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About Katie

I'm a writer and editor; a dancer and choreographer; and a passionate fan of more things than is probably healthy. I love film, literature, television, sports, fashion, and music. I'm proud to be a Nerdy Girl.

The Best Thing I Saw on TV This Week (3/17 – 3/24)

This was a great week for me as a television viewer (even without a new Parks and Rec). One of my favorite reality shows, Dancing with the Stars, was back with some promising contenders for this season (I’m looking at you, Jacoby Jones). Castle gave us a fun take on the horror genre as well as some genuinely sweet moments between Castle and Beckett (“Be with Kate” was a close second for this week’s favorite TV moment). And Once Upon a Time continued its journey into the murkier waters of morality and featured one of the most powerfully acted scenes it’s ever had in a dramatic showdown between Snow White and Regina.

Although these were all great episodes, there was no real debate for what would be my pick for the best of this week in the world of television. For some time now, New Girl has been delivering must-see moments on a near-weekly basis. This week’s “Quick Hardening Caulk” ended with a kissing scene that was equal parts hilarious (“You’re so annoying with your little shorts!”) and HOT (because when Nick Miller kisses like a man, he really kisses like a man). New Girl has become the new standard for mixing comedy with sincere moments of emotion and character development, and this moment between Nick and Jess was showcased that balance perfectly.

And on a purely shallow note, it’s impossible to look at Jake Johnson in this scene and imagine that anything else on TV could possibly be better than his face (and ridiculously beautiful jawline).

 

What was the best thing you saw on TV this week?

TV Time: New Girl 2.19

Title Quick Hardening Caulk

Two Sentence Summary Nick’s newfound sense of responsibility makes Jess more attracted to him than ever, leading to a pain-pills-induced confession of lust after a trip to the hardware store goes awry. Meanwhile, in the aftermath of Cece’s engagement, Schmidt becomes obsessed with acquiring a rare tropical fish, and Winston helps him on his quest.

Favorite Line “I know this is a dumb question—but will a number two help?” (Winston to Schmidt, after he’s unable to pee on Schmidt’s jellyfish-stung face)

Episode M.V.P. This was an incredibly hard choice this week. Every member of the cast turned in solid performances, and every character had their chance (or chances) to shine. Schmidt’s storyline was full of laugh-out-loud moments (his temper tantrum at the aquarium and his reaction to getting stung—“IT BURNS!”—were two of my favorites), but, once again, Max Greenfield was able to ground the moments of broad comedy with a feeling that Schmidt’s antics were coming from a place of really genuine (and therefore really heartbreaking) pain. Schmidt’s fish quest also showcased the friendship between him and Winston in a way we haven’t seen before. Winston’s scene with Cece was a standout moment for me because it felt so real, and that’s a credit to the poignantly direct writing and honest performances.

Zooey Deschanel perfectly played Jess’s growing attraction to Nick spilling over into unbearable sexual frustration (I was especially fond of her bolting from the room when Nick complimented her dress and her yelling at him to leave when he started to talk about wanting to iron his shirts). From her medication-induced Judy Garland impression to her priceless reading of Nick’s hardware store shopping list, Deschanel’s performance was a true highlight.

However, this episode belonged to Nick. In order for this episode to work, Nick Miller had to be more attractive than ever, and that was accomplished on so many levels. Jake Johnson is on fire this season, and his balance of adorable enthusiasm for self-improvement, genuine confusion over how to handle Jess’s high-as-a-kite proposition, and raw desire finally set free was nothing short of perfect. Nick may be a terminal adolescent in a lot of ways, but there’s no question that he’s a man when it comes to his relationship with Jess. The way Nick refused to do anything with Jess while she was on her pain meds was both surprising and not surprising at all. Like their first kiss, Nick wants their relationship—every bit of it—to be real. You could almost see an echo of his “Not like this” confession on his face as Jess told him she wanted to sleep with him. That facial expression was beautifully contrasted with the hope and happiness on his face when Jess finally tells him that she wants him for real. Johnson is so good at using his facial expressions to both make the audience laugh and make us forget how to breathe. That last scene, with him running the gamut from longing to passion (I might just be a little obsessed with the vein in his neck popping out as they’re kissing and fighting) to comedy, was some of his best work in a season that has mentions of Emmy nominations being thrown his way (as they should be).

Also, the man is just really attractive…I dare anyone to disagree after watching this episode.

Favorite Moment The final scene between Nick and Jess demonstrated what New Girl does better than any show on TV: mixing the broadly comedic with the genuinely emotional. Everything about that scene felt true to the characters and their relationship as we’ve seen it develop. There was something so deliciously exciting about watching the two of them playfully argue about Jess being a gold-digger as she stepped closer to Nick, and I actually held my breath when Nick told her to prove that she wasn’t. (Like I said, I’m finding Jake Johnson incredibly attractive right now.) And I loved that what followed was like a powder keg of sexual tension exploding. It was messy, it was full of arguing over random annoyances (Nick’s anger over Jess’s shorts was my favorite), and it was the only way a scene like that between Nick and Jess should be at this point. New Girl is special because it manages to find moments of realism amid comedy, and that’s exactly what happened in this scene. The comedy that was there was perfect, and the realism was…Well there’s no other word to describe it except HOT. I can’t be the only girl who finally understood what it means to swoon when Nick told Jess to take off her damn clothes (His voice!) and when he kissed her “like a man” (Now that is a “damn fairytale” kiss, Nick Miller.) I don’t know how this show has been able to hit every beat between Nick and Jess in a way that is both creative and simply right for the show and the characters. But they’re doing it. And I can’t wait to see where it leads.

A New Girl GIF* For My New Girl Feelings

i want him bad jess

I agree, Jess. Everything about this episode worked: the jokes, the friendships, the tension, and the payoff. But the thing that worked most of all is Jake Johnson. Who would have thought that Nick Miller would be known as the best kisser and one of the most swoon-worthy characters on TV back when this show started? Things have certainly changed…and it’s definitely a change for the better.

*I have no talent for GIF-making. Thankfully, I am highly skilled at searching Tumblr for the best GIFs. I take no credit for this beauty. 

TV Time: Castle 5.17

Title Scared to Death

Two-Sentence Summary The death of a young woman leads Castle and Beckett to a mysterious DVD that promises to bring death at midnight of the third day after its viewing. While Beckett attempts to solve the case with reason by tying it to a serial killer and his brother, Castle begins to work his way through his bucket list, believing his death is imminent.

Favorite Line “You’re a cop. And I’m a cop…helper.” (Castle)

My Thoughts After the intense drama of the last two episodes of Castle, it was nice to shift gears and return to a lighter take on the procedural genre. I’ll admit that my expectations for this episode weren’t sky high, but I was pleasantly surprised by how much fun I had watching this episode. I think I’d even go so far as to say it was some of the most fun I’ve had watching Castle this season, and this has been a pretty great season to be a Castle fan.

My favorite Castle cases are the quirky, somewhat nerdy cases: the zombies, the sci-fi convention, the vampires, the ghost hunters, the soap opera writer, etc. So this case was incredibly enjoyable for me. I loved the callbacks to the best of the horror genre because they were integrated perfectly into the plot: the cabin in the woods, the creepy video, the meeting in the mental hospital. Even Castle rejecting Beckett’s propositions made sense within the context of the episode and Castle’s character as we know him: Sex is never a good thing in a horror movie, and it’s definitely in Rick Castle’s personality to buy into that superstition 150%.

The horror plot also gave us that deliciously fun phone call with Wes Craven. I adore reminders that Castle is rich, famous, and well-connected, so this was like a surprise gift in the middle of an already-fun episode.

So much of the “fun factor” in “Scared to Death” came from the interactions between Castle, Beckett, Esposito, and Ryan. But I would be remiss if I didn’t mention Perlmutter’s presence as well. I love Lanie, but Castle and Perlmutter’s continuing antagonistic relationship is a beautiful thing to behold. One of my favorite moments in the entire episode was Perlmutter calling him “Defective Castle.”

The entire group in the 12th precinct was firing on all cylinders this week in terms of their comedic timing and chemistry. I’ve always loved the natural divide between the skeptics (Beckett and Esposito) and the “believers” (Castle and Ryan), but this episode edged Esposito just a little bit closer to the believers. And it was hilarious to watch. The scene where Beckett tried to get the two detectives to watch the DVD was perfect, with Seamus Dever and Jon Huertas showing off their own comedic chops. I also laughed out loud when Esposito had his “startled…not scared” reaction to the creepy hotel owner sneaking up on them.

Beckett’s logic clashing with Castle’s wild theories has always been a source of great comedy for Castle, and it worked to great effect again this week. Just because they’re in a relationship doesn’t mean Beckett is going to stop being annoyed by Castle’s theories, and that’s a good thing. For as fantastic as character growth is—and for as rich as Beckett’s growth has been—this episode was a nice reminder that she’s still the same logical cop we met in the pilot episode and that her relationship with Castle is always going to be that mixture of oil and water that keeps the banter alive. Character consistency is just as important as character development.

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TV Time: Once Upon a Time 2.17

Title Welcome to Storybrooke

Two-Sentence Summary Flashbacks to the first days of Storybrooke reveal Regina’s isolation and boredom as she watches its cursed inhabitants relive the same day over and over again—until a man and his son who were camping in the woods when the curse created the town enter its limits, and Regina discovers that a child might be the way to fill the emptiness in her heart. In present-day Storybrooke, Regina embarks on a quest to cast a spell on Henry that would make him believe he really loved her, Snow’s guilt turns suicidal, and the boy who entered Storybrooke in 1983 is revealed to be Greg, the hospital patient.

Favorite Line “You know what my problem is? I never learn from my mistakes.” (Regina)

My Thoughts I know this episode is a divisive one, and I’m not even sure how I really feel about what the writers are trying to say and what direction the rest of this season is going to go in. But I think there’s one thing we all can agree on: That last scene between Ginnifer Goodwin and Lana Parrilla was nothing short of brilliant. No matter what you feel about this episode, it gave us that brutally powerful moment between two actresses who are both masters of genuine emotion—perhaps one of the strongest scenes of the entire season.

I’ll talk more about the combined brilliance of Goodwin and Parrilla later, but first I think there’s one more thing the entire Once Upon a Time fandom can agree on: It’s always good to see Sheriff Graham again. It’s been too long since that beautifully scruffy face and swoon-worthy accent were on my television screen. The only bad thing about seeing Graham again was the reminder that I loved him and Emma together so much more than any other option we have now. (Don’t get me wrong, I am a fan of both Emma/Hook and Emma/Neal for different reasons, but Emma and Graham’s second kiss will be difficult if not impossible to top, in my opinion.)

I love all of the flashback portions of this episode. I know it’s weird to say, but I kind of missed cursed Storybrooke and its inhabitants. There was something reassuringly simple about the Storybrooke of Season One, before the chaos that this season has brought descended on the town. I loved the unsettling take on Groundhog Day, and I loved the way Parrilla played Regina’s initial glee and then growing restlessness over the results of the curse. I especially liked her interactions with Mary Margaret. Regina’s glee over Snow not recognizing her husband was only bested in my opinion by her frustration with Snow’s fighting spirit being taken from her. Regina wants Snow to suffer—not this little mouse who barely resembles the strong woman she was challenged by back home.

Regina is a woman who wants to have everything because she was a girl who grew up with nothing—no love from her mother, no support from her father, no hope of love after her mother killed Daniel…So even the curse isn’t enough for her; she wants her subjects to love her because they choose to, not because she’s forcing them to. This is the reason she clings to Owen—because he genuinely seemed to care about her and wanted to bond with her. But Regina is so broken, so damaged by growing up with a (literally) heartless mother and spineless father that she has no idea how to show Owen that she cares about him. She’s so desperate for love that she becomes blind to logic and the feelings/needs of the person whose love she desires, which is something we see again and again from Regina. It’s a tragic flaw, and Parrilla does such a wonderful job of allowing you to see the tragedy inherent in the incompatibility between Regina’s twisted obsession with love and her inability to show love properly.

That dichotomy between wanting love and being unable to differentiate between healthy and unhealthy means of obtaining it is beautifully paralleled in Regina’s relationship with Henry. For a woman who was so desperate to find someone to love her out of their own free will, she seemed frighteningly quick to take away her son’s free will in this episode. That spell showed me just how broken Regina is. While I may not sympathize with her as much as some do, it’s hard not to understand why she is the way she is. Regina has never been irredeemably evil, and so much of her complexity comes from Parrilla’s tortured performance. I wanted Henry as far away from Regina as possible at the start of this episode, but after she destroyed the spell, I actually found myself angry that he ran to hug Emma rather than Regina. If that’s not a sign of a truly complex relationship between villain and audience, then I don’t know what is.

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The Best Thing I Saw on TV This Week (3/10 – 3/17)

While two of my favorite shows (Castle and New Girl) were still on depressingly long hiatuses this week, my week in television was still an emotional roller coaster. I watched Sean make his final choice (and I believe the right choice) on The Bachelor, and of course I got a little choked up watching the proposal. (Yes, I am a ridiculous romantic at heart. Judge away.) Once Upon a Time killed off a major character and added a dark new layer to my favorite character, in addition to making me cry multiple times. (Thanks a lot for that, Robert Carlyle.)

But the single greatest moment on TV this week came from Parks and Rec. Nothing I saw this week made me smile more than April, Ann, and Donna breaking into a pitch-perfect “Time After Time” sing-along. It was a big moment for April’s character and her relationship with Ann, but, more than anything, it was just a lot of fun. Parks and Rec can make me happy like nothing else on TV, and this was one of those moments where I was reminded of that in a truly creative way.

Sadly, there’s no video of this scene on YouTube anymore, but thank God once again for Tumblr. Enjoy!

What was your favorite TV moment of the week?

TV Time: Parks and Rec 5.16

Title Bailout

Two-Sentence Summary Leslie’s attempts to get the Pawnee government to help a struggling “cultural institution” (aka video rental store) bring her into conflict with Ron and his staunchly anti-bailout views. Meanwhile, Ann and Chris both look for ways to cope with his impending decision about being her sperm donor—with Ann choosing to blackmail April into a week of friendship and Chris testing his parenting skills with Tom.

Favorite Line “I’m sorry, guys. No one ever lets me talk this long, I just got lost.” (Jerry)

My Thoughts While this wasn’t my favorite episode, it did contain at least one (possibly two) moments that would be sure to make my list of All-Time Favorite Things to Ever Happen on Parks and Rec. (Maybe I should actually write that list down sometime…Possible summer hiatus project?) I didn’t care as much about the Leslie/Ron A-plot as I wanted to, but I was okay with that because the secondary plots were so strong.

While I loved Jason Schwartzman cinema-snob video store owner (I almost cried laughing at his reaction to having Michael Bay movies in his store), something about that whole plot fell a little flat to me. I usually like episodes that feature Ron and Leslie butting heads over conflicting ideologies (“Pawnee Rangers” did this the best, in my opinion), but for some reason I just didn’t care about the political satire in this episode. Maybe it’s because it didn’t really move either character forward at the episode’s end. However, I understand that not every episode can be a huge episode for every character, so I’ll take the little gems that this plot provided and enjoy them.

And there were plenty of little gems in this A-plot: Andy’s story about the hornet’s nest, Leslie’s love for Finding Nemo (excellent taste, Ms. Knope), Brandi Maxxxx’s existence in general and her adorably awkward one-sided friendship with Leslie, Ron ordering a party platter of meat for only himself, and Perd Hapley’s 1.5 star review of E.T.

I think some of my disinterest with the bailout story was because I wanted more of April and Ann’s story. In the same way that I said I would have watched a whole movie featuring the rotating bachelor party shenanigans from “Two Parties,” I would gladly sit through hours of watching Ann and April dance around on the edges of friendship. I am absolutely loving the way Ann is being written right now. Rashida Jones plays enthusiastic awkwardness so well, and I’m so happy the writers seem to be running with that this season. I laughed way too hard at all of the clichéd “BFF!” things she was making April do—from their matching braids to making White Russians in their pajamas. But what I liked most about all of those over-the-top actions was that they came from a genuine place of desperation to take her mind off of Chris’s lack of a decision about donating his sperm. And when she finally revealed that to April, we got what is probably one of the highlights of the entire season.

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TV Time: Once Upon a Time 2.16

Title The Miller’s Daughter

Two-Sentence Summary As Cora plots to stab the dying Rumplestiltskin and become the Dark One herself, we uncover the twisted history between them during flashbacks to Cora’s life as the miller’s daughter who was taught dark magic by Rumplestiltskin before betraying him, ripping out her own heart to allow herself to do so. That heart becomes the means by which Cora ultimately meets her demise at Snow’s hand.

Favorite Line “You are a hero who helped your people. You are a beautiful woman who loved an ugly man—really, really, loved me. You find goodness in others, and when it’s not there, you create it. You make me want to go back—back to the best version of me… And that’s never happened before. So when you look in the mirror, and you don’t know who you are—that’s who you are. Thank you.” (Rumplestiltskin, to Belle)

My Thoughts Ever since I started watching Once Upon a Time, I’ve loved it for two reasons: its unashamed optimism in an age of television cynicism and its ability to create a world in which fairytales are no longer black-and-white but much more morally complex. It wasn’t until this episode that I realized having morally complex characters means that their actions won’t always inspire optimism. If I love Once Upon a Time because the villains aren’t 100% evil, then I also have to accept that the heroes aren’t always going to be 100% good—not even my favorite hero of them all.

“The Miller’s Daughter” was all about the choices we make and the reasons we make them—and what that ultimately says about who we are. No one in this episode was pure good or pure evil, and that’s how I like my Once Upon a Time. This episode was one of the richest, most well-written episodes the show has ever had, which should surprise no one after learning that Jane Espenson wrote it. This woman has a talent for character development and adding layers to the Once Upon a Time mythology that I’ve yet to see matched by any other writer for this show.

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The Best Thing I Saw on TV This Week (3/3 – 3/10)

This was a relatively slow week in the world of TV for me. Most of my shows were on hiatus, although Once Upon a Time was new and incredibly well-acted and well-paced. However, “The Queen Is Dead” was just too sad for me to think of it as the best thing I saw on TV this week. It was beautifully executed, but it was such a heavy hour of television.

With that in mind, I chose something lighter and more fun for this week’s pick for TV’s best moment of the week. Last night, Justin Timberlake came back to host his fifth episode of Saturday Night Live, and it was as enjoyable as I’d hoped it would be. I was always more of a Backstreet Boys fan growing up, but ever since Timberlake began his solo career, I’ve become a major JT fangirl. Apparently I’m just a sucker for a good song-and-dance man (with the emphasis on dance).

Timberlake’s performances of “Suit and Tie” and “Mirrors” on SNL showed off his characteristic style of performing—making doing it all look almost ridiculously easy.

What was your favorite thing on TV this week?

 

Who Run the World?

Happy International Women’s Day!

On a day like today, I think it’s important to stop and honor the many smart, brave, and wonderful women who are helping to make the world a brighter, better place for our gender. I know that I’m personally inspired every day by the strength of the women I’m surrounded by. From the real women whose examples I aim to follow with every step to the fictional women I am proud to call inspirations, there are no shortages of powerful female role models in my life.

To those women who have made me a better woman just by being themselves, I give you my undying gratitude. And to those women who—like all of us at some point or another—are fighting to define themselves in a world that still sees the feminine as “weak” and the worth of men as greater than women, I give you a hand to hold and the promise that you’re not alone.

Women are strong and smart and funny. We’re powerful and ambitious and determined. We’re warm and generous and encouraging. We can be doctors, lawyers, and writers; teachers, CEOs, and stay-at-home moms. We can be anything. We can be everything.

Never let someone tell you that you can’t be or do something just because you’re a woman. You have just as much a right to your dreams as a man.

So here’s to the girls who know that being told you do something “like a girl” shouldn’t be an insult—it’s an honor.

Take a second today to thank the women in your life who’ve helped you see your own beauty, strength, and potential. Because you have all of those things and more. Never forget that.

Today and every day, I’m proud to be a nerdy girl. And I wish for life to give you people and experiences that make you proud to be whatever kind of girl you want to be.

TV Time: Once Upon a Time 2.15

As I attempt to get through a hectic (to say the least) workweek, the lovely Leah has volunteered to share her talents with us once again as this week’s Once Upon a Time reviewer! 

Hi, everyone! Once again I am back to talk with you all about Once Upon A Time, and this week was crazy as usual. So let’s get started!

Title The Queen Is Dead

What Happened? In New York, bonding time for Emma, Henry, Neal, and Mr. Gold is interrupted by Hook, who stabs Gold with his recently reacquired and poisoned hook and forces them to figure out a plan to get Gold back to Storybrooke before he dies from the magical poison. In Storybrooke, Snow White deals with the simultaneous anniversary of her mother’s death and her own birthday, and she and Charming discover Cora and Regina’s plans to cause havoc and control the town. In the flashbacks to Fairytale Land, we see the circumstances that surround the death of Snow’s mother.

Favorite Lines
Charming: And we keep beating them.
Snow: At what cost? All I want is our happy ending.

My Thoughts To be completely honest, this episode mostly left me sad. There was not a lot of humor, and as you can see by my favorite lines there were not many snappy one-liners to break up the dramatic tension, as the whole episode was mostly drama-filled. While I immensely admire and enjoy the way that the Once Upon a Time writers are able to tie everyone’s backstory together so well and create all these connections that have great continuity with the series as a whole, this episode left me feeling depressed. Which, to be fair, was probably the point, as it has to spark the catalyst for Snow White’s next story arc as well as truly set up the big clash of good and evil that is likely on its way.

First, let’s talk about Regina and Cora. The end of this episode left me wanting very badly for them to just disappear and leave Storybrooke alone, because they apparently only create despair for my favorite characters. I do, however, find them to be interesting and complex characters even though I hate them at the moment. (Bravo, Once writers; this is how you write good villains.)

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