I’m sorry for my delay in getting this one posted, fellow Oncers. Sometimes life doesn’t understand that it needs to slow down so I can write about TV! Hopefully this post proves to be worth the wait.

Source: ABC/Jack Rowand

Title Dreamcatcher

Two-Sentence Summary In Camelot, Emma’s desire to get rid of the darkness in her by freeing Merlin causes her to step further into the darkness by breaking Henry’s heart. When Henry finds out the truth about what Emma did to him, it ruins the relationship they were trying to work on back in Storybrooke, while Merida works to make Rumplestiltskin brave and the heroes discover Excalibur hidden in Emma’s house.

Favorite Lines
Emma: I didn’t have a choice.
Regina: There’s always a choice, Emma. You’ve said that to me a thousand times.

My Thoughts Innocence is a precious thing, and its loss is something to be mourned. “Dreamcatcher” was all about the loss of innocence and what that does to a person. It reminded us of the intense grief we feel when first loves turn into first heartbreak, but it also touched on one of the most painful losses of innocence that comes with growing up: the discovery even the people we believe in the most are capable of letting us down and hurting us.

Henry has always been defined by his faith; he has the heart of the truest believer, after all. And that’s never been clearer than in his relationship with Emma. He was the first person to believe in her as a both a hero and a mother. He believed in her so much that he was willing to eat a poisoned apple turnover because he knew she would save him. And that act wasn’t just an act of a boy believing in a hero; it was an act of a boy believing in his mother.

But Henry isn’t a little boy anymore; he’s growing up. And—just as we saw his relationship with Regina deepen in recent seasons as he explored the complexities of his adoptive mother’s capacity for both good and evil—it was time for him to face the idea that his birth mother has both good and evil in her, too. “Dreamcatcher” brought Henry face-to-face with Emma’s dark side, and, while it devastated me, it made for incredibly compelling television.

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For future reference, I’ve decided to start referring to Hook by his real name (Killian) in these posts. It feels right to stop calling him by his more villainous moniker now that it couldn’t be clearer that he’s the romantic hero of this arc. In the same way I refuse to call Snow “Mary Margaret” and I tend to favor “Charming” over “David,” I want to use “Killian” to reflect who I think this character is at his core. But feel free to call him whatever name you feel most comfortable using in the comments!

Source: avclub.com

Title Broken Kingdom

Two-Sentence Summary In flashbacks to Camelot’s past, the truth of the legendary Arthur/Guinevere/Lancelot love triangle is revealed, shedding more light on Arthur’s obsession with finding the Dark One’s dagger. In the more recent past, Snow and Charming face a challenge when they don’t know who to trust, and Emma and Killian work to fight the darkness in her together.

Favorite Line “You tried to trick me with a catchy title and a comfy chair.” (Charming, to Arthur)

My Thoughts “True love isn’t easy, but it must be fought for. Because once you find it, it can never be replaced.”

Those words from Charming all the way back in Season One of Once Upon a Time were on my mind throughout much of “Broken Kingdom.” Once Upon a Time has always focused on the “true” part of “true love.” It’s something that cannot be faked; it must be chosen by both parties from a place of trust, hope, and belief. Love is a choice, and the truest love is chosen and fought for even when it’s hard—especially when it’s hard. That concept—fighting for love instead of taking the easy way out, accepting the imperfect realities of love instead of living with a façade of perfection—was at the heart of “Broken Kingdom,” which was my favorite episode so far in this stellar fifth season.

I’ll get this out of the way now: Yes, the timeline was ridiculously confusing in this week’s episode, and I hope one of the writers decides to address it at some point to clear things up. How could the Dark One appear to Guinevere and Lancelot when Rumplestiltskin was in Storybrooke five years ago? And even stranger, how could he just get possession of the gauntlet five years ago when he had it in flashbacks with Belle over 30 years ago? My explanation is that Camelot has always been considered a land outside of time, so maybe the passage of time is different there. But it would be nice to have an official word on that. However, I am more than willing to forgive inconsistencies like that if the story keeps me emotionally engaged, which this one definitely did.

This episode told the story of four romantic relationships: Arthur/Guinevere, Lancelot/Guinevere, Charming/Snow, and Killian/Emma. The way the writers created parallels and direct foils between those relationships was brilliant. It seems that one of the major themes of this season is “Love is a weapon,” and it’s clear that love is a weapon for good when the love is pure, true, and healthy. But it can be used as a weapon for evil when it’s twisted by darkness and manipulated by a desire to control rather than truly love. The same can be said of Excalibur, I think. It seems the Dark One wants to wield it for evil purposes—to snuff out the light and free itself from any ability to love. But there’s also the idea that Excalibur could defeat the darkness once and for all, which is a truly heroic goal.

Excalibur has always been associated with a worthy hero, and it was clear in this episode that Arthur is not worthy of wielding the re-forged sword. In order for the sword to become whole again, light and dark have to be combined, which I think is an interesting metaphor for heroism. A true hero is someone who understands darkness and light and knows that both exist in every person. A true hero chooses to be their best self and not their worst with full knowledge of both. While Arthur seems obsessed with maintaining the façade of perfect heroism and the Dark One seems to believe it can create a hero with Rumplestiltskin, I think Excalibur will only be able to be re-forged and wielded by someone who accepts their own capacity for good and evil and wants to wield the weapon for the right reason—as a weapon of love and light and not one of darkness and destruction.

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Before I get started on this week’s post, I wanted to take a moment to offer my condolences to the family and friends of a fellow Oncer who passed away over the weekend. Adri, you are loved and you will be missed. 

Source: mashable.com

Title The Price

Two-Sentence Summary As flashbacks to Camelot reveal that Regina pretended to be the Savior for Emma’s safety, Emma in all her Dark One glory puts the full pressure of being the Savior on Regina in Storybrooke. This involves coming up with a plan to save Robin from being taken to the underworld after Regina asked Emma to save his life using her new dark magic in Camelot.

Favorite Line “I spent over a century trying to kill the bloody Crocodile. I can spend at least that long trying to save the woman I love.” (Hook)

My Thoughts “All magic comes with a price.” This is one of the founding principles of Once Upon a Time. But like all good fairytales, this theme is actually about so much more than magic. All actions have consequences. All choices have ramifications. And the question becomes, what price can we live with?

There’s a defining line on Once Upon a Time between the heroes and the villains in terms of how they handle people who make choices that hurt them. The heroes choose to forgive and to move on. Villains revel in doling out punishment, in making people pay for their choices. There’s a reason “All magic comes with a price” is attributed to Rumplestiltskin at his darkest. And whether it was Regina’s desire to ruin Snow’s life after Snow told the secret that got Daniel killed, or Hook’s quest to seek vengeance for Milah’s death (which led to him trying to kill Belle), we’ve seen time and again that darkness often manifests itself in a desire to hurt those who hurt you. We even saw that last season with Emma, who turned her back on her parents as a way to punish them after learning that they transferred her darkness onto Lily before the girls were born.

Thematic continuity is a beautiful thing, so I’ve loved that Emma’s version of the Dark One is an extension of the darkness we saw in her when she learned her parents’ secret last season. Emma is the most empathetic character on Once Upon a Time; at her best, she understands the reasons people made the choices they did, and she doesn’t hold those choices against them. But at her darkest, Emma wants to make the people who’ve let her down pay. There’s a righteous anger to this version of Emma that’s fascinating. And that righteous anger is allowing those who love her to confront their own missteps and become better versions of themselves in the process, as they work to rectify the mistakes they made in the past—even if they can’t remember exactly what those mistakes were.

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