TV Time: Once Upon a Time 6.05

JENNIFER MORRISON, JARED S. GILMORE

Source: tvline.com

Title Street Rats

Two-Sentence Summary After Jasmine reveals that Aladdin was also a Savior, Emma leads the charge to try to find him alive, with her family’s full knowledge of her visions and how Aladdin’s fate is tied to hers. When Aladdin is found, he gives Emma a pair of shears that can sever her fate and save her life by making her no longer the Savior.

Favorite Line “I have actual magic in my life—I have you. If I could go back, I wouldn’t change a thing.” (Emma, to Henry)

My Thoughts Honesty is power. We’re at our strongest when we’re honest with ourselves about who we are, and our relationships are at their strongest when we’re honest with those we love. Accepting the truth—both our own truth and the truth that lives in the hearts of those we love—is the key to developing into the best version of ourselves and creating strong and stable relationships.

Honesty seems to be turning into a major theme this season on Once Upon a Time. For as strange as the Evil Queen and Zelena’s spa day was (and it was incredibly strange), it brought up a central concept for this season: owning who you are and what you’ve done. Although the last thing I want is for Zelena to raise her daughter to only know her mother as the Wicked Witch, the Evil Queen brought up a good point about how she can’t hide that part of her identity from her daughter. She was right; Henry hated the fact that Regina lied to him and made him feel like he was crazy for so much of his life. It was only when she became honest with him about who she was and her struggle to be a better version of herself that he could find it in his heart to love and forgive her.

Zelena’s little girl should know who her mother was, but she should also know the better person her mother was trying to be. For as much as Zelena is the Wicked Witch, she is also the woman who wanted to be more than that not so long ago. She needs to be honest with herself about the fact that the good part of her is as much a part of her as the wicked part. And the only way she can do that is by getting away from the Evil Queen, who wants to bring out her worst self.

The Evil Queen was at her worst in this episode, encouraging Zelena to embrace her darkness (Poor Archie!), taking a page out of her mother’s playbook and taking the form of someone else in order to get information and create discord (Poor Archie again!), and killing an innocent because she wouldn’t help her. (Looks like I was wrong about the seer being Jafar in disguise.) But I must admit that I didn’t mind that she ended up being the plot device that led to Emma’s secret being out in the open. It was past time it happened, and if it took the Evil Queen masquerading as Archie to force Emma’s hand, then so be it.

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TV Time: Once Upon a Time 6.04

ouat-604

Source: spoilertv.com

Title Strange Case

Two-Sentence Summary When it seems Belle is in danger of being attacked by Hyde and the Evil Queen, Rumplestiltskin goes to drastic measures to try to keep her safe. However, flashbacks reveal that Hyde may not be the one everyone should be worried about.

Favorite Line “I don’t need your protection!” (Belle, to Rumplestiltskin)

My Thoughts Once Upon a Time has always asserted that no one is completely good or completely evil. “Villains” have the potential for goodness in them, just as “heroes” have the potential for darkness. “We are both,” as the show has said time and again, and, as such, it was hard for me to understand how the show’s version of story of Dr. Jekyll and Mr. Hyde that was introduced in last season’s finale—which seemed to be about physically separating yourself into two halves—could fit into that ethos. It turned out that Jekyll and Hyde fit perfectly into Once Upon a Time’s vision of good and evil because neither half was exactly what they appeared to be. Hyde was not the singularly sociopathic monster we thought he was, and Jekyll was far from the meek, harmless man he appeared to be at first sight.

Ultimately, just like every other character on this show, Jekyll and Hyde were both, and no amount of magic or science could completely separate them. At first, I was annoyed with Mary’s obvious attraction to Hyde because the “every girl loves the bad boy” trope is not one I agree with or want to see on television—especially not on a television show kids watch. However, upon discovering just how inseparable Jekyll and Hyde really were, I came to believe that Mary’s attraction was to the fact that Hyde was brave and uninhibited, not that he was bad. She appreciated his passion and his ownership of that passion, which if Jekyll was brave enough to show to her when he was himself, she might have come to love in him as well. Mary was attracted to Hyde because he wasn’t afraid to be himself, while Jekyll felt he had to hide and eventually physically break with part of himself.

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TV Time: Once Upon a Time 6.03

Before we begin, I know that Ella is known as Ashley in Storybrooke, but to avoid confusion, I’m just going to refer to her as Ella throughout.

Title The Other Shoe

Two-Sentence Summary When Cinderella discovers that her stepmother and stepsister have found their way to Storybrooke, she has some things to make right after ruining her stepsister’s chance at happiness in the past. As Emma tries to help her, she learns that you have to allow yourself to be happy in the present—even when the future is uncertain.

Favorite Line “I know everything in life is uncertain. Sometimes you have to walk out the door and hope there’s no bus.” (Emma)

My Thoughts “The Other Shoe” was one of my favorite episodes of Once Upon a Time in years. It was funny, it was romantic, it featured new twists on a classic fairytale, it dealt with universal themes in a magical setting, it put the spotlight on the family dynamics that warm everyone’s hearts, and it featured a bunch of women being strong in a myriad of important ways. In short, it felt like the classic Season One episodes that made me fall in love with this show—with the added bonus of focusing on the character development of Emma Swan and all the beautiful ways she has grown since that first season, while highlighting the compelling inner conflict that shows how much she can still grow.

It should come as no surprise to anyone that such a phenomenal episode was written by one of the most universally adored Once Upon a Time writers: Jane Espenson (with Jerome Schwartz). Espenson has an unparalleled sense of who these characters are now, where they’ve come from, and what real relationships between fairytale characters would look and sound like. Her gift for natural dialogue and sincere emotions in the middle of this crazy fairytale world has always made her episodes stand out. Also, she has a great sense of humor; it felt completely right for a Jane Espenson episode to feature Cinderella wearing pale blue Converse and holding a shotgun, as well as Grumpy complaining about doing all the work while Dopey gets his advanced degree. (Side note: Does Storybrooke have a college, or is Dopey taking online classes? Inquiring minds need to know.)

Espenson is also great at crafting thematically cohesive episodes, and this was another excellent one. In the case of “The Other Shoe,” nearly every storyline seemed to revolve around the idea of happiness—what it looks like, how to hold on to it, and what we do when we’re afraid that we’ll lose it. As such, it was an aptly titled episode, as many of the characters were struggling with the idea of waiting for “the other shoe” to drop.

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TV Time: Once Upon a Time 6.02

COLIN O'DONOGHUE, JARED GILMORE, LANA PARRILLA

Source: ABC/Eike Schroter

Title A Bitter Draught

Two-Sentence Summary When the Count of Monte Cristo shows up in Storybrooke, he tries to finish the job Regina gave him years ago—killing Snow and Charming. As the Count’s plan begins to unfold, Regina discovers that the Evil Queen is not only still alive, she’s planning a twisted game to prove to Regina that she still has darkness inside of her.

Favorite Line “I have a long road to travel before I can be someone I can be proud of. Despite the forgiveness of others, I must forgive myself, and I’m not there yet.” (Killian)

My Thoughts Sometimes thinking about the future is exciting, but sometimes it’s terrifying. Sometimes it feels easier to hide from a future that could end in pain, and sometimes it feels easier to ignore or push down the things we’re afraid of rather than facing them. Fear is a powerful motivating factor, but there is something more powerful: hope. As such, it seems fitting that this season of Once Upon a Time seems poised to address that universal conflict between fear and hope in a number of major storylines.

On the most obvious level, that conflict was addressed immediately upon finding out what the Land of Untold Stories really was. It was a land people escaped to when they were afraid of finding out how their stories would end. It was a place they ran to out of fear and hopelessness, thinking it was better to have no story than to have a story that could end badly.

That’s where Operation Cobra Part 2 came in. The original Operation Cobra was about restoring happy endings for people who’d forgotten their stories, but, as Henry so astutely pointed out at the end of this episode, the sequel is going to be a lot more complicated. From what we know so far, these people actively chose not to have a story; their lives weren’t put on pause by a force beyond their control. So it’s going to take more work to get them to believe in their own ability to have a story that ends happily. But if anyone can do it, it’s Henry. As the Truest Believer and the Author, he has the unique ability to help people believe their stories are worth living out. And not only do the citizens of the Land of Untold Stories need that hope, Henry’s mothers need it, too.

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TV Time: Once Upon a Time 6.01

Welcome back, fellow Oncers! I can’t wait to spend another season discussing all the fairytale fun and feelings with you, so don’t hesitate to jump in and start a conversation in the comments. Just remember, we like to keep things as positive and respectful as we can here at NGN!

once-upon-time601

Source: ibtimes.com

Title The Savior

Two-Sentence Summary As Hyde and the others from the Land of Untold Stories arrive in Storybrooke, Emma struggles with side effects of being a Savior, including visions of her death. Meanwhile, Rumplestiltskin attempts to wake Belle, and Regina tries to work through her grief after losing Robin.

Favorite Line “I choose to believe that this story will have a better ending.” (Regina)

My Thoughts If Once Upon a Time has taught us anything, it’s this: We have the power to choose how our stories end. We have the power to push back against the forces that try to tell us what our story will be. And that power comes from belief—belief in our own strength, belief in those who love us and want to help us, and belief that light and love is stronger than fear and darkness.

In “The Savior,” that lesson—that the only way we can get a happy ending is by believing we can have a happy ending—was at the center of its three main storylines: Rumplestiltskin’s quest to wake Belle, Regina’s difficulty working through her grief, and Emma’s discovery of her decidedly unhappy fate.

Like most Once Upon a Time season premieres, this one spent a fair amount of time setting up conflicts for this season. However, it also featured a surprising number of emotional moments for a season premiere, especially for a show that tends to favor plot over prolonged character beats. The return to a Storybrooke setting certainly helped: Less world building means more time can be spent on the characters and relationships we already know and love. And it seems that this season is going to explore the benefits of characters actually dealing with what has happened to them in a healthy way, which is a wonderfully realistic approach to emotional health for a story about fairytale characters.

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TV Time: The Americans 4.13

the americans s4 finale

Source: ign.com

Title: Persona Non Grata

Episode M.V.P.: Everyone
This might seem like a copout, but “Persona Non Grata” was a total team effort. Each actor was given their time to shine, and each performance worked with and added to the others. Masterpieces generally aren’t painted using only one color, and symphonies don’t work with only one instrument. In the same way, this powerful finale was the sum of all of its talented parts.

What impressed me the most about this episode was the way it balanced its stories so well, giving every character we’ve come to care about an important story to tell. This allowed every actor in this brilliant ensemble a chance to do something special, and they ran with it.

Of course, there were the big moments: Dylan Baker’s heartbreaking work as William died a horrible death—made even more horrible by the fact that he was alone; Matthew Rhys’s stunning monologue about feeling sick every day before going to work; Costa Ronin’s poignant farewell scenes; and Holly Taylor’s masterfully ambiguous performance as Paige and Matthew grew closer.

But I also found myself entranced by the smaller beats in this episode, the silent moments that reminded me of the trust this show places in its actors to convey so much without words. I was spellbound watching Noah Emmerich’s face as Stan took in William’s words about loneliness, the sad understanding creeping across his features. I found myself close to tears as Taylor’s face changed from joy to longing to hopeless sorrow as she held Pastor Tim and Alice’s baby and was suddenly confronted with the reality of her own journey from childhood to the awful grownup world she’s found herself in—a world that could jeopardize the future of this little girl. I was devastated by the exhaustion and hopelessness in Lev Gordon’s posture as Arkady processed the fact that he was being sent back to Russia. I even found myself getting emotional over Tatiana, as Vera Cherny sold her sincere sadness over Oleg’s departure in a way I wasn’t expecting.

And that’s not even including the incredibly charged silences between Rhys and Keri Russell throughout the episode. Russell didn’t speak much in “Persona Non Grata,” especially compared to some of the other episodes this season, but she still delivered a knockout performance. The entire sequence of moments between Philip and Elizabeth after Gabriel suggested they return to Russia was a master class in using silence to your advantage as an actor. You could almost see the wheels turning in Elizabeth’s head as she processed what it might mean to return “home” after building a real home in America with her family. The war between officer and mother was raging inside Elizabeth, and the only evidence we saw of it was in Russell’s intense eyes. Watching her and Rhys in those scenes made me feel afraid to blink because I might miss something, and that’s when this show is at its very best.

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TV Time: The Americans 4.12

the americans 411

Source: spoilertv.com

Title: A Roy Rogers in Franconia

Episode M.V.P.: Keri Russell and Holly Taylor
For those of you who don’t know, in addition to being a writer and editor, I’m also a dance teacher, and this weekend was my students’ big recital (which is one of the main reasons why this post is so late). As such, I’ve been thinking a lot about dance lately. So maybe I just have dance on the brain, but every time I watch Keri Russell and Holly Taylor share a scene together, I think about them not just as the actors they are but as the trained ballet dancers they are as well. Their dance training has not only given them both beautiful posture (which makes them feel related even when they’re just sitting next to each other); it’s also given them a unique ability to naturally convey emotion through their body. And that shared ability to say so much through movement and expression—to make the emotional something physical—was put on prominent display in this episode. The placement of their bodies in a scene—the way they responded to each other’s touch or lack thereof, the angle of their body and head as the other spoke—took what was already stellar writing and made it feel grounded in a very physical reality.

Russell has been on a hot streak the likes of which I’m not sure I’ve ever seen from an actor in a weekly series before. Each week she’s been turning in career performances, and this week was no exception. The most astounding thing about Russell’s work in this episode was the way she followed up Elizabeth’s violent actions at the end of last week’s episode with such soft, sincere uncertainty. That’s Elizabeth in a nutshell; she is supremely confident when it comes to disarming enemies, but she is so unsure of herself when it comes to connecting with the people she loves. And what’s been so beautiful about Russell’s performance is the way she believably lets us see both sides of this complex character. My favorite thing about her work in this episode was the cautious, almost frightened way she carried herself in the early scenes with Paige. You could feel her fear that she’d become a monster in her daughter’s eyes, and it was amazing to see that this was the one thing that could scare the seemingly unshakeable Elizabeth Jennings.

Russell is a master of nuance, and it seems Taylor is taking her apprenticeship under her seriously. Paige feels like a real teenager thrust into a heightened reality, and one of the best things about Taylor’s performance is that she imbues it with a genuine sense of confusion and uncertainty without ever making Paige feel like an idiot. It was a true joy to watch Taylor in this episode because she made Paige’s actions feel just as layered in their intentions as her parents’ actions always feel. She showed us that Paige was both terrified of what she witnessed her mother do and intrigued by what motivated her to learn to do it. She was both sincerely connecting with Matthew and using that connection to help her family. She was both eager for more answers about what her parents really do and immediately regretful that she asked. (Her wonderfully sarcastic “Great…” might have been one of the show’s most perfect conclusions to an episode.) Every time Paige is in the spotlight, Taylor shows that she’s not just a great young actor; she’s a great actor. And this episode was another example of her holding her own alongside the best actors on television.

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TV Time: The Americans 4.11

the americans 411

Source: tv.com

I apologize for making like the Statue of Liberty and disappearing for a while, but between a wonderfully long Disney World vacation and the holiday weekend, I haven’t had much time to write! But before I get back to writing, I think we should all take a minute and share a collective happy sigh over the news that Keri Russell and Matthew Rhys welcomed their new baby into the world earlier this month. Congratulations to them!

Title: Dinner For Seven

Episode M.V.P.: Keri Russell
Consider this a cumulative M.V.P. award for Russell’s outstanding work in the last bunch of episodes. Her performance throughout this Don/Young Hee arc has been a thing of layered, complex beauty—some of her best work on this show to date. And her performance in this episode was no exception. Russell has taken Elizabeth to an intensely vulnerable place in these last few weeks, and she’s done so in a way that feels true to this character, who still believes she’s not supposed to have emotional reactions to her job. Elizabeth isn’t going to break down sobbing over losing someone she considered a friend, and she’s not going to have a heart-to-heart talk with anyone about what she had to do to a beautiful family. Instead, she’s going to show her guilt, grief, and emotional exhaustion in the tiniest but most heartbreaking ways: crying even after she leaves Don and doesn’t need to act heartbroken anymore, closing her eyes tighter when Philip holds her, and hanging up the phone with shaking hands when she hears Young Hee crying. This is what happens when Elizabeth’s carefully compartmentalized emotions start seeping out of their compartments, and it’s fascinating to watch her begin to struggle with the idea that the human cost of what she’s doing—including what she’s doing to herself—might be too much.

Russell was brilliant throughout this episode, but her masterfully subtle take on Elizabeth’s emotional awakening was best shown through her scenes with Pastor Tim. In their first interaction, Elizabeth was clearly still seeing him as an opposing force. Her posture, her tone of voice, and her choice of words were all careful and professional. In their first scene alone in the church, Elizabeth’s softness still felt like an act, and we could see she was still dealing with him as a potential threat. However, by her final scene with him, those lines between sincerity and artifice were blurred in the way only this show can blur them. The way she searched for words, the soft way she spoke, and the lost look in her eyes made me believe at least some part of her was really trying to get advice about finding clarity and comfort when things feel overwhelming. Of course, part of her was probably saying those things to keep him close and to manage him like any other asset. However, Russell played that moment with just enough vulnerability that I could feel the truth in what Elizabeth was saying about her mental and emotional state.

Elizabeth’s growing vulnerability and clear unease with what she’s been asked to do contrasted so well with the episode’s final scene, which reminded us that she’s still a trained killer who should be feared. The way her body snapped into action so instinctively was amazing, and I was captivated by the feral look in her eyes as she protected herself and her daughter and also by the businesslike way she dealt with the aftermath—with just a hint of concern in her eyes about what her child just witnessed. Elizabeth Jennings is one of the most fascinating female characters on television, and the woman who brings her to life each week deserves every bit of recognition imaginable for bringing such powerful complexity to this role.

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TV Time: Once Upon a Time 5.22/5.23

OUAT S5 finale

Source: spoilertv.com

I apologize for the delay in getting this post to you, fellow Oncers! I spent the last two weeks finding some magic of my own in Walt Disney World, which I will be writing about in great detail very soon. But for now, we have a finale to discuss!

Title Only You/An Untold Story

Two-Sentence Summary Growing weary of the pain magic has caused his family, Henry sets out with Violet on a quest to destroy all of Storybrooke’s magic, which brings both of his mothers and Rumplestiltskin to New York City to find him before he can put his plan in motion. Meanwhile, a portal gone awry sends Snow, Charming, Zelena, and Killian into the Land of Untold Stories, where they meet Dr. Jekyll and Mr. Hyde, whose separation tempts Regina to separate herself from her own dark side.

Favorite Line “I know how crazy it sounds, but magic is real. It’s all around us. You just have to be willing to see it. You have to be willing to believe.” (Henry)

My Thoughts

At some point in your life, every one of you was once a believer. And at some point, you left that part of you behind. But you can go back to it—if you believe.

Once Upon a Time isn’t a show for everyone. It’s a show for believers. It’s a show that asks you to watch with an open heart and your cynicism checked at the door. And for those of us not-so-grown-up grownups who love it, it’s a show that called out to the part of us we left behind and reignited in us what it means to believe.

A lot of things happened in this two-hour finale event. New characters were introduced, new lands were visited, kisses were shared, conflicts were established, and families were separated and reunited. But for as important as the plot setup might have felt for next season or for as rich as the character development was, it all paled in comparison to the words of the Truest Believer reminding all of us why Once Upon a Time has touched so many of our hearts.

This is a show about hope, but I wouldn’t blame you if you’d forgotten that after the events of this season. Between Emma becoming a Dark One (and also making Killian one against his wishes), Killian dying more than once, and Robin being obliterated without the hope of his soul ever moving on, it’s been a pretty bleak season of a show that preaches the value of optimism. And that’s why Henry’s speech was so important—not just for Henry and the other characters, but for those of us who are fans of theirs, too. That speech was like a ray of sunshine breaking through the swirling vortex of sadness that this season has been. It was a reminder that even when things look hopeless, you can’t stop believing that something good can happen. Because there is power in optimism. There is strength in hope. And that was a bright, positive message that was sorely needed after such a dark stretch of episodes.

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TV Time: Once Upon a Time 5.21

OUAT last rites

Source: ew.com

Title Last Rites

Two-Sentence Summary As Emma and the other heroes try to defeat Hades in Storybrooke, Killian and Arthur team up to help them from the Underworld. When Hades activates the all-powerful Olympian Crystal, it proves to be a weapon of terrible consequence for the heroes as well as the Lord of the Underworld’s own undoing.

Favorite Lines
Arthur: No! No! No!
Killian: Denial, anger, grief…Can we just get to acceptance?

My Thoughts “Last Rites” was an emotional roller coaster. At times, the vast emotional swings from painful grief to soaring love highlighted the beautiful duality of life. Where there is life, there is also death. Where there is grief, there is also joy. Hope and heartbreak both exist in the world. And just as there is pain in knowing that moments of hope will eventually give way to heartbreak, there is also comfort in knowing that moments of heartbreak will one day give way to moments of hope.

At other times, though, the emotional twists and turns of this episode felt like they were giving me whiplash. The objective of this episode was clear: to juxtapose Emma getting the man she loves back from the dead with the death of the man Regina loves. It once again made me think of Emma and Regina as two sides of a coin, which has been a part of this show since the beginning. But I am growing tired of the fact that it feels like only one of these women can be happy or at peace at a given time. I know that they are the two central pieces of this story, and, as such, their stories must have conflict to create good drama. But just once, I’d love to see both women have a chance to be happy and feel like they’re in a good place at the same time—though I fear that probably won’t happen until the end of the series. As someone who loves both characters fiercely, it’s frustrating to see one of them set up for a period of stability and happiness only to realize that means the other will almost surely face a period of misery. But I’m the kind of person who would love for every character to be happy, and that’s why I don’t write TV dramas.

It was difficult to analyze this episode using my traditional format (and within the time constraints my life has put on my writing this week), so I chose to try something new here. “Last Rites” was filled with intense highs and lows, so here are my high and low points of this episode.

High: Zelena
Zelena has been the high point of this entire arc. I am so happy for the writers and for Rebecca Mader that a story they clearly put a lot of care and time into has paid off so well. Mader was once again fantastic in “Last Rites.” Her performance in the scene in which Zelena kills Hades was absolutely riveting. I was so proud of Zelena for coming to the realization that has always separated heroes from villains on this show: Love should be enough. Zelena didn’t want power or revenge anymore; she just wanted a normal life full of love. And that was so true to her character—a woman who just wanted a family, who just wanted to be enough for someone. And when she discovered that she still wasn’t enough for Hades, the pain Mader poured into that moment was tangible, but so was the sense of self-respect. I can only hope this character continues to grow and continues to be there for her sister, because I am so excited for the prospect of more Zelena, which is something I never thought I’d write.

Low: Maurice
I’m sure we all figured that Maurice wouldn’t be able to wake Belle from her sleeping curse, but I was shocked that he willingly chose to keep his daughter under that spell because of his hatred for Rumplestiltskin. I understand him wanting to keep Belle away from Rumplestiltskin, but a sleeping curse has been called a fate worse that death. We’ve seen the nightmarish red room and the flames, and that’s not something I’d want someone I loved to be subjected to for any amount of time. There were extenuating circumstances involved in keeping Belle under the curse (Emilie de Ravin’s maternity leave), but it still served to remind us that Belle needs to get away from the men in her life as soon as she wakes up.

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