle, following a pattern this show seems to have of calms before the storm that occurs around each season’s finale. While this episode’s case wasn’t terribly interesting, it continued some important thematic trends leading to what looks like another showdown with Bracken next week. And for the first time in a while, I found myself thoroughly entertained by this episode’s wedding subplot, mainly because it incorporated more characters than just Castle and Beckett.

Let’s start with this episode’s case to get the most boring part out of the way. Sometimes Castle hits unique cases like this one out of the park, but this one fell flat for me. Maybe it’s because I don’t care about extreme sports, or maybe it’s because I called who the killer would be the first time we saw him. (He just seemed too smug, and the killer is usually introduced early on—but never as the first suspect.) There seemed to be too many twists for me to wrap my head around: jealous competitors, the Albanian mob, and the brutal death of a child. Part of me is relieved that the end of the season is upon us because that means the cases will actually carry meaning again. This case seemed like one that’s reached for when you’re running out of ideas, but maybe I’m just not that into skateboards and motocross.

The good thing about the case, however, was the way it built on the parallels that have been accumulating this season and even further back about Beckett and Bracken. This was another case that ultimately ended up being about an old murder and a desire for justice. I still feel like this showdown between Beckett and Bracken will be their last (No spoilers in the comments if you know any other details, please!), and the way this murder was ultimately unraveled did nothing to deter me from that line of thinking.

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