The Best Thing I Saw on TV This Week: BTS, The GRAMMYs, and That Fangirl Feeling

Every fangirl knows that feeling.

You’re watching a TV show and two characters share a look, and you know they’re going to be the next fictional couple to keep you up at night writing fanfic in your head. You’re scrolling through Tumblr, and you see a GIF of an actor, and you know that you’re going to be looking up their entire filmography on IMDb. You’re watching a movie trailer, and you know this is going to be the only movie you want to talk about for the next 6 months.

You’re watching a band perform at the GRAMMYs, and you know that you’re going to be headed down a YouTube rabbit hole of every version of that song and every staging of that choreography.

Before Sunday night, it had been a long time since I’d felt that feeling. It’s that little spark in your fangirl soul that a lifetime of bouncing from one obsession to another tells you is going to grow into a fire that’s bright and warm and all-consuming. And I’d started to genuinely worry that I’d lost the ability to feel that spark—that this year had taken away the part of me that can throw herself into a new fandom with reckless abandon, happy tears, and lots of capslock.

I feel the most like me when I’m deep in that feeling (and usually when I’m dragging other people into it with me—or enabling the ones already there), and without it, I didn’t feel like me anymore.

Who knew all it would take to bring back the best version of me was 7 guys from Korea dancing on top of a building in snazzy suits?

Hi, my name is Katie, and I’m obsessed with BTS.

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Using It: Pain, Purpose, and a Year in a Pandemic

I knew it would be hard.

But I had no idea it would be this hard.

Exactly one year ago today, I sat down at my dining room table to work from home because COVID-19 was spreading into my part of New York State.

I thought it would be for a couple of weeks. Once we flatten the curve, it’ll all go back to normal, I told myself.

Then two weeks went by. Once summer comes, it’ll start to get better, I told myself.

Then summer came and went.

I stopped telling myself anything.

This pandemic has taken so much from so many. And I’m luckier than most—a year later, I still have my job, my health, and my family.

But no one escaped this year without losing something. A graduation. A wedding. A vacation. A concert. A movie’s opening night surrounded by friends and fellow fans. The sound of laughter in a classroom before a teacher says to quiet down. The feeling of hugging your best friend. The sight of a stranger smiling when you compliment their shoes while you wait in a long line for coffee.

The version of you that you used to be. The version of you that you were becoming.

Exactly one year ago, I knew who I was. It had taken me 31 years to get there, but I felt confident and content in a way that I’m not sure I’ve felt since I was a kid. I knew what made me happy—what made me feel the most like me.

Planning trips. Flying to new places by myself. Saturday afternoons in a darkened movie theater. Sitting with my team at work and helping them through problems and giving them advice. People-watching at the mall. Making little kids laugh. Walking into a crowded restaurant or hotel lobby or airport in my high heels, finding the friend I’m supposed to meet, and hugging them like my life depends on it.

I thought I’d just be giving up those things for a few weeks.

Then, I thought I’d just be giving up those things for a season.

Now, one year later, I’m still trying to figure out who I am—what makes me happy and what makes me feel the most like me—without those things.

It’s like the last year slowly, painfully dug these deep holes in my sense of self, and there’s a whole lot of nothing where my plans, dreams, and extroverted energy used to be.

I know I’m not the only one with those holes. I know we all have them to some degree. But I also know so many resilient people who’ve worked to fill those holes with something new—who forged new fandom connections, picked up new hobbies, and learned new things.

I admire these people so much.

I envy these people so much.

I don’t want to feel like I wasted a year of my life.

I don’t want to look back on this year and realize I came out of it a worse person than I was before.

I don’t want these holes in me to turn into scars.

But maybe they already have.

And maybe that has to be okay.

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Understanding My Power: WandaVision as a Journey of Feelings and Forgiveness

wandavision-westview-hostage-torture

Source: TVLine

When I was 17 years old, I had a breakdown inside the Electric Umbrella restaurant in EPCOT.

Looking back on it, it’s easy to see what caused it. It was my last family vacation as a high school student, before I “grew up.” It was also my last family vacation with my grandfather—my Disney trip buddy for my entire life up to that point. He was getting older and slowing down, and we didn’t know it then, but we’d lose him about 6 months later.

But in the moment, I didn’t know what was happening to me. I couldn’t name it. All I knew is that whatever I was feeling was too much. So I cried into my Disney World french fries—not quiet, gentle tears, but ugly, loud, scary sobs that felt like they were never going to end.

I didn’t even feel like a person. I just felt a vessel for feelings that I couldn’t control.

And all I really remember were the looks on people’s faces. Confusion from my grandfather. Fear from my little sister. Embarrassment from my parents. Concern from the strangers around me.

In that moment, my feelings weren’t just mine anymore. They overwhelmed not just me but everyone in my path. And I couldn’t stop it.

Sometimes I still can’t stop it.

I have big feelings. I feel things deeply and express my feelings openly. And there’s power in that. It makes me a better writer, it helps me forge deeper and more honest connections with people, and it often makes me a bright light to be around—because when those big feelings are enthusiastic and warm and good, they’re infectious; they spread positivity and encourage others to embrace their own vulnerability.

But when those big feelings are dark and difficult and bad, that power isn’t used to help people. It makes me more impatient and melodramatic, it causes me to lash out or cut people off, and it can make me a hard person to be around—projecting my pain onto others just so I don’t have to carry it anymore and making myself the main character in everyone else’s stories because my pain feels more pressing than theirs.

Sound familiar?

Wanda Maximoff’s journey through WandaVision meant so many different things to so many different people. Some people empathized with her path through grief. Some people connected with her story of self-acceptance.

And for me, I learned a lot about myself through Wanda’s struggle with her powers and how deeply they’re tied to her feelings.

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Here’s to Women

Today is International Women’s Day, which means that it’s likely we’ve all seen this quote a million times on our social media feeds:

“Here’s to strong women. May we know them, may we be them, may we raise them.”

It’s an empowering quote—one that I’ve said myself more than once and shared often. But this year, something about it isn’t sitting right with me.

I don’t feel strong right now. I haven’t felt strong for long stretches of the last year. And there’s a part of me—a tired, broken, sad part of me—that sees this quote and feels like the only kind of woman worthy of being admired, celebrated, and seen is a “strong” woman.

What about the women who are struggling? What about the women who cry, the women who lose their patience, the women who have days when they can’t get out of bed because everything feels like it’s too much?

Most of us will be these women at some point in our lives because to be a woman is to be human, and to be human is to fail and falter and feel big, overwhelming, messy feelings sometimes. But all too often, when we feel those big, overwhelming, messy feelings or when we snap at a loved one or when we spend most of our waking hours in tears on a bad day, we don’t give ourselves the grace to not be okay—to not be strong.

Because somewhere along the way, in our quest to inspire and empower, “strong” became synonymous with “good” and “worthy.”

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The Best Thing I Saw on TV This Week: “The Hill We Climb”

“For there is always light. If only we’re brave enough to see it. If only we’re brave enough to be it.” — “The Hill We Climb” by Amanda Gorman, National Youth Poet Laureate

Words matter.

Words have the power to incite the worst of us. We saw that on January 6. We saw that for the last four years. We saw that throughout our history as Americans and will still sadly see that far into our future.

However, words also have the power to inspire the best in us. We saw that on Wednesday, as President Joe Biden’s Inauguration Day celebrations ushered in a new era for Americans—an era of words that aren’t dripping with vitriol, devoid of empathy, and divorced from the truth. Wednesday was a day filled with words that acknowledged the harsh facts of our current reality, offered healing to those who are hurting, and offered hope for the future.

And those words mattered.

When Lady Gaga sang about the flag still being there only two weeks after Capitol was besieged by insurrectionists, it mattered. When Jennifer Lopez recited part of the Pledge of Allegiance in Spanish, it mattered. When President Biden told us, “Don’t tell me things can’t change,” it mattered. When Kamala Harris—the first female, Black, and Asian American Vice President of the United States—took her oath of office with conviction in her voice and a smile on her face, it mattered.

And when Amanda Gorman took the podium to recite “The Hill We Climb”—her poetic testament to “a nation that isn’t broken, but simply unfinished”—it mattered.

Many words will be remembered from that cold January day in Washington, D.C., but none will be remembered more than the words of a 22-year-old young woman who asked us, “Where can we find light in this never-ending shade?” and answered with the powerful reminder that the light we seek is all around us—and inside of us.

“If only we’re brave enough to see it. If only we’re brave enough to be it.”

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New Year, New NGN

The beginning of the year has always been a time of new beginnings at NGN. This site started as a New Year’s resolution, and January has always been a time for reflecting on this little corner of the internet and how I can make it the best it can possibly be.

For a few years, I wasn’t sure how to do that. My career changed in a major way in 2016, and with that, the time I could devote to this site—especially in the form of weekly reviews of shows—drastically decreased. But it was more than just my job that changed around that time. I changed. My relationship with fandom changed. My relationship with writing about and for fandom changed.

I felt like I couldn’t be what fandom needed me to be.

For years, I’d built a reputation as being a force of unstoppable positivity in fandom. And I relished that reputation. I encouraged it and took it very seriously.

But sometimes it’s hard to be positive.

Sometimes you can’t be what other people need you to be.

So I all but disappeared because I felt like I couldn’t be what fandom needed me to be—what fandom expected me to be. I couldn’t keep up with The Fan Mail Project (remember when I tried to write a book?) thanks to my grueling workload and packed schedule. I couldn’t post as often because I was burned out from writing all day at work. I couldn’t be as endlessly enthusiastic as I used to be because I was struggling with a prolonged period of anxiety and self-doubt.

I felt like I was letting people down, and I didn’t know how to deal with that.

I wrote when I could, but after my posts about The Americans ended, it was hard for me to find my groove—to find my voice.

But I think I’m starting to find it again.

And I have you—my NGN Family—to thank for that.

The encouragement you gave me when I wrote about what Schitt’s Creek taught me about coming home. The kindness you all showed when my year-end posts took a different—and more honest—tone this year. The sense of community that’s filled this place again in the last week.

It’s all reminded me that the people who matter—the people who’ve made the NGN community what it’s been for almost a decade—don’t need me to be anything but myself. My messy, vulnerable self. It’s reminded me that NGN can be a safe space not just for the people who visit it, but for me too. And it’s reminded me that nothing makes me feel less alone than connecting with people through the kind of writing that I’ve always loved bringing to NGN—writing about the things we love and what those things say about who we are.

So with that in mind—and in the spirit of new beginnings—I’m excited to announce that I’m bringing back a couple of old features from NGN’s past that I think will focus on that kind of writing and allow all of us to share enthusiasm and love the way we did this past week—and the way we’ve been sharing for more than eight years.

The first of these is The Best Thing I Saw on TV This Week, which will return to its Sunday slot starting tomorrow! The second is an updated version of NGN’s old Daily Dose of Feelings feature that discussed some of my favorite emotional moments from TV. However, my life doesn’t really allow for “Daily” posts anymore, so instead, Right in the Feels is going to pop up at least a few times a month to focus on moments from movies, TV shows, and other aspects of pop culture that have brought me to tears throughout my many years as a fangirl. (I have a working list of moments to write about, but if you have suggestions, feel free to drop them in the comments!)

It’s my hope that these features—along with more essays throughout the year—will allow us all to continue to connect with the joy, enthusiasm, and community that’s been buzzing around NGN for the last week and that has always made this little corner of the internet so special.

It may be a new year, but I’m ready to rekindle a little bit of that old NGN magic.

How Movies Got Me Through 2020

Happy New Year, fellow nerds! This is the third and final post in a series wrapping up a different year in a different way. I’ve been recapping my year in media not through traditional “Best of” lists but instead through snapshots of how my relationships with TV, books, and movies reflected my journey through 2020. If you’re looking for great “Best of 2020” content, I highly recommend heading over to Marvelous Geeks and TVexamined for their lists and listening to the 2-part podcast I recorded with the wonderful women behind those two sites, where we recapped our TV favorites from this year. Since this post is going live on New Year’s Eve, I want to wish you all a happy, safe, and healthy start to 2021. May we all find brighter days in the coming year!

I’m not sure how to talk about movies this year.

Movies got me through 2018. And 2019. And I was ready for them to get me through 2020. In a string of years that featured major work stress, family health issues, and personal struggles, movies were my saving grace. When I stepped into a movie theater, I could forget about my own life for a couple of hours and become enveloped by a story that was all-encompassing. And when I stepped back out into the world, the world felt different. It felt brighter. It felt lighter. It felt bigger than me and my problems.

Then, a pandemic happened. And my world suddenly shrank to the four walls of my house and the often claustrophobic confines of my anxiety-ridden brain. The world felt so much smaller—suffocating and smothering.

And when it felt that way, I found myself missing movies, missing the ability to walk into a dark room and go somewhere else—anywhere else—and emerge from that journey feeling better than I did before the previews began.

I found myself missing the shared joy of a New Year’s Day family excursion to see The Rise of Skywalker, the excitement of taking myself to a Saturday matinee of Parasite, the emotional journey of Onward turning out to be nothing like I expected—in the best possible way.

I started 2020 on a movie fan high—seeing every Best Picture Oscar nominee before the ceremony for the first time in more than a decade. I was going to the movies by myself more often—relishing the sense of independence it gave me and the deeply personal, almost spiritual, experience that’s the closest thing I get to church (outside of church itself). I was making plans with friends and family to see a long lineup of great movies that were set to open this year.

And then it all stopped.

Of course I still watched movies. I enjoyed the lush beauty of Emma. I found Disney’s new take on Mulan to be thrilling and gorgeous to look at. I rewatched a lot of Star Wars movies and took comfort in animated favorites.

But it didn’t feel the same.

My couch is comfortable, and my TV screen is big. I’ve watched plenty of new movies at home before. But it never feels the same as a trip to the theater.

The phone rings. People walk into the room to talk. The siren song of Twitter and Instagram is so close. The lights are too bright, and the popcorn never tastes exactly the same.

So for a long time, I didn’t watch any movies. And I could feel my world getting smaller—and my problems feeling bigger—as a result.

It took until Christmas Day—and two miraculous movies—for that to start to change.

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How Books Got Me Through 2020

Happy Holidays, fellow nerds! This is the second in a series of posts wrapping up a different year in a different way. Between now and the start of 2021, I’ll be recapping my year in media not through traditional “Best of” lists but instead through snapshots of how my relationships with TV, books, and movies reflected my journey through 2020. If you’re looking for great “Best of 2020” content, I highly recommend heading over to Marvelous Geeks and TVexamined for their lists and listening to the 2-part podcast I recorded with the wonderful women behind those two sites, where we recapped our TV favorites from this year. And if you’re in the mood for more book discussion, Mary wrote a fabulous guest post for NGN earlier this month about her favorite books of 2020.

I read 22 books this year.

(Technically, it’s more like 21.99 books at the time I’m writing this, but let’s round up for the sake of simplicity.)

For me, that’s a huge number. It’s almost double the number of books I read in 2019.

And yet I still found myself slightly nervous about sharing it. I found myself writing long-winded explanations about why I don’t read more—defenses mostly centered on a job in publishing and a past as an English major who read so many books in college she burned herself out for the next decade.

I found myself comparing my reading habits to those of everyone around me—and coming up short.

That’s when I knew I had to write about it.

Because that’s been my experience through much of 2020. Comparing myself to everyone around me—and coming up short.

I didn’t become an expert chef (or even a particularly functional one). I didn’t learn a new language or meditate every day or take up running. I didn’t write more blog posts or start a new hobby or even spend that much more time outside appreciating nature.

I didn’t become a more voracious reader or a reader of more respectable literature.

And for most of this year, I beat myself up about all of it.

But then, I thought about those 21.99 books. And like they have for my entire life, the books guided me to the exact lesson I needed.

Your story doesn’t have to look like anyone else’s to be good enough. You should never feel bad about or downplay something that makes you happy. You should embrace it. And if you have the strength, you should share it.

And if the way I shared books with loved ones, talked about them with friends, and got excited to read them with my morning coffee was any indication, every single one of those precious 21.99 books I read this year made me happy.

And now I want to share it.

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How TV Got Me Through 2020

Happy Holidays, fellow nerds! This is the first in a series of posts wrapping up a different year in a different way. Between now and the start of 2021, I’ll be recapping my year in media not through traditional “Best of” lists but instead through snapshots of how my relationships with books, movies, and TV reflected my journey through 2020. If you’re looking for great “Best of 2020” content, I highly recommend heading over to Marvelous Geeks and TVexamined for their lists and listening to the 2-part podcast I recorded with the wonderful women behind those two sites, where we recapped our TV favorites from this year.

I watched a lot of reality TV this year.

A lot.

From fantastic making-of docuseries (Disney Gallery: The Mandalorian and Into the Unknown: Making Frozen 2) to intense competitions (Dancing with the Stars and The Bachelorette), my streaming queues and DVR were filled with the stories of real people.

And then there was Bravo.

bravo

In a year without a lot of stability, I always knew I could count on Bravo to keep me company. Whether it was the best season of Top Chef in the show’s storied history, the stunning scenery of Below Deck Mediterranean, or the delicious drama of Vanderpump Rules and the Real Housewives Cinematic Universe, there were very few nights—especially this summer—when my TV wasn’t tuned into Bravo.

And that’s not even counting the weeks my sister and I spent binge-watching the entirety of Southern Charm and becoming far too attached to its bevy of South Carolina men-children.

I’ve never been shy about my consumption of reality television, but it reached new heights this year. And for a long time, I figured that was because I needed something mindless when it felt like my mind was going a mile a minute the rest of the day.

But as I found myself getting more and more invested in Tayshia Adams’s journey to find love, the crumbling friendship between Lisa Rinna and Denise Richards, Melissa King’s cooking, and whether or not Ramona Singer really has 50 close girlfriends, I realized that what most people would call “empty calories” in my TV diet was actually feeding me exactly what I was missing most in 2020.

People.

Real people.

I’m an extrovert. I love talking to people, being around huge groups of people, celebrating when people succeed, and comforting people when they struggle. I love people-watching at the mall, at happy hour, in airports, and walking out of hockey games, musicals, and movies.

I love people.

I miss people.

I’ve been incredibly lucky to have spent 2020 with my immediate family, but there’s still so much that I miss. I miss the energy of a Friday at the office, with everyone sharing their weekend plans. I miss long dinners with friends and unpacking all the silly drama in our lives over glasses of wine. I miss the excitement of sightseeing around big cities with my favorite people.

And reality TV gave me a little bit of that back.

I know the “real” part of reality TV can be debated, but these shows gave me a window into a social life I missed deeply this year. Watching the Real Housewives gossip over appetizers and watching Top Chef contestants support each other and watching the Dancing with the Stars cast form genuine friendships born of shared struggle and success allowed me to experience one of the things I was craving most acutely in an isolating, quiet, lonely year.

Human connection.

Every TV show that captured my attention this year had a strong element of human connection at the center of it. From the groups of people working together to make Frozen 2 possible to the Real Housewives of New York coming together to cheer on one of their own when she finally launched her clothing line to the former enemies burying the hatchet on Vanderpump Rules, I was drawn to shows with strong group dynamics—shows that demonstrated the fact that, for better or worse, humans are social animals who are always better together.

That extended into the fictional television that I loved this year too.

The year started with the core group of lovable disasters of The Good Place helping each other finally get to the titular heavenly realm—and eventually move beyond it. And it continued with the team at the 99th Precinct helping each other through fertility struggles, dognappings, and the birth of a new baby on Brooklyn 99. I was immediately charmed and moved by the realistic female friendships on The Baby-Sitters Club, which filled the hole in my heart that was left behind when I stopped teaching teenage girls at the dance studio where I used to work. And watching the women of Mrs. America talk about feminism, politics, and social change helped me at a time when I missed having serious discussions in person with my female friends.

My extroverted soul felt seen by Lucy Chen on The Rookie—a character who talks through her feelings, her problems, and pretty much everything else. Lucy’s belief in people and in the importance of relationships and communication anchors a show that could easily become lost in a swirling sea of procedurals. And her relationship with Tim Bradford is so much more than just the stereotypical “gruff mentor/sunshiney mentee” trope—or a budding slow-burn romance (depending on how you want to read it). It’s a beautiful representation of how human connection works—the little moments of sharing and learning and helping each other that build up over time to bond us to another person. Warmth is something a lot of us have been missing this year, and their dynamic gave me that in spades.

And that brings us to Schitt’s Creek, the warmest and most wonderful show I watched in 2020. To paraphrase another show I love deeply, no one in Schitt’s Creek achieves anything alone. This is a show about people needing people—to succeed, to lean on, to grow into the best versions of themselves. It’s a show about the healing power of relationships based on kindness, sincerity, and appreciating other people for who they truly are. It’s a show about what it means to love people—really love them—and how our relationships are the most valuable things we carry with us.

Schitt’s Creek is a show that believes in people—in the power we all have to help each other, to reach out to each other, and to give each other a safe place to land. And in a year that was defined by isolation, there was real comfort—and real catharsis—in watching a show about the beauty of togetherness, community, and connection.

From a fictional small town to a galaxy far, far away—and from a very real yacht on the Mediterranean to a mansion in Charleston—all the TV shows I watched this year reminded me that the connections we make with other people are all that really matters in the end.

I can’t think of anything more real than that.

I’ll Be Home at Last: What Schitt’s Creek Taught Me About Vulnerability

Source: TV Insider

 

Everybody loves a winner
So nobody loved me
‘”Lady Peaceful,” “Lady Happy”
That’s what I long to be
Well all the odds are—they’re in my favor
Something’s bound to begin
It’s got to happen, happen sometime
Maybe this time
Maybe this time, I’ll win…

I never thought it would be Stevie.

Moira Rose is the iconic one—the one who belongs in the pantheon with Ron Swanson, Michael Scott, Liz Lemon, Selina Meyer, and all the other 21st century comedic icons. Alexis has one of the best character arcs in TV comedy history. Johnny makes me cry more than any other character. Patrick is basically my dream man. And I’m more like David Rose—charred marshmallow heart and all—than I should probably admit.

But somehow, I keep coming back to Stevie Budd.

Schitt’s Creek has been a beacon of light and laughter for me and for so many others during the dark year that’s been 2020. And when things seem particularly dark, I’ve found myself watching one scene over and over.

It’s not “A Little Bit Alexis.”

It’s not Moira’s fruit wine commercial. (Although that one is definitely high up on my most-viewed list.)

It’s not even David and Patrick’s first kiss, proposal, or wedding.

It’s Stevie in the Season 5 finale, opening up to Moira backstage during “Cabaret” about how she feels stuck behind the desk while everyone else finds their person and their purpose. It’s Stevie, taking her first steps out from behind the desk and into the spotlight to sing “Maybe This Time.” It’s Stevie, basking in a standing ovation and gasping in overwhelmed surprise—at her chosen family’s reaction…and maybe at herself too.

“Maybe this time I’ll win…”

Schitt’s Creek has a sense of utopia about it. It’s a show where homophobia doesn’t exist, where people are accepted and nurtured and loved for who they are while still being guided to the best version of themselves. It’s a show where families reconnect, where broken hearts are healed, where people of all kinds get a second chance and a fresh start. One of the most beautiful things about this show is that every person watching it can find a different thing to inspire them, a different storyline or thematic element to give them hope.

For me, it’s all about vulnerability.

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