For future reference, I’ve decided to start referring to Hook by his real name (Killian) in these posts. It feels right to stop calling him by his more villainous moniker now that it couldn’t be clearer that he’s the romantic hero of this arc. In the same way I refuse to call Snow “Mary Margaret” and I tend to favor “Charming” over “David,” I want to use “Killian” to reflect who I think this character is at his core. But feel free to call him whatever name you feel most comfortable using in the comments!

Source: avclub.com
Title Broken Kingdom
Two-Sentence Summary In flashbacks to Camelot’s past, the truth of the legendary Arthur/Guinevere/Lancelot love triangle is revealed, shedding more light on Arthur’s obsession with finding the Dark One’s dagger. In the more recent past, Snow and Charming face a challenge when they don’t know who to trust, and Emma and Killian work to fight the darkness in her together.
Favorite Line “You tried to trick me with a catchy title and a comfy chair.” (Charming, to Arthur)
My Thoughts “True love isn’t easy, but it must be fought for. Because once you find it, it can never be replaced.”
Those words from Charming all the way back in Season One of Once Upon a Time were on my mind throughout much of “Broken Kingdom.” Once Upon a Time has always focused on the “true” part of “true love.” It’s something that cannot be faked; it must be chosen by both parties from a place of trust, hope, and belief. Love is a choice, and the truest love is chosen and fought for even when it’s hard—especially when it’s hard. That concept—fighting for love instead of taking the easy way out, accepting the imperfect realities of love instead of living with a façade of perfection—was at the heart of “Broken Kingdom,” which was my favorite episode so far in this stellar fifth season.
I’ll get this out of the way now: Yes, the timeline was ridiculously confusing in this week’s episode, and I hope one of the writers decides to address it at some point to clear things up. How could the Dark One appear to Guinevere and Lancelot when Rumplestiltskin was in Storybrooke five years ago? And even stranger, how could he just get possession of the gauntlet five years ago when he had it in flashbacks with Belle over 30 years ago? My explanation is that Camelot has always been considered a land outside of time, so maybe the passage of time is different there. But it would be nice to have an official word on that. However, I am more than willing to forgive inconsistencies like that if the story keeps me emotionally engaged, which this one definitely did.
This episode told the story of four romantic relationships: Arthur/Guinevere, Lancelot/Guinevere, Charming/Snow, and Killian/Emma. The way the writers created parallels and direct foils between those relationships was brilliant. It seems that one of the major themes of this season is “Love is a weapon,” and it’s clear that love is a weapon for good when the love is pure, true, and healthy. But it can be used as a weapon for evil when it’s twisted by darkness and manipulated by a desire to control rather than truly love. The same can be said of Excalibur, I think. It seems the Dark One wants to wield it for evil purposes—to snuff out the light and free itself from any ability to love. But there’s also the idea that Excalibur could defeat the darkness once and for all, which is a truly heroic goal.
Excalibur has always been associated with a worthy hero, and it was clear in this episode that Arthur is not worthy of wielding the re-forged sword. In order for the sword to become whole again, light and dark have to be combined, which I think is an interesting metaphor for heroism. A true hero is someone who understands darkness and light and knows that both exist in every person. A true hero chooses to be their best self and not their worst with full knowledge of both. While Arthur seems obsessed with maintaining the façade of perfect heroism and the Dark One seems to believe it can create a hero with Rumplestiltskin, I think Excalibur will only be able to be re-forged and wielded by someone who accepts their own capacity for good and evil and wants to wield the weapon for the right reason—as a weapon of love and light and not one of darkness and destruction.
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