Fangirl Thursday: Playlists Full of Feelings

I don’t know about you, but I have a lot of playlists on my iPod: “Workout Mix,” “Road Trip 2013,” “Yoga Time,” “Alias Songs,” “Extraordinary,” “Perhaps I Would,” “I Will Always Find You”…

Why yes, I do have multiple playlists devoted to songs that remind of my favorite fictional characters and couples. Doesn’t everyone?

Music makes us feel, so it’s always made sense to me that the right song would make me think about the characters and relationships that make me feel, too. It’s what we do as fans; we take the things we’re passionate about and make deeper connections with them than the ones we’re given during the small amount of time we spend in the movie theater, reading, or watching TV.

It all began—as so many things in my life as a fangirl did—with Alias. Season Three of Alias was a time of immense angst, so naturally, ever sad song reminded me of the time Vaughn spent thinking Sydney was dead or the time Sydney spent watching Vaughn be married to someone else. From the entire More Than You Think You Are Matchbox 20 album to Coldplay’s “The Scientist” and Garth Brooks’s “The Dance,” I spent my entire sophomore year of high school listening to angst-ridden songs—not because I was an angry teenager but because I was a fangirl.

More than 10 years later, I’m still the kind of fangirl who hears a song and immediately finds a character it relates to. And when I do, I add it to the playlist. Some of my playlists (like “Extraordinary,” aka my Castle/Beckett mix) also have songs used on the TV shows or in the movies themselves, but I love discovering new songs that unexpectedly give me all the feelings.

Today I want to share my top five songs from my three most-played fangirl playlists, ones devoted to Castle and Beckett (from Castle), as well as Snow and Charming and Emma and Hook (both from Once Upon a Time).

Extraordinary: My Castle/Beckett Playlist
1. “Shake It Out” (Florence and the Machine)
And I am done with my graceless heart, so tonight I’m gonna cut it out and then restart…
This song will always be Kate Beckett’s anthem to me. I discovered it right around the time “Kill Shot” aired back in Season Four, and its empowering theme of moving beyond the demons we carry with us seemed to be a perfect emotional companion for everything Beckett was going through in that episode.

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Small Screen Style: Who’s Your Fictional Fashion Inspiration?

When I was 15, I bought myself a black pantsuit and a pinstripe skirt suit. No, I didn’t have ambitions of running for political office. I just wanted to dress like Sydney Bristow, the hero of ABC’s espionage thriller, Alias. Sydney wore a lot of suits and a lot of turtlenecks, so I guess it shouldn’t surprise me to look at my wardrobe from my sophomore year in high school and see it filled with blazers, black dress pants, and fitted turtlenecks. Even today, whenever I wear an off-the-shoulder sweatshirt, I feel like I’m harkening back to Sydney’s climactic last scene in the Season Two finale, “The Telling.”

What started with Sydney has grown to include fashion inspirations from all corners of the television landscape in the 10 years since I bought that first pantsuit. We all have those TV characters whose styles we envy and ultimately try to emulate, with varying degrees of success.

When we dress like our favorite characters, we channel a little bit of their personalities into our daily lives, too. Wearing a red leather jacket might make you feel like you’re giving yourself a dose of Emma Swan’s strength. Putting on a killer pair of shoes could give you the feeling of being as fashion-forward as Carrie Bradshaw. Investing in a new pair of thick-framed black glasses might allow you to believe you can be as smart as Orphan Black’s Cosima.

My closet is filled with wardrobe pieces inspired by TV characters I love, but there are four whose styles I most often imitate when I want a boost of confidence.

1. Jess Day (New Girl)

jess day dress

Jess’s style leans more towards the “cute” side of her “cute and quirky” personality. It’s defined by flirty dresses and skirts, polka dots and stripes, vintage-inspired pajamas, and plenty of pairs of flats.
My Favorite “Jess-Inspired” Look: A fit and flare dress with a cardigan and ballet flats. If the weather is too cold for dresses, substitute with jeans and a polka-dotted sweater.

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The Best Thing I Saw on TV This Week (5/11 – 5/18)

Hi everyone, this is Heather and I’ll be filling in while Katie is away. I hope you all had a satisfying week of TV and I’m excited to give you a few thoughts of my own.  

It was a week of finales on network TV this week. On Sunday, Once Upon a Time wrapped up it’s season with Emma finding out that her home is in Storybrooke with her family. Also on Sunday, Alan Cumming reminded us all why is such a great actor and Eli Gold is such an interesting character on The Good Wife and Tyrion’s trial began on Game of Thrones. On Monday, Castle ended their season with a case of blackmail, mobsters and Beckett’s husband that concluded with more heartbreak for Beckett when Castle went missing on the way to their wedding. On Wednesday, Nashville finished their season with 2 proposals, a break-up that I hope doesn’t stick, what may be the rekindling of Gunnar and Scarlett’s professional partnership, a coming out, and a truly great performance by Hayden Panetierre. Finally, on Saturday, Sarah discovered that Rachel’s father may still be alive and is working with Helena and Leekie to free Felix and Cal discovered that Kira is very good at lying to people to protect her family on Orphan Black.

In my other shows of the week, Monday also brought us the series finale of Star-Crossed which ended on a cliff-hanger with at least one character’s life at risk and the promise of more Atrians coming to Earth. Tuesday brought us the series finale of Trophy Wife, which may not have been its strongest episode but the final scene captured exactly what the show is about, as well as the season finale of Chicago Fire and all of the tears that seem to come with this show weekly. On Wednesday, we said goodbye to Chatswin as Suburgatory aired its final episode.

For me, there wasn’t really any competition for the Best Thing I Saw this week. I loved Once Upon a Time’s season finale and the scene where Emma gets her magic back in particular.

I regularly have a lot of emotions about the fictional characters I watch every week. I am frustrated with them when they make bad decisions, I am sad when bad things happen to them, I am happy when something works out for them, and sometimes I am unbelievably proud of their growth as a character. This moment was one of those that made me incredibly proud of the journey Emma Swan has been on in the first three seasons of Once Upon a Time. She finally feels like she has a home. She doesn’t have to be a lost girl any more.

Grading the Season Finales 2014: Once Upon a Time

Since this is the end of this season of Once Upon a Time, I just wanted to thank all of you for reading these reviews every week and for sharing your thoughts so enthusiastically in the comments. It’s been a true pleasure reviewing this show this season, and no small part of that has come from those of you who read and comment on these posts.
COLIN O'DONOGHUE, JENNIFER MORRISON

Title Snow Drifts/There’s No Place Like Home (3.21/3.22)

Written By David H. Goodman & Robert Hull/Edward Kitsis & Adam Horowitz

What Happens? After Hook inadvertently hints to Henry (and Regina by proxy) that Emma is thinking of going back to New York, Emma tells Hook that she runs away because she believes that home is a place you miss, and she’ll keep running until she finds a place she misses. She believes she can’t relate to her parents or to life in Storybrooke because, to her, they’re still fairytale characters, and she’ll never feel like the princess she was supposed to be.

As Emma and Hook talk, they notice a light coming from Zelena’s time portal, which was activated by her death, a death Rumplestiltskin fixes to look like a suicide. When Emma is sucked into the portal, Hook dives in after her. They land in the Enchanted Forest, and a wanted poster for Snow White (and a close encounter with the Evil Queen) reveals to them exactly where in the past they landed.

When Emma breaks a twig and accidentally disrupts her parents’ first meeting, she and Hook seek out Rumplestiltskin’s help to set things right. After a tense first meeting with the Dark One (since he and Hook were still mortal enemies at this point), he agrees to help them because Emma tells him they need to survive so he can get back to his son.

Emma and Hook realize that they need to get Snow to still steal Charming’s ring, since that was the key to their love story. To do that, Hook offers Snow passage on his ship in exchange for the ring (as Emma occupies Hook from the past). Snow decides to steal the ring during Charming and Abigail’s engagement party, which Hook and Emma crash in magical disguises (courtesy of Rumplestiltskin). As “Prince Charles and Princess Leia” dance, Snow breaks into the castle, only to be caught by Charming in a similar way to their original first meeting.

When it’s discovered that Snow lost the ring in her escape, things look bleak for Emma and Hook, but they look bleaker when Regina captures Emma for helping Snow White. As Emma bonds with a woman in her cell, Hook and Charming (with some help from his patented net trap) enlist Snow’s help to break into the castle to find her. Emma escapes by picking the locks as Neal taught her (which we’re shown through flashbacks), and she takes the unnamed woman with her. But as Hook and Charming reach them, the realize Snow left them to try to kill Regina, which she’s unable to do. Instead, they watch from afar in horror as Regina appears to burn Snow at the stake.

However, Emma’s existence proves Snow to still be alive, and they discover she used her dark fairy dust to turn herself into a bug and escape. Emma is elated to see her mother alive, but Snow seems unmoved by Emma’s reaction, since she’s simply Princess Leia to her mother. As Snow and Charming move on to other parts of their adventures, Emma is able to watch her parents fall in love.

When Emma and Hook return to Rumplestiltskin looking for a way home, they find he doesn’t have one for them; he only has a forgetting potion for himself. Instead, he locks them in his vault with a wand that can open the portal only with Emma’s magic, which she no longer has. But Emma’s encounter with her mother helped open her eyes to the fact that she misses her parents; she misses them in a way that she knows can only come from knowing they’re her home. Her desire to go home to Storybrooke reawakens her magic, allowing her to open the portal, which Hook takes the woman they saved through first. Rumplestilstkin won’t let Emma leave before she tells him what happens to Bae, and she’s forced to tell him of his death. But he chooses to let her go after she begs him to let his death not be in vain, and he takes the potion.

Back in Storyrbooke, Emma reunites with her parents, telling them she’s finally home (and calling them mom and dad). Later, she goes out to find Hook, ready to thank him for bringing her back from New York. When he reveals that he gave up the Jolly Roger for a way to get back to her, she finally lets herself believe in his love, and they kiss.

Happy endings seem to be prevalent in the episode’s final moments, with Rumplestiltskin marrying Belle (despite her not knowing what he really did to Zelena) and Regina happily kissing Robin. But the woman Emma and Hook brought back turns out to be Robin’s wife, Marian, leaving Regina heartbroken. As Regina tells Emma she hopes she didn’t bring anything else back, a look at the portal reveals that a stowaway from Rumplestiltskin’s vault made the journey too: Princess (or Queen) Elsa has arrived with her freezing powers at the ready.

Game-Changing Moment Emma had no idea how much she changed the game by deciding to do the honorable thing—the Charming Family thing—in bringing back the woman she shared a cell with in Regina’s dungeon. By bringing Marian back to Storybrooke, Emma unknowingly gave Regina a whole new set of conflicts—both internal and external—to be worked through next season. Regina was understandably angry in the moment, but how will she deal with her emotions going forward? It’s that question that will really keep me thinking all summer.

But of course, Emma also brought back someone else, and that’s the real game-changer on a plot level. Will Elsa freeze Storyrbooke? Will the group have to travel to Arendelle? Is she going to be a villain or something closer to her role in Frozen? No matter the answers to these questions, what’s certain is that the show is heading in a new direction once again, and that new direction is going to generate plenty of hiatus buzz.

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TV Time: Once Upon a Time 3.20

JOSH DALLAS, GINNIFER GOODWIN

Title Kansas

Two-Sentence Summary Through flashbacks to Zelena’s life in Oz, we see her initially embrace a new family with a group of sister witches, but her envy takes over once again after Dorothy’s arrival causes her to believe she has no choice but to be evil. The choice between good and evil comes into play in the present as Regina chooses to believe she can be good again, which allows her to wield light magic and defeat Zelena (because Emma lost her magic saving Hook’s life), but Regina’s decision to spare Zelena’s life falls on deaf ears for Rumplestiltskin, who kills her with his dagger.

Favorite Lines
Regina: Heroes don’t kill.
Zelena: So now you’re a hero?
Regina: Today I am.

My Thoughts Once Upon a Time is a show about choices in a world—the world of fairytales—that so often seems to be about fate and destiny. You have to choose to love someone (and they have to choose to love you too) for true love’s kiss to work. Dark magic comes from a series of dark choices, and light magic comes from choosing to use magic for good and selfless reasons. Evil is not born; it’s made. And now we know that the same can be said for goodness, for heroism. The reason Zelena never felt like a sympathetic character to me was because she chose time and again to give in to her envy instead of choosing to move on. And the reason Regina’s arc this season has been such a joy to watch is because it was about a woman choosing to be better than who she was, choosing to believe in the goodness Snow White has always seen in her, and choosing to accept that she can both love and be loved—and draw powerful magic from that love. Choosing to be your best self isn’t the stuff traditional fairytales spend a lot of time discussing, but it’s the kind of human drama that makes Once Upon a Time so compelling.

Zelena’s flashbacks didn’t do much to make her a more interesting character, but at this point I’m not sure anything would. She was basically a glorified plot device to bring about character development for many of the show’s main characters and to jumpstart the adventure of the season finale, so she never had the depth I wanted her to have. However, I appreciated the comparison between Zelena believing she had to be evil and Regina choosing to believe she could be good. Both Regina and Zelena were faced with another woman whose presence as a “savior” and champion of goodness presented them with a choice: Accept that there must always be one good person and one evil person, or decide to change that story and fight alongside the one you’re supposed to fight against. Zelena believed she had no choice but to be evil, but Regina knew better. There’s always a choice, and she chose to change her path, as we saw her sister continue down her road to darkness.

I appreciated the little twist on the most unbelievable part Oz mythology: the melting of the Wicked Witch. Both Wicked and Once Upon a Time turned the melting into a way to show just how clever the Wicked Witch is, and that made me happy to see. And I loved watching Zelena in all her campy, evil glory after Glinda thought she was talking to the Wizard. I may not have cared about Zelena’s backstory beyond its parallels with Regina (and Emma’s in terms of the “abandoned little girl deals with being abandoned” angle), but that doesn’t mean I didn’t enjoy watching Rebecca Mader have so much obvious fun with the role.

Ultimately, what seemed to be an episode about Regina and Zelena was actually an episode that focused on the parallel arcs of Emma and Regina. Once Upon a Time has always had fun playing with the idea of these two women as two sides of the same coin, and it was more apparent than ever in “Kansas.” Their character arcs in this half of Season Three have been building to almost the same point: the realization that they don’t have to be defined by their past; they can choose to stop running from happiness and embrace the best versions of themselves, including the idea that people beyond just their son can love them. It was fascinating to watch Regina’s arc reach such a triumphant high point in an episode where Emma’s arc hit what may be an all-time low. We saw Regina at her most self-aware in an episode that saw Emma at her most delusional. We saw Regina at her most accepting of herself and others in an episode that saw Emma at her most dismissive. And we saw Regina at her strongest in terms of harnessing the power of love in an episode where we saw Emma at her weakest—both in terms of her magical powers and her belief in love.

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TV Time: Once Upon a Time 3.19

ouat 319

Title A Curious Thing

Two-Sentence Summary Henry’s storybook proves to be the key to getting his memories back, just in time for Zelena to threaten his life because of Hook’s choice not to kiss Emma, but Emma’s light magic proves to be stronger than Zelena’s once again, as does Regina’s love for her son, which breaks the curse placed on the memories of Storybrooke’s residents. With their memories returned, Snow and Charming remember that Snow cast the curse in order to return to Emma by sacrificing Charming’s heart, but Snow’s faith in their love proved strong enough to enable them to share a heart and bring her husband back to life.

Favorite Lines
Charming: Why do women keep their shoeboxes?
Snow: Because after true love, there is no more powerful magic than footwear. It has to be protected.

My Thoughts I love Once Upon a Time. It can be ridiculous, illogical, and a bit too plot-driven at times (all of which can be criticisms of “A Curious Thing”). But its heart—pun totally intended—is always in the right place. This is a show that is first and foremost about love. In an increasingly cynical world, I’m so happy to be a fan of a show that isn’t afraid to say that love has a power unlike any other force imaginable. That’s what “A Curious Thing” was all about—love’s ability to make the impossible possible. From Snow and Charming to Regina and Henry, this episode was a reiteration of the show’s foundational principle: Love is strength.

Just like last week’s character development and subtle dark humor were a dead giveaway that “Bleeding Through” was at least partly a Jane Espenson-written episode, “A Curious Thing” had Edward Kitsis and Adam Horowitz’s trademarks all over it. It made sense that the show’s creators would take the helm in an episode that harkened back so strongly to the first season of the show. And it made sense that they would write an episode that was so firmly devoted to the show’s central themes of love, belief, and family—and the collision of fairytales and harsh reality in the character of Emma Swan.

The episode began with an excellent—and, let’s be honest, hot—way to ease into the intense thematic developments to come. After seeing the way Regina and Robin’s relationship played out before the curse was cast, I was a little disappointed that they ended up not being drawn together because of a romance between them in the lost year. It seemed the attraction was definitely there, but I actually think Regina having her heart was a huge hindrance to that relationship developing. Regina’s heart has known so much loss, pain, and darkness. Removing it has allowed her to move on from the pain she has carried in her heart since Daniel died. It allowed her to feel with her soul instead, and we know from Tinker Bell’s words that Robin is Regina’s soul mate. Not having her heart seemed to help Regina’s soul find its mate without the fear she still held in her heart about finding a second chance at happiness.

Because that’s what Regina and Robin are to one another—a second chance to love, a second chance to be happy. And Regina was so wonderfully happy in this first scene. Lana Parrilla has a thousand-watt smile, and I loved seeing it used without restraint at multiple times in this episode. Regina held on to bitterness, grief, and hatred for so long that it gives me endless joy to see her truly taking this chance to be happy. Watching Regina kiss Robin with a beautiful smile on her face reminded me that Once Upon a Time is so good at showing this basic truth: Love should bring out the best in a person.

Regina and Robin’s relationship development was very closely related to what Regina witnessed between Snow and Charming in the flashback portions of this episode. And I don’t just mean the obvious foreshadowing in Robin’s line about Regina using his heart to feel. I think witnessing true love at its most true had a profound impact on Regina. With or without her memories, it was clear that this was no longer something she sneered at, but something she actually believed in.

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TV Time: Once Upon a Time 3.18

Once Upon a Time - Episode 3.18 - Bleeding Through - Promotional and BTS Photos (11)

Title Bleeding Through

Two-Sentence Summary After Zelena uses Rumplestiltskin to take Regina’s heart from Robin Hood (by threatening his son), she just needs Snow and Charming’s baby to have all the ingredients necessary to create a time-travel spell. A visit from Cora’s ghostly presence reveals Zelena’s ultimate goal: Kill Snow White’s mother because of her role in Cora’s decision to abandon Zelena.

Favorite Line “If she wants to kill you, she’s gonna have to go through me.” (Regina, to Snow)

My Thoughts “Bleeding Through” was more than the sum of its plot points (which were okay but not all that compelling). It was an episode that took the theme of this half of Season Three—moving on from your past and choosing happiness in the present—and used it to facilitate character growth that I’ve been waiting for since the first season of this show. If Once Upon a Time episodes were titled like Friends episodes, this one would have been called “The One with All the Character Development.” And by focusing so strongly on character development that needed to happen, “Bleeding Through” became one of my favorite episodes of this second half of Once Upon a Time’s third season.

I shouldn’t have been surprised to see Jane Espenson’s name listed as a co-writer for this episode. Espenson has a real gift for the consistent characterization, subtle (somewhat dark) humor, and surprisingly poignant moments that made “Bleeding Through” such a success.

From the start, it was clear that Regina’s growth was going to be a huge factor in this episode. Her showdown with Zelena was fun (the apples were a nice touch of humor), and I really like the fact that Lana Parrilla’s more composed and controlled style seems to rein in Rebecca Mader’s campier tendencies in their scenes together. Also, Regina’s new sense of self-awareness nicely highlights Zelena’s delusional tendencies. Even if I still don’t really care about Zelena herself, I enjoy her as a foil for Regina.

This episode did a great job of showing us rather than simply telling us how much Regina has grown. I was floored in the best possible way when Regina’s first reaction to her heart being taken was one of empathy and concern for others instead of concern for her own wellbeing. Robin’s remorse felt heartbreakingly sincere, but I loved that Regina didn’t labor over the apology and instead made him feel understood and comforted, even as she was dealing with the ramifications of Zelena having her heart. I have always loved the idea of these two characters bonding over their love for their children—because loving Henry is such a driving force in the person Regina has become, and loving Roland is one of the few defining character motivations we know about Robin so far. Robin’s face when Regina told him nothing—not even her own heart—was worth the loss of child spoke of a man seeing Regina in a new way, a more complete way. There was a selflessness to Regina in that moment of valuing Roland’s safety above her own heart that may have surprised Robin but didn’t surprise me at all. It was a huge moment of growth, but it came from a believable place.

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The Best Thing I Saw on TV This Week (4/13 – 4/20)

This week in television started off with another emotionally draining Sunday night, which included a look into the effects of Hook’s year without Emma on Once Upon a Time; a dramatic confrontation between Alicia and Peter on The Good Wife, and another wedding for the ages on Game of Thrones. Monday’s Dancing with the Stars provided some relief in the form of “Disney Night.” On Tuesday, New Girl attempted to deal with the fallout from Nick and Jess’s breakup, and The Mindy Project showed us Mindy and Danny struggling to move on from their brief time together. Thursday’s Parks and Recreation ended on one of the happiest notes in the show’s happy history, while Scandal‘s season finale used a variety of means to break audiences’ hearts. And Saturday’s Orphan Black season premiere hit the ground running and never looked back, with more twists and intrigue than ever before.

There were a plethora of great moments on television this week—from Joffrey finally meeting his end on Game of Thrones to Sarah knocking out Rachel on Orphan Black. However, there are times when my favorite thing on TV isn’t so much one moment but rather what an actor does over the course of an entire hour. That’s how I feel about Colin O’Donoghue’s work in this week’s Once Upon a Time. His ability to make a charming swashbuckler so earnest has always been one of the things that’s drawn me to Hook as a character, and he was at his best in “The Jolly Roger.” The scene where Hook begs Ariel/Zelena for a chance to atone for his sins and confesses his love for Emma was O’Donoghue’s finest work on the show to date. It was a heartbreaking picture of raw vulnerability, and it was another example of the fact that Once Upon a Time‘s most compelling moments occur when its talented cast is allowed to tap into very real emotions in the middle of the fairytale action around them.

What was the best thing you saw on TV this week?

 

TV Time: Once Upon a Time 3.17

COLIN O'DONOGHUE

Title The Jolly Roger

Two-Sentence Summary In Storybrooke, Hook is enlisted to help Ariel reunite with Prince Eric, but the captain is carrying a dark secret about the prince’s fate and his own quest to return to a pirate’s life during the lost year in the Enchanted Forest. When Ariel is revealed to be a shape-shifted Zelena, Hook is cursed to remove Emma’s magic if he ever kisses her.

Favorite Line “Killian, whatever happened this past year—whatever it is you’re not telling me—I don’t care. I’m tired of living in the past.” (Emma)

My Thoughts “True love isn’t easy,” Prince Charming once said (in Season One’s “What Happened to Frederick,” which was coincidentally written by David H. Goodman, who also penned “The Jolly Roger”). The same can be said of becoming a better person, embracing your true self, and learning to let go of your past. But when has anything easy ever been worthwhile to watch when it comes to character arcs?

Let’s not bury the lead here: This episode hurt. I’m still sad about it more than twelve hours later. But I love that I’m this broken-up about it because it means the writers and the actors did their jobs. If it’s done correctly, I love angst. And by “correctly,” I mean, “brought about with believable choices made by characters acting consistently to what we know about their pasts and their current motivations.” And “The Jolly Roger” was nothing if not consistent in terms of its characterization. I understood every choice made in this episode by its featured players, and that’s all I ask for.

The central theme of this episode tied into what is appearing to be the overarching theme of this half of Season Three: You can’t go back. Zelena wants to literally change the past. Charming wanted to go back to being the “cool grandpa” he was when he taught Henry to swordfight and ride horses. Emma wants to return to the life she and Henry led in New York City. And Hook learned the hard way that you can’t run from the pain of the present by desperately trying to rekindle the past.

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TV Time: Once Upon a Time 3.16

OUAT-Its-not-easy-being-green

Title It’s Not Easy Being Green

Two-Sentence Summary In Storyrbooke, Zelena’s connection to Regina is revealed, and the half-sisters face one another in a “wicked versus evil” showdown. The roots of Zelena’s envy are shown in flashbacks to her life in Oz, which she left behind when the Wizard helped her get to the Enchanted Forest to train with Rumplestiltskin.

Favorite Line “Didn’t anyone tell you? Black is my color.” (Regina)

My Thoughts Once Upon a Time is at its best when the heroes of the show are united against a compelling, charismatic villain. The second half of Season Two struggled because, let’s face it, Greg and Tamara were anything but compelling villains. The introduction of Robbie Kay’s deliciously devious take on Peter Pan injected some much-needed energy into the start of Season Three, and one of the most pleasant surprises of this half of the third season has been how fabulously fun Rebecca Mader’s Zelena has been.

It’s no secret that some of the show’s best moments feature its villains (or anti-heroes or whatever they would like to be known as) sharing scenes together, chewing the scenery in a way that is both perfectly campy and utterly captivating. So it shouldn’t surprise anyone that the combinations of Zelena and Rumplestiltskin and Zelena and Regina drove this episode. It’s always fun watching Lana Parrilla and Robert Carlyle have so much fun with their characters, and I can now say the same for Mader.

The Wicked Witch’s origin story wasn’t sympathetic enough to make me want happiness for her despite her wickedness, and I’m happy for that. I understood her, but I still think her envy is rooted in something more pathological than a sympathetic backstory can explain. And that’s okay. I don’t think we’re supposed to feel a lot of sympathy for Zelena. Yes, she had an alcoholic adoptive father and was abandoned by her real mother, but she seemed to live a life of love until her adoptive mother died. Whereas Regina lived with an abusive, literally heartless mother and a father who never seemed to defend her from Cora’s wrath. I know we have the benefit of knowing all the facts Zelena’s envy has blinded her from seeing, but I think Regina is the one who got the worse end of that deal.

What interested me the most about Zelena in this episode was how much more like Cora she was than Regina ever was, despite Regina being the one to grow up with their mother. Both Zelena and Cora grew up poor, and that gave both women a sense of envy and lust for a better life that Regina never had (which is a nice twist on the idea that the original Evil Queen in the Snow White story was driven by her envy of Snow White, and that was never the case on this show). Zelena had more control over her magic than Regina, and I think much of that difference can be attributed to the fact that Regina saw the evil in her mother’s magic and wanted no part of it for many years, while Zelena never had that exposure to dark magic being used to hurt her.

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