TV Time: Once Upon a Time 5.07

Source: tvfanatic.com

Source: tvfanatic.com

Title Nimue

Two-Sentence Summary While most of the Storybrooke crew attempts to get Excalibur from Arthur in Camelot with Zelena’s help, Merlin takes Emma on a quest to face the original Dark One in order to get what’s needed to make Excalibur whole again. In flashbacks to Merlin’s past, we discover the identity of that original Dark One and her connection to Merlin.

Favorite Line “I am not nothing! I was never nothing!” (Emma)

My Thoughts Belief is everything in the world of Once Upon a Time. And most of the time, that belief is rooted in the same idea: that love is strength and that love can be enough. Those who choose a dark path don’t believe that love can be enough. They want power, too. They always want to be more powerful because they don’t love themselves for who they are—with their weaknesses, flaws, and human vulnerabilities. They believe they’re nothing without an outside source of power because they never believed they could be enough exactly as they are.

The beauty of Once Upon a Time is the way that damaging belief has been proven wrong time and time again. Love is strength. Love is power. And yes, the love of those around you can help you find that strength, but the real power comes from loving yourself and choosing to believe that you’re good enough and strong enough as you are.

“Nimue” was the best episode so far in this fifth season of Once Upon a Time (and that’s saying something because I’ve really enjoyed this season), and so much of its beauty and emotional power came from the way it wove the theme of choosing to believe you’re enough as you are through the episode’s three main stories. It came as no surprise to me that an episode as tightly written as this one was came from Jane Espenson. If you’re looking for episodes that capture the true spirit of Once Upon a Time, just pull up every episode she’s written for this show.

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Fangirl Thursday: Shared Joy Is the Best Joy

Today is the kind of day that reminds me why I love being a fangirl.

If you haven’t seen my next-level fangirling on Twitter, a new Once Upon a Time sneak peek was released today that sent a good portion of the fandom into the best kind of hysterics: gif-using, all caps Tweeting, I CANNOT HANDLE THE FEELS hysterics. In a not-so-shocking development, it turns out that Killian Jones loves Emma Swan. And he wants to give up the thing that’s protected him for 300 years in order to protect her now as she fights to defeat the darkness inside her.

Cue the happy “shipper” sobs (including my own).

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TV Time: Once Upon a Time 5.06

Title The Bear and the Bow

Two-Sentence Summary Emma’s quest to turn Rumplestiltskin into a hero takes a dangerous turn when she sends Merida after Belle. In flashbacks, we see a better side of Merida and Belle’s relationship, as Belle helps Merida believe in her own ability to save her brothers and take back her place on the throne.

Favorite Line “You can make your own fate.” (Belle)

My Thoughts Heroism takes many forms. Sometimes, it’s a brave woman with a bow and arrow fighting for her family and her right to rule her people. Sometimes, it’s a group of people who will never stop fighting for the person they love—even when it seems she’s stopped fighting for herself. Sometimes, it’s a brilliant woman with a gift for seeing the best in people and a heart that’s always ready to forgive. And sometimes, it’s a man who spent his whole life running and hiding who finally chooses to stand up and believe that he—even with all his past misdeeds—can change his fate.

There are so many ways a person can be strong, and Once Upon a Time has always embraced the idea that emotional, inner strength is just as important as the kind of strength it takes to shoot an arrow or wield a sword. “The Bear and the Bow” was all about different kinds of strength and how they all contribute to different kinds of heroism. The bravery it takes to face down a bear or a group of warriors is important, but just as important (if not more so) is the bravery it takes to admit your faults and failings without trying to justify them and to apologize to those you’ve hurt.

Taking ownership of your actions and your choices is such an important theme on Once Upon a Time. But it doesn’t stop at just admitting the bad things you’ve done. You also have to believe that you have the strength within yourself to be better than those bad choices. You have to believe, as Belle told Merida, that you can make your own fate. You can define yourself on your own terms by believing you can be worthy, brave, and strong enough just as you are. Regina learned that last season. Killian learned it, too. Merida and Rumplestiltskin both learned it in this episode. And it’s a theme that’s been at the heart of Emma’s character since she first told us all the way back in Season One:

People are going to tell you who you are your whole life. You just gotta punch back and say, ‘No, this is who I am.’ You want people to look at you differently? Make them. You want to change things? You’re gonna have to go out there and change them yourself…

Emma seems to have twisted that beautiful sentiment into punching back and telling people she’s the Dark One now. But that’s not Emma talking; it’s the Dark One talking through her. The darkness convinced Emma that she needed it, that she was stronger and better with it than without it. And she let it creep into her heart and define her, to the point where she’s now trying so hard to convince everyone that this is who she is now, when we know Emma is still there underneath the darkness. But that little bit of Emma seems resigned to the idea that she’s fated to be the Dark One and live the lonely life that comes with that identity.

How a person decides to change their fate and the fate of those they love has always been an important theme on Once Upon a Time, and the stories of both Merida and Rumplestiltskin might prove to foreshadow what made Emma fully embrace the darkness back in Camelot. Both Merida and Rumplestiltskin believed they had to use magic to make themselves stronger to change their fate and the fate of those they loved. They wanted to use dangerous magic to protect their loved ones because they believed they weren’t strong enough to save them from almost certain death on their own. While Rumplestiltskin made the choice to become the Dark One to protect Bae hundreds of years before Merida tried to turn herself into a bear to save her brothers, both of them were fueled by desperation to save the people they loved. Could that be what pushed Emma to fully embrace the darkness? My gut says yes.

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TV Time: Once Upon a Time 5.05

I’m sorry for my delay in getting this one posted, fellow Oncers. Sometimes life doesn’t understand that it needs to slow down so I can write about TV! Hopefully this post proves to be worth the wait.

Source: ABC/Jack Rowand

Source: ABC/Jack Rowand

Title Dreamcatcher

Two-Sentence Summary In Camelot, Emma’s desire to get rid of the darkness in her by freeing Merlin causes her to step further into the darkness by breaking Henry’s heart. When Henry finds out the truth about what Emma did to him, it ruins the relationship they were trying to work on back in Storybrooke, while Merida works to make Rumplestiltskin brave and the heroes discover Excalibur hidden in Emma’s house.

Favorite Lines
Emma: I didn’t have a choice.
Regina: There’s always a choice, Emma. You’ve said that to me a thousand times.

My Thoughts Innocence is a precious thing, and its loss is something to be mourned. “Dreamcatcher” was all about the loss of innocence and what that does to a person. It reminded us of the intense grief we feel when first loves turn into first heartbreak, but it also touched on one of the most painful losses of innocence that comes with growing up: the discovery even the people we believe in the most are capable of letting us down and hurting us.

Henry has always been defined by his faith; he has the heart of the truest believer, after all. And that’s never been clearer than in his relationship with Emma. He was the first person to believe in her as a both a hero and a mother. He believed in her so much that he was willing to eat a poisoned apple turnover because he knew she would save him. And that act wasn’t just an act of a boy believing in a hero; it was an act of a boy believing in his mother.

But Henry isn’t a little boy anymore; he’s growing up. And—just as we saw his relationship with Regina deepen in recent seasons as he explored the complexities of his adoptive mother’s capacity for both good and evil—it was time for him to face the idea that his birth mother has both good and evil in her, too. “Dreamcatcher” brought Henry face-to-face with Emma’s dark side, and, while it devastated me, it made for incredibly compelling television.

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The Best Thing I Saw on TV This Week (10/18 – 10/25)

This week in television kicked off on Sunday with a closer look at several of the love stories on Once Upon a Time; a classic Jake/Holt team-up on Brooklyn Nine-Nine; and an episode of The Good Wife that put both Jackie and Veronica in the spotlight. On Monday, the contestants on Dancing with the Stars paid homage to some of the most famous dance routines in pop culture history; Jane the Virgin introduced us to “Bachelorette Jane;” and Castle showed us that it doesn’t take an expert in sniffing out the truth to know that Castle and Beckett still care for each other. Tuesday’s episode of The Flash gave us more insight into both the West and Snart families, and Wednesday’s episode of Nashville continued to tackle heavy material—as Deacon and Scarlett worked through their issues, while Avery and Juliette seemed unable to work through theirs.

While there were plenty of strong moments on television this week, my favorite was basically a forgone conclusion from the moment it aired on Sunday night. I’m a sucker for romance; I love a good love story. And there’s something truly special about getting to watch a new fairytale romance being created right before our eyes every week on Once Upon a Time through the relationship between Emma and Killian.

This season of Once Upon a Time is full of darkness, but what I love so much about this show is that it never feels hopeless. There’s always something sweet to balance out the bitter. And in this episode, that sweetness came from Emma and Killian’s scenes in Camelot. Whether it was Killian’s adorable enthusiasm upon learning about Henry’s crush (Could Colin O’Donoghue have a more perfectly expressive face? I think not.) or his insistence that he and Emma could get back to a “white picket fence life” (O’Donoghue’s sincere line delivery made me cry once again in that moment), I was struck by the beauty of this character who battled darkness for centuries embracing the light within himself just in time to help Emma hold on to the light inside of her.

The idea of love being a light in the darkness was shown in such a beautiful way during Emma and Killian’s scene among the flowers. The cinematography during that scene was stunning, with both characters bathed in a gentle, glowing light. Sometimes all we need to let go of the demons in our own head is to share our struggle with someone—to open up and let someone help us. Emma was able to do that with Killian, and she was rewarded for putting her faith in their love with a much-needed moment of peace.

The sweeping camera work during their kiss solidified this moment as one of pure fairytale romance, and sometimes that’s all you want from a show called Once Upon a Time. At a time when a lot of the shows I watch are having trouble balancing heavy and hopeful storylines, Once Upon a Time has achieved that balance this season, and much of its success has come from its focus on the way love can provide a light for us and give us strength in the darkest times in our lives.

https://www.youtube.com/watch?v=S3xzMk9YTU4

https://www.youtube.com/watch?v=uV7tKE0uCJ8

https://www.youtube.com/watch?v=l3a8qQgrSrU

What was the best thing you saw on TV this week?

TV Time: Once Upon a Time 5.04

For future reference, I’ve decided to start referring to Hook by his real name (Killian) in these posts. It feels right to stop calling him by his more villainous moniker now that it couldn’t be clearer that he’s the romantic hero of this arc. In the same way I refuse to call Snow “Mary Margaret” and I tend to favor “Charming” over “David,” I want to use “Killian” to reflect who I think this character is at his core. But feel free to call him whatever name you feel most comfortable using in the comments!

Source: avclub.com

Source: avclub.com

Title Broken Kingdom

Two-Sentence Summary In flashbacks to Camelot’s past, the truth of the legendary Arthur/Guinevere/Lancelot love triangle is revealed, shedding more light on Arthur’s obsession with finding the Dark One’s dagger. In the more recent past, Snow and Charming face a challenge when they don’t know who to trust, and Emma and Killian work to fight the darkness in her together.

Favorite Line “You tried to trick me with a catchy title and a comfy chair.” (Charming, to Arthur)

My Thoughts “True love isn’t easy, but it must be fought for. Because once you find it, it can never be replaced.”

Those words from Charming all the way back in Season One of Once Upon a Time were on my mind throughout much of “Broken Kingdom.” Once Upon a Time has always focused on the “true” part of “true love.” It’s something that cannot be faked; it must be chosen by both parties from a place of trust, hope, and belief. Love is a choice, and the truest love is chosen and fought for even when it’s hard—especially when it’s hard. That concept—fighting for love instead of taking the easy way out, accepting the imperfect realities of love instead of living with a façade of perfection—was at the heart of “Broken Kingdom,” which was my favorite episode so far in this stellar fifth season.

I’ll get this out of the way now: Yes, the timeline was ridiculously confusing in this week’s episode, and I hope one of the writers decides to address it at some point to clear things up. How could the Dark One appear to Guinevere and Lancelot when Rumplestiltskin was in Storybrooke five years ago? And even stranger, how could he just get possession of the gauntlet five years ago when he had it in flashbacks with Belle over 30 years ago? My explanation is that Camelot has always been considered a land outside of time, so maybe the passage of time is different there. But it would be nice to have an official word on that. However, I am more than willing to forgive inconsistencies like that if the story keeps me emotionally engaged, which this one definitely did.

This episode told the story of four romantic relationships: Arthur/Guinevere, Lancelot/Guinevere, Charming/Snow, and Killian/Emma. The way the writers created parallels and direct foils between those relationships was brilliant. It seems that one of the major themes of this season is “Love is a weapon,” and it’s clear that love is a weapon for good when the love is pure, true, and healthy. But it can be used as a weapon for evil when it’s twisted by darkness and manipulated by a desire to control rather than truly love. The same can be said of Excalibur, I think. It seems the Dark One wants to wield it for evil purposes—to snuff out the light and free itself from any ability to love. But there’s also the idea that Excalibur could defeat the darkness once and for all, which is a truly heroic goal.

Excalibur has always been associated with a worthy hero, and it was clear in this episode that Arthur is not worthy of wielding the re-forged sword. In order for the sword to become whole again, light and dark have to be combined, which I think is an interesting metaphor for heroism. A true hero is someone who understands darkness and light and knows that both exist in every person. A true hero chooses to be their best self and not their worst with full knowledge of both. While Arthur seems obsessed with maintaining the façade of perfect heroism and the Dark One seems to believe it can create a hero with Rumplestiltskin, I think Excalibur will only be able to be re-forged and wielded by someone who accepts their own capacity for good and evil and wants to wield the weapon for the right reason—as a weapon of love and light and not one of darkness and destruction.

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10 Things I Learned at NYCC

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This year, I had the pleasure of being a part of the biggest gathering of nerds on the East Coast: New York Comic Con (NYCC). After hours spent waiting in a virtual queue last spring for tickets, months of extensive trip research (aka asking people where the best place to get cheesecake is—for the record it’s Junior’s in Times Square), and a very early flight from Buffalo to NYC, my equally nerdy best friend Mary and I finally made it through the doors of the Javits Center and into fangirl paradise.

I’d never been to a real convention before NYCC. Star Wars Weekends in Walt Disney World is similar in some ways but very different in others, so this was an entirely new experience for me. And it’s one I hope to have again as soon as possible. The early mornings, long lines, sore feet, and big credit card bills were all worth it when I look back on the experience I had. To be a part of an environment that isn’t just friendly toward nerds but created specifically for people like us was incredible, and it’s something I think every fangirl and fanboy should experience at least once in their lives.

I expected to have a lot of fun at NYCC, but I didn’t expect to learn as much as I did—not just about the con-going experience but about my own relationship with fandom and my place in it as a writer (forgive me for getting a tad bit introspective/sentimental). So here—in no particular order—are 10 things I learned during my time at NYCC that I wanted to pass on to my fellow nerdy girls (and nerdy guys).

1. It pays to be patient.
The theme of much of my NYCC experience was “Hurry Up and Wait.” Thankfully, years of Disney World trips have taught me how to handle waiting in crazy lines, but there were still more than a few moments at NYCC that tested my patience. Lines to get into panels felt like they went on forever, and the line to get into the convention on Friday morning wound around entire city blocks. For rooms that weren’t cleared between panels (anything besides the Main Stage), you needed to get there at least one if not two panels before the one you really wanted to see to ensure a seat. But I learned you can use that time to have fun chatting with people around you, to catch up on the eating/drinking you will inevitably forget to do during the day, and to enjoy some quality people-watching. And at least from my experience, once the lines start moving, they move very quickly; while it may feel like you’ve spent so much time at the convention standing in line, it was actually a small fraction of your day. So if you ever find yourself faced with a crazy con line, just remember that the experience waiting at the end of that line will be worth it. Patience is a virtue, fellow nerds.

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TV Time: Once Upon a Time 5.03

Source: ABC/Jack Rowand

Source: ABC/Jack Rowand

Title Siege Perilous

Two-Sentence Summary Secret motivations are revealed in both Camelot and Storybrooke as Charming and Arthur team up on quests in the past and present. Meanwhile, when Hook refuses the temptation of the Dark One, Emma is forced to find someone else to pull Excalibur from its stone.

Favorite Line “I don’t want to only be remembered as the man who kissed a sleeping princess awake 30 years ago.” (Charming)

(I would also like to use this section to mention the perfection of the “Doctoberfest” pun, possibly my favorite Once Upon a Time pun ever.)

My Thoughts Before I begin this week’s episode analysis, I wanted to take a moment to discuss the environment I got to see “Siege Perilous” in. I had the pleasure of watching it in a room full of Once Upon a Time fans at New York Comic Con (NYCC) on Friday, and it was (pun intended) a truly magical experience. (If any of you reading this were there, I was the girl in the navy blue Granny’s Diner t-shirt!)

If you ever get the chance to watch an episode of your favorite show with a bunch of other fans, do it; it’s so much fun. I’ll have more to say about my whole NYCC experience later this week, but for today I’ll try include some notes about the audience reaction to particular scenes, because it’s fun to know what others experienced while watching this crazy rollercoaster of an episode unfold.

Once Upon a Time is a show about fairytales, which makes it a show about heroes and villains. While the line between those two archetypes has grown increasingly blurry over the seasons, what has grown clearer is the idea that those labels don’t define a person so much as the choices they make define them. You can call yourself a hero all you want in this show’s universe, but it ultimately won’t mean anything without making heroic choices. And on this show, a heroic choice is a choice to love others more than your own selfish desires. Darkness on Once Upon a Time comes from hurting others and closing yourself off to love for selfish reasons—whether it’s vengeance, jealousy, ambition, or lust for power. And that darkness is contrasted by those who’ve chosen to fight for the people they love, even when it gets hard—especially when it gets hard.

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TV Time: Once Upon a Time 5.02

Before I get started on this week’s post, I wanted to take a moment to offer my condolences to the family and friends of a fellow Oncer who passed away over the weekend. Adri, you are loved and you will be missed. 

Source: mashable.com

Source: mashable.com

Title The Price

Two-Sentence Summary As flashbacks to Camelot reveal that Regina pretended to be the Savior for Emma’s safety, Emma in all her Dark One glory puts the full pressure of being the Savior on Regina in Storybrooke. This involves coming up with a plan to save Robin from being taken to the underworld after Regina asked Emma to save his life using her new dark magic in Camelot.

Favorite Line “I spent over a century trying to kill the bloody Crocodile. I can spend at least that long trying to save the woman I love.” (Hook)

My Thoughts “All magic comes with a price.” This is one of the founding principles of Once Upon a Time. But like all good fairytales, this theme is actually about so much more than magic. All actions have consequences. All choices have ramifications. And the question becomes, what price can we live with?

There’s a defining line on Once Upon a Time between the heroes and the villains in terms of how they handle people who make choices that hurt them. The heroes choose to forgive and to move on. Villains revel in doling out punishment, in making people pay for their choices. There’s a reason “All magic comes with a price” is attributed to Rumplestiltskin at his darkest. And whether it was Regina’s desire to ruin Snow’s life after Snow told the secret that got Daniel killed, or Hook’s quest to seek vengeance for Milah’s death (which led to him trying to kill Belle), we’ve seen time and again that darkness often manifests itself in a desire to hurt those who hurt you. We even saw that last season with Emma, who turned her back on her parents as a way to punish them after learning that they transferred her darkness onto Lily before the girls were born.

Thematic continuity is a beautiful thing, so I’ve loved that Emma’s version of the Dark One is an extension of the darkness we saw in her when she learned her parents’ secret last season. Emma is the most empathetic character on Once Upon a Time; at her best, she understands the reasons people made the choices they did, and she doesn’t hold those choices against them. But at her darkest, Emma wants to make the people who’ve let her down pay. There’s a righteous anger to this version of Emma that’s fascinating. And that righteous anger is allowing those who love her to confront their own missteps and become better versions of themselves in the process, as they work to rectify the mistakes they made in the past—even if they can’t remember exactly what those mistakes were.

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The Best Thing I Saw on TV This Week (9/27 – 10/4)

This week in television brought us more returns of beloved shows, which started on Sunday night, with Once Upon a Time‘s season premiere jumping right into the quest to save Emma from the darkness; Brooklyn Nine-Nine‘s season premiere giving us a look at Jake and Amy’s new dynamic after their game-changing kiss; and Quantico‘s pilot providing us with plenty of questions to keep us coming back next week. Monday’s Dancing with the Stars honored classic TV theme songs, and it was followed by a controversial episode of Castle that shook things up for the show’s central marriage. On Tuesday, The Muppets introduced a new love interest for Miss Piggy (Josh Groban), and The Mindy Project tackled the topic of new parenthood. Wednesday’s Nashville was filled with heartbreaking drama—from Juliette’s deteriorating mental state and Luke’s decision to cut Will from his label to its fatal final moments. Finally, Saturday gave us the return of Saturday Night Live, which will be remembered for Hillary Clinton’s impression of Donald Trump and her sing-along with Kate McKinnon.

In a week filled with captivating moments, none made me hold my breath like the climactic scene in Once Upon a Time‘s season premiere in which Emma’s loved ones reached her just as she was about to crush Merida’s heart. There were plenty of reasons to love that scene: Jennifer Morrison’s brilliant performance, Colin O’Donoghue’s ability to emotionally destroy us all with his sincerity, the way the scene made Emma’s inner darkness feel visceral and exhausting and real rather than some overly dramatic struggle against evil…

But the thing I loved most about this scene was that it was all about Emma’s ability to save herself. As Hook said, fighting the darkness has to be Emma’s choice. Only she can save herself, but that doesn’t mean she has to do it alone. Watching Hook get through to Emma and support her ability to choose to overcome the darkness in her was beautiful, and it seemed like a great piece of foreshadowing for how this whole arc could play out. Hook didn’t force Emma to do anything; he simply reminded her that everyone has demons that can be overcome, and she’s strong enough to overcome hers. The decision to put Merida’s heart back was Emma’s; she saved herself in that moment, with the support of someone who loves her helping her find the strength to save herself. That’s something I hope we see play out as this arc reaches what we all hope will be a happy conclusion. That scene (including the fact that the darkness seemed to disappear when Emma hugged Hook and Henry) gave me so much hope for the rest of the season, and that’s exactly what I needed in what was a very heavy and sad week for a lot of the other shows I watch.

What was the best thing you saw on TV this week?