Grading the Season Finales 2014: Orphan Black

orphan-black-season-2-finale

Title By Means Which Have Never Yet Been Tried (2.10)

Written By Graeme Manson

What Happens? In an attempt to gain access to Kira after she was kidnapped by Rachel, Sarah surrenders to Dyad, and upon her surrender she’s interrogated about her sexual and reproductive history and forced to allow Dyad to harvest her eggs. Kira has her own plans for getting out of Rachel’s clutches; she steals a cell phone to call Cal, who appears at Mrs. S.’s house with plenty of revelations of his own: He’s figured out that Sarah is a clone, and he’s been in contact with a mysterious source who brings up the name Castor, which seems to mean something to Mrs. S.

Sarah and Kira aren’t Rachel’s only captives. She visits her father to try to get him to reveal the secrets to his genetic sequence, but he poisons himself with his own teabag before they can get any more information out of him. In a fit of rage, Rachel shows up at Sarah’s bedside before the surgery that will remove one of her ovaries, and she smashes the tubes of bone marrow Kira donated to help Cosima. The connection between Kira and Cosima has grown to be stronger than just bone marrow, though, and a drawing Kira made of a science lesson her Aunt Cosima taught her leads Sarah to a projectile device rigged up by Cosima and Scott. She frees herself (and ultimately Kira) by putting a pencil through Rachel’s eye with the help of a fire extinguisher.

Momentarily safe from Dyad, Sarah is able to enjoy some time with her sisters, introducing Cosima and Alison to Cal before Felix brings Helena home to meet her family. The sisters, Kira, and Felix are able to enjoy a night of family bonding (aka one big dance party) before chaos resumes in the morning.

Helena is kidnapped by men who are somehow connected to Mrs. S. and Paul, and the last we see of her, she is being put onto a military plane as they watch. Back at Clone Club Headquarters, Cosima experiences a near-death vision of Delphine before Kira wakes her. The little girl brings her aunt the book Rachel’s father gave her, and Cosima sees that his formulae and sequencing codes are hidden in its pages.

Meanwhile, Sarah visits Marian and meets her adopted daughter Charlotte, the only child to survive the 400 attempts to continue Project Leda and create new clones. Marian explains that Project Leda was never really shut down, and it has a brother project continued by the military: Project Castor. As Sarah sees one of the Project Castor clones, it’s revealed that Mark—the ex-military man who helped Gracie escape the Prolethean compound and married her (knowing she was carrying Helena’s child/children)—has plenty of “brothers” that he may or may not know about.

Game-Changing Moment The entire sequence of events at Marian’s home featured one big, game-changing moment after another. For two seasons, we assumed that Project Leda was finished, we assumed that any and all clones would be the same age as Sarah, and we assumed they would all be played by Tatiana Maslany. The introduction of Charlotte, a Kira-aged clone with Sarah’s DNA, blew all of those assumptions to bits. And the introduction of Project Castor changed the game in perhaps an even bigger way. Not only did it add a military angle to the scientific/political/religious debates this show brings to light every week; it broadened the entire scope of the show’s universe by adding a whole new set of clones into the mix. I don’t think their stories will pull too much focus from the female clones we already know (we first discovered Project Castor through Sarah’s eyes, after all); the producers know what’s working for them and probably don’t want to mess too much with that formula. But it will open up some interesting new avenues of storytelling for the show’s third season (which will hopefully be announced soon, pretty please!).

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The Best Thing I Saw on TV This Week (6/15 – 6/22)

This week in television began with a conclusion, as Game of Thrones wrapped up an excellent fourth season with its greatest finale yet. Monday’s episode of The Bachelorette provided plenty of drama of its own, as accusations of racism and jealousy plagued an episode that featured my favorite suitor (Josh) getting his first one-on-one date. After a slow Tuesday night, Wednesday was quite eventful: more auditions on So You Think You Can Dance, a wedding on Melissa & Joey, big moves and almost-kisses on Baby Daddy, and one of the greatest episodes for Donna and Louis in the history of Suits. The week ended with another finale, as Saturday’s episode of Orphan Black closed the book on the show’s sophomore season with enough twists to keep viewers on the edge of our collective seat until Season Three (hopefully) airs.

I’ll be writing much more about this when I grade it (hopefully tomorrow!), but nothing on TV this week—not even a very strong Game of Thrones finale—could compare to Saturday’s Orphan Black finale. Off the top of my head, I could pick about five different moments that would qualify as the best thing I saw on TV in almost any given week. However, since I want to save some opinions for my full analysis of the episode, I’m going to pick the moment that brought me the most joy and also reminded me just how brilliant everyone involved with this show is: the Clone Club dance party.

I loved the fact that—in this breathless finale, filled with twists and crazy plot revelations from start to finish—the creators were brave enough to include a scene that had nothing to do with moving the plot forward. Its purpose was simply to show the dysfunctional but beautiful little family that has formed between these sisters, Kira, and Felix over the last two seasons. Watching all of these characters let off some steam and enjoy each other’s company by dancing together was everything I never knew I always wanted.

What impressed me the most in this scene was the totally unique movements Tatiana Maslany gave to each of the clones. Each dance style reflected each clone perfectly, and it was yet another moment where I completely forgot I was watching the same actress work her magic as so many different women. But upon reflection, I find myself even more in awe of this scene because of the technical work that had to go into shooting it. This scene demanded nothing less than complete dedication from the cast and the crew, but it ended up looking so effortlessly fun. That’s the mark of a great work of art—it takes a hell of a lot of work but looks like the most natural thing in the world.

What was the best thing you saw on TV this week?

Grading the Season Finales 2014: Game of Thrones

GOT finale S4

As another strong season of Game of Thrones draws to a close, I wanted to say thanks to all of you who participated in our discussions every week. It was a pleasure to talk about this show with all of you. Also, just as a warning, it’s hard to talk about this finale without brining up spoilers for the later books in the series. There will be spoilers, and they will be in both this review and its comments, so proceed with caution.

Title The Children

Written By David Benioff & D. B. Weiss

What Happens? In the North, Jon meets with Mance Rayder before discovering that a new force has come to the Wall to bolster the ranks of the Night’s Watch: Stannis Baratheon, who forces Mance to surrender. Bran is also introduced to new, powerful friends (after losing one when Jojen Reed dies) as he reaches the Three-Eyed Raven, who tells him that he will never be able to walk, but he will be able to fly. Daenerys, on the other hand, needs to keep her “children” grounded after her dragons prove to be responsible for the death of a child, so she puts two of them in chains while Drogon is nowhere to be found.

In King’s Landing, Cersei enlists the help of Qyburn and his unnatural means to keep the Mountain from dying of poisoning after his fight with the Red Viper. She then tells her father that she refuses to marry Loras Tyrell, revealing her relationship with Jaime to Tywin in the process. But despite Cersei’s show of affection towards Jaime, he ultimately sides with Tyrion, breaking his little brother out of his prison cell and helping him escape.

Near the Eyrie, Arya is given a reason to escape from the Hound when she crosses paths with Brienne. While their swords initially provide a moment of bonding for the two women, Oathkeeper proves to be Brienne’s downfall, as the Hound names her as a Lannister sympathizer and fights to his (near) death to keep her from Arya. Afterwards, he’s left begging for death, but Arya does not kill him. Instead, she robs him and heads out into the world on her own once again.

With Jaime’s escape route set before him (planned by Varys), Tyrion also appears ready to head out into the world on his own. However, he first stops in his father’s quarters, where he finds Shae in Tywin’s bed. The sight is too much for Tyrion, who strangles the woman who once was his lover. He then sets his sights on his father, whom he confronts in the bathroom before fatally shooting him with a crossbow.

As Tyrion is put into a crate to travel across the sea, Varys realizes that Tywin’s death means he must also escape in order to avoid the sentence of aiding in patricide. The episode concludes on another ship, where Arya finds herself embracing the possibility of a new life in Braavos.

Game-Changing Moment There were simply too many game-changing moments in this finale for me to choose just one. So I’m turning this one around on you, friends. Tell me: Which moment do you feel was the most impactful? Tywin’s death had huge implications for not just Tyrion’s story but also for Cersei and Jaime, as well as all of the characters in King’s Landing. Shae’s death was a game-changer for Tyrion’s character because it forever altered the way we look at him. (Yes, she betrayed him, but he brutally strangled a woman he once claimed to love.) Arya’s escape to Braavos physically and emotionally put her in a new place. And Stannis’s appearance will have huge ramifications for all the storylines at the Wall (and in the fight for the Seven Kingdoms) going forward. So which did you find the most important?

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Grading the Season Finales 2014: Castle

I just wanted to say thank you to all of you who’ve read and commented on my Castle posts this season. It’s been a fun ride, and I can’t wait to discuss Season Seven with all of you in the fall!

Source: tvline.com

Source: tvline.com

Title For Better or Worse (6.23)

Written By Andrew Marlowe and Terri Miller

What Happens? Three days before their wedding, a wrench gets thrown into Castle and Beckett’s plans when it’s revealed that Beckett is actually a married woman—and not married to Castle. I turns out that a drunken visit to a Vegas wedding chapel when she was at Stanford ended in a marriage that she thought wasn’t legally binding to Rogan O’Leary, a con artist and criminal.

As Castle stays behind to continue with wedding preparations, Beckett heads to a small town in New York to get Rogan to sign the divorce papers. He won’t do it until she helps him break into his ex-girlfriend’s car to help him get his belongings back after their breakup. After Beckett fulfills her part of the deal, she goes back to O’Leary’s place, only to watch him get kidnapped. After Beckett relays the story to Castle, he agrees to join her to wrap up this problem as soon as possible.

It’s not only the kidnapping of O’Leary that throws a wrench into Castle and Beckett’s wedding plans. Ryan’s tuxedo doesn’t fit, their rooftop venue was destroyed in a fire, and Beckett’s dress was ruined when a pipe burst in her apartment building. Beckett worries that these are all signs that this wedding isn’t meant to happen, but Castle reassures her that all great love stories face obstacles. In order to get the fairytale ending, you have to keep pushing through the bad times.

As Castle and Beckett investigate O’Leary’s disappearance, they come into contact with a biker gang, a stripper, and a reverend who are all connected to Beckett’s newly-discovered husband. It turns out that O’Leary has photos of the stripper with the reverend but also with a mafia hit man who has been on the run from law enforcement for years. The hit man is behind the kidnapping, and he seems intent on wiping out O’Leary as well as Castle and Beckett, until they run into the biker gang again. After learning of the reward on the hit man and knowing they have strength in numbers, the gang removes the hit man from the situation, leaving O’Leary free to sign the divorce papers, which leaves Beckett free to marry Castle.

Despite all of complications, Martha and Alexis move the ceremony to their Hamptons house, and Lanie gets Beckett an even better dress to wear: her mother’s. But as Castle drives to the house after getting their paperwork filed, he’s followed by a dangerous-looking SUV. After he fails to show up when he was supposed to, Beckett gets a call and races to an unknown location in her wedding dress. After she gets out of her car, she sees Castle’s car, which has gone over a cliff and has burst into flames.

Game-Changing Moment For much of this season, it seemed Castle was leading up to a wedding that wasn’t exactly like the one that was planned but was still a happy and hopeful occasion. And while I had some doubts about whether or not the wedding would actually happen in this episode (I thought the lack of huge promotion and the lack of snippets of the wedding ceremony itself in promos was a bad sign), I certainly did not expect such a dramatic way to end the season. It doesn’t get much more game-changing than appearing to kill of your show’s title character. And while we know that won’t be the case, this is going to impact the show in a huge way—no matter who was in that SUV. (My guess: 3XK or someone connected to him.) It added another obstacle to Castle and Beckett’s love story, it prolonged the lead-up to the wedding (presumably so there would be viewers tuning in for the wedding this week and then tuning in again when it actually happens—I’m guessing around the midpoint of next season), and it gave us a moment that we’ll be talking about all summer. Whether or not that talk will be all positive is a different story, but if the job of that plot twist was to shake things up after a season of happy wedding planning, then its mission was accomplished.

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Grading the Season Finales 2014: Once Upon a Time

Since this is the end of this season of Once Upon a Time, I just wanted to thank all of you for reading these reviews every week and for sharing your thoughts so enthusiastically in the comments. It’s been a true pleasure reviewing this show this season, and no small part of that has come from those of you who read and comment on these posts.
COLIN O'DONOGHUE, JENNIFER MORRISON

Title Snow Drifts/There’s No Place Like Home (3.21/3.22)

Written By David H. Goodman & Robert Hull/Edward Kitsis & Adam Horowitz

What Happens? After Hook inadvertently hints to Henry (and Regina by proxy) that Emma is thinking of going back to New York, Emma tells Hook that she runs away because she believes that home is a place you miss, and she’ll keep running until she finds a place she misses. She believes she can’t relate to her parents or to life in Storybrooke because, to her, they’re still fairytale characters, and she’ll never feel like the princess she was supposed to be.

As Emma and Hook talk, they notice a light coming from Zelena’s time portal, which was activated by her death, a death Rumplestiltskin fixes to look like a suicide. When Emma is sucked into the portal, Hook dives in after her. They land in the Enchanted Forest, and a wanted poster for Snow White (and a close encounter with the Evil Queen) reveals to them exactly where in the past they landed.

When Emma breaks a twig and accidentally disrupts her parents’ first meeting, she and Hook seek out Rumplestiltskin’s help to set things right. After a tense first meeting with the Dark One (since he and Hook were still mortal enemies at this point), he agrees to help them because Emma tells him they need to survive so he can get back to his son.

Emma and Hook realize that they need to get Snow to still steal Charming’s ring, since that was the key to their love story. To do that, Hook offers Snow passage on his ship in exchange for the ring (as Emma occupies Hook from the past). Snow decides to steal the ring during Charming and Abigail’s engagement party, which Hook and Emma crash in magical disguises (courtesy of Rumplestiltskin). As “Prince Charles and Princess Leia” dance, Snow breaks into the castle, only to be caught by Charming in a similar way to their original first meeting.

When it’s discovered that Snow lost the ring in her escape, things look bleak for Emma and Hook, but they look bleaker when Regina captures Emma for helping Snow White. As Emma bonds with a woman in her cell, Hook and Charming (with some help from his patented net trap) enlist Snow’s help to break into the castle to find her. Emma escapes by picking the locks as Neal taught her (which we’re shown through flashbacks), and she takes the unnamed woman with her. But as Hook and Charming reach them, the realize Snow left them to try to kill Regina, which she’s unable to do. Instead, they watch from afar in horror as Regina appears to burn Snow at the stake.

However, Emma’s existence proves Snow to still be alive, and they discover she used her dark fairy dust to turn herself into a bug and escape. Emma is elated to see her mother alive, but Snow seems unmoved by Emma’s reaction, since she’s simply Princess Leia to her mother. As Snow and Charming move on to other parts of their adventures, Emma is able to watch her parents fall in love.

When Emma and Hook return to Rumplestiltskin looking for a way home, they find he doesn’t have one for them; he only has a forgetting potion for himself. Instead, he locks them in his vault with a wand that can open the portal only with Emma’s magic, which she no longer has. But Emma’s encounter with her mother helped open her eyes to the fact that she misses her parents; she misses them in a way that she knows can only come from knowing they’re her home. Her desire to go home to Storybrooke reawakens her magic, allowing her to open the portal, which Hook takes the woman they saved through first. Rumplestilstkin won’t let Emma leave before she tells him what happens to Bae, and she’s forced to tell him of his death. But he chooses to let her go after she begs him to let his death not be in vain, and he takes the potion.

Back in Storyrbooke, Emma reunites with her parents, telling them she’s finally home (and calling them mom and dad). Later, she goes out to find Hook, ready to thank him for bringing her back from New York. When he reveals that he gave up the Jolly Roger for a way to get back to her, she finally lets herself believe in his love, and they kiss.

Happy endings seem to be prevalent in the episode’s final moments, with Rumplestiltskin marrying Belle (despite her not knowing what he really did to Zelena) and Regina happily kissing Robin. But the woman Emma and Hook brought back turns out to be Robin’s wife, Marian, leaving Regina heartbroken. As Regina tells Emma she hopes she didn’t bring anything else back, a look at the portal reveals that a stowaway from Rumplestiltskin’s vault made the journey too: Princess (or Queen) Elsa has arrived with her freezing powers at the ready.

Game-Changing Moment Emma had no idea how much she changed the game by deciding to do the honorable thing—the Charming Family thing—in bringing back the woman she shared a cell with in Regina’s dungeon. By bringing Marian back to Storybrooke, Emma unknowingly gave Regina a whole new set of conflicts—both internal and external—to be worked through next season. Regina was understandably angry in the moment, but how will she deal with her emotions going forward? It’s that question that will really keep me thinking all summer.

But of course, Emma also brought back someone else, and that’s the real game-changer on a plot level. Will Elsa freeze Storyrbooke? Will the group have to travel to Arendelle? Is she going to be a villain or something closer to her role in Frozen? No matter the answers to these questions, what’s certain is that the show is heading in a new direction once again, and that new direction is going to generate plenty of hiatus buzz.

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Grading the Season Finales 2014: New Girl

new girl cruise

Title Cruise (3.23)

Written By Luvh Rakhe & Rob Rosell

What Happens? When Nick and Jess can’t get a refund on the couples’ cruise they booked back when they were dating, they decide to bring all of their roommates along to keep things from being awkward. That plan falls apart when a day spent taking part in activities that were part of their “Grand Romance Package” leads to Nick trying to kiss Jess.

As Nick and Jess make the decision to abandon hopes of a friendship, Coach struggles with his fear of boats and water, and Cece keeps trying to get a signal to talk to her boyfriend. Schmidt initially plans to give Cece a class ring to celebrate her getting her GED (and to try to win her back), but Winston knows this is a bad idea and “accidentally” causes the ring to go overboard. With his grand gesture ruined, Schmidt takes a moment to see that Cece is really happy in her new relationship and decides not to pursue her now.

Winston and the rest of the group plan an intervention in their stateroom to help Nick and Jess accept that can still be friends. Although the intervention proves to be a success, the aftermath is not pretty; the group gets themselves locked in their stateroom for three days. When the cruise is over, Nick and Jess decide that they can still be friends, but one of them has to move out of their room. Schmidt comes up with a plan to solve everything: He and Nick can have bunk beds in his room like they did in their college days.

Game-Changing Moment Ever since Nick and Jess broke up, the loft and the show itself has felt stifled by the awkward situation of two people living in the same room after their relationship ended. By ending this finale with Nick deciding to move into Schmidt’s room, the show seemed to be setting up a fourth season that isn’t as heavy with awkwardness and angst as these last few episodes have been. The comedic potential of Nick and Schmidt sharing a room has already been shown in flashbacks to their college days, so this move will almost assuredly shake up the loft dynamics in a fun way next season. Also, the move seemed slightly meta to me, acknowledging the strange writing choice to keep them in the same room and admitting that it’s not working. By moving Nick out of the room, I’m hopeful that the writers will be moving away from having Nick and Jess’s storylines revolve only around each other. Was this game-changing moment a huge one? No, but does seem like an important step on the road to fixing the show after it got off the rails this season.

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Grading the Season Finales 2014: The Mindy Project

danny and mindy

Title Danny and Mindy (2.22)

Written By Mindy Kaling

What Happens? When Mindy believes she’s having an email romance straight out of You’ve Got Mail with the cute stranger she saw on the subway, she breaks things off with Charlie to pursue “Andy,” who is actually Danny, desperately trying to be the kind of romantic man he thinks Mindy wants in an attempt to win her back. On her way to meet “Andy” at the top of the Empire State Building, Mindy makes a stop at Danny’s apartment (to get gum out of her hair). While Danny frantically tries to keep her from seeing him dressed up to meet her, Mindy reveals that she’s happy the two of them decided to call off their relationship because she remembered Danny saying that guys don’t break up with girls they really want to be with.

Thinking Mindy has no interest in him anymore, Danny doesn’t show up at the Empire State Building, so Mindy waits hours there for “Andy,” catching a cold. Danny brings her soup to help her recover, and the two of them begin spending more time together, seeing New York through each other’s eyes. However, a chance encounter with the guy Mindy thought was “Andy” forces Danny to confess that he lied to her and ultimately stood her up. When Mindy asks why he pretended to be someone else, he tells her it’s because he loves her. Mindy says doesn’t believe him because he was so quick to run away the last time they tried a relationship. When Danny begs her to meet him that night at the top of the Empire State Building, Mindy replies that accepting his offer would make her “the stupidest person alive.”

Later that night, the entire Shulman and Associates crew finds Mindy still working instead of meeting with Danny. They all try various ways to convince her that Danny really does love her. But the only one to get through to her is Peter, who shows her a memory box Danny keeps in his desk, which now holds a pair of her earrings. Mindy then goes to the Empire State Building but finds out she’ll have to walk up the stairs the whole way thanks to a broken elevator.

Mindy’s late arrival and slow ascent had Danny convinced she wasn’t coming, so his coworkers find him eating pizza instead of waiting for her. They tell him that Mindy really is on her way, so he begins a mad dash through the New York City streets to reach her (including getting hit by a car). Once at the top of the building, Danny finds Mindy sprawled out on the ground, exhausted from her trek up the stairs. He tells her he loves her and is “all in” in terms of their relationship. They decide to go on their first real date, end up arguing about the number and names of their future children, and seal the moment with a kiss.

Game-Changing Moment The Mindy Project started as a show about a woman obsessed with romantic comedies whose own love life was the antithesis of a Meg Ryan movie—aka a disaster. For two seasons, we watched Mindy Lahiri cycle through an endless parade of attractive hookups, boyfriends, and fiancés. Even her first attempt at a relationship with Danny was short-lived. But “Danny and Mindy” fundamentally shifted the show’s direction with three little words, “I’m all in.” Danny knows what those words really mean, and he knows what a huge step this is for him to say those words (and Mindy knows it, too). This is a character who—even in marriage—had trouble investing all of himself in a relationship. But Mindy wants something real, and she deserves nothing less. So with three words, Mindy’s string of short-term relationships might finally be over, ushering in a new era for the show—an era of telling the story of what happens after the characters in a romantic comedy get together with a kiss at the top of the Empire State Building. Mindy and Danny were already talking about kids by the end of this scene, so we know these aren’t just empty words. There’s a chance that The Mindy Project could be finally ready to go all in on telling not just a “will they/won’t they” story but a “they did, now what?” story. I am eager to see what comes next and hopeful that it will be handled with care, which is exactly what a good game-changing moment is supposed to make a viewer feel.

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The Best Thing I Saw on TV This Week (4/20 – 4/27)

This week in television featured the return of some beloved shows and the finales of others. Sunday night began with an episode of Once Upon a Time that might have featured the most character development on the show to date. The night continued with another strong episode of The Good Wife and one of the most controversial episodes of Game of Thrones in the show’s history. Monday brought a lot of fun to our living rooms with “party anthem” night on Dancing with the Stars and a new Castle episode that took the characters back to the 1970s to solve a cold case. Tuesday’s episode of The Mindy Project served as a potent reminder of just how wonderful Mindy and Danny could be together, and Wednesday’s Nashville concert special featured the show’s best songs performed by its talented cast. On Thursday, the sixth season of Parks and Recreation ended with huge leaps forward for all of its characters, and Saturday’s episode of Orphan Black was yet another thrill-a-minute way to spend an hour.

From every scene with Regina on Once Upon a Time to Alison drinking with Felix on Orphan Black, there were a plethora of great moments to choose from this week. But the best of the best came to us courtesy of Parks and Rec‘s season finale. The conclusion of the Unity Concert, with all of the episode’s guest stars joining a reunited Mouse Rat and Duke Silver onstage, was a huge dose of the kind of positive energy that only this show can provide. The joy on each character’s face was a perfect representation of this show’s ability to spread happiness, and I’ve been singing “5,000 Candles in the Wind” with a smile ever since Thursday night.

http://www.youtube.com/watch?v=k1jUTCH-83U

What was the best thing you saw on TV this week?

Grading the Season Finales 2014: Parks and Recreation

This is the first of my regular shows that I review to have its finale this year, so I just want to say thanks to all of you who’ve read and commented on my Parks and Rec posts this season. It’s been a pleasure spending the season in Pawnee with all of you! 

Source: nbc.com

Source: nbc.com

Title Moving Up (6.21/6.22)

Written By Aisha Muharrar & Alan Yang

What Happens? Leslie attends a National Parks conference in San Francisco, where some advice from Michelle Obama and Ben help her see that she needs to accept the job she was offered with the National Parks Department to head up their branch in Chicago. While in California, Ben discovers that his board game, The Cones of Dunshire, has taken off in popularity, and he’s later given the copyright to the game as a gift from the Pawnee accounting firm he keeps having to turn down.

Leslie’s decision to take the National Parks job is complicated by the experience of others in similar positions to hers in terms of the Pawnee-Eagleton merger, people who tell her it could take a decade of close involvement with both towns to make the merger work. In addition, her team at the Parks Department has her love for Pawnee commemorated on a statue.

Leslie must put aside her difficult decision to help finalize the Unity Concert, which Andy leads surprisingly without difficulty. The same can’t be said for the soft opening of Tom’s Bistro, which is disastrous, but April, Ron, Donna, and Craig inspire Tom to give it another try with an after party following the Unity Concert. The concert itself not only features performances from major musical acts (including Donna’s cousin Ginuwine), it reunites Mouse Rat and introduces all of Pawnee to Ron’s saxophone-playing alter ego, Duke Silver. That success is followed by another—Tom’s after party is a huge hit with national and Pawnee celebrities alike.

Feeling more torn than ever after such a successful event in the town she loves, Leslie seeks out Ron’s advice and finds him on the third floor of City Hall, which he completely restored over the course of the year. He tells Leslie that her ambition deserves more than what Pawnee can give her, and she can’t have everything she wants. However, Leslie is inspired to find a way to do exactly that. She convinces the National Parks Service to open their Midwest branch in Pawnee instead of Chicago.

The final moments of the finale flash forward three years into the future, where Leslie is running the National Parks Department branch in Pawnee, heading to an event for Ben (that requires him to wear a tuxedo), and leaving her young triplets with Auntie April and Uncle Andy for the evening.

Game-Changing Moment For six seasons, Leslie Knope has worked as an employee of the Parks Department of Pawnee, Indiana. Even when she was a city councilwoman, she never stopped being connected to that Parks Department. Heck, it’s the title of the show! Therefore, if Leslie leaving that Parks Department to take a job for the National Parks Service doesn’t qualify as a game-changing moment, then I’m not sure what does. Yes, she still lives and works in Pawnee. Yes, she still seems to be close to her friends. But the fundamental makeup of the show—a workplace comedy about local government—has been dramatically altered thanks to the events of “Moving Up.” And after a season that had many—myself included—feeling restless about the direction of the series, this game-changing moment was a breath of fresh air, a necessary step in the real story this show is trying to tell. Because at its heart, Parks and Recreation isn’t a story about local government; it’s a story about Leslie Knope, and Leslie’s story needed this change.

That could have been enough to change the foundation of Parks and Rec, but the show went one step further with the final-minute time jump. Taking these characters three years into the future opened up new avenues of storytelling that would have taken too long to develop any other way. It shook up the sense of stasis that existed for most of this season in a major way, and it created a sense of eager anticipation for next season.

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Grading the Season Finales 2014: Scandal

TONY GOLDWYN

Title The Price of Free and Fair Election (3.18)

Written By Shonda Rhimes and Mark Wilding

What Happens? Jake tells Fitz about the bomb Maya Pope planted in the church (which Cyrus was still not going to tell him about), prompting an evacuation of the church just as the bomb goes off. As Fitz delivers a speech, Sally is shown helping the wounded among the rubble of the church, and it becomes clear that Fitz is about to lose the election.

Olivia confides in her father that she doesn’t want Fitz to lose and that she was scared Rowan was going to die when her mother stabbed him. With Maya still on the loose and the election all but lost, tensions are running high in the White House. Things only get more complicated when Olivia tells Fitz about his father raping Mellie. Fitz goes to his wife, and both he and Olivia understand that he can’t leave her with this new knowledge. Instead, he and his family make an appearance together, but while Fitz is delivering his speech, his son Jerry collapses and later dies from bacterial meningitis.

Jerry’s death is revealed to be no accident: A vial containing a strain of the disease was stolen, and all signs point to Maya. A grieving Fitz gives Rowan permission to do whatever he has to do to bring her down, which means reinstating himself as Command of B-613.

As Fitz and Mellie mourn together, Olivia and Cyrus contemplate their humanity: Were they always monsters whose first thoughts are winning elections, which they know will happen now with the public support thrown behind Fitz after Jerry’s death? Olivia is confronted with a way to rediscover her humanity when Huck reveals Quinn found his family. While he ultimately decides to see them again, his words about disappearing inspire Olivia to take her father up on his offer of putting her on a plane to disappear forever—and she takes Jake with her.

With Olivia gone just like her father wanted, Harrison puts the pieces together to see that it wasn’t Maya who killed Jerry—it was Rowan. Olivia wanted Fitz to be president, so he made Fitz president, while taking away his son like Fitz took away Rowan’s daughter. Rowan then orders Harrison to be shot, and we see that he’s keeping Maya locked up once again.

As Olivia and Jake fly towards their new life, David receives boxes of files on B-613, and Olivia receives a phone call from the White House. It’s Mellie calling for Fitz, who has broken down under the weight of everything the presidency has cost him just before he’s set to deliver his victory speech. But Olivia chooses not to pick up.

Game-Changing Moment Scandal is famous for packing multiple game-changing moments into each episode—not just its finales. With so many shocking scenes in its short history, it’s rare that a Scandal twist can be genuinely upsetting anymore, but that’s exactly what young Fitzgerald Grant IV’s death was—upsetting. When none of the major characters in the church died in the bombing, I’m sure most people expected someone to die in a different way in this episode, but I’m not sure anyone expected the teenage son of the president to die in such a sudden and brutal manner. Jerry’s death was a horrifying moment, and it’s more even horrifying after discovering why he died. His death led to so many more game-changing moments in this finale: Rowan being reinstated as Command by Fitz; Fitz winning the election; Maya being recaptured; and, ultimately, the reveal that Rowan was the one who set up the boy’s death (which led to Harrison’s possible death as well). This twist also led to many of the episode’s most important moments of character growth: Olivia and Cyrus talking about becoming monsters; Mellie and Fitz softening towards each other in their grief; and Fitz breaking down in the Oval Office. It’s always a risk to kill off a kid (or in this case, a teenager), but Scandal made it a moment of huge importance while grounding it in very realistic grief.

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