TV Time: Castle 7.01

Welcome, fellow Castle fans, to my first episodic review of the season. I can’t wait to discuss every twist and turn along the way with all of you, because if this premiere was any indication of what’s in store for us, it’s going to be an emotional roller coaster!

SEAMUS DEVER, JON HUERTAS, STANA KATIC

Title Driven

Two-Sentence Summary As Beckett, Ryan, and Esposito embark on a two-month investigation into Castle’s wedding-day disappearance, they come across some disturbing evidence that points to him faking his own abduction. Castle’s reappearance raises more questions than answers when he wakes up with no memory of the two months he was missing.

Favorite Line “We’ll get there. We’ll find our way home.” (Castle)

My Thoughts I was in the camp of Castle fans who did not like last season’s finale at all. In fact, I disliked it so much that it made me approach this premiere with extreme caution. However, I would like to go on the record and say that I loved this premiere. It wasn’t perfect, but it genuinely captivated me. As I’ve said so many times, as long as I care about the characters, I can handle unanswered questions and even plot holes. And one thing “Driven” did remarkably well was make me feel for these characters—especially Beckett.

I can see where some might be frustrated at the plot of this episode. Like I said, it wasn’t perfect. My biggest complaint was the way everyone was so willing to believe the only explanation for Castle dropping the money in the dumpster was that he was doing this of his own free will. Did no one think he could be coerced in any way to do this stuff? You don’t need to have a gun pointed directly at your head to be threatened enough to do the things Castle did in this episode. I would have thought a group of detectives and the FBI would know enough to at least consider that possibility.

Also, Castle is a show that often likes to put its overarching plots on the backburner and balance them with “fun” episodes, which is usually okay, but won’t work in this case. This is one of those things that needs a presence in every episode until the mystery is solved. That doesn’t mean I don’t want to see lighter Castle episodes, too (although I do favor the heavier stuff), but even those lighter episodes need at least one reminder of this mystery. I have faith, though, that it’s going to happen.

If nothing else, “Driven” was something new. It genuinely left me guessing from beginning to end, and for a show to still be able to do that in its seventh season is no small feat. All of the uncertainty felt a little much at times, but in the light of day after the episode aired, I think it’s cool that the mystery writer is now part of his own mystery. And let’s just get this out of the way now—it has to be 3XK, right? Who else would mess with these characters on such a personal, emotional level? The twisted nature of everything that happened—not just to Castle but even more so to Beckett—points towards 3XK, at least in my opinion.

Although “Driven” felt like something new for Castle, as an Alias fan, the last act of the episode felt like a story I know all too well. Were any fellow Alias fans having “The Telling” flashbacks, or was it just me? From Beckett telling Castle he was missing for two months (in almost the exact tone Vaughn used when he said, “You’ve been missing for almost two years.”) to Castle’s lack of memory, I just wanted it to be revealed that his name while he was missing was “Julian Thorne.” I suppose I just need to thank my stars that Beckett didn’t get married while he was gone (forever bitter about that little Alias twist). Maybe that’s why I wasn’t so worried about all of the plot stuff in this episode: I’ve been down this road before; I’ve watched shows with more questions than answers so many times. And they’ve been some of my favorite shows ever because—like “Driven”—they made me feel things beyond just confusion about the plot.

Continue reading

TV Time: Once Upon a Time 4.01

Welcome (or welcome back), friends, to my Once Upon a Time reviews! I’ve been looking forward to writing this since the Season Three finale aired in May, so let the fun (and the discussion) begin!

Source: spoilertv.com

Source: spoilertv.com

Title A Tale of Two Sisters

Two-Sentence Summary As Elsa finds herself in Storybrooke, flashbacks show what happened when she discovered a journal that revealed her parents’ fatal journey was undertaken to figure out how to deal with their magical daughter—a journey that Anna decides to retrace, leading her to the Enchanted Forest. Elsa isn’t the only new arrival from Emma and Hook’s trip to the past to cause problems in Storybrooke; Marian’s presence forces Regina to confront whether or not she can ever have a happy ending and whether or not she’s still the “monster” she once was.

Favorite Lines
Emma: Want to go home and see what’s on Netflix?
Hook: I don’t know what that is, but sure!

My Thoughts Remember when last season ended and I was worried about how the Frozen storyline was going to be handled on Once Upon a Time? It’s amazing how great casting can make all the difference in the world. I know it’s only been one episode, but the Frozen characters were some of my favorite parts of this Once Upon a Time premiere. That might also be because so much was going on in Storybrooke that the Frozen flashbacks gave me a chance to breathe in the middle of the present-day chaos and revolving door of new plot developments.

Don’t get me wrong; one of this episode’s biggest strengths was the way it laid a solid foundation for all of the major storylines to come this season (or at least in this half of the season). It served as a great introduction for people tuning in for the first time because of the Frozen hype, and it attempted to quell some of the unrest surrounding both the Neverland and Wicked Witch arcs last season—sometimes it felt like the characters were going in circles (on occasion, quite literally) with only one major conflict to deal with.

However, anyone who’s familiar with my feelings about Once Upon a Time knows that I would rather have a hundred episodes of characters walking through the Neverland jungle—doing little to advance the plot but growing tremendously as characters—instead of a repeat of Season Two’s plot-heavy mess. I’ll withhold my judgment on the sheer number of major stories introduced in this premiere until I see if they turn out as disjointed as they could be or as connected as I hope they will be. If nothing else, they made for a fast-paced premiere filled with plenty of new mysteries to uncover—one of which I’ve been waiting for since I first saw the pilot.

The Frozen flashbacks also have their own central mystery: Who were Anna and Elsa’s parents going to see in Misthaven (or is it Mist Haven?)—aka the Enchanted Forest? My guess is Rumplestiltskin, and that’s where all the trouble will come with Elsa ending up in his vault and Anna’s necklace being in Mr. Gold’s shop. I liked that these flashbacks did what Once Upon a Time does best; they showed what happens after the story as we know it ends, making Anna and Elsa feel like real people and not just fairytale princesses (or a princess and a queen if we’re being technical).

I was most impressed with how faithful the writers and actors were not just to the details of Frozen but to the very essence of what makes these characters so unique. Of course, it was fun to see the nods to the film in everything from the beautiful costumes and the surprisingly good CGI for Grand Pabbie to the perfection that was Sven (Who knew a real reindeer could be so sassy?). But what I loved the most was the care taken to get Anna and Elsa (and Kristoff, too, in the little we saw of him) just right.

Continue reading

The Best Thing I Saw on TV This Week (9/21 – 9/28)

This week marked the return of even more network shows and the premieres of a number of highly-anticipated pilots. The string of strong season premieres kicked off on Sunday with an episode of The Good Wife that took a turn no one expected, as Cary ended up in jail with no easy release on the horizon. Monday featured another fun episode of Dancing with the Stars and the first part of a two-night premiere for the engaging new series Forever (starring the almost criminally charming Ioan Gruffudd). New Girl and The Mindy Project both aired their second episodes on Tuesday, with the former introducing Jess to the stress of online dating and the latter introducing Mindy and us to Danny’s ma. Wednesday’s series premiere of Black-ish was very strong, and the season premiere of Nashville was filled with more drama than ever. And Thursday’s night of Shonda Rhimes shows included a fast-paced episode of Scandal and the incredibly compelling series premiere of How to Get Away with Murder.

It was wonderful to have an abundance of shows to watch and an abundance of moments to choose from for the best of the week. However, my pick for the best of the best isn’t just one moment but an hour’s worth of new moments from my favorite pilot of the season so far: How to Get Away with Murder. Everything about this pilot clicked: It had a very defined style (which I expected from one of Rhimes’s shows), it featured so many twists and turns that it left me breathless, and its characters all have much more meat to them than most pilot characters. Add to all of those things the magnetic performance of Viola Davis and one heck of an episode-ending cliffhanger, and there’s no way I’m missing this show for the foreseeable future.

http://www.youtube.com/watch?v=dbSl-SPyHtg

What was the best thing you saw on TV this week?

The Best Thing I Saw on TV This Week (9/14 – 9/21)

Let the fall TV season begin!

Although many network TV shows have yet to return or debut, this week did give us the premieres of some NGN favorites. Dancing with the Stars returned on Monday with some disappointing performances but also a few standouts (especially Alfonso Ribeiro). Tuesday was a night of season premieres for FOX comedies, with New Girl finding a new energy that was refreshing after a subpar third season, and The Mindy Project living up to the hype with a premiere that continued the streak of confident writing and acting that made last season’s finale a success. Wednesday featured a battle between Nyesha and Jennifer on Top Chef Duels, and plenty of shows (from Scandal to Saturday Night Live) aired reruns of some of their most recent or most popular episodes to get ready for another wave of premieres this coming week.

In a move that will surprise absolutely no one who knows anything about me or my taste in TV shows, my pick for the best of the best in the world of television this week comes from The Mindy Project. The final five minutes of “We’re a Couple Now, Haters!” solidified exactly why this season has the potential to be something truly special. The emotional revelations Mindy and Danny shared on the fire escape were a beautiful testament to the idea that a stable relationship between a show’s main characters can allow both characters to grow and deepen in ways they simply couldn’t if the “Will they?/Won’t they?” continued. And that beautiful moment of emotional intimacy was followed by a different kind of revealing scene, as Diamond Dan showed his moves to Mindy, and Chris Messina made us all feel some very special feelings.

Because FOX apparently wants to make it as difficult as possible for all of us to relive Diamond Dan in all his glory, here’s a link to Vulture’s video of the closing moments of the episode. 

And because I will NEVER be over this moment, here’s a gif:

What was the best thing you saw on TV this week?

TV Time: The Mindy Project 3.01

Welcome, friends, to the first of my weekly reviews of The Mindy Project! I hope you’re ready to spend this season discussing all things Mindy and Danny with me, because if this premiere was any sign of how this season is going to unfold, we’re in for a fun ride!

Source: NPR

Source: NPR

Title We’re a Couple Now, Haters!

Two-Sentence Summary As Danny and Mindy’s conflicting stances on privacy present an obstacle in their new relationship, Peter and Jeremy find themselves both vying for the affections of the same woman (Peter’s girlfriend Lauren). And Mindy’s promise to keep the details of her relationship with Danny out of the office becomes difficult to keep when she finds a mystery thong in Danny’s drawer.

Favorite Lines
Mindy: I think the reason I tell everyone about us is because I want it to be real, and the more real it seems, the less likely it is that it could all get taken away from me.
Danny: It’s real.

My Thoughts Let’s not bury the lead here: Danny Castellano (aka Diamond Dan) did a striptease for Mindy at the very end of last night’s premiere of The Mindy Project, and none of us who watched it will ever be the same.

I thought I’d died and gone to heaven when Danny gave Mindy her choreographed Secret Santa gift in last season’s “Christmas Party Sex Trap,” so I think it goes without saying that if I wrote what was really going through my mind at the end of “We’re a Couple Now, Haters!” this entire review would consist only of “OH MY GOD,” “HOT DAMN,” and “I CAN’T EVEN” (which is an accurate reenactment of my Tweets from last night…and this morning…and probably every day for the rest of my life now that this exists). What I will say is Mindy Kaling certainly knows her audience, and she’s thankfully not above giving them everything they never knew they always wanted.

All fangirl freaking out aside, that last scene said a lot about both the character of Danny Castellano and The Mindy Project as a whole as the show enters its third season on the heels of a spectacular second-season finale. It was a moment that oozed confidence. Although the “belt move” (as I’m calling it) and the ridiculously hot kiss at the end both had their merits (as did a million other details in that scene), my favorite part was at the very beginning of it, when Danny walked into the doorway to the opening beats of “American Woman” and proceeded to do a little shoulder shake perfectly in-time with the music. It was so effortlessly confident that it drew me in completely, and if the scene had ended right there, I still would have loved it.

Confidence is so attractive, and it’s something Chris Messina as an actor, Danny Castellano as a character, and this show in general have in spades right now. For as excited as I was about this season, I wasn’t sure anything could live up to my expectations after a finale as strong as “Danny and Mindy.” However, “We’re a Couple Now, Haters!” took everything that made me feel hopeful after that finale and brought it to life in a premiere that has me even more excited for this whole season than I was two weeks ago, if that’s even possible.

Continue reading

What Are You Watching? Fall 2014 Edition

It’s the most wonderful time of the year—TV premiere time! After a long summer filled with only small moments of scripted brilliance in the middle of reality show after reality show, it’s time once again to curl up on our couches, grab a favorite TV-time snack, and fall back in love with our favorite shows—while maybe finding a few new shows to love along the way.

I’ve said this before, but it bears repeating: I love the start of any season—TV, sports, etc.—because it means hope. There’s always a chance that this year will be the year something amazing happens for your favorite shows and characters, or it could even be the year you’re pleasantly surprised by a show you never expected to love. I’m ready for all of that and more.

Without further ado, here’s what I’ll be watching this fall. This list doesn’t include reality shows (Dancing with the Stars and Top Chef being my most anticipated returns in that genre) or variety shows (like Saturday Night Live). Any pilots I’ll be checking out will be highlighted in pink, and the shows I’ll be reviewing each week will be marked with an asterisk (*).

MONDAYS
Castle (10 p.m. on ABC)*
I will be the first to admit that I was less than impressed with last season’s trope-heavy finale. However, I’m hopeful that the car wreck that ended last season in such a frustrating way will actually open up deeper avenues of storytelling for Rick Castle as a character and Nathan Fillion as an actor. No matter who was behind the crash (and we all have our theories), it’s going to make for plenty of dramatic storytelling. And with the Johanna Beckett arc wrapped up, I’m interested to see what the next big arc is going to be and what kind of material it gives this talented cast.—Season Premiere 9/29

Continue reading

Fangirl Thursday: Returning Favorites

It’s September, and you know what that means: pumpkin-spiced everything, football, and TV season premieres! And while I love a good pumpkin spice latte and my Buffalo Bills, my favorite thing about this month is all of the new TV that comes our way.

Sometime next week, I plan on breaking down my fall viewing schedule and discussing what shows we’re all watching this year. (Until then, I highly recommend taking a closer look at what new shows you might check out with Heather’s helpful guide.) Today, however, I want to focus on the premieres we’ve been counting down to since May, the beginnings of brand new seasons for our favorite TV shows.

There’s always that one season premiere you’re looking forward to slightly (or not-so-slightly) more than any other. Whether it’s because the season finale set some great things in motion, the show’s been surrounded by cool casting buzz, or your appetite has been whetted by exciting spoilers, we all have to admit that there’s one show whose premiere we wrote in slightly bigger letters on our September calendars.

For me, it’s The Mindy Project.

Continue reading

Game of Thrones Moment of the Week: “Two Swords”

Game of Thrones is back, and I think we all need a place to talk about it. My inability to always watch the episodes in a timely manner would get in the way of writing full reviews of each episode, but I definitely wanted to start a Game of Thrones weekly feature over here. So feel free to comment about the moments I choose throughout the season, but the comments are open to discussion of every aspect of these episodes! And just as a fair warning: I read the series last year, so if I accidentally spoil anything by talking about foreshadowing or by not remembering how far along the show is compared to the books, I apologize. (Short story: Possible spoilers ahead!)

The Moment: Tyrion meets Oberyn Martell

two swords oberyn martell

Setting the Scene: The bad blood between the Lannisters and Martells is shown in no subtle way by “second son” Oberyn Martell’s stabbing of a Lannister in a King’s Landing brothel. Following this show of force, Oberyn reminds Tyrion that his sister, Princess Elia of Dorne, was once married to Rhaegar Targaryen before he ran off with Lyanna Stark and started a war, which resulted in the deaths of Oberyn’s niece and nephew as well as the rape and murder of Elia at the hand of Gregor Clegane. As a parting word, Oberyn tells Tyrion to inform his father that “the Lannisters aren’t the only ones who pay their debts.”

Why It’s Awesome: I think one of the character introductions that A Song of Ice and Fire readers have been anticipating the most is the Red Viper of Dorne, and this exceeded my high hopes by creating a fully-realized character from his first scene. Pedro Pascal is an excellent casting choice for Oberyn. The way he delivered his monologue about Elia’s fate left me breathless, and I wanted to cheer at his perfect parting words. The controlled grief and fury laying just below the surface of his words were chilling in the best possible way. You know this man means business, and you know from the start that it’s not a good thing for the Lannisters that he’s the Dornish prince in town for Joffrey’s wedding. Oberyn Martell is one of the most charismatic and compelling characters in the whole series, and his introduction left me hanging on his every word—even when I knew what they would be. Once again, this casting department did an excellent job, and this scene left me so excited for all that’s to come with Oberyn this season.

Honorable Mentions: Brienne confronts Jaime over the fate of the Stark girls, Joffrey mocks Jaime’s blank space in the White Book, Jon Snow talks about Robb, and Arya is reunited with Needle

The Best Thing I Saw on TV This Week (9/29 – 10/6)

Another fantastic week in television has come and gone, and with it came some excellent season premieres and episodes that continue to have me hopeful for this entire TV season as a whole.

Last Sunday’s Once Upon a Time premiere had me on the edge of my seat and completely buying into the idea that this season will give me the emotional content and character development that last season often lacked. That hopeful feeling extended into my viewing of the season premiere of The Good Wife, which also reminded me of all of the things I first fell in love with about the show.

Monday’s Dancing with the Stars episode made my love for Bill Engvall only grow stronger, and Castle was everything I’d hoped it would be and more. Tuesday’s TV lineup included an episode of Agents of S.H.I.E.L.D. featuring the cameo I’d been waiting for since I’d heard about the show, as well as episodes of New Girl and The Mindy Project that packed quite the emotional punch.

Wednesday’s Nashville episode was a great followup to a fantastic season premiere, even though the scene between Rayna and Deacon broke my heart. Thursday reminded me of all the ways TV can make me laugh (Ron Swanson’s accidental Vine on Parks and Recreation) and all the ways it can make me feel (the entirety of Scandal‘s breathtaking season premiere).

I only started watching Scandal with this week’s recap show and season premiere (besides YouTube clips of the most talked-about scenes and about 3/4 of last season’s finale), but I’m so happy I decided to tune in when I did—because it was the best thing I saw in a great week of television. Everything about that premiere was smart—the twists, the dialogue, and even the wardrobe choices (that white trench coat!). And it all culminated in one phenomenal scene between Fitz, Olivia, and Mellie in a secret bunker. My favorite thing about that scene was the way there were so many things being said without words between all of the characters, especially between Fitz and Olivia. It’s a brave thing for a network drama to have a scene so long featuring nothing but three people talking, but when the acting is this good, it’s hard to believe anyone would be able to turn away.

http://www.youtube.com/watch?v=VUUyRlv4iNk

What was the best thing you saw on TV this week?

TV Time: Once Upon a Time 3.01

301OUaT

Title The Heart of the Truest Believer

Two-Sentence Summary After bringing Henry to Neverland at the request of their mysterious “home office,” Tamara and Greg are shocked to learn that they were simply used by Peter Pan and the Lost Boys to procure Henry, and once that goal is achieved, they are no longer of any use alive (Greg’s soul/shadow is ripped from his body by Pan; Tamara is shot by an arrow and later killed by Rumplestiltskin). In their quest to find Henry, Emma, Snow, Charming, Hook, and Regina (Rumplestiltskin has gone rogue) discover that the only way they are going to survive Neverland is by putting aside their hatred and believing in one another, while another strange alliance is being formed in Fairytale Land between Aurora, Philip, Mulan, Robin Hood, and Neal.

Favorite Lines
Snow: Undo your spell; bring back the mermaid!
Regina: And what—you’ll win her over with your rainbow kisses and unicorn stickers?

My Thoughts If “The Heart of the Truest Believer” is a sign of things to come for Once Upon a Time, then I’m really excited about where this show is headed. Yes, this premiere had a lot going on, but it found a way to balance its storylines and characters with a clarity that seemed to be lacking at times in Season Two. There are still families split apart and villains longing for redemption, but in this episode those things felt like they had the kind of emotional resonance that was often sacrificed for new plot developments in previous episodes. There was plenty of action, but there were also plenty of quieter moments where characters were given a chance to breathe, to talk, to grow, and to surprise us.

One of the biggest surprises in this episode came very early on, when the true identity of Greg and Tamara’s “home office” was revealed. I’ll admit it; when I heard those two words uttered by those two characters again, I was ready to scream, “NOBODY CARES ABOUT YOUR HOME OFFICE AND NOBODY CARES ABOUT YOU!” (I just really hated their storyline last season, okay?) So imagine my pleasant surprise when I found out these characters were actually being manipulated by Peter Pan and the Lost Boys and that there was no real home office; it was such a relief to know that we weren’t going to spend episode after episode trying to figure out who these two were working for. And it was also such a relief to know that two of the most uninteresting characters in the history of this show were also going to disappear. By doing away with my least favorite storyline of last season only a few minutes into the episode, I already knew this premiere was going to be a success.

Another reason I so deeply enjoyed the way Tamara and Greg were duped was because it set up a recurring theme for this episode which tied all of the plot threads together: the dangers of blind faith but the importance of belief. Once Upon a Time is growing up. Even “truest believer” Henry was throwing out sarcastic quips about Tamara and Greg not asking questions about who they actually worked for because of their blind faith in their cause.

Henry also learned the hard way about the dangers of putting your trust in the wrong thing (or in his case, person). I knew from the start that the kid he’d teamed up with was Peter Pan; he was too good of an actor (and too disarmingly pretty in his features) to just be a generic Lost Boy. I thought Robbie Kay was great at making the twist from friendly boy to creepy Peter Pan believable. There’s something really chilling about the evil hiding behind such a boyish face, and I can’t say enough about how much I love this show for once again taking a classic story and making it feel fresh and surprising. Pan’s “Let’s play” at the end of the episode gave me the best kind of freaked-out chills. Unsettled isn’t usually an emotion I feel while watching Once Upon a Time, but I like that the show still has some new tricks up its sleeve.

However cool the Peter Pan story may be, I still have a lot of questions about this plot (not that having questions is always a bad thing): How did the Lost Boys/Pan manage to contact Greg and Tamara, and why choose them? What does Peter Pan want with the heart of the truest believer? What is the doll that made Rumplestiltskin cry (another brilliant moment from Robert Carlyle)? And how they heck did Pan know what Henry was going to look like hundreds of years before he was born?

Pan knew of Henry before Bae came to Neverland, and I can’t help thinking that Bae’s going to end up in Neverland once again for reasons relating to Henry. I didn’t think we would spend so much time with Bae/Neal so soon (I’ll just call him Neal because apparently I want to be like Emma Swan, which I totally do), but it sure was nice to see Michael Raymond-James back on my TV. It was cool to watch him embrace his past as the son of the Dark One, and I liked seeing him interact with characters we’d left behind around the halfway point of Season Two. I still don’t love Jamie Chung’s line readings as Mulan (they always feel strangely stilted to me), but I did like the scenes where Neal tried to talk to her about the movie bearing her name. Those little moments of self-aware humor have always kept this show grounded, and it was nice to see it right at the start of this season.

The humor came from many different places in this episode, but if you were looking for sassy one-liners, then you needed to look no further than the Jolly Roger. Between Hook and Regina, the quips just kept on coming. Two of my personal favorites were:
• “Oh, that’s a great use of our time—a wardrobe change.” (Hook to Rumplestiltskin after the latter appears wearing his old leather clothes, and looking gosh-darn great in them if you ask me)
• “Fillet the bitch!” (Regina to Charming after they’d captured a mermaid)

Ultimately, though, the scenes on the Jolly Roger were about so much more than sarcastic comments or even intense actions sequences (even though that whole storyline at times felt like one long action scene filled with surprisingly angry mermaids). It was about this group of characters learning how to believe. For Snow and Charming, it was about learning to believe in their daughter for who she is rather than who they want her to be. Emma may have been harsh in her assessment of her relationship with them so far (but tact hasn’t ever been Emma Swan’s chief asset), but she has had her own experiences, and they are all going to have to find a way to believe in each other as a family despite the differences in their lives. For Regina, it was about believing that there are more important things than her hatred of Snow (although the two of them finally getting to haul off and punch each other was very cathartic for me as a viewer—especially to see Snow punch Regina). For Hook, it was about believing in something (or maybe someone) more important than himself.

Continue reading