The Best Thing I Saw on TV This Week (10/25 – 11/1)

This week in television started with a very emotional episode of Once Upon a Time, another instant-classic Halloween episode of Brooklyn Nine-Nine, and my favorite episode of The Good Wife so far this season. On Monday, Supergirl debuted with plenty of “girl power,” Dancing with the Stars aired its annual Halloween episode, and Jane the Virgin tugged at all our heartstrings as we saw Mateo’s baptism and Jane’s struggle with whether or not to go to grad school and leave him behind. Tuesday’s episode of The Mindy Project reminded us that things are always better with Annette, and The Flash introduced us to Jefferson Jackson while also bringing Barry and Patty one step closer to romance. Wednesday gave us the Halloween episode of Black-ish, which had enough humor to balance out the very heavy hour of Nashville that followed it (including its genuinely shocking cliffhanger). And my Thursdays have become infinitely brighter now that Billy on the Street is how I end my night.

This was another week that reminded me how happy and thankful I am to have added Jane the Virgin to my TV viewing lineup. “Chapter Twenty-Five” made me laugh (Jane’s happy dance upon getting her grad school acceptance letter was amazing), made me cheer (I’ve never been so happy to see a baby blink!), and made me cry. In fact, Mateo’s baptism made me cry harder than anything that’s aired so far on television this year, but what I loved about it was that they weren’t tears caused by angst; they were tears caused by the most beautiful display of parental love I’ve seen on TV in ages. Watching all three generations of Villanueva women deliver Alba’s original message to Xiomara was a powerful testament to the love mothers have for their children. It got to the heart of what this show is about and what makes it special: the real, sincere love between those three generations of Villanueva women (and the love they all now have for baby Mateo).

I started crying the moment Gina Rodriguez began reading, and her work in that scene was masterful. (Give the woman another Golden Globe right now!) But where the crying became sobbing was at this line: “May you always let your faith be greater than your fear.” Sometimes a TV show knows exactly what advice you need to hear, and I needed those words this week. I know that those are words I will carry in my heart forever, and I love when TV moments become moments that have an impact on my life well after I’m done watching them.

Because I couldn’t find a video of this beautiful moment, here’s a link to a gifset (Thanks, Tumblr!). 

What was the best thing you saw on TV this week?

Scandal 5.6: Weddings, Escapes, and Betrayal, Oh My!

It’s time once again for Laura’s rundown of this week’s episode of Scandal!

Fitz and Mellie finally got divorced, Fitz and Olivia almost got married, Jake once again lost a woman he loved, and Papa Pope returned. Sounds like a Thursday! The Scandal crew also had to contend with a Senate hearing and walking the fine line between truth and perjury, while keeping Fitz and Liv safe. So let’s dive into all this, shall we?

To Say I Do or Not to Say I Do?
A good portion of the episode dealt with whether or not Fitz and Olivia should get married. Cyrus essentially proposes to Olivia on Fitz’s behalf as the three of them talked in the Oval Office, explaining that if they’re married she can’t testify against him. Olivia, as we might expect, reacted in horror: “A shotgun wedding on the heels of a quickie divorce? You may as well turn the Oval Office into a drive-thru wedding chapel.” Of course, that’s not her main issue with the entire situation.

She confided in Abby, who characteristically rambled on without thinking as she freaked out over being in the president’s bedroom. She speculated about how hellish being First Lady must be until Liv told her that Fitz wants to get married. Liv, naturally, feels the same way Abby does, hence part of her hesitation in getting married. So instead of a wedding, she’s decided to lie on the stand, “because otherwise Fitz will be impeached and I love him too much to let that happen.” Abby, thankfully, asked the question on many viewers’ minds: If you love him, then why not just get married?

Olivia: We’re not ready to get married. It would just be a last minute get out of jail free card. I don’t want that for us.
Abby: If you take the stand, you could end up going to jail.
Olivia: And if I get married? What in the hell do you think this is?

She clarified her point by looking around the president’s bedroom, as did Abby. It’s lavish, but as First Lady, it would be a kind of elegant prison, just as Mellie told her.

Fitz thought if he redid the proposal in a more romantic way then he’d get Olivia to say yes—that it was simply the circumstances of Cyrus discussing their marriage like a business transaction that got in the way. He put together a romantic setting—rose petals, candles, him in a tuxedo, and getting down on one knee. But Olivia stopped him; that’s not what she wants. Since he admitted he didn’t want to do the elaborate proposal thing either, she asked why he bothered.

Fitz: Because I love you. Because you are what I want. But obviously you don’t feel the same.
Olivia: We’re not ready.
Fitz: You’re not ready. And you know what I think? You never will be.
Olivia: That’s not fair.
Fitz: Then answer the question, Olivia. What is it that you want? (She doesn’t say anything, just looks at him) That’s what I thought.

Poor Fitz. Even though I don’t think the two of them should get married, I felt for him in that scene. His actions later in the episode made me less sympathetic, but we’ll get to that. Eventually, Liv agreed to marry him, but she clearly started regretting her decision in the moments before the wedding when her new Secret Service detail explained how her life will now work. She was saved at the last minute by Mellie and her father, although instead of telling Fitz directly, she had Abby return the ring to him.

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Fangirl Thursday: What’s a Must-Watch For Your Halloween?

With Halloween right around the corner, it seemed fitting to have this week’s Fangirl Thursday post be an ode to all the spooky or silly (or maybe both?) movies or TV shows that you simply can’t miss during this time of year.

I will freely admit that I am not a horror movie fan. I’m the world’s biggest chicken when it comes to scary movies, so my tastes lean much closer to It’s the Great Pumpkin, Charlie Brown than The Exorcist. I think this is also the time to fess up to the fact that I still have yet to see Hocus Pocus and The Nightmare Before Christmas, two Halloween classics. (Someone please tell me where I go to turn in my nerdy girl card after admitting that.)

While I’m not one for most traditional Halloween media, I do love some staples of the season: the aforementioned It’s the Great Pumpkin, Charlie Brown is a favorite of mine, and, on the opposite end of the spectrum, I have been known to enjoy The Rocky Horror Picture Show at this time of year (especially when I was in college).

However, most of my Halloween favorites come from the world of television. I’m a sucker for any and all of the Halloweentown movies from The Disney Channel, and I’m sure one of those will be on in my house at some point this weekend. But I’m also a huge fan of Halloween episodes of TV shows—from the ones that are completely themed to the holiday (Castle’s “Demons”) to the ones that have Halloween as merely a backdrop to some of my favorite moments in TV history. (I’m looking at you, “Halloween Surprise” from Parks and Recreation.)

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TV Time: Once Upon a Time 5.05

I’m sorry for my delay in getting this one posted, fellow Oncers. Sometimes life doesn’t understand that it needs to slow down so I can write about TV! Hopefully this post proves to be worth the wait.

Source: ABC/Jack Rowand

Source: ABC/Jack Rowand

Title Dreamcatcher

Two-Sentence Summary In Camelot, Emma’s desire to get rid of the darkness in her by freeing Merlin causes her to step further into the darkness by breaking Henry’s heart. When Henry finds out the truth about what Emma did to him, it ruins the relationship they were trying to work on back in Storybrooke, while Merida works to make Rumplestiltskin brave and the heroes discover Excalibur hidden in Emma’s house.

Favorite Lines
Emma: I didn’t have a choice.
Regina: There’s always a choice, Emma. You’ve said that to me a thousand times.

My Thoughts Innocence is a precious thing, and its loss is something to be mourned. “Dreamcatcher” was all about the loss of innocence and what that does to a person. It reminded us of the intense grief we feel when first loves turn into first heartbreak, but it also touched on one of the most painful losses of innocence that comes with growing up: the discovery even the people we believe in the most are capable of letting us down and hurting us.

Henry has always been defined by his faith; he has the heart of the truest believer, after all. And that’s never been clearer than in his relationship with Emma. He was the first person to believe in her as a both a hero and a mother. He believed in her so much that he was willing to eat a poisoned apple turnover because he knew she would save him. And that act wasn’t just an act of a boy believing in a hero; it was an act of a boy believing in his mother.

But Henry isn’t a little boy anymore; he’s growing up. And—just as we saw his relationship with Regina deepen in recent seasons as he explored the complexities of his adoptive mother’s capacity for both good and evil—it was time for him to face the idea that his birth mother has both good and evil in her, too. “Dreamcatcher” brought Henry face-to-face with Emma’s dark side, and, while it devastated me, it made for incredibly compelling television.

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The Best Thing I Saw on TV This Week (10/18 – 10/25)

This week in television kicked off on Sunday with a closer look at several of the love stories on Once Upon a Time; a classic Jake/Holt team-up on Brooklyn Nine-Nine; and an episode of The Good Wife that put both Jackie and Veronica in the spotlight. On Monday, the contestants on Dancing with the Stars paid homage to some of the most famous dance routines in pop culture history; Jane the Virgin introduced us to “Bachelorette Jane;” and Castle showed us that it doesn’t take an expert in sniffing out the truth to know that Castle and Beckett still care for each other. Tuesday’s episode of The Flash gave us more insight into both the West and Snart families, and Wednesday’s episode of Nashville continued to tackle heavy material—as Deacon and Scarlett worked through their issues, while Avery and Juliette seemed unable to work through theirs.

While there were plenty of strong moments on television this week, my favorite was basically a forgone conclusion from the moment it aired on Sunday night. I’m a sucker for romance; I love a good love story. And there’s something truly special about getting to watch a new fairytale romance being created right before our eyes every week on Once Upon a Time through the relationship between Emma and Killian.

This season of Once Upon a Time is full of darkness, but what I love so much about this show is that it never feels hopeless. There’s always something sweet to balance out the bitter. And in this episode, that sweetness came from Emma and Killian’s scenes in Camelot. Whether it was Killian’s adorable enthusiasm upon learning about Henry’s crush (Could Colin O’Donoghue have a more perfectly expressive face? I think not.) or his insistence that he and Emma could get back to a “white picket fence life” (O’Donoghue’s sincere line delivery made me cry once again in that moment), I was struck by the beauty of this character who battled darkness for centuries embracing the light within himself just in time to help Emma hold on to the light inside of her.

The idea of love being a light in the darkness was shown in such a beautiful way during Emma and Killian’s scene among the flowers. The cinematography during that scene was stunning, with both characters bathed in a gentle, glowing light. Sometimes all we need to let go of the demons in our own head is to share our struggle with someone—to open up and let someone help us. Emma was able to do that with Killian, and she was rewarded for putting her faith in their love with a much-needed moment of peace.

The sweeping camera work during their kiss solidified this moment as one of pure fairytale romance, and sometimes that’s all you want from a show called Once Upon a Time. At a time when a lot of the shows I watch are having trouble balancing heavy and hopeful storylines, Once Upon a Time has achieved that balance this season, and much of its success has come from its focus on the way love can provide a light for us and give us strength in the darkest times in our lives.

What was the best thing you saw on TV this week?

Scandal 5.5: Lessons on How to Fix a Fixer

It’s time for Laura’s take on the latest episode of Scandal!

I have to start off by complimenting the writing of this episode, because it was brilliant. The speech that Olivia Pope gave during her talk show appearance, magnificently delivered by Kerry Washington, was beautiful. And the final scene between Fitz and Cyrus—at turns dramatic, heartbreaking, and somehow even weirdly heartwarming—also had award-caliber writing and acting. The realism of a mother sending her son books with index cards that completely spoil the entire story make me wonder if someone in the writer’s room has a mother who actually did that for them.

I now want to touch on one of the more serious aspects of the episode: the lax rules surrounding impeachment. In the episode, David quoted President Gerald Ford as saying, “An impeachable offense is whatever a majority of Congress considers it to be at a given moment in history.” Considering President Clinton essentially got impeached for lying about engaging in a sexual act with an intern, that seems to be 100% accurate. Shouldn’t our constitution have a more strict law regarding what constitutes an impeachable offense? I realize our Founding Fathers probably never foresaw the mockery our current batch of lawmakers would make of the institution, preferring to close down the government rather than reach across the aisle to compromise, but it seems a president’s political enemies could find almost any reason to impeach him. David’s absolutely right when he told Fitz that “Congress is prosecutor and judge and jury.” That’s the way our system currently works. Anyone else have a major problem with that?

Okay, now that I’m done with the rant, let’s get back to the much more pleasant topic of Scandal, where the president did in fact commit the very impeachable offense of going to war to save his mistress. Not only could it ruin his presidency, it could send him straight to jail, no passing “Go,” no collecting $200. That’s where the phenomenal scene between Fitz and Cyrus comes in. In exchange for once again being made Chief of Staff (along with various other demands like Fitz firing Elizabeth North), Cyrus will return to work at the White House and keep silent about the fact Fitz saw the tape of Olivia while she was a hostage.

The bulk of the episode, however, was devoted to the question of how to fix Olivia’s reputation in front of the world. At first, things didn’t exactly go as planned. As Cyrus said, “I don’t even know how the hell they found out about that ring. But she’s managed to go from being a slut, to an Everywoman, to your sister-wife in under 48 hours. I didn’t even know that was possible.”

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Scandal 5.3 & 5.4: Attacking America’s Mistress, Jake’s Not Jake, and Papa Pope Returns!

NGN Team member Laura is back today with her thoughts on the last two episodes of Scandal!

Thanks to a bout of strep throat, you get two episodes of Scandal in one blog post: both last week’s episode “Paris is Burning” and this week’s “Dog-Whistle Politics.”

By far one of the funniest dialogue exchanges occurred in last week’s episode, when Quinn asked Huck, “You were gonna turn off the Internet?” And he calmly replied, “Well, no, I was going to erase the Internet.” If only dealing with a scandal like being the president’s mistress was that easy.

So let’s take a look at how Olivia’s simple “Yes” has changed things for everyone, and what this might mean for the upcoming season.

Olivia Pope and Associates Has a New Member
Jake forced Quinn and Huck to face reality with his brilliant arrival at O.P.A. last week, reminding her two associates of exactly who Olivia is and always has been: “Liv did not ask for your help. She does not want your help. She did this. You know why you don’t know about any plan? Because you are not part of any plan. The plan already happened. The plan was Olivia Pope standing on that sidewalk and with one word obliterating any life she’s ever known. The plan was Liv requiring the same thing of herself that she requires of her clients. Standing by the one thing, following the only rule that matters to her, and what is that? Do not lie. That was it. That was her plan. The plan is done. Liv finally stood on her own, and we are done.” When they ask him what he plans to do next, he says with his usual calm demeanor, “My plan is to sit here and drink the majority of this vodka and get remarkably wasted and watch the world end. Care to join me?”

This also led to one of the cutest moments in the two episodes, when Quinn confessed to her love for martinis, and Jake reassured her, “Every new spy does it. I did it.” It’s always nice when the super spies show their human side, especially after some of the more violent rampages we’ve seen them all embark on.

This week, with Jake off fighting a different battle, Quinn and Huck tried a different tack: hiring a new gladiator in a beautiful mirror of the pilot when Quinn first joined the team. Only instead of eagerly accepting the job like Quinn did, Marcus Walker adamantly refused and walked away, at least at first.

Fortunately, Marcus proved his worth before the end of the episode, refusing to listen to marching orders and instead fighting back with his “dog-whistle politics” strategy, leading to…

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TV Time: Once Upon a Time 5.04

For future reference, I’ve decided to start referring to Hook by his real name (Killian) in these posts. It feels right to stop calling him by his more villainous moniker now that it couldn’t be clearer that he’s the romantic hero of this arc. In the same way I refuse to call Snow “Mary Margaret” and I tend to favor “Charming” over “David,” I want to use “Killian” to reflect who I think this character is at his core. But feel free to call him whatever name you feel most comfortable using in the comments!

Source: avclub.com

Source: avclub.com

Title Broken Kingdom

Two-Sentence Summary In flashbacks to Camelot’s past, the truth of the legendary Arthur/Guinevere/Lancelot love triangle is revealed, shedding more light on Arthur’s obsession with finding the Dark One’s dagger. In the more recent past, Snow and Charming face a challenge when they don’t know who to trust, and Emma and Killian work to fight the darkness in her together.

Favorite Line “You tried to trick me with a catchy title and a comfy chair.” (Charming, to Arthur)

My Thoughts “True love isn’t easy, but it must be fought for. Because once you find it, it can never be replaced.”

Those words from Charming all the way back in Season One of Once Upon a Time were on my mind throughout much of “Broken Kingdom.” Once Upon a Time has always focused on the “true” part of “true love.” It’s something that cannot be faked; it must be chosen by both parties from a place of trust, hope, and belief. Love is a choice, and the truest love is chosen and fought for even when it’s hard—especially when it’s hard. That concept—fighting for love instead of taking the easy way out, accepting the imperfect realities of love instead of living with a façade of perfection—was at the heart of “Broken Kingdom,” which was my favorite episode so far in this stellar fifth season.

I’ll get this out of the way now: Yes, the timeline was ridiculously confusing in this week’s episode, and I hope one of the writers decides to address it at some point to clear things up. How could the Dark One appear to Guinevere and Lancelot when Rumplestiltskin was in Storybrooke five years ago? And even stranger, how could he just get possession of the gauntlet five years ago when he had it in flashbacks with Belle over 30 years ago? My explanation is that Camelot has always been considered a land outside of time, so maybe the passage of time is different there. But it would be nice to have an official word on that. However, I am more than willing to forgive inconsistencies like that if the story keeps me emotionally engaged, which this one definitely did.

This episode told the story of four romantic relationships: Arthur/Guinevere, Lancelot/Guinevere, Charming/Snow, and Killian/Emma. The way the writers created parallels and direct foils between those relationships was brilliant. It seems that one of the major themes of this season is “Love is a weapon,” and it’s clear that love is a weapon for good when the love is pure, true, and healthy. But it can be used as a weapon for evil when it’s twisted by darkness and manipulated by a desire to control rather than truly love. The same can be said of Excalibur, I think. It seems the Dark One wants to wield it for evil purposes—to snuff out the light and free itself from any ability to love. But there’s also the idea that Excalibur could defeat the darkness once and for all, which is a truly heroic goal.

Excalibur has always been associated with a worthy hero, and it was clear in this episode that Arthur is not worthy of wielding the re-forged sword. In order for the sword to become whole again, light and dark have to be combined, which I think is an interesting metaphor for heroism. A true hero is someone who understands darkness and light and knows that both exist in every person. A true hero chooses to be their best self and not their worst with full knowledge of both. While Arthur seems obsessed with maintaining the façade of perfect heroism and the Dark One seems to believe it can create a hero with Rumplestiltskin, I think Excalibur will only be able to be re-forged and wielded by someone who accepts their own capacity for good and evil and wants to wield the weapon for the right reason—as a weapon of love and light and not one of darkness and destruction.

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The Best Thing I Saw on TV This Week (10/11 – 10/18)

I apologize for the fact that this post was missing last week; I was busy recovering from my amazing New York Comic Con trip, which you can read all about here

This week in television kicked off with another emotional hour of Once Upon a Time, which featured twist after twist and revelation after revelation. Also on Sunday, Brooklyn Nine-Nine highlighted Jake and Boyle’s friendship, and The Good Wife introduced a new man in Alicia’s life, played by the ever-charming Jeffrey Dean Morgan. On Monday, Dancing with the Stars switched up the partnerships with mixed results; Jane the Virgin premiered with so much humor and heart; and Castle continued to explore Kate and Rick’s new dynamic, as well as how it affects Ryan and Esposito (and Martha, too). Tuesday gave us a karaoke-filled episode of The Muppets; another look into modern parenthood on The Mindy Project; and the introduction of two great new characters on The Flash. On Wednesday, Nashville continued to break our hearts with even more depressing drama. And Friday and Saturday gave us the first two parts of Girl Meets World‘s Texas adventure, which highlighted just how talented the young actors on that show are.

It’s no secret that this has been a pretty heavy start to the season for many of the dramas I watch: Emma is the Dark One on Once Upon a Time, Castle and Beckett are in the middle of an unnecessary (in my opinion, at least) separation, and literally everyone is struggling to find happiness on Nashville. So lately, I’ve been incredibly appreciative of the shows I watch that are designed to do nothing but make me smile.

That’s why I loved the season premiere of Jane the Virgin so much: It had its moments of tears, but they were quickly followed by moments of pure joy and warmth. And that’s why I still smile when I think about Brooklyn Nine-Nine and Jake and Boyle’s “My Hunch” dance. And more than any other week so far, this week I found myself truly appreciating all the moments of silly fun The Muppets gave me.

Was the karaoke scene on The Muppets the deepest or most interesting thing on TV this week? No, but it wasn’t supposed to be. It was simply supposed to be fun, and that’s exactly what it was. It made me laugh from start to finish, and with so many TV shows breaking my heart lately, I love knowing that I can put on The Muppets and find so many reasons to feel nothing but joy.

What was the best thing you saw on TV this week?

Don’t Stop Believing: A Letter to Rachel Berry

This is the latest addition to my collection of letters to female characters who’ve inspired me throughout my years as a fangirl. If you have a letter (or letters) of your own you’d like to share, check out this post to learn more about the book of letters I’m compiling, and send your letter(s) to nerdygirlnotes@gmail.com!

Source: glee.wikia.com

Source: glee.wikia.com

Dear Rachel,

When I first started watching Glee in 2009, I was struck by more than a few similarities to my own high school experience, which had ended three years before. I had been a theater kid, a member of my school’s show choir, and far from what anyone would call popular in high school. But the thing I related to the most was a line you said in the eighth episode of that first season:

I want everything too much.

In you, Rachel, I found a reflection of the ambition I often keep hidden in the deepest part of my heart, because too often I’m afraid to tell people how much I want my dreams to come true. What if they laugh at me? What if they tell me I’m not good enough? What if they think I’m ungrateful with what I already have for wanting more?

You didn’t care. You owned your big personality, your big dreams, and your big plans for achieving those dreams. Confidence radiated from you like sunlight, inspiring others to be their best just to keep up with your glow. And what was so important about your confidence was that it wasn’t delusional. Your theatrical personality and your over-the-top methods for getting what you want were things characters and the audience were supposed to laugh at or roll their eyes at, but your belief in yourself wasn’t a joke. And for a young woman who still—now a decade removed from high school—wishes she had your confidence, that matters immensely.

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