
The women of Once Upon a Time, including Emma Swan, had some of my favorite character arcs on TV this year.
With the holiday season upon us, it’s always fun to reflect back on the year that was. Here at Nerdy Girl Notes, that means reflecting on all of the best things to happen in the worlds of television, movies, and books in 2014. In the days leading up to the start of 2015, I plan to share some lists of my favorite things about the media I consumed in the past year.
Because one of the things I enjoy most about running NGN is hearing about why all of you love what you love, I hope these lists can serve as a starting point for discussion about what meant the most to you this year. I’d love to see you share your own lists in the comments, and I hope you’re checking out plenty of other “Best of 2014” lists, too, including the ones made by everyone’s favorite beautiful tropical fish, Heather!
Today’s “Best of…” list is all about character arcs. This was a fantastic year for rich, complex character development on television, which means it was also a year filled with outstanding performances, as talented actors brought these character arcs to life. From first ladies and lawyers to evil queens and clones, here are my 10 favorite character arcs of 2014.
1. Emma Swan on Once Upon a Time (Jennifer Morrison)
If Once Upon a Time’s motto is “Love is strength,” then Emma Swan’s character arc this year was all about becoming her strongest self by opening up to love. In 2014, Emma found a home, made a friend, confronted her forgotten past, fell in love, and made the choice to love her true self even when that choice seemed anything but easy. Emma’s journey this year was a journey of vulnerability, and Morrison made me feel every painful and beautiful step of that journey. But it was also a journey of joy, of coming to choose hope and happiness after a lifetime of pushing those things away out of fear of them being taken from her. And, for as much as Morrison showed Emma’s growth so well in moments of tearful vulnerability, she showed it even more in moments of quiet joy and intimacy. It’s not easy to make a smile feel as important to an audience as an emotional breakdown, but Morrison managed that feat, making Emma’s choices to believe in love, in the people around her, and in herself resonate with me. They felt as heroic as fighting any wicked witch or evil spell.
2. Regina Mills on Once Upon a Time (Lana Parrilla)
This was a fantastic year for the women of Once Upon a Time in terms of character development. Regina started 2014 ripping her own heart out to save herself from having to feel pain, and she ended the year choosing to cause herself pain in order to spare someone else loneliness and loss. Regina’s journey towards becoming a better, more selfless person was a true joy to watch this year. Whether it was shown through making peace with Snow White, giving her heart to Robin Hood (in every way she could), or choosing to let him go in order to do the right thing, Regina proved that she’s become so much more than the Evil Queen. And Parrilla has found the perfect balance of sass and sincerity to completely captivate me as a viewer every time she’s onscreen. I want a happy ending for Regina so badly even though I used to actively root against her, and if that’s not the sign of a well-written and well-acted character arc, then I don’t know what is.
3. Louis Litt on Suits (Rick Hoffman)
In the barren landscape of summer television, Suits is an oasis of great characters played by incredible actors. And this summer, it was Louis (and Hoffman) who stood in the spotlight. Louis’s character arc in 2014 was all about emotion and the pitfalls of letting that drive you in a world as cold as the one he inhabits. Louis lost so much this year—his fiancée, his job—but he seemed to gain a real friend in Donna and more respect than ever from Harvey. But ultimately, Louis’s character arc led up to a final, climatic moment of emotion where he discovered Mike’s secret and used it to demand the one thing he’s always wanted: to become a name partner. Thanks to the brilliant work Hoffman turned in this year, I cried for Louis, I celebrated with him, and I ultimately shared his anger and sense of betrayal, too. But the fact that I genuinely feared him in his final confrontation with Jessica is the real mark of Hoffman’s skill and the genius of the way Louis is written. He could have been a one-note office antagonist or bumbling idiot, but he’s now one of the most complex characters on television.








