The Best Thing I Saw on TV This Week (9/22 – 9/29)

This week, the Fall 2013 TV season kicked into high gear with a full slate of season and series premieres. Monday’s Castle premiere gave us a beautiful resolution to last season’s cliffhangers while leaving us with a brand-new cliffhanger to keep us on the edge of our seats for the rest of the week. Tuesday was the big day for any and all Marvel fans, as Agents of S.H.I.E.L.D. debuted with the plot twists, quick dialogue, and deep questions we’ve come to expect from anything helmed by Joss Whedon. A fun and funny New Girl episode also highlighted Tuesday night’s TV lineup, proving that Season Three is already off to a great start. The Nashville season premiere on Wednesday officially reignited my love for that show, and my love for Parks and Recreation only got stronger with Thursday’s big one-hour premiere. In addition, The Michael J. Fox Show also added some heartfelt humor to my Thursday night with its charming pilot. Finally, last night’s Saturday Night Live season premiere was a fantastic reminder that everything in life gets better when you add Tina Fey to it.

Choosing the best TV moment of this fantastic week was difficult, but it ultimately came down to two marriage proposals. On Castle, the reaction both Beckett and Castle had to his season-ending proposal was perfectly in-character and wonderfully acted. But—as much as I loved that proposal—I don’t think anything can top the first five minutes of this week’s premiere of Parks and Rec. Not only did it feature a proposal; it featured an entire wedding done in a way that was totally unexpected and yet exactly right for Ron, Diane, and their relationship. Plus, it allowed us to see Leslie become temporarily paralyzed by excitement, create a bouquet of highlighters, and frantically search for rice in City Hall.

This cold open was anything but cold; it was warm, bright, and funny. In short, it was everything that’s right about Parks and Rec condensed into five minutes of nearly perfect television.

What was the best thing you saw on TV this week?

TV Time: Parks and Recreation 6.01

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Title London, Part 1 & 2

Two-Sentence Summary Leslie heads to London to accept an award for her achievements as a woman in government, but the trip only serves to highlight the fact that the people she serves in Pawnee are trying to run her out of office. Meanwhile, Ron and Diane get married; Andy gets a job offer in London; Ann gets pregnant; and Tom gets into a feud with his Rent-a-Swag competitor, who happens to be Jean-Ralphio and Mona Lisa’s father.

Favorite Lines
Andy: I can’t believe we’re at Hogwarts!
Ben: No, that’s Buckingham Palace. Hogwarts is fictional; do you know that? It’s important to me that you know that.

My Thoughts Welcome back, Parks and Recreation; I’ve missed you so much. There’s something so comforting about turning on my TV on Thursday nights and knowing that I’m going to feel genuinely good about what I’m watching. There’s a comfort that Parks and Rec brings, but it’s a comfort born not of rehashed stories and static characters but rather of characters who are so well-developed that they re-enter your life every season as old friends; the changes in their stories feel natural and earned because we know them so well and because the writers know them even better than we do. And there were certainly a lot of changes that happened in this season premiere…

My biggest complaint with last season’s finale was that it didn’t emotionally engage me in the way the best episodes of Parks and Recreation do. Imagine my pleasant surprise, then, when I found myself tearing up barely two minutes into this premiere. Ron’s proposal to Diane was perfect for a number of reasons (most of them canoe-related), and I loved what it meant for Ron’s growth as a character. This man, who used to want nothing to do with children, isn’t scared off by being a father and starting a new life with this woman and her two little girls. This man, who was scarred by two horrible marriages, is tired of not being married to Diane (anybody else LOVE that line?) and wants to make that happen as soon as possible.

In what was possibly the best cold open in the show’s history, Ron and Diane are married before the episode’s five-minute mark, but the rapid pacing felt exactly right for this couple. There’s no point in delaying the inevitable, and I love that this show isn’t afraid of taking what could have been a major Season Six storyline and relegating it to the first five minutes of the premiere simply because it feels organic to who these characters are. The wedding was nothing less than a perfect fit for this pair, and it allowed Amy Poehler to show Leslie’s particular brand of crazy so well. (Her reaction to the wedding news was one of the most hilarious parts of what was a very funny premiere.)

Parks and Rec is first and foremost a show about optimism in a cynical world, so it should come as no surprise that it handles weddings and relationships with such care. In this episode alone, we were given Ron’s ideal wedding; Ben’s unfailing support of his wife (including wearing a barrister wig without any argument because she thinks it has the potential to be sexy); April and Andy’s marriage continuing to be more solid than 99% of the relationships on other television shows; and Ann and Chris preparing for a family of their own.

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TV Time: Castle 6.01

Title Valkyrie

Two-Sentence Summary After accepting Castle’s marriage proposal and beginning her new life in Washington, Beckett faces the challenges of learning the ropes of a new job, adjusting to a new partner, and living without her fiancé. Her new life gets even more complicated when Castle begins poking his nose in one of her new cases, a robbery that turns out to be much more than it originally appeared and could have deadly consequences for Castle.

Favorite Line “Kate, I’m not proposing to you to keep you here or because I’m afraid I’m gonna lose you. I’m proposing because I can’t imagine my life without you. If that means when things get difficult we have to figure them out, then I’m willing to figure them out—assuming you’re willing to figure them out with me.” (Castle)

My Thoughts If there’s one lesson Castle has taught me over the years it’s that confidence is incredibly attractive. As much as Castle and Beckett have proved that time and again over five (and now six) seasons, the show as a whole also operates with an air of confidence—in its actors, its characters, and the story it wants to tell. “Valkyrie” was a season premiere that could be described as many things: entertaining, emotional, suspenseful, funny, warm, dramatic, and even frustrating (a cliffhanger already?!). However, I think the best word to describe it is confident. The relationship between Castle and Beckett, the pacing of the episode, and the cliffhanger of an ending all felt as if they were coming from a place of confidence—both within the show’s universe and within the very real universe of the network TV business.

I loved that show picked up right where last season’s finale left off because it allowed the frustration some audience members (myself included) felt about Castle’s proposal to be addressed right away. The way the somber tone of the proposal melted into the excitement, humor, and warmth of their reactions to it speaks to the show’s ability to shift tones naturally and realistically. There was something so sweet about Nathan Fillion’s delivery of Castle’s confession that his proposal was the most serious thing he’s ever done. Castle has grown from a man “incapable of taking anything seriously” (Beckett’s description of him in the pilot) to this man, who is so serious about his commitment to Beckett that he’s in untested waters, even for a man who’s been married twice before. The character growth shown in that one line is incredible and felt so rewarding for those of us who’ve watched Castle develop and become a better man by being in the presence of a woman who takes so many things seriously.

The fact that the writers could turn the strange tone of the proposal into a moment of comedy proves that they understand both their characters and their audience. They knew what kind of reactions we all had to that proposal, and it was nice to see them echoed in Beckett’s reaction. It was also nice to see what could have been a cheesy or dramatic moment kept perfectly in-character with Beckett’s inability to answer right away and the banter that followed. It’s nice when a proposal scene is kept from being generic by adding little touches of unique character continuity, and one of the best things about this couple has always been their quick banter.

Fillion and Stana Katic were simply wonderful in that proposal scene. I loved the brief moment when we could feel Beckett’s fear that taking the job would make Castle take back the proposal, but what I loved even more was how quickly that fear was put to rest. Castle’s speech about the reason he proposed was filled with such genuine respect and adoration for Beckett, whose dedication to her work is what drew him to her in the first place. It wasn’t an overbearingly sweet moment; it was honest and reflected the very mature belief that marriage takes work but is ultimately worth the effort when you’re working with the right person. And that sense of genuine commitment was all Beckett needed to see to tell Castle that she wanted to marry him—all of him. By using both his real name and his pen name, Beckett showed that she knows and loves every part of him. You can’t separate Richard Edgar Castle from Richard Alexander Rogers, and Beckett loves both of those sides of him—the side he shares with the world and the side he shares with only those he loves the most. Both of their smiles when she accepts say so much—she’s so sure of this love and of their future, and he’s so happy that he’s able to give her that assurance.

That sense of certainty permeated their interactions throughout the rest of the episode. After the two-month time jump, we saw a couple who might be frustrated with their separation are confident in their relationship. It’s a side to them we’ve never really seen before. Last season was all about the honeymoon stage and the exploration of the ups and downs of a new relationship. This episode presented something different, a kind of mature stability that comes from knowing that both people in the relationship are fully committed to spending their lives together. It’s a good look on both of these characters because it’s something completely new for them both. Beckett has never been engaged; Castle has never been this serious about a relationship. They’re jumping in together, just like Beckett always wanted.

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TV Time: New Girl 3.01

It’s good to be back! To any new readers joining us for this season, welcome!

Title All In

Two-Sentence Summary After Cece’s near-wedding, Nick and Jess find themselves embarking on a new, “all in” relationship as they travel to Mexico to discover what they have with each other independent of Schmidt and Winston, who are back at the loft working through problems of their own (Schmidt’s inability to decide between Elizabeth and Cece and Winston’s difficulties with a jigsaw puzzle). However, after Nick gets arrested, he and Jess realize that they don’t need to be away from Schmidt and Winston to find out what they are; they’re all in whether they’re in Mexico or back at the loft.

Favorite Line “Hey you guys…I’ve been doing a lot of thinking…Now I know everyone’s going through a lot, but I think it’s time for me to start a puzzle.” (Winston)

Episode M.V.P. Another season, another episode of New Girl where really any one of the “core four” actors could have been named its most valuable performer. The reason why this episode worked so well as a premiere was because it didn’t tinker too much with what made last season such a joy. It focused on pairs of characters that have been incredibly successful in the past: Nick/Jess and Schmidt/Winston. The former provided the majority of the episode’s heart, and the latter provided a lot of its humor.

I could single out Jake Johnson’s incredible nonverbal acting once again because I still melt every time Nick looks at Jess. And the way he delivered the line about her being the prettiest girl on the beach was wonderful because it was so matter-of-fact. It’s a simple fact for Nick that Jess is the prettiest girl wherever they happen to be, and that kind of sincerity is what makes him such a realistically romantic leading man. I could also single out Zooey Deschanel for her incredible ability to bring sanity to this crazy group of male characters without seeming like their mom. Like Johnson, Deschanel acts with a disarming kind of sincerity that makes all of her lines feel honest, even when they’re as crazy as “Nick is my bitch!” I could watch a whole show of Johnson and Deschanel laughing together and looking at each other because they capture the joy of falling in love better than any other actors on TV.

When talking about New Girl actors, you can’t forget Max Greenfield, who was once again brilliant, whether he was screaming at Winston or genuinely getting emotional at the idea of hurting either Cece or Elizabeth. But the real star of this episode, the one who made me joyfully exclaim “New Girl is back!” has to be Lamorne Morris. Winston always gets the craziest storylines, but somehow Morris always makes them hilarious—and this was no exception. “Puzzling Winston” is right up there with “Prank Sinatra” on my list of reasons to love New Girl. From the humming and the weirdly sexual attitude toward the puzzle to his hoodie-as-sweatpants wardrobe and stubbing his toe while walking in angry circles with Schmidt, Morris had me laughing until I cried throughout the episode. The scene where Winston and Schmidt carry on an entire nonverbal conversation behind Cece’s back was something I’ve seen 100 times on TV before, but I’ve never laughed as hard as I did this time. Winston is crazy—genuinely, hilariously crazy—but he’s also a good friend. And I hope this episode starts the Year of Winston—because Morris has earned it.

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What Are You Watching?: Fall 2013 Edition

It’s that wonderful time of year again—time for sweaters, pumpkin spice lattes, football, and, of course, TV premieres! I can’t wait to curl up on my couch and reunite with my favorite characters in the coming weeks and also to discover new shows and characters to love as I choose from a list of intriguing pilots.

Which new show is going to make me laugh until I cry, like The Mindy Project did last season? Which characters are going to warm my heart the way Ben and Leslie did? Who’s going to sweep me off my feet like Jake Johnson? Which premiere is going to be as great a companion to a season finale as last season’s Castle premiere?

I don’t know the answers to any of those questions, and that’s the fun thing about premiere season. Everything is exciting, hopeful, and new. There’s a chance that this could be the season your favorite actor delivers an Emmy-winning performance, the season that your favorite couple takes the next step in their relationship, or the season that your favorite show becomes the show everyone is talking about.

In the spirit of the unofficial start of premiere season, I want to share my TV viewing schedule with all of you, including the dates for each season premiere. Any new shows I’m planning on checking out will be highlighted in pink.

MONDAYS
Dancing with the Stars (8 p.m. on ABC)
I always want to support shows that bring dance to a mainstream audience, and DWTS is such a fun, fluffy, feel-good show to come home to after the start of the workweek. This season, I’m most looking forward to seeing Elizabeth Berkley trade her Showgirls moves for the samba and seeing Valerie Harper continue to act as a symbol of hope and perseverance in the face of her devastating cancer diagnosis. – Season Premiere 9/16

Castle (10 p.m. on ABC)
Will Beckett say yes? And whatever her answer is, will she still move to Washington? These questions have been keeping us Castle fans up at night since May, and it’s finally time to discover the answers. After a fifth season that proved the “Moonlighting Curse” could be overcome with smart writing and great acting, I’m looking forward to a sixth season filled with even more relationship progression for one of my favorite TV couples. – Season Premiere 9/23

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Daily Dose of Feelings #24

In less than one month, Parks and Recreation will return to our TV screens, and I don’t think I’m alone in my longing for some Pawnee sunshine to come back into my life. So to celebrate the impending return of my favorite television show, let’s go back in time and remember a season premiere before Ben and Leslie were married, before they could even be openly in love, and before Leslie won the city council election.

You have to check it out on NBC’s website because apparently their video player doesn’t like being embedded here. But I promise it’s worth the extra click! 

Even this early on in Ben and Leslie’s relationship, the foundation was there for them to ascend to their current status as the best couple on TV. Ben’s unwavering support of Leslie’s dreams, Leslie’s appreciation for everything he is, and their realistically sweet chemistry were there from the start—or in this case, the end—of their first attempt at a relationship.

This scene is incredibly bittersweet. There’s sadness, but there’s no angst, which is so refreshing and also so beautiful. Your heart breaks for this couple, but there’s just enough warmth and love in this scene to keep that heartbreak from being oppressive.

This is the first moment where I really started to see just how incredible Ben Wyatt is as a character. He’s willing to give up something he wants and has wanted for a long time because he also wants Leslie to be happy—and he knows that running for city council is going to make her happy. Ben fell in love with Leslie for her passion and her drive, and he doesn’t want her to have to sacrifice those things in order to be with him. He respects Leslie’s hard work so much that he doesn’t want anyone else to question whether or not she earned everything she’s been given—because he knows how much she deserves every success she’s ever had. So he’s willing to step back and let the woman he loves chase her dream—because that dream won’t be there forever, but in this scene you can already tell that Ben will be.

Amy Poehler and Adam Scott absolutely kill me in any scene where they get to be soft and gentle and emotionally honest with one another. I love the way Poehler’s eyes have tears in them through so much of this scene because it feels real—the same way Scott’s shaky voice feels real. Those aren’t the kind of overdramatic hysterics that are going to be noticed by most people, but they’re the kind of realistic details that can make a comedy the most emotionally affecting show on television.

This is the first use of the box that has come to mean so much for this couple, and its meaning can be traced back to this scene. The box represents the leaps of faith Ben and Leslie take together and the knowledge that they will always be the other’s biggest supporter. It holds symbols of their dreams: first Leslie’s dream, then Ben’s, and finally their dream of beginning a life together.

While this scene is technically a “breakup scene,” it’s filled with more hope and love than most “love scenes” on TV today. It’s a scene about the sacrifices we make for love and for our own dreams. It’s a scene about the reality of love not always being enough to conquer all (at least not right away). And it’s a scene about a woman who makes campaign speeches in her sleep and a man who looks at her like those speeches are the most perfect things he’s ever heard in his life.

Like the opening line to Leslie’s speech, this scene is simple—but I like it.

Daily Dose of Feelings #10

There’s one scene in each of my favorite TV shows that takes me from “I like this show” to “I’m all in.” Usually, this is a scene that makes me cry. When I find myself becoming emotionally invested in these characters to the point where I cry because of them, I know there’s no turning back.

In the case of Once Upon a Time, that scene is the moment in the pilot when Snow White and Prince Charming have to send their newborn daughter, Emma, into our world by herself in order to protect her from the Evil Queen’s curse.

The depth of emotion in this scene is so rare for a pilot, but it’s what we’ve come to expect from actors as talented as Josh Dallas and Ginnifer Goodwin. Goodwin is especially brilliant in this scene because she goes through so many different types of pain—the physical pain of labor, the pain of losing her daughter, the pain of knowing she might never see her husband again—and yet still remains a pillar of strength. This is the scene that made Snow my favorite Once Upon a Time character.

My emotions during this scene progress as the action does. I feel Snow’s pain as she struggles through labor (Goodwin does an incredible job with some very realistic screaming), but the tears don’t start until we get our first (and last) glimpse of that happy family together. I love the way the scene shifts so suddenly when Snow realizes Emma has to go into the wardrobe by herself. She’s so deadly serious in that moment, so desperate for her husband to see that Emma needs to be given her best chance. And when she kisses her daughter goodbye before doing the same to her husband, I find myself in awe of this character and her sense of parental love and sacrifice.

Snow gave up everything to make sure her daughter was saved from the curse. After Charming leaves and she finally lets her grief show, I can’t help but sob right along with her. There’s something so raw, so primal, and so real about Goodwin’s tears in that moment—it’s hard to watch, but the best emotional moments often are. In that moment, this character is no longer the poised Disney princess we all thought we knew; she is a brokenhearted mother who is forced to give up her baby, to make an unthinkable choice and simply hope that she’s doing the right thing.

And the tears don’t stop there. If you don’t find yourself getting a little emotional at the sight of Charming with his sword in one hand and his baby girl in the other, then you must have a heart of stone. Like Snow, this idea of Prince Charming as a father willing to do anything to see his daughter find safety elevates him from the stuff of fairytales to the stuff of real, human drama. When he uses his last bit of strength to make sure Emma got through the wardrobe, I cry because this incredible father is willing to literally give up his life to protect his child.

Once Upon a Time is a show filled with emotional moments, but none has ever hit me like this one did and continues to so long after I first saw it.

TV Time: Once Upon a Time 2.01

Title Broken

Two-Sentence Summary With the curse broken and all kinds of emotional reunions experienced, the citizens of Storybrooke face a new threat when Rumplestiltskin unleashes a powerful wraith meant to suck out Regina’s soul as punishment for what she did to Belle. In a portion of Fairytale Land untouched by the curse, a wraith is also responsible for the (possible) demise of Prince Phillip, leaving Sleeping Beauty and her new companion Mulan alone to travel to a “safe haven”—until they discover Snow White and Emma, who fell through the Mad Hatter’s hat in their attempts to lure the wraith back to Fairytale Land.

Favorite Lines
Snow: We talked about things we probably shouldn’t have even talked about…One-night stands and the like.
Charming: One-night stands?
Snow: Whale.
Charming: Whale?
Snow: We were cursed!

My Thoughts I have a serious case of mixed emotions about this premiere. I’m torn between liking it more than my sense of logic says I should, and not liking it as much as my sentimental heart wants me to like it. Overall, I loved the performances we got out of the actors in this episode, but I thought the plot was pretty weak.

In my opinion, a season premiere should set up the upcoming season in a fairly clear way, answering more questions than it asks. The time for asking questions is the finale; I like my season premieres to have a sense of clarity of purpose about them. I thought the pilot episode of Once Upon a Time did just that, but this premiere threw me off balance from the start and never quite righted itself.

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TV Time: Castle 5.01

Episode Title After the Storm

Two-Sentence Summary As Castle and Beckett begin a romantic relationship four years in the making, they have bigger things to deal with than just keeping the change in their partnership a secret. The estranged duo of Ryan and Esposito help them finally track down the man who orchestrated the murders of Beckett’s mother, Captain Montgomery, and many others, but when Beckett finally confronts this senator with presidential aspirations, she chooses to seek justice instead of vengeance, deciding to take back control over her own life and shifting the balance of power in her favor.

Favorite Line To represent the expert blending of comedy and drama in this episode, I have two favorites.

Comedic: “Just act normal – if that’s even possible for you.” (Beckett)

Dramatic: “I’m done being afraid. It’s your turn now.” (Beckett)

My Thoughts In the last few years of my media-consuming life, I’ve tried really hard to keep from labeling things I’ve just watched/read/experienced my “favorite.” With that being said, this was my favorite episode of Castle to date. I’ve been religiously watching this show (and re-watching it during hiatuses) since the pilot episode in 2009, and I can honestly say that I don’t think there has ever been a better example of what Castle is as a show when it’s firing on all cylinders than “After the Storm.”

When Castle is at its best, it mixes comedy, drama, and romance in a way that no other show on TV can do as successfully. The best Castle episodes are the ones that make you laugh out loud one minute and wipe away a tear the next minute. This episode did all of those things, and it added an element of suspense that rivaled anything I used to see during my days of watching Alias and other action-driven TV shows.

The major question people had going into this season was: Could Castle break the dreaded (and ridiculous, if you ask me) Moonlighting Curse? I think by the first commercial break that question was answered with a definitive yes. Those opening scenes took everything that makes Castle and Beckett such a dynamic pairing (their smart banter, their humor, and the indescribably potent chemistry between Nathan Fillion and Stana Katic) and turned it up to 11.

The dynamic between Castle and Beckett at the start of this episode was filled with the sparks and sharp dialogue that made the show so enjoyable in its first two seasons. But as the episode went on, we got to see that there is now another layer to their relationship that we finally get to explore. We’ve seen the spark, we saw the heat, and now we get to see the warmth.

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TV Time: Parks and Recreation 5.01

Episode Title Ms. Knope Goes to Washington

Two-Sentence Summary Leslie experiences “small fish-big pond” syndrome when she and Andy visit Ben and April in Washington, but a pep talk from a surprising source reminds her that, despite the condescension she was treated with during her visit, she’s “Kick-Ass Leslie,” and she’s an important person who works tirelessly for the town she loves. Back in Pawnee, the annual Parks Department barbeque goes awry when Ron takes the reins, and Tom and Ann try to hide the fact that their relationship ended in order to win a bet with Donna.

Favorite Line “Could we just real quick stop at the nearest place that has free pants?” (Andy)

My Thoughts Though this wasn’t my favorite episode of Parks and Rec, it did what needed to be done in order to set up major story lines and conflicts for the beginning of this season: the challenges Leslie is going to face in her new role as city councilwoman and in her long-distance relationship with Ben (especially with Ben in such a high-profile line of work); the new responsibilities Ron is going to have to deal with now that Leslie has taken on her new role; and the adjustment period everyone is going to go through after the big events of last season’s finale.

It broke my heart to see how Leslie was treated in Washington, and so much of that came from Amy Poehler’s typically brilliant performance. This is an actress who can put tears in my eyes from both emotion and laughter within the same scene—and maybe even within the same line of dialogue. In the moment where the woman in the Secretary of the Interior’s office names the list of different states that have cities named Pawnee you could almost see Leslie lose a little of that light that makes her such a beautiful, admirable character. Leslie and Pawnee are so intricately linked on this show, and to see the city be treated as nothing special only added to the pain of seeing Leslie treated as nothing special. But Leslie’s feelings of inferiority also brought about two of my favorite comedic moments in the episode: petite Leslie unleashing her jealousy about all of the tall women Ben is surrounded by (mainly because I have felt that same height envy often) and Leslie’s breakdown in a closet being interrupted by a perfect cameo from John McCain.

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