TV Time Quickies: Once Upon a Time 2.07 and Castle 5.07

Thanks to a much-needed mental health (aka shopping) day off yesterday and a never-ending battle with allergies, I’m a little bit behind in my recapping/reviewing duties this week. As such, I’m going to combine my reviews for this week’s Once Upon a Time and Castle episodes into one neat little recap package, summing up five observations I had about each episode in addition to my usual two-sentence summary and favorite lines.

Enough of my rambling; let’s get on with the shows!

ONCE UPON A TIME 2.07

Title Child of the Moon

Two-Sentence Summary As Ruby faces the first full moon since the curse was broken, she becomes the prime suspect in a murder investigation and the target of an angry mod, led by King George, who is determined to get revenge on Charming in whatever way he can. In flashbacks to the Fairytale Land that was, Red finds her mother and learns to control the wolf, while the princesses inhabiting present-day Fairytale Land experience a shock when Aurora reveals that Henry spoke to her in their shared nightmare.

Favorite Line “I’m sort of an expert when it comes to rehabilitation.” (Belle)

Five Fast Observations
1.) Red/Ruby is definitely one of my favorite Once Upon a Time characters. Hers is a story about learning to love yourself for everything you are, both the good and the bad. This is such an important and empowering kind of love to represent on this show. The real monsters of Once are the ones who use their power to knowingly cause harm to others. Red is fascinating because she could so easily have become such a character, but she instead learns that just because she has the power to become a monster doesn’t mean she already is one. In fact, she’s probably one of the most inherently warm and selfless characters on the show.

2.) I like that this episode focused on the beauty and depth that can be found in platonic love. It’s so rare to see a completely platonic relationship between an attractive man and woman on television, and that is exactly what we saw in this episode between Charming and Red. You can tell how deeply they care about one another and have faith in one another, but never once did I feel like there was anything but respect and friendship between them. It’s also rare to see female friendships depicted as deep, positive relationships in the media, but this episode showcased two incredibly positive examples of female friendship: between Red and Belle and between Red and Snow. Once Upon a Time does a great job of showing that romantic love isn’t the only kind of love to exist and have power, and “Child of the Moon” showed that both platonic love and self-love can be incredibly powerful.

3.) “I didn’t save you. You saved yourself,” might be one of the most important and influential lines these writers have ever written. With so many girls, families, and young women watching this show, it’s a big deal to have a Charming tell this to Red. This show is not one for subtlety, and in this case it’s a very good thing. There’s no doubt that Red is the one in charge of her own journey, but she also doesn’t have to take that journey alone.

4.) While the main cast all gave incredibly strong performances this week, I have to admit that I was disappointed in the acting by the guest actors in the flashbacks. The line delivery was incredibly stilted in the werewolf hideout. This cast excels at taking dialogue that could be cheesy and making it resonant, but this week’s guest actors gave surprisingly flat performances.

5.) I found myself incredibly moved by the running theme of light and darkness as displayed in each character. Besides the main storyline of Red struggling to balance the good and destructive forces within herself, Regina and Rumplestiltskin were both able to show moments of total humanity with Henry, and Charming’s dark side was heartbreakingly shown by Josh Dallas when George tossed the hat into the fire. Love is able to bring out both our best and our worst selves, and the line between them is often dangerously fine. It’s a credit to the actors that they are able to tread that line so convincingly.

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TV Time: Parks and Recreation 5.06

Title Ben’s Parents

Two-Sentence Summary Ben and Leslie’s engagement party—and Leslie’s homemade unity quilt—are almost ruined by the open hostility between Ben’s long-divorced parents. Meanwhile, Chris’s emotional state goes into a tailspin after the engagement announcement, and Tom starts to wonder if Jean-Ralphio is a good choice for a business partner if he wants Ron to invest in Rent-a-Swag.

Favorite Line “Ann, you are such a good friend. You are a beautiful, talented, brilliant, powerful muskox. Thank you, ox, for keeping this ship afloat.” (Leslie)

My Thoughts For as much as I loved last week’s episode (and will be watching Ben’s proposal on a continuous YouTube loop for the rest of my life), I think this was my favorite Parks and Rec episode of the season so far. Every single character had at least one strong moment, and the guest stars were fantastic, as is usually the case with this show. “Ben’s Parents” had all of my favorite things about Parks and Rec wrapped up in one fantastic half-hour: an abundance of Ben/Leslie love, Leslie being her wonderfully determined self, interactions between all of my favorite characters, Champion, Jean-Ralphio, lots of Tom Haverford, and amazing guest star appearances.

The side plots in this week’s episode were especially strong. I don’t know why, but I laughed embarrassingly hard at almost everything that came out of Chris’s mouth from the beginning of the episode until the end. I especially loved April and Andy’s tactics for balancing his emotions (the “Dave Matthews Band” exchange was a standout moment in an episode filled with them). Champion licking Chris’s tears was another great touch, and kudos to Rob Lowe for not breaking character at all while it was happening.

Tom’s storyline was also a very strong one. I don’t know if I’ve admitted this here yet, but Tom is—besides Leslie and Ben—my favorite character on Parks and Rec. I love absolutely everything about him, and just when I thought I couldn’t love him more, this episode happened. His initial Rent-a-Swag pitch to April and Andy was classic Tom; I loved that little bit of Entertainment 720 style reappearing (along with Jean-Ralphio). However, I also was happy to see Tom grow up in a major way by the end of this episode. The real Tom Haverford underneath all of the flashy bravado has always intrigued me, so I appreciated such a big focus on his character development this week. That’s something I really love about Parks and Rec; every character develops and has their own stories to tell.

The main plot reminded me what a dream team Ben and Leslie really are together. These two are such a perfect match. Ben’s pessimism about the party was hilarious (“Well, if there’s anyone who can bring my parents together, it’s… no one!”), and I love the way Leslie’s determined optimism pushed back against that. Leslie is never one to take no for an answer in any aspect of her life; if she wants something to happen, she makes it happen through sheer force of will and hard work. That’s something Ben needs, and something I love that he appreciates about her. There was something surprisingly sweet and very surprisingly hot about the way Ben was so obviously hot and bothered in the face of Leslie’s indomitable will. He wants her the most when she’s being nothing but her slightly pushy, passionate, stubbornly hopeful self, and that’s such a great thing to see. Ben loves Leslie for everything that she is as a person, and theirs is probably the healthiest, most realistic love story I’ve ever seen on TV.

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TV Time: Castle 5.06

Title The Final Frontier

Two-Sentence Summary After a fangirl is murdered at a sci-fi convention, Beckett’s own nerdy past is revealed through her love for the short-lived TV series Nebula 9. As fans and the cast of the show alike appear connected to the murder, Beckett and Castle explore a world of D-list actors, alien costumes, and real laser blasters.

Favorite Lines “You’re right, okay? It was a stupid show. It was cheesy and melodramatic. I mean, a handful of academy cadets on a training mission and suddenly the earth is destroyed and they’re all that’s left of humanity? I completely understand why you hated it, but, Castle, I also understand why people loved it. It was about leaving home for the first time, about searching for your identity and making a difference. I loved dressing up like Lieutenant Chloe. She didn’t care what anybody thought about her, and I kinda did at that time. I mean, she was a scientist and a warrior, and that was all in spite of the way that she looked. It was like I could be anything, and I didn’t have to choose. So don’t make fun, okay?” (Beckett)

My Thoughts I run a blog called Nerdy Girl Notes. One of my latest posts was essentially a love letter to a science-fiction character. My Facebook photo albums are filled with pictures of me dressed up as fictional characters, waiting in line for midnight releases of movies or unleashing my fangirl tendencies on Halloween. This was a Castle episode about fandom in all of its convention-going, costume-wearing, life-changing glory.

Did I like it?

What do you think?

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TV Time: Once Upon a Time 2.06

Title Tallahassee

Two-Sentence Summary As Emma and Hook climb a beanstalk to retrieve a magical compass that could be the key to getting back to Storybrooke, we learn about Emma’s past as a thief, how she ended up in jail, and how it all connects to the mystery of Henry’s father. Meanwhile, Aurora and Henry are both plagued by eerily similar nightmares brought on by their time under the effects of the sleeping curse.

Favorite Lines
Emma: Don’t think I’m taking my eyes off you for a second.
Hook: I would despair if you did.

My Thoughts I had been waiting for this episode since I saw the pilot, eagerly anticipating the time when we got to take a closer look at one of the most interesting and important stories Once Upon a Time will ever tell: the story of how Emma came to have Henry at 18 years old while in jail. This episode answered so many important questions about Emma, while raising a surprising number of them as well.

My one major gripe with this episode was the really poor quality of the special effects in terms of the giant and his lair. I can usually ignore the bad effects because I’m so engrossed in the story, but these were distractingly bad. I think I was especially bothered because they distracted me from Jorge Garcia’s guest role as the giant, which was something I was really looking forward to.

However, the chemistry between Emma and Captain Hook was almost blinding enough to make me forget the bad green-screen work around them. Jennifer Morrison has incredible chemistry with any actor she’s paired with on this show, and her sparks with Colin O’Donoghue rival hers with Sebastian Stan (my personal favorite match for her in terms of chemistry, and probably hers, too). I’m really enjoying the lovable roughish side of Hook; he’s a delicious mixture of the traditional Disney villain and Jack Sparrow, with the eyeliner, love for rum, and buckets full of flirtatious charm. The scene with him tying the bandage on her hand was all kind of wonderful, and their entire dynamic throughout the episode (with them both challenging each other) had me seeing some immense potential in a possible Hook/Emma pairing.

The most interesting part of the Hook/Emma partnership in this episode, though, was the way it worked to show Emma’s development as a character when viewed in conjunction with the flashbacks. When she left Hook handcuffed in the giant’s lair, it showed that she’d learned her lesson about trusting bad boys, no matter how attractive they may seem. There was a hardness to Emma in that moment that really spoke to how much hurt she still carries with her from Neal’s believed betrayal; her resolve was both sad and empowering, and I give Morrison a lot of credit for being able to pull that dichotomy off convincingly.

Morrison had to bring her A-game as an actress to make this episode work on both a plot level and an emotional one, and she did that and more. It wasn’t until this episode ended that I really found a full appreciation for what she’s done with Emma as a character throughout the course of the show so far. She’s given Emma such a believable hardness and jaded view on the world and on relationships in particular that it was almost like a shock to my system to see her so young, happy, and in love in these flashbacks. Morrison may not have looked 17, but she certainly convinced me through her performance. Her smiles, her relaxed body language, her expressive tone of voice, and the brightness in her eyes were all so different from any way we’ve ever seen Emma before. There was something so relaxed, open, and youthfully reckless in Morrison’s performance, and the way it contrasted with the detached and cautious way she plays adult Emma proves that Morrison is an acting force capable of holding her own against any of the talented members of this cast (if last season’s finale didn’t already prove that to you).

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TV Time: Castle 5.05

Title Probable Cause

Two-Sentence Summary When Castle becomes the suspect in the murder of a young woman, it’s up to Beckett, Ryan, Esposito, and Captain Gates to prove his innocence. Things only get worse for Castle when the man framing him is revealed to be Jerry Tyson, also know an the “Triple Killer” or “3XK.”

Favorite Line “I know him, Lanie. He is an immature, egotistical, self-centered jackass sometimes. But he’s not this.” (Beckett)

My Thoughts There are plenty of good episodes of Castle, even more than a few great ones. But very rarely is there an edge-of-your-seat, marveling-at-the-acting, tear-jerking, nail-biting kind of episode. This was one of them.

Castle is growing up. In getting his two main characters together, creator (and “Probable Cause” writer) Andrew Marlowe allowed for a maturity and depth of storytelling that wasn’t possible before. The stakes are higher now because they’re not just unspoken, symbolic, subtext-laden stakes; they’re real stakes in a real relationship. Both Castle and Beckett know without question what they have to lose now when the threat is losing each other, and that heightened the intensity in this episode to a level that was almost unbearable at times (and I mean that as a compliment).

This new avenue of storytelling has also allowed for some great comedic performances this season from Nathan Fillion and Stana Katic, but “Probable Cause” showed that it also opens the door for a new depth to their dramatic performances as well. We’ve known from previous episodes that these two actors are masterful at creating moments of incredible emotional poignancy for a procedural (and an often-comedic procedural at that), but the stories they told with just their eyes in this episode were nothing short of brilliant. They both found a balance between restraint and vulnerability that stands up against any of their best dramatic performances on Castle to date.

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TV Time: Once Upon a Time: 2.05

Title The Doctor

Two-Sentence Summary The mysterious Dr. Whale is revealed to be Dr. Victor Frankenstein, a man young Regina goes to with the hopes of bringing her beloved Daniel back from the dead, and in Storybrooke, Victor manages to resurrect Daniel with the hopes of finding favor with Regina but instead creates a monster that she has to let go of once and for all. In present-day Fairytale Land, Snow and Emma discover Captain Hook, Cora’s plan, and a beanstalk that could help them return home.

Favorite Line “Please, let me talk to my fiancé.” (Regina)

My Thoughts I enjoyed this episode, but it definitely wasn’t my favorite of the season. Until Snow and Emma return to Storybrooke (which I hope happens by midseason), their scenes in present-day Fairytale Land distract from the heart of each episode unless the flashbacks and/or Storybrooke scenes directly deal with or reference them (which is why I loved “Lady of the Lake” so much and why I’m really optimistic about next week’s Emma-centric “Tallahassee”). This week’s episode felt rushed in important places, which has been one of my problems with a few episodes in this young season already. I appreciate what the creators are doing in balancing these three storylines and introducing so many interesting possibilities for new characters, but I just don’t want the emotional punches that made last season so wonderful to get lost amid the growing plot.

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TV Time: Parks and Recreation 5.05

Title Halloween Surprise

Two-Sentence Summary On Halloween in Pawnee, Ron experiences the challenges of dating a single mother when he’s left to take Diane’s daughters trick-or-treating, and Jerry suffers a mild heart attack (or “fart attack”). Meanwhile, Leslie and Ben reach a major turning point in their relationship after he’s offered a new job in Florida heading up a gubernatorial campaign.

MAJOR SPOILERS AHEAD. I REPEAT: MAJOR SPOILERS AHEAD 

Favorite Lines
Leslie: Oh my God, what are you doing?
Ben: I’m thinking about my future…I’m deeply, ridiculously in love with you. And above everything else I want to be with you forever. So Leslie Knope, will you…
Leslie: Wait. Wait. Okay? I need to remember this. Give me a second.
Ben: Okay…Leslie Knope…
Leslie: No, no no. Hold on. I need another second, please. I need to remember every little thing about how perfect my life is right now at this exact moment.
Ben: Are you good?
Leslie: Yeah I’m good.
Ben: Leslie Knope, will you –
Leslie: Yes!

My Thoughts

This is the only accurate way to describe how I feel about last night’s episode of Parks and Rec. I’ve watched the ending about eight times in the last 24 hours, and I still cry every single time.

This episode was titled “Halloween Surprise,” and never has an episode title been so perfect. I’ll admit it; I didn’t see Ben’s proposal coming at all. In fact, there was a brief moment where I really thought he was going to take the job in Florida. When Leslie was getting ready to back out of the lease on their house, my sister turned to me and said that she had a feeling Ben was going to show up. I told her, “If he does, I’m going to start crying.” So as soon as he walked in, my eyes got misty.

And the crying only got worse from there.

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TV Time: Once Upon a Time 2.04

Title The Crocodile

Two-Sentence Summary In Storybrooke, Belle and Rumplestiltskin’s relationship falters when his inability to give up magic and be honest with her causes her to leave and attempt to make her own life in the town. Flashbacks to Fairytale Land show how Rumplestiltskin lost his wife and what that has to do with how Captain Hook lost his hand.

Favorite Line “You don’t get to decide what I do or how I live. I do.” (Belle)

My Thoughts While it wasn’t as strong as last week’s “Lady of the Lake,” this week’s Once Upon a Time was still a solid episode (the second-best of the season so far for me). I find Rumplestiltskin a fascinating character, so I am always drawn to episodes that prominently feature both his Fairytale Land persona and Storybrooke’s Mr. Gold. This episode gave us plenty of both, and it introduced a charismatic new villain as well.

First, let’s get one thing out of the way right now: There was an embarrassment of riches in terms of gorgeous people being gorgeous in this episode. I have never seen a more beautiful cast on television. Emilie de Ravin looked even more incredible than usual; Belle’s costumes were stunning (this look was my favorite—especially the shoes!). And then there’s the whole matter of Josh Dallas and his biceps, which made it nearly impossible for me to focus on anything else in the episode. Between Dallas and Colin O’Donoghue as Captain Hook, I had to remind myself to pay attention to the actual plot of the episode on more than one occasion.

I am glad those reminders worked because I really liked the balance between the flashbacks and present timeline in this episode. I was definitely disappointed in the lack of Snow, Emma, and Regina, but their absences allowed for a more concise story to be told. Last week, the three storylines felt connected in a way that was both logical and emotionally engaging, but it would have worked against the tight pacing of this episode to shoehorn in scenes with Emma and Snow which wouldn’t have had any impact on the main plot.

What I liked most about this episode was the fact that the moral ambiguity and conflicting feelings surrounding Rumplestiltskin weren’t lost just because this was a “Rumbelle”-centric episode. This episode did a fantastic job of showing the monstrosity Rumplestiltskin became after becoming the Dark One. Of course I felt sympathy for him when his wife said she’d wished he’d died in the Ogre Wars. Of course my heart broke for him when he walked away from Hook’s proposal of a duel because he was too afraid. But none of those things excused the fact that he murdered his wife. When he ripped her heart out, I could barely watch.

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TV Time: Parks and Recreation 5.04

Title Sex Education

Two-Sentence Summary Leslie’s attempts to teach Pawnee’s senior citizens about safe sex (in response to their surprisingly high rate of STDs) falter in the face of a law that prohibits anything but abstinence-only sex ed. Meanwhile, Ron tries to teach Tom to live without technology, and Ben’s congressman boss proves to be the very definition of a robotic politician.

Favorite Line “It’s not my favorite shirt, but it is my least favorite shirt.” (Donna)

Honorable Mention: “There’s a Party in Your Pants and No One Is Invited” (chapter title in the pro-abstinence pamphlet, “So You Think You Know More Than God”)

My Thoughts Now that is the Parks and Rec that I love. It wasn’t a perfect episode, but let’s face it, the bar for perfection on this show was set incredibly high with a handful of episodes in Seasons 3 and 4. However, it was an episode that used genuinely funny comedy to expose some real facts about an important issue in our country, and it had strong moments for most of my favorite characters. That’s all I really want in an episode of Parks and Rec, and I got that last night.

This episode’s A-plot was both hilarious and highly relevant (and, dare I say, educational?). I liked that the writers used real stats about sex ed and what works/doesn’t work in terms of what we teach about sex. The satire was wonderful in this episode (see the aforementioned pamphlet), and it worked because it was actually funny rather than just trying to be funny to make a point. It didn’t feel like I was being beaten over the head with a message; it felt like I was enjoying an entertaining storyline that happened to make me think about an issue.

While a couple of moments in this plot fell flat to me (I just didn’t care for the “over-the-top, closeted gay husband” part of the storyline), it provided some of the biggest laughs this show has given me so far this season: Leslie and the parks department asking Ann sex questions as if they were senior citizens; Andy’s facial expressions when the actual seniors started asking questions; the responses given by the seniors to Leslie’s question about what happens when you don’t practice safe sex (“Your partner dies on top of you!” was my personal favorite); Leslie awkwardly trying to pin her censure to her lapel…

I also loved seeing Leslie—once again—say Screw it! to antiquated rules and do what she knows is right for the town. She is a character with tremendous courage of conviction, but what I love about the way she’s written and the way Amy Poehler plays her is that we can see the struggle between that courage of conviction and the reality of the way the world works. Leslie Knope has always felt like a real person to me, with flaws and moments of self-doubt, but she also feels like a real person that I aspire to be like. Leslie’s determination to do the right thing could come off as self-righteous, but in the hands of these writers and Poehler, it comes off as earnest and admirable.

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TV Time: Castle 5.04

Title Murder, He Wrote

Two-Sentence Summary While attempting to enjoy a romantic weekend in the Hamptons, Castle and Beckett find themselves assisting on a murder investigation with ties to a meth ring after the victim shows up on their doorstep (or, in this case, their pool). Back in Manhattan, Ryan and Esposito attempt to put their detective skills to use to discover the identity of Beckett’s new boyfriend.

Favorite Line “Can I get a writer’s credit?” (Beckett)

My Thoughts This was a fun, funny, and thoroughly entertaining episode of Castle. It seems like the writers know that they’ve captured lightning in a bottle in terms of the way Castle and Beckett’s romance is playing out, and they’re running with it. There’s no pairing on TV as smart and sexy as they are, so it makes sense to showcase the chemistry between Nathan Fillion and Stana Katic to the fullest extent possible, which was clearly the goal of this episode. Well, that goal was certainly achieved; “Murder, He Wrote” was a great way to take the shackles of secrecy off of this couple, allowing the two leads to play and discover new beats in an already off-the-charts dynamic.

This week, I’m going to break my recap down into “The Missteps,” “The Mixed,” and “The Magic” that I found in this episode.

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