NGN’s Best of 2015: TV Relationships

COLIN O'DONOGHUE, JENNIFER MORRISON

Source: ABC/Jack Rowand

The television landscape in 2015 was filled with incredibly compelling relationships. Whether you’re a fan of fairytale romances, supportive friendships, complex marriages, or loving families—there was something on television this year for you to be captivated by.

For today’s entry in NGN’s Best of 2015 series, let’s take a look at the relationships that made us swoon, cry, and cheer this year. Don’t forget to share your thoughts and your own lists of dynamic duos (or groups!) in the comments! And if you’re in the mood for more “Best of 2015” lists, be sure to check out TVExamined and MGcircles for some NGN-approved fangirl fun!

1. Emma Swan and Killian Jones (Once Upon a Time)
I’m a sucker for a good fairytale, and there’s no better one right now than the epic romance between Emma and Killian on Once Upon a Time. This year, Emma and Killian faced beautiful highs (declarations of love, planning a future together in a new home…) and painful lows (a double dose of Dark One danger, a couple of almost-deaths before one that was all too real…). But if their story in 2015 proved anything, it’s that love is stronger than darkness. Whether they were reigniting a spark of connection in an alternate universe or kissing among the flowers of Camelot, they were a beautiful example of the power love has to help us be our best and strongest self. No couple on TV made me smile bigger or cry harder in 2015, and no couple had a more powerful ending to the year—with Emma ready to literally go to hell and back for the man she loves.

2. Philip and Elizabeth Jennings (The Americans)
I always describe The Americans as a show that on the surface is about spies but is actually a fascinating study of a marriage and a family. In order for that premise to work, the marriage at the center of the show needs to be even more compelling than the espionage plots around it. Thankfully, this show has found a pair of actors in Matthew Rhys and Keri Russell who set the screen on fire when they’re together and are probably the best scene partners in the business right now. I find myself not wanting to blink when they’re together because I’m afraid to miss even the smallest look between them—because one look or one touch conveys so much emotional depth and honesty. In the middle of a life that asks these characters to constantly lie, it’s beautiful to see them develop a sense of truth and intimacy with each other, even when it’s imperfect and messy—because that’s what a real marriage is all about.

3. Claire Beauchamp Randall Fraser and Jamie Fraser (Outlander)
Watching Claire and Jamie grow from a pair forced into marriage to a pair truly living out what it means to love someone “for better or worse, in sickness and in health” was one of my favorite things I did as a television viewer in 2015. I don’t use the word “swoon” lightly, but these two made me do that on more than one occasion this year. There is no duo on television with better chemistry than Caitriona Balfe and Sam Hueghan, and this show wisely uses that chemistry to its fullest potential, creating the best love scenes on television this year (many of which I will admit to watching more than once…purely for research purposes, of course).

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The Best Thing I Saw on TV This Week (10/11 – 10/18)

I apologize for the fact that this post was missing last week; I was busy recovering from my amazing New York Comic Con trip, which you can read all about here

This week in television kicked off with another emotional hour of Once Upon a Time, which featured twist after twist and revelation after revelation. Also on Sunday, Brooklyn Nine-Nine highlighted Jake and Boyle’s friendship, and The Good Wife introduced a new man in Alicia’s life, played by the ever-charming Jeffrey Dean Morgan. On Monday, Dancing with the Stars switched up the partnerships with mixed results; Jane the Virgin premiered with so much humor and heart; and Castle continued to explore Kate and Rick’s new dynamic, as well as how it affects Ryan and Esposito (and Martha, too). Tuesday gave us a karaoke-filled episode of The Muppets; another look into modern parenthood on The Mindy Project; and the introduction of two great new characters on The Flash. On Wednesday, Nashville continued to break our hearts with even more depressing drama. And Friday and Saturday gave us the first two parts of Girl Meets World‘s Texas adventure, which highlighted just how talented the young actors on that show are.

It’s no secret that this has been a pretty heavy start to the season for many of the dramas I watch: Emma is the Dark One on Once Upon a Time, Castle and Beckett are in the middle of an unnecessary (in my opinion, at least) separation, and literally everyone is struggling to find happiness on Nashville. So lately, I’ve been incredibly appreciative of the shows I watch that are designed to do nothing but make me smile.

That’s why I loved the season premiere of Jane the Virgin so much: It had its moments of tears, but they were quickly followed by moments of pure joy and warmth. And that’s why I still smile when I think about Brooklyn Nine-Nine and Jake and Boyle’s “My Hunch” dance. And more than any other week so far, this week I found myself truly appreciating all the moments of silly fun The Muppets gave me.

Was the karaoke scene on The Muppets the deepest or most interesting thing on TV this week? No, but it wasn’t supposed to be. It was simply supposed to be fun, and that’s exactly what it was. It made me laugh from start to finish, and with so many TV shows breaking my heart lately, I love knowing that I can put on The Muppets and find so many reasons to feel nothing but joy.

What was the best thing you saw on TV this week?

Fangirl Thursday: A Matter of Trust

Source: Fox.com

Source: Fox.com

OUAT

Trust is always a tricky thing to earn. It’s even trickier when you’re talking about the trust between a creator and the fans of whatever it is they create. One wrong move, one misstep in how a character’s arc is handled, one bad interview—and that trust can be easily damaged, if not completely destroyed.

However, there are still those creators we trust—the ones whose beliefs about what makes good literature, films, or television align so closely to ours that we seem to nod along with every interview they give. Those are the creators we’ll follow to the ends of the Earth, trying new books, movies, or shows we might never have been interested in had we not known they were created by someone we trust.

That’s exactly what happened with me and Brooklyn Nine-Nine. I don’t regularly watch a lot of comedies. I wasn’t the world’s biggest Andy Samberg fan. The idea of a comedy set in a police precinct wasn’t something I knew I’d love immediately. However, it had Mike Schur’s name attached to it. And I trust Mike Schur.

Brooklyn Nine-Nine has done nothing but increase the level of respect I have for and trust I have in Mike Schur. When people act surprised by the show’s diverse characters, its inherent warmth, its successful risk-taking in terms of its central romance, and its well-developed female characters, all I can do is smile and say I’m not surprised at all. This is what Mike Schur does. This is who he is. And this is why I trust him.

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Grading the Season Finales 2015: Brooklyn Nine-Nine

Source: spoilertv.com

Source: spoilertv.com

Title Johnny and Dora (2.23)

Written By Luke Del Tredici

Two-Sentence Summary When Jake and Amy have to pose as an engaged couple to track an identity thief, their ability to separate their personal feelings from their professional partnership is put to the test. Meanwhile, Terry and Gina try to help Captain Holt find a way out of his new position, and Boyle helps Marcus plan a surprise for Rosa’s birthday.

Game-Changing Moment Changes were happening all over the 99th precinct at the end of this episode. Captain Holt decided to take the job with NYPD Public Relations rather than letting his team fall into the hands of Madeline Wuntch, and that decision sent shockwaves through the precinct, even more so when Gina decided to leave with him. Having Holt and Gina work separately from the rest of the characters broadened the scope for Season Three and shook up some of the show’s best dynamics—Jake and Holt, Amy and Gina, Terry and Gina, Amy and Holt, etc. I’m sure the show will find a way to believably (or at least entertainingly) bring those two characters back to the precinct soon enough, but until that happens, Brooklyn Nine-Nine will certainly feel different.

Captain Holt’s departure and the sense of change it brought with it also seemed to inspire Jake and Amy to change the game in their own way—with a real kiss after a pair of undercover ones earlier in the episode. While the fallout from that kiss wasn’t addressed yet (thanks to the arrival of the new captain), it was clear from both of their expressions after pulling away that this isn’t going to be something they try to ignore or excuse away because they regret it. Instead, this has the potential to be a major turning point in their relationship, and, as such, a major turning point in the show.

“Johnny and Dora” ended with a sense of confidence in terms of where the show is going and how it’s getting there. It swung for the fences on not just one but two major changes, and I think both of those swings will lead to big hits. Brooklyn Nine-Nine is a show that has yet to let me down thus far. That makes it easy for me to watch large-scale changes unfold, because I have every faith that those changes will be handled with care.

Finale M.V.P. How do we start a campaign to get Andre Braugher an Emmy for playing Captain Holt? Because I want to lead the charge. This finale started with a typical “Holt vs. Wuntch” plot, which always brings fun things out of Braugher as an actor. From his description of her as a succubus to his face as she checked to see if he was wearing a wire, I loved every moment. However, it was when Holt actually had to leave the precinct that Braugher really got a chance to stretch this character’s range and tug at all our heartstrings in the process. I loved that he started his farewell speech with his usual unemotional demeanor, but then the emotions he felt became so overwhelming that they started to peek through. And best part was that the dominant emotions were pride and love for the family he’s become the leader of. That scene could have been played for laughs and nothing else, with him finally showing emotion by breaking down and crying, but the show instead chose to have him genuinely smile, which was a thousand times more affecting (for the audience and for the other characters). “Warm” is not an adjective usually used to describe this character, but that’s exactly what he was in that last scene. And the fact that Braugher managed to make Holt’s rare display of genuine affection feel so grounded, earned, and believable speaks to his ability to make what could have been a robotic, one-dimensional character always feel human and complex. I love when unexpected characters make me cry, and that’s exactly what Braugher was able to achieve with his performance in this finale.

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The Best Thing I Saw on TV This Week (10/19 – 10/26)

This week in television started off with a very emotional hour of Once Upon a Time, a fantastic Halloween episode of Brooklyn Nine-Nine, and another strong episode of The Good Wife. Monday’s Castle basically gave all of us everything we never knew we always wanted: Nathan Fillion interacting with a room full of cute kids. On Wednesday, Black-ish addressed a controversial issue in a way that was both sensitive and genuinely funny, and Nashville introduced another “dad who didn’t know he was a dad” storyline. Finally, Thursday’s episode of Scandal was the most tense and dramatic of the season (and that’s saying something), and it was followed by another master class in acting from Viola Davis on How to Get Away with Murder.

It was impossible for me to pick just one thing I saw on TV as the best of the week, so I’m going to cheat and pick one night. Sunday nights are a TV lover’s dream this season, and this Sunday was an exceptionally great night. Once Upon a Time‘s much-hyped date between Hook and Emma exceeded even my high expectations with just how genuinely sweet and romantic it was (especially that “goodnight” scene outside the loft’s door). Brooklyn Nine-Nine‘s Halloween episode had me laughing from start to finish, and Holt’s description of how he pulled one over on Jake was another highlight reel moment for Andre Braugher and made me love that character more than ever before. And the showdown between Alicia and Peter on The Good Wife had me thinking Emmys already in the middle of October. There’s nothing better than ending a weekend with some excellent television shows, and Sunday TV is exactly what I need to put me in a good mood to start the workweek.

http://www.youtube.com/watch?v=7WWYWwmd0p0

http://www.youtube.com/watch?v=EorvPYl99kM

http://www.youtube.com/watch?v=gX2M_hgiQqw

What was the best thing you saw on TV this week?

Grading the Season Finales 2014: Brooklyn Nine-Nine

Source: Fox.com

Source: Fox.com

Title Charges and Specs (1.22)

Written By Gabe Liedman & Gil Ozeri

What Happens? Jake is told to stop investigating a prominent community leader who he believes is laundering drug money. The whole team from the 99th precinct comes together to support Jake: Gina, Rosa, Terry, and Boyle advocate for him at his hearing; while Holt and Amy join Jake in an undercover operation at a dance contest to prove that he was right about the money laundering. It’s later revealed that Jake’s investigation could have compromised a larger FBI investigation into a major crime family. He’s asked to go undercover for six months to infiltrate this family, which means he has to make it appear as if he’s been fired from the NYPD.

The uncertainty of the next six months of his life leads Jake to tell Amy that he wishes they could be together—“romantic stylez”—but he knows that’s not possible because she has Teddy and he has to disappear without any contact for six months. Boyle also faces a relationship crossroads as Vivian calls off their engagement, leaving him pathetically heartbroken. Terry and Rosa try to help him cope by offering their best advice (although Rosa admits she’s not often heartbroken because she doesn’t give her heart to nice guys like Boyle), but he seems to find some solace in a drunken hookup with Gina, waking up next to her in the morning as the episode ends.

Game-Changing Moment Jake deciding to take the FBI undercover job didn’t just have huge ramifications for the plot of Brooklyn Nine-Nine, it furthered more than one important character-development arc as well. As far as plot progression goes, the show could choose to spend time next season with Jake as he goes undercover, or it could (and I think it will) use the six-month period to keep the show in real-time, picking up just after Jake’s time undercover has ended. But it’s certain that Jake will be a different character and a different detective because of these experiences, and everyone at the 99th precinct will be different after working for six months without Jake.

The real “game-changing” aspect of this plot twist, however, was what it revealed about Jake and Holt’s relationship, as well as it what it led to in terms of Amy and Jake’s relationship. Holt trusted Jake’s abilities enough to encourage him to take the undercover job, and Jake trusted Holt’s judgment enough to do what he was asking of him without knowing any details. The level of trust shown by these two characters towards one another represented a huge step in their relationship, which has steadily and believably developed since the pilot. Jake’s new assignment also forced him to come to terms with his feelings for Amy, whom he won’t be able to see for the next six months. The danger inherent in this assignment made his confession feel as appropriate as it could, and it will be interesting to see how those cards being laid on the table come into play next season.

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The Best Thing I Saw on TV This Week (2/2 – 2/9)

February sweeps got off to a strong start this week with a handful of great episodes of television and some equally great sports moments. Sunday kicked off with the Seattle Seahwaks huge Super Bowl victory over the Denver Broncos, and it continued with strong post-Super Bowl episodes of New Girl and Brooklyn Nine-Nine. Monday’s Castle was an excellent exploration of Kate Beckett’s character growth and moved Castle and Beckett’s wedding plans along in some major ways. Tuesday’s New Girl used both Nick and Jess’s exes to bring Nick to a confession almost two years in the making, and Brooklyn Nine-Nine introduced us to Captain Holt’s husband, wine drink, and the wrong way to eat crab. Wednesday gave us an episode of Nashville featuring some excellent music (from Deacon and Will), genuinely sweet romance (from Avery and Juliette), and a crazy cliffhanger (from Teddy and Lamar). Finally, the Winter Olympics began on Thursday, and there have already been plenty of great moments to watch and discuss already—from the new team figure skating competition to the pomp and circumstance of the opening ceremonies.

Both New Girl and Brooklyn Nine-Nine had two chances to impress viewers this week, and I think both shows made the most of those opportunities. In fact, I have to especially commend Brooklyn Nine-Nine for using these two chances to so clearly show its voice, which is remarkably well-developed for a freshman comedy.

“The Party,” Tuesday’s episode of Brooklyn Nine-Nine, was full of the show’s awkward charm and genuine humor throughout, but it was the episode’s ending that was my favorite TV moment of the week. I was surprisingly moved by the reveal that Captain Holt’s husband didn’t want to warm up to the Nine-Nine team because of the prejudice that had been directed at Holt during his time with the NYPD. In giving such a peripheral player real, human motivations for his behavior, this show once again proved that it has more of a handle on its characters than some sitcoms that have been on TV for ages. And the episode’s final scene, with the team joining together to give their captain and his husband a romantic dinner was something so warm and unashamedly kind that it felt like an ending to Parks and Recreation (and I mean that as the highest compliment), while still using each character in just the right way to maintain this show’s unique tone.

I couldn’t find a video of the end of “The Party,” but here’s another highlight of the episode—and my favorite line—”Stop eating crab wrong!”

What was the best thing you saw on TV this week?